A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
- Awards
- 3 wins & 7 nominations
Jf Davis
- Freddy's Hand Double
- (as Jeffrey John Davis)
Storyline
Did you know
- TriviaIn this film, Freddy is depicted much closer to what Wes Craven had originally intended for the character, much more menacing, much less comical, with an updated attire and appearance. However in 2015, before his death, he would admit he regretted changing his appearance and said: "If it ain't broke, don't fix it." Which was why he kept Ghostface's mask the same in every Scream movie.
- Goofs(at around 1h 18 mins) When Julie punches out the head nurse, she is knocked out cold onto the floor. The second nurse runs out the door screaming, afraid of the syringe. Somehow, the head nurse ends up outside the door trying to get inside.
- Quotes
Heather Langenkamp: Every kid knows who Freddy is. He's like Santa Claus... or King Kong or...
- Crazy creditsFreddy Krueger was included in the end credits as 'Himself'.
- SoundtracksLosing My Religion
Written by Bill Berry, Peter Buck, Mike Mills & Michael Stipe
Courtesy of Night Garden Music
Featured review
The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.
After the 'A Nightmare on Elm Street' series showed signs of severe fatigue, that it was suggestive of the series being completely dead, original director Wes Craven makes a welcome return and brings new, fresh life to the series. 'New Nightmare' may not be as good as the original, none of the follow-ups are (though two of the previous sequels, the third and fourth, were good), but it is the best of the follow-ups since the third and is one of the best in the series.
'New Nightmare' has its faults. Its biggest one is the ending, it is just ridiculous and jars tonally with the rest of the film, which took a darker and more serious direction (perhaps more so than the original). Count me in as another person who didn't care for Freddy's look here, it looks rather goofy and doesn't do Robert Englund's creepy performance and the way Freddy's written justice.
Heather Langenkamp also seemed a bit bland and seemed rather anaemic for a character written more dramatically than previously.
On the other hand, 'New Nightmare' looks very atmosphere and made with a good deal of style and slickness. The production design has a suitably nightmarish look and the special effects are great and perhaps superior to the original's. The music score is haunting.
The writing may lack the one-liners seen before, but the more serious direction the dialogue took was appreciated after the fifth and sixth films did such a poor job with the one-liners and comedy. The dialogue isn't mind-blowing but it flows decently and intrigues at least. The semi-documentary-style adopted for some of the film is very interesting, making for one of the most original ideas of the follow-ups and the series overall too, while still delivering on the shocks, suspense and creepiness.
Despite the goofy look for Freddy, Englund is very creepy and even with not much screen time he burns long in the memory.
In summary, one of the series' better entries and worth staying awake for. 7/10 Bethany Cox
After the 'A Nightmare on Elm Street' series showed signs of severe fatigue, that it was suggestive of the series being completely dead, original director Wes Craven makes a welcome return and brings new, fresh life to the series. 'New Nightmare' may not be as good as the original, none of the follow-ups are (though two of the previous sequels, the third and fourth, were good), but it is the best of the follow-ups since the third and is one of the best in the series.
'New Nightmare' has its faults. Its biggest one is the ending, it is just ridiculous and jars tonally with the rest of the film, which took a darker and more serious direction (perhaps more so than the original). Count me in as another person who didn't care for Freddy's look here, it looks rather goofy and doesn't do Robert Englund's creepy performance and the way Freddy's written justice.
Heather Langenkamp also seemed a bit bland and seemed rather anaemic for a character written more dramatically than previously.
On the other hand, 'New Nightmare' looks very atmosphere and made with a good deal of style and slickness. The production design has a suitably nightmarish look and the special effects are great and perhaps superior to the original's. The music score is haunting.
The writing may lack the one-liners seen before, but the more serious direction the dialogue took was appreciated after the fifth and sixth films did such a poor job with the one-liners and comedy. The dialogue isn't mind-blowing but it flows decently and intrigues at least. The semi-documentary-style adopted for some of the film is very interesting, making for one of the most original ideas of the follow-ups and the series overall too, while still delivering on the shocks, suspense and creepiness.
Despite the goofy look for Freddy, Englund is very creepy and even with not much screen time he burns long in the memory.
In summary, one of the series' better entries and worth staying awake for. 7/10 Bethany Cox
- TheLittleSongbird
- Dec 31, 2017
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La última pesadilla
- Filming locations
- Gothic Avenue / San Fernando Mission Boulevard, USA(Heather drives to Wes' house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $18,090,181
- Opening weekend US & Canada
- $6,667,118
- Oct 16, 1994
- Gross worldwide
- $19,721,741
- Runtime1 hour 52 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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