This is the story of a woman, played by Audrey Tautou, who searches for herself by searching for a religion she can relate to. She tries all of the major religions and ends up with Judaism when she starts to data Francois, who is lapsed in his faith.

Her spiritual quest drives her, Francois and ME crazy. I tend to like character and plot-driven movies, but it is important that I relate to the character in some way. There was no one with whom I could relate.

From a technical point-of-view there are positives and negatives. I rented this movie primarily because I enjoy Audrey Tautou's acting. She is talented and exceptionally charming. In that, this movie lived up to my expectations. Her acting and that of the other case members is quite well done. Unfortunately, the direction and editing aren't quite as good. There are a lot of very short scenes that are distracting and don't seem to advance the story.

By no means is this a bad movie, but unless you can relate to a spiritual journey more than me, this movie probably won't quite do it for you.

This movie will be easily forgotten. In fact, without Audrey Tautou, it would be pretty boring. Michèle (Tautou) falls for this guy, François (Baer), but also for his religion: Judaism. You see, Michèle is seeking herself in religion. She's been shopping around: Catholicism, Buddhism, etc. There is some tiny bit of thinking on what is it exactly to be a believer, but the movie doesn't go far enough.

But again, watch it for Tautou. She's got a certain spontaneity that is refreshing and that remind me of another Audrey [Hepburn].

Out of 100, I gave it 71. That's good for ** out of ****.

Seen at home, in Toronto, on November 6th, 2004.

Twenty-year-old Michele (Audrey Tatou, star of the hit film "Amelie") is a successful model but an emotional wreck. Desperate to find something to believe in, she has tried Catholicism, Hinduism, Buddhism and more, all without success. But when she meets handsome Francois, twelve years her senior and a successful secular Jew, she has a religious awakening. Suddenly obsessed with Judaism, she is soon driving Francois crazy nailing up mezuzahs, keeping kosher, observing Shabbat and accusing him of not being Jewish enough! "God is Great...I am Small" is an unusually smart and contemporary comedy/drama that builds its story around controversial issues affecting today's Jewry: Who or what is a Jew? Is a secular or Reform Jew really Jewish? Is it important to speak Hebrew? Can a relationship be successful if one partner is observant and the other is not?

Like everyone else who has written in, I watched this film (and Happenstance) because I had seen Amelie and had fallen in love with Tautou and was hoping to relive the Amelie experience. This movie is as close as I have come, but of course, NOT Amelie. The fun parts of this movie were: learning about the Jewish faith through the eyes of a non-Jew, hoping that Tautou and Baer really do end up together, and I must mention all of Tautou's awesome outfits and hairstyles as a French "top model." Very fun! The movie a few interesting cinematic moments from a style standpoint, too. I felt that I got confused about the plot at points due to the back-and-forth cut sequences and thought maybe I missed something in translation? Or maybe it was just weak storytelling? Or maybe Americans like me just need to be led by the nose through the plot a little more? The great surprise for me was Edouard Baer. He is handsome, charming, gentle, and caring in his role of Francois, and I immediately fell in love with him myself. The movie nicely balances comedy and seriousness and has sat well with me in the days after watching it. As long as you're not expecting Amelie: The Prequel, I think you can watch this and enjoy the fun and beauty Tautou brings to the screen.

I just watched this movie and i felt i had to warn potential watchers : This is by no means a good movie.

You may have been lured into seeing it because of Audrey Tautou of Amelie's fame.

To put it simple : the scenario is so simple it could have fitted on a post it note. It's about a whimsy girl who tries to get in touch with her spirituality.

So she goes from one boyfriend to the other, and each time embraces the religion of his. There are huge problem with the whole plot : we don't know how everything started. There is a tiny little clue about her father being absent, but aside from that, there is no indication of her psychology, her childhood, her past experience of the main character. Nothing. Plus, to be honest she is quite despicable. She is just a spoiled little girl with too much time. At some point she tries to embrace Judaism, and it's the only time the movie conveys any interesting idea. The rest is as shallow and meaningless as the character portrayed by Audrey Tautou. Her male counterpart, a somewhat nihilist but well educated man, portrayed by Edouard Baer really fits in his role, alas the way he tries to seduce again and again a girl which he has rejected twice is simply not believable. How he could be interested by a person which apparently has no brain and exists only through other people's beliefs is beyond our comprehension.

We can even sense some possible twists that could occur during certain scenes, but the director is in this case less smart than the viewers : she just misses completely what could have made an interesting movie. Nothing of what french cinema is famous for. Everything that happens here mirrors the ten first minutes. After those ten minutes, the plot will simply not progress in spite of the various shallow characters thrown our way.

So what can be said about a movie that brings nothing vaguely looking like character development, that conveys absolutely no message, that is not funny at all (ok, maybe i smiled twice), and portrays a girl with cuteness as her only selling point, to sum it all ? I'd say it's a waste of time, plain and simple. I encourage you to stay away from this movie, and rather stay on the good impression you had when viewing Amélie. Don't buy it, don't rent it : just don't.

If Amelie had not been released prior to Dieu est Grand, this film would not have had the same exposure...

And it's no surprise. The plot is simple though entertaining; a young girl (Tautou) searches for spirituality in religion and love. Having gone through Catholicism, Buddhism, she meets a Jew (Edouard Baer) and falls in love for him and Judaism... Well, I understood it like this, and I don't think religion plays a great part anyway. It is just a pretext for funny scenes and as a way to show some depth to the character.

Parts of the film are extremely funny, revolving around religion (misunderstandings...) and family troubles (Catherine Jacob as the mom is astounding as usual). However the film drags a bit on the conversion to Judaism and loses the edge in the end completely.

All in all, entertaining, light, but certainly not unforgettable... People who loved Amelie (like myself) will like it for the wonderful Audrey Tautou: she makes the plot ticks by herself. Not to forget Edouard Baer -a renowned and funny TV presenter (he hosts the French Oscar ceremony)- who is charming and credible when he could have overplayed his part easily! My rate: 6-7/10

Audrey will never be able to play the great and wonderful character of Amelie again. Happenstance and this movie are HORRIBLE. Both movies have made me want to leave, but instead I end up staying to find out if her cute and adorable self ever comes out. Her hair is awful usually. Maybe it's just because of the director and her awful choice of script is why this movie blows. Either way, do not waste your time or money on this.

Audrey Tatou, for certain France's most charismatically engaging young actress today, made "God is Great, I'm Not" before "Amelie" projected her to international acclaim. This release, coming quietly after the famous film, has had little if any U.S. theater exposure but it's a DVD that cries out for word-of-mouth boosterism.

Tatou plays Michele, a self-proclaimed "top model" (well she clearly does have a successful career going). More to the point she a 100% certifiable flake who flits from religion to religion seeking wisdom and, perhaps, a sense of belonging.

After a party she meets veterinarian Francois (Edouard Baer). A very short acquaintanceship leads to a one-night stand ending in a dashed ambulance run to the hospital because Michele has OD'd. Attempted suicide? A mistake? It's a mystery but Michele's closest friend, Valerie the Novice Therapist (Julie Depardieu), convinces Francois he has some continuing responsibility for Michele. Just because of one night of hot sex? Well, it is France and the idea has a certain charm. Anyway, without it the film would end at this point. Francois has a quiet accommodating quality: he's the kind that a Michele will always enrapture.

Michele falls in love with Francois, a fellow comfortable as a "secular Jew." In his case that means he doesn't even want his apartment house neighbors to know his heritage. Absurd, declaims Michele, who proceeds to noisily attempt to affix a "mezuzah" to his front door (a Jewish talismanic article that observant members of that religion invariably have at each door in their homes sans the bathroom).

Anyway, the real fun is that Michele, bored with her past religious explorations, decides to study Judaism both with a rabbi and also in a class for possible converts - but only with Francois safely sitting beside her and actively participating. He IS besotted!

There's a lot of good humor as Francois allows himself to be drawn into Judaism - but only so far. Meanwhile Michele gets more serious about not only studying the religion but observing its very restrictive dietary precepts and other controlling laws.

So much for the basic plot-anything more would spoil the fun. But director Pascale Bailly has insured that no viewer need be Jewish to enjoy madcap Tatou's foray into that ancient religion.

Tatou has the most marvelous ability to instantly telegraph her feelings through economical but mesmerizing facial expressions. Born a century earlier, she would have been a silent film star to rival the Gish sisters, Pola Negri and many others.

She's the treat who makes this offbeat comedy (with a dollop of serious relationship issues) worth watching.

So rent it!

8/10

'Dieu est grand, je suis toute petite' is a little film by Pascale Bailly that spends a lot of time trying to tell a story in bits and pieces with numerous characters, interesting in and of themselves but confusing to the viewer, attempting to keep up with the breakneck speed of this French comedy. The saving grace is the presence of Audrey Tautou and a few other actors whose screen magnetism holds our interest.

Fresh from a breakup with a boyfriend Bertand (Mathieu Demy) top model Michèle (Tautou) is a wreck of a person flirting with all manner of religious outlets (Hindu, Buddhism, Catholicism, etc) trying to find something to make her crazy life make sense. She encounters a veterinarian François (Edouard Baer) who is a secular Jew (non-practicing, closeted, etc) and not only does she fall immediately into bed with him (and a next morning attempted suicide!) she begins to stalk him trying to embrace Judaism - a fact that at first drives François away and then a little mad himself. The manner in which Michèle and François study Judaism and all its graces and restrictions is (I think) the basis for the rest of the story: the filming technique of flashbacks and fragmentary moments and cutesy scribblings on pages are paced to confuse and make this simple story a maze to follow! Along the way we meet some interesting types including Valérie (Julie Depardieu) who opens her door to her first psychology patient (Thierry Neuvic) and promptly falls in love with him; Ali (Atmen Kelif) who is Michèle's nutty fashion photographer and a number of others. There are funny moments, touching moments, absurd moments, but they are loosely strung together. In the end this is a fun film in which it is a bit trying to connect all the dots! In French, English, and Hebrew with subtitles. Grady Harp

Reading the message boards and some of the reviews for this film, I was amused (and I confess, a bit surprised) at how few viewers seemed to grasp the point. This is the sort of film that you have to think about while watching; it requires something on the part of the viewer. It's not meant to be passive entertainment. Yes, Tatou's character is annoying. Yes, Baer's character is irritating. But that's the whole idea. Tatou's "Michele" is a shallow, superficial fashion model in search of a "great cause" to identify with. (Of course, we know that no top model was ever like that, don't we!) Her constant reading of self-help books and what I like to call "bathtub philosophy" (like bathtub gin, it is home made and of dubious quality) leads her on a "spiritual quest" in the modern sense of the buzzword that spirituality has become--the search for a feel-good factor that will make her feel better about herself, her decisions and her life. Baer's "François" considers himself to be above all need for religion, heritage, even his own history. He's too intellectual (in his own eyes) to need any of those "crutches". And yet he is drawn into a relationship with the dysfunctional, needy Michele because neither one is happy with themselves and both hope to find someone to fill the gaping hole in their lives.

I have known many people of this type personally...they wander from one idea, one philosophy, one country, career or "lifestyle" to another without ever really committing to anything. That's why it says "To be continued" at the end of the film: these people will search forever, without ever seeing what's right in front of their noses. Their personal movie will go on...and on...and on. When the lights come up at the end of the show of their lives, Death will take them totally by surprise.

At first, I found the choppy editing annoying and confusing; it looks like a poorly made end-of-term project for film school. But that also helps make a point. Real life doesn't follow a nice, smooth script, and you can't edit the final rushes to suit yourself. It is what it is, with all its mistakes, out-takes, missed cues and forgotten lines. This is one of those minor films that can grow on you with time, if you learn to see beyond the surface into the ideas behind the emotions. It's only "shallow" if you fixate on the reflections...the water underneath is deep, and full of surprises. No, it's not Oscar material. It will never have mass appeal. But of its kind, it's considerably better than many viewers seem to realise.

Tautouology should not be confused with tautology, which means 'the needless repetition of an idea'. Tautouology is concerned, on the contrary, with necessary repetitions, that is, with the annual recurrence of a species of elfin creature with large eyes, which once a year appears in films. Tautouology is the most recently created of scientific disciplines, and is thus an indicator of the relentless march of progress in science and technology. Tautous are very rare, and only one specimen is so far known to science. Although it is suspected that there may be a colony of Tautous somewhere, perhaps in France, this has never been proved. The private habits of the Tautou are entirely unknown, and it has never been observed in its burrow. Many theories have been formed about the Tautou, but they are all highly speculative. Certainly, the Tautou has been observed frequently in Paris, and it is thought that this rare creature may have some connection with the Paris catacombs, to which it may possibly retire at night (though this has never been reliably reported by a qualified observer). This film, 'God Is Great but I Am Tiny', preserves valuable evidence on film of the behaviour of the Tautou. This film was made immediately after 'Amelie', when the Tautou is estimated by science to have been 24 years of age. (Tautous are believed to live to a great age, perhaps even 100.) The Tautou is a neotonous creature, that is, it looks much younger than it is, and it preserves childlike characteristics into adulthood. In fact, it is believed by some that these infantilisms will never disappear, or at least many scientists hope not, and that the Tautou will still be a little girl when it reaches the age of 100 which is predicted for it. In this film, a fine contribution is made by Edouard Baer, who delivers an excellent performance as a human, as do Julie Depardieu, Anna Koch, Atmen Kelif, and other humans who surround and interact with the Tautou in this excellent natural history film. The direction of the film by Pascale Bailly is lively, if somewhat over-quirky at times, adopting very much a cinema verite approach (the references to Godard in the film did not go unnoticed by scientists). The theological implications of this study of the religious behaviour of the Tautou, as it wavers in the film from religion to religion (Catholicism, Buddhism, Judaism, you name it), is thought to be a comment upon Heidegger's views of 'being and essence'. Certainly the Tautou says at one point to Francois: 'You aren't Jewish enough.' The social interactions of the Tautou with the humans make this film fascinating to watch, as the Tautou shows extreme volatility, which the humans have trouble coping with. The Tautou is liable to change religions in the same way that the Arctic hare goes from brown to white when the snow falls. Tautou mood swings, emotional seizures, changes of hair style, clothing changes, alterations between loving and hating, all confirm the zoological conclusions arrived at on the basis of other evidence, that the Tautou has a hyper-sensitivity to its social environment and reacts badly to the withdrawal of love. This film is of extreme importance to the discipline of Tautouology, and is recommended to all serious students of this rare mammal.