A police officer uncovers the real identity of his house-guest, an I.R.A. terrorist in hiding.A police officer uncovers the real identity of his house-guest, an I.R.A. terrorist in hiding.A police officer uncovers the real identity of his house-guest, an I.R.A. terrorist in hiding.
- Awards
- 1 nomination
Rubén Blades
- Edwin Diaz
- (as Ruben Blades)
Ashley Acarino
- Morgan O'Meara
- (as Ashley Carin)
Storyline
Did you know
- TriviaBrad Pitt wanted to leave the production, but was threatened by a lawsuit. In the February 2, 1997, issue of Newsweek, Pitt called the film a "disaster", and said that "it was the most irresponsible bit of filmmaking - if you can even call it that - that I've ever seen. I couldn't believe it". Rumors of fighting on the set (especially over which star would be the focus of the film) plagued the production. The original script was discarded and there were at least seven subsequent rewrites. Pitt said the final version was "a mess". "The script that I had loved was gone," he said. "I guess people just had different visions and you can't argue with that. But then I wanted out and the studio head said, 'All right, we'll let you out, but it'll be $63 million for starters." (Harrison Ford later noted that Pitt "forgot for a moment that he was talking to someone whose job it was to write this s*** down".)
- GoofsTom pursues Frankie up the indoor stairs and then outside across the roof and down the sixteen foot wall, where Frankie escapes past a building. Given that there was no ladder and nothing on which to climb, how did Tom get up the 16-foot wall to get back inside?
- ConnectionsFeatured in Siskel & Ebert: Liar Liar/The Graduate/Selena/Crash/Kolya (1997)
Featured review
I saw this ridiculous nonsense on NBC five years ago, chopped up for telecast, and so bad that two hours of advertisements for furniture at Penney's and previews of Friends (or reading the bloviating message boards for this movie) would have been better. The story is so much pro-terrorist Hollyweird mush with Brad Pitt as a killer-looking IRA gunman hiding out in America while speaking some sort of language loosely based on English and Harrison Ford, grumpy and spikey-haired, wearing a policeman's uniform, slowly--very slowly, mind you--figuring out that there's a bad man living in his basement.
Even with the bloodletting trimmed for telecast and the inherent fragmentation of television working for you, not against you, you get the feeling that everyone involved, including the late, great Alan J. Pakula, would rather forget this bloody, incomprehensible, incoherent junk. Once again, the Left Coast has turned a complex, grey-shaded, and achingly tragic issue into a cutesy-wretched, terrorists-are-just-misunderstood, amoral mess.
Skip it however it comes.
Even with the bloodletting trimmed for telecast and the inherent fragmentation of television working for you, not against you, you get the feeling that everyone involved, including the late, great Alan J. Pakula, would rather forget this bloody, incomprehensible, incoherent junk. Once again, the Left Coast has turned a complex, grey-shaded, and achingly tragic issue into a cutesy-wretched, terrorists-are-just-misunderstood, amoral mess.
Skip it however it comes.
- inspectors71
- Jan 15, 2006
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Details
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $42,868,348
- Opening weekend US & Canada
- $14,274,503
- Mar 30, 1997
- Gross worldwide
- $140,807,547
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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