Nathalie...
- 2003
- 1h 40m
IMDb RATING
6.3/10
5.1K
YOUR RATING
A rich woman hires an elite prostitute in order to verify her husband's faithfulness. Before long the experiment gets out of control.A rich woman hires an elite prostitute in order to verify her husband's faithfulness. Before long the experiment gets out of control.A rich woman hires an elite prostitute in order to verify her husband's faithfulness. Before long the experiment gets out of control.
- Awards
- 2 nominations
Christian Päffgen
- L'homme d'un soir
- (as Ari Päffgen)
Sasha Rucavina
- Marianne
- (as Sacha Rukavina)
Serge Onteniente
- L'agent immobilier
- (as Serge Onteniente-Boutleroff)
Storyline
Did you know
- TriviaNathalie Ribout, the initial script by Philippe Blasband, was published as a play in 2003 and made it to the stage in Paris in 2009 at the Théâtre Marigny with Virginie Efira as Nathalie and Maruschka Detmers as the wife. The play isn't considered to be an adaptation of the film, but more of a variation on the same idea, as Blasband's original screenplay was significantly reworked for the film, with the couple in Blasband's script being separated and in the midst of divorce proceedings, in addition to being named Sonia and Jean-Luc instead of Catherine and Bernard.
- Quotes
Un client de Marlène: [Sitting with Nathalie/Marlene, at the bar where she works] Can I ask you a question? Are you shaved?
- ConnectionsFeatured in Legends of World Cinema: Fanny Ardant
- SoundtracksTrois Petites Notes de Musique
Music by Georges Delerue
Lyrics by Henri Colpi
Performed by Judith Magre
Featured review
I can't understand why this film got such bad reviews and why so many people seem to have a profound dislike for it. Are people really that impatient, have they been blighted by Hollywood movies to the point that they cannot appreciate something a bit more delicate? I found Nathalie tantalising, unpredictable, romantic. I identified & empathised with all the characters, and was interested throughout. Yes, it had quite a slow pace, and there was a lot of talking, but it had an interesting ending which surprised me, and it had a lot of style. It left a few things unsaid, which i like as it gives you a chance to explore the meanings of what you are seeing, almost like a self-psychoanalysis.
Ardant, Beart, & Depardieu all gave great performances. I also particularly liked the soundtrack (I normally hate movie music), and I'm not talking about Nyman's stuff, which somehow passed me by, but the gently throbbing house y, beat y, electro we would here in the club, and in the car (if my memory serves me correctly). This was the best selection of high class porno music I have ever heard, & I'm currently seeking the soundtrack as inspiration for some scenes I'm writing now.
Big-up Anne Fontaine for delivering a delicate, classy film, and big-up the writing team Philippe Blasband, Jacques Fieschi, François-Olivier Rousseau, & Fontaine for writing something intricate and involving :)
My own films are online at www.undeadarmy.org
Ardant, Beart, & Depardieu all gave great performances. I also particularly liked the soundtrack (I normally hate movie music), and I'm not talking about Nyman's stuff, which somehow passed me by, but the gently throbbing house y, beat y, electro we would here in the club, and in the car (if my memory serves me correctly). This was the best selection of high class porno music I have ever heard, & I'm currently seeking the soundtrack as inspiration for some scenes I'm writing now.
Big-up Anne Fontaine for delivering a delicate, classy film, and big-up the writing team Philippe Blasband, Jacques Fieschi, François-Olivier Rousseau, & Fontaine for writing something intricate and involving :)
My own films are online at www.undeadarmy.org
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Details
Box office
- Budget
- €7,350,000 (estimated)
- Gross US & Canada
- $31,008
- Opening weekend US & Canada
- $10,351
- Apr 16, 2006
- Gross worldwide
- $5,254,422
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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