A "National Geographic" film crew is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.A "National Geographic" film crew is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.A "National Geographic" film crew is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.
- Awards
- 6 wins & 11 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the filming of one scene, the controls for the animatronic anaconda shorted out, causing it to completely lose control. Some of the footage is included in the movie.
- GoofsIt's stated in the movie that anacondas have heat pits. They don't.
- Quotes
Paul Serone: Never look in the eyes, of those you kill. They will haunt you forever. I know.
- Alternate versionsThe version shown on the Sci-fi channel has several scenes added, including Westrige complaining about his room, Cale musing that the monkeys are acting like they sense a predator nearby, and a dinner scene where Westrige expresses reservations about Sarone.
- ConnectionsEdited into Gale Force (2002)
- SoundtracksTipsy Dazy
Written by Stephen Marley
Performed by Ziggy Marley and the Melody Makers
Courtesy of Elektra Entertaiment Group
Featured review
This underrated monster movie came out around the same time as THE RELIC and both films got poor reviews. I happened to see this at the cinema back in '97 and I remember being distinctly underwhelmed by the film. After catching it on television again last night, my opinion has radically changed. While it may be a cheesy film with bad acting and poor special effects, the makers of this film obviously have an affection for B movies and, as one reviewer on the IMDb noted, there is definitely an old-fashioned feel to it, it's a bit like a '50s giant monster movie updated to the present day. On retrospect, I enjoyed this far more than the disappointing and hugely generic film that was THE RELIC, and after watching many of the recent so-called "horror" films on release, I've come to appreciate this for what it is : a fun, shallow and fast-paced little film that delivers the goods on the gore front.
While it's not a particularly bloody film, many of the deaths by snake are gooey and gruesome in the extreme. We watch the victims as they get slowly crushed and their bones break out, and then watch as their blubbery bodies are digested by the snake. In the film's big moment, Jon Voight is eaten, only to be regurgitated as a half-eaten mess moments later. Just when you thought it couldn't get any better, his corpse winks! The plot is a typically contrived and generic one, but as I mentioned it's fast paced so you don't have time to dwell on the holes. The acting is pretty bad, but again that's typical for a film of this variety - what's not typical is that most of the actors here are famous, or have become famous since.
Jennifer Lopez takes the lead and frankly I can't see what all the fuss is about, to me she's unattractive and a bad actress to boot. Joining her are Eric Stoltz in a nothing role, and he spends most of the film in a coma after eating a deadly wasp (strangely, though, he doesn't die!). Ice Cube is the likable, gruff and unlikely hero, a feat he pulled off again in '99s THREE KINGS. Jonathan Hyde plays an Englishman in a role that borders on the offensively stereotypical - if we British aren't depicted as bad guys, then must we all have stupid accents and be figures of ridicule with our silly "stiff upper lip" type characters? Bad acting awards go to Jon Voight for his supremely hammy portrayal of the film's villain, a lip-curling, eye-winking performance which I found to be hilarious - he's great, having a laugh, and miles away from the boringly serious characters he played in films like Deliverance. A pre-stardom Owen Wilson is pretty bland, and Kari Wuhrer is all glamour and no intelligence. Eagle-eyed viewers may spot FROM DUSK TILL DAWN's vampire bartender Danny Trejo as a snake victim whose suicide kicks the film off.
Now, for the special effects, which are a mixture of CGI and animatronics. The animatronics are great, and very lifelike. The CGI is not so, but at least it looks pretty as we watch the snake swirl through the air and stuff. I've seen a lot worse in more recent films, and at least you can see the effort that's gone into this creation to try and make it look as spectacular as possible. Speaking of spectacular, there is the requisite explosive finale which manages to be quite exciting as things go. ANACONDA is, to me, a welcome monster movie from a time when most horror films were slashers squarely aimed at a teenage audience. Thankfully, this film has no teenagers and no masked killers. That, the fun monster and the change of location (an authentic-looking Amazon jungle) make this one to watch again and again for me.
While it's not a particularly bloody film, many of the deaths by snake are gooey and gruesome in the extreme. We watch the victims as they get slowly crushed and their bones break out, and then watch as their blubbery bodies are digested by the snake. In the film's big moment, Jon Voight is eaten, only to be regurgitated as a half-eaten mess moments later. Just when you thought it couldn't get any better, his corpse winks! The plot is a typically contrived and generic one, but as I mentioned it's fast paced so you don't have time to dwell on the holes. The acting is pretty bad, but again that's typical for a film of this variety - what's not typical is that most of the actors here are famous, or have become famous since.
Jennifer Lopez takes the lead and frankly I can't see what all the fuss is about, to me she's unattractive and a bad actress to boot. Joining her are Eric Stoltz in a nothing role, and he spends most of the film in a coma after eating a deadly wasp (strangely, though, he doesn't die!). Ice Cube is the likable, gruff and unlikely hero, a feat he pulled off again in '99s THREE KINGS. Jonathan Hyde plays an Englishman in a role that borders on the offensively stereotypical - if we British aren't depicted as bad guys, then must we all have stupid accents and be figures of ridicule with our silly "stiff upper lip" type characters? Bad acting awards go to Jon Voight for his supremely hammy portrayal of the film's villain, a lip-curling, eye-winking performance which I found to be hilarious - he's great, having a laugh, and miles away from the boringly serious characters he played in films like Deliverance. A pre-stardom Owen Wilson is pretty bland, and Kari Wuhrer is all glamour and no intelligence. Eagle-eyed viewers may spot FROM DUSK TILL DAWN's vampire bartender Danny Trejo as a snake victim whose suicide kicks the film off.
Now, for the special effects, which are a mixture of CGI and animatronics. The animatronics are great, and very lifelike. The CGI is not so, but at least it looks pretty as we watch the snake swirl through the air and stuff. I've seen a lot worse in more recent films, and at least you can see the effort that's gone into this creation to try and make it look as spectacular as possible. Speaking of spectacular, there is the requisite explosive finale which manages to be quite exciting as things go. ANACONDA is, to me, a welcome monster movie from a time when most horror films were slashers squarely aimed at a teenage audience. Thankfully, this film has no teenagers and no masked killers. That, the fun monster and the change of location (an authentic-looking Amazon jungle) make this one to watch again and again for me.
- Leofwine_draca
- Mar 16, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Trăn Khổng Lồ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $65,885,767
- Opening weekend US & Canada
- $16,620,887
- Apr 13, 1997
- Gross worldwide
- $136,885,767
- Runtime1 hour 29 minutes
- Color
- Aspect ratio
- 2.39 : 1
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