An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.
- Awards
- 1 win & 9 nominations
- Ed
- (as Luis Guzman)
- Uncle John
- (as Joe Dallessandro)
- Pool Hall Creep
- (as Wayne Péré)
- DEA Guy
- (as John Cothran Jr.)
- DEA Guy
- (as Ousan Elam)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFootage from the 1967 film Poor Cow (1967) (Ken Loach's directorial debut) is featured as flashbacks of Wilson (Terence Stamp) with his baby daughter and wife.
- GoofsWhen Wilson and Elaine return to her apartment after she finishes work on the film set, in the first two shots of them driving into the garage, Wilson's car has no damage on the side from the previous car chase sequence. However, in the rest of the scene, where the car is parked, the damage on the side of the car is there again.
- Quotes
Wilson: How you doin' then? All right, are you? Now look, squire, you're the guv'nor here, I can see that. I'm in your manor now. So there's no need to get your knickers in a twist. Whatever this bollocks is that's going down between you and that slag Valentine, it's got nothing to do with me. I couldn't care less. Alright, mate? Let me explain. When I was in prison - second time - uh, no, telling a lie, third stretch, yeah, third, third - there was this screw what really had it in for me, and that geezer was top of my list. Two years after I got sprung, I sees him in Holland Park. He's sittin' on a bench feedin' bloody pigeons. There was no-one about, I could've gone up behind him and snapped his fuckin' neck, *wallop!* But I left it. I could've knobbled him, but I didn't. 'Cause what I thought I wanted wasn't what I wanted. What I thought I was thinkin' about was something else. I didn't give a toss. It didn't matter, see? This berk on the bench wasn't worth my time. It meant sod-all in the end, 'cause you gotta make a choice: when to do something, and when to let it go. When it matters, and when it don't. Bide your time. That's what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.
- ConnectionsEdited from Poor Cow (1967)
- SoundtracksThe Seeker
Performed by The Who
Written by Pete Townshend
Published by Windswept Pacific Songs o/b/o Towser Tunes, Inc./ABKCO Music, Inc./Fabulous Music Limited
Courtesy of MCA Records/Polydor Limited
Under license from EMI Music Special Markets
This is, in my point of view, a film about all our efforts to review our own lives - i.e. trying to make memories of our past fit in with the reality of today. To try to understand all sides of an event between two people; how actions we take, and decisions we make, makes a difference in the long run in our lives.
Wonderfully directed and edited, this movie is really alive, and shines with various tricks and treats of pure movie magic. The score is perfect, and the acting is great (Stamp in the lead is amazing). The way the film makers intertwine dialogue and voice over is fascinating, and reminds me of the films by French movie makers in the sixties (the French "New Wave").
Obviously not in everyone's taste since this movie is quite demanding in attention and pace, this is still one of the best films ever from director Soederbergh. Rating: 9/10.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Denizci
- Filming locations
- The Astral House, 2210 Astral Place, Los Angeles, California, USA(Terry Valentine's house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $3,204,663
- Opening weekend US & Canada
- $187,122
- Oct 10, 1999
- Gross worldwide
- $3,325,736
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1