Directed by
| Peter Mullan | ||
Writing Credits
| Peter Mullan | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Ed Guiney | ... | executive producer |
| Frances Higson | ... | producer |
| Paddy Higson | ... | line producer |
| Andrea Occhipinti | ... | executive producer: Eyescreen |
| Rod Stoneman | ... | executive producer: The Irish Film Board |
| Paul Trijbits | ... | executive producer |
| Alan J. Wands | ... | co-producer (as Alan J. 'Willy' Wands) |
Music by
| Craig Armstrong | ||
Cinematography by
| Nigel Willoughby | ... | director of photography |
Editing by
| Colin Monie | ||
Casting By
| Lenny Mullan | ||
Production Design by
| Mark Leese | ||
Art Direction by
| Caroline Grebbell | ||
| Jean Kerr | ||
Costume Design by
| Trisha Biggar | ||
Makeup Department
| Candice Banks | ... | additional makeup artist |
| Carol Chambers | ... | additional makeup artist |
| Kate Elliot-Muir | ... | additional makeup artist (as Kate Elliot Muir) |
| Sindy Hely | ... | additional makeup artist |
| Dianne Jamieson | ... | makeup designer |
| Sylvie Francoise Kurz | ... | additional makeup artist |
| Fiona Maynard | ... | makeup artist |
| Catherine Muir | ... | additional makeup artist |
| Carole Reid | ... | makeup work experience |
| Karen Scott | ... | makeup trainee |
| Catherine Shirley | ... | additional makeup artist |
| Meg Speirs | ... | additional makeup artist |
| Stephanie Wedge | ... | makeup artist |
| Tracey Wells | ... | makeup artist |
Production Management
| Janet Riddoch | ... | production manager (as Janet S. Riddoch) |
Second Unit Director or Assistant Director
| Jill Dempsey | ... | second second assistant director: crowd |
| David Gilchrist | ... | first assistant director |
| Tommy Gormley | ... | additional first assistant director |
| Elaine Mackenzie | ... | third assistant director (as Elaine MacKenzie) |
| Michael Queen | ... | second assistant director |
| Susan Radcliffe | ... | trainee assistant director |
| Katie Rennie | ... | trainee assistant director |
Art Department
| Evelyn Barbour | ... | additional cash buyer |
| Mat Bergel | ... | stand-by props |
| Sandy Borthwick | ... | chargehand / painter |
| Phil Bowen | ... | construction manager |
| Duncan Burns | ... | stagehand |
| Tristan Carlisle-Kitz | ... | stand-by props |
| Paul Cowan | ... | laborer |
| Stewart Cunningham | ... | dressing props |
| Sam Curren | ... | additional painter |
| Laura Donnelly | ... | assistant art director |
| Bobby Gee | ... | stand-by painter |
| Angus Gentleman | ... | additional props |
| Ewan Gillespie | ... | additional carpenter |
| Alec Graham | ... | additional carpenter |
| Jane Harvie | ... | apprentice painter |
| Emma Henderson | ... | cash buyer |
| Christopher Higson | ... | supervising carpenter (as Chris Higson) |
| John Hughes | ... | painter |
| Piero Jamieson | ... | additional props |
| Scott Keery | ... | props master |
| William Maxwell | ... | carpenter |
| Duncan McDevitt | ... | dressing props |
| Elaine McLenachan | ... | production buyer |
| Dennis Murphy | ... | carpenter |
| Alan Reid | ... | storyboard artist |
| Alex Robertson | ... | stand-by carpenter |
| David Weatherstone | ... | additional props |
| Rhona Wilson | ... | dressing props |
| Dawn Youll | ... | apprentice plasterer |
Sound Department
| Alan Collins | ... | sound facility manager: ardmore sound |
| Tony Cook | ... | boom operator |
| Felicity Cottrell | ... | foley artist |
| Debbie Dingwall | ... | additional boom operator |
| David Donaldson | ... | sound engineer / sound programming |
| Robert Farr | ... | adr re-recordist / foley re-recordist |
| John Fitzgerald | ... | re-recording mixer |
| Kahl Henderson | ... | dialogue editor |
| Tom Johnson | ... | re-recording mixer |
| Gayle Learmonth | ... | sound trainee |
| Douglas MacDougall | ... | supervising sound editor |
| Sandy Miller | ... | additional boom operator |
| Colin Nicolson | ... | sound recordist |
| Chris Sinclair | ... | foley editor |
| Ruth Sullivan | ... | foley artist |
Special Effects by
| Steve Breheney | ... | special effects supervisor (uncredited) |
Visual Effects by
| Giles Livesey | ... | digital film colorist (uncredited) |
Stunts
| Gareth Milne | ... | stunt performer |
| Nick Powell | ... | stunt coordinator |
Camera and Electrical Department
| David Bourke | ... | best boy |
| James Bourke | ... | rigging electricians mate |
| Charlie Crawford | ... | unit photographer |
| Bonnie Dempsey | ... | clapper loader |
| Andrew Ford | ... | camera operator: "b" camera |
| Alick Fraser | ... | focus puller: "b" camera |
| Tom Gates | ... | gaffer |
| Chris Gilbertson | ... | additional electrician |
| Katharine Higgs | ... | camera trainee |
| Alan Maxwell | ... | focus puller: "b" camera |
| Mickey May | ... | electrician |
| Drew Meldon | ... | key grip |
| Paul Murphy | ... | additional electrician |
| Sam Osborne | ... | focus puller |
| Ross Pearson | ... | stand-by rigger |
| Tim Proctor | ... | grip: "b" camera |
| Glenda Rome | ... | clapper loader: "b" camera |
| Jamie Summers | ... | electrician |
| Tony Wilcock | ... | rigging gaffer (as Tony Wilcocks) |
| Lorna Will | ... | camera operator: "b" camera |
Casting Department
| Victoria Beattie | ... | additional casting assistant (as Vicky Beattie) |
| Kara Johnston | ... | casting assistant |
Costume and Wardrobe Department
| Lee Dickson | ... | costume junior |
| Frank Gallacher | ... | additional costume assistant |
| Irene Godfrey | ... | costume assistant |
| Arnalie Harper Gow | ... | additional costume assistant (as Amalie Harper Gow) |
| Anne Matheson | ... | additional costume assistant |
| Tracy McGregor | ... | additional costume assistant |
| Michael Mooney | ... | costume supervisor |
| Marnie Ormiston | ... | key costumer |
| Claire Pettifer | ... | costume assistant |
| Ailsa Rendell | ... | additional costume junior |
| Alex Watherston | ... | additional costume assistant |
Editorial Department
| Giles Burgess | ... | first assistant film editor |
| Yvonne McDonald | ... | negative checker |
| Sonya Scott | ... | post-production secretary |
Location Management
| Mike Bolam | ... | location scout |
| Cara Gavigan | ... | location scout (as Kara Gavigan) |
| Michael Higson | ... | location scout |
| Robbie Kirkpatrick | ... | location assistant |
| Beverley Syme | ... | location manager |
Music Department
| Craig Armstrong | ... | conductor / music arranger |
| Matt Dunkley | ... | additional orchestrator / conductor: Royal Scottish National Orchestra |
| Emma Ford | ... | music supervisor |
| Geoff Foster | ... | orchestra recordist / score recordist |
| Royal Scottish National Orchestra | ... | orchestra |
Script and Continuity Department
| Bronagh Murphy | ... | trainee script supervisor |
| Pat Rambaut | ... | script supervisor |
Transportation Department
| Darren Bell | ... | facilities driver: Aeroshoot |
| Colin Crosbie | ... | unit driver |
| Gary Forsyth | ... | driver: camera truck |
| Graham Gordon | ... | driver: props |
| Graham Harrison | ... | facilities driver: Aeroshoot |
| Davie Love | ... | facilities driver: Aeroshoot (as David Love) |
| Gareth Reeve | ... | unit driver |
| Gordon Shillinglaw | ... | unit driver |
| Charlie Simpson | ... | facilities driver: Aeroshoot |
| Philip Twinberrow | ... | unit driver |
Additional Crew
| Helle Absalonsen | ... | working crew: Digital Film Lab |
| Vicci Allen | ... | working crew: Digital Film Lab (as Vicci Allan) |
| Beth Armstrong | ... | unit nurse |
| Laurence Byrne | ... | trainee accountant |
| Susan Cairney | ... | unit nurse |
| Sarah Carswell | ... | production trainee |
| Gillian Clyde | ... | business affairs: Film Council's New Cinema Fund |
| John Cooney | ... | security: Atlas Security (as John Cooney) |
| Eric D'Souza | ... | working crew: Digital Film Lab (as Eric d'Souza) |
| Mark Devlin | ... | production coordinator |
| Brendan Diver | ... | caterer: Thistle Catering |
| Eddie Drew | ... | animal handler |
| Larry Eydmann | ... | health and safety advisor |
| Emma Ford | ... | assistant: Craig Armstrong |
| Helen Game | ... | chaperone |
| David Havard | ... | insurance: AON |
| Carol-Anne Henderson | ... | pre-production assistant |
| John Hinchliffe | ... | working crew: Digital Film Lab (as John Hinschliffe) |
| Vince Holden | ... | production finance: Film Council's New Cinema Fund |
| Steve Humphries | ... | director: "Sex in a Cold Climate" which inspired this movie / producer: "Sex in a Cold Climate" which inspired this movie |
| Christine Hunter | ... | unit nurse |
| Jacqueline Hurt | ... | lawyer: Olswang |
| Stephen Kane | ... | religious advisor |
| Jim Kerr | ... | developed with the financial assistance of |
| John Kirkham | ... | unit nurse |
| Kris Kolodziejski | ... | working crew: Digital Film Lab |
| Susie Liggat | ... | physical production executive: Film Council's New Cinema Fund |
| Giles Livesey | ... | working crew: Digital Film Lab |
| Andrew Lowe | ... | business affairs: Temple Films |
| Barbara Lynch | ... | production secretary |
| Phyllis MacMahon | ... | religious advisor (as Phyllis McMahon) |
| Lucy Marr | ... | assistant accountant |
| Mark McBride | ... | production runner |
| Jill McCullough | ... | voice coach: Geraldine McEwan |
| Kenny McGhee | ... | unit nurse (as Kenny McGee) |
| Margaret McGowan | ... | chaperone |
| John McKain | ... | production accountant |
| Jim O'Donnell | ... | unit nurse |
| Michael Osborne | ... | additional runner |
| Frederico Piacentini | ... | caterer: Thistle Catering |
| Les Reilly | ... | caterer: Thistle Catering |
| Malcolm Ritchie | ... | financial executive: PFP Films |
| Andreas Rostock | ... | working crew: Digital Film Lab |
| Jessica Rundle | ... | pre-production assistant |
| Scott Russell | ... | caterer: Thistle Catering |
| Sam Smith | ... | working crew: Digital Film Lab |
| Richard Starkey | ... | unit nurse |
| Alex Usborne | ... | production executive: Film Council's New Cinema Fund |
| Susan Waddell | ... | lawyer: Olswang |
| Jenny Williams | ... | pre-production assistant |
Thanks
| Neil Ballantyne | ... | thanks: Summerlee Heritage Centre |
| John Booth | ... | thanks |
| David Brown | ... | thanks |
| Sonia Butterworth | ... | thanks |
| Leonard Crooks | ... | special thanks: Glasgow Film Office (as Lenny Crooks) |
| Belle Doyle | ... | thanks |
| Andrew Eaton | ... | thanks |
| Mike Fagan | ... | thanks |
| Jim Guthrie | ... | thanks |
| Graham Hawkins | ... | thanks |
| Jeffrey Honneiker | ... | thanks |
| Mags Horspool | ... | thanks (as Mags Horsepool) |
| Matt Hume | ... | thanks: Summerlee Heritage Centre |
| Mary Keane | ... | thanks |
| Darren Longthorne | ... | thanks |
| Ray Marston | ... | thanks (as Ray Marsden) |
| Eddie McGee | ... | thanks |
| Tracey McGee | ... | thanks |
| Celine McHugh | ... | thanks |
| Robert McNeilly | ... | thanks |
| Alexander Murray | ... | thanks |
| Irene Napier | ... | thanks |
| Claire Paterson | ... | thanks |
| Eddie Robinson | ... | thanks |
| Bob Robison | ... | thanks |
| Jane Roche | ... | thanks |
| Carole Sheridan | ... | thanks |
| Ian Somerville | ... | thanks |
| Bill Summers | ... | thanks |
| Ann Swan | ... | thanks |
| Katrin Swan | ... | thanks |
| Mairi Swan | ... | thanks |
| Paddy Swan | ... | thanks |
| Claire Wiles | ... | thanks: VFG |
