A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Pres... Read allA chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.
- Won 1 Oscar
- 45 wins & 48 nominations total
- Jerry Lee Lewis
- (as Waylon Malloy Payne)
- Carl Perkins
- (as Johnny Holiday)
Storyline
Did you know
- TriviaWhen Johnny Cash wakes up on the tour bus, just after the Folsom Prison performance, he walks past guitarist Luther Perkins, who is passed out with a lit cigarette in his mouth, and puts the cigarette out. Perkins died a few months after the "At Folsom Prison" recording and performance. He fell asleep in his Tennessee house with a lit cigarette in his mouth, and died from injuries sustained in the resulting fire.
- GoofsJohnny is shown touring with Elvis, Jerry Lee, and June for Sun Records early in the movie. In fact this could not have happened. By the time Jerry Lee Lewis was signed to Sun Records. Elvis Presley was already recording for RCA, and touring on his own.
- Quotes
[after record producer Sam Phillips stops Cash's band a couple of verses into their audition]
Sam Phillips: You know exactly what I'm telling you. We've already heard that song a hundred times. Just like that. Just... like... how... you... sing it.
Johnny Cash: Well you didn't let us bring it home.
Sam Phillips: Bring... bring it home? All right, let's bring it home. If you was hit by a truck and you was lying out there in that gutter dying, and you had time to sing *one* song. Huh? One song that people would remember before you're dirt. One song that would let God know how you felt about your time here on Earth. One song that would sum you up. You tellin' me that's the song you'd sing? That same Jimmy Davis tune we hear on the radio all day, about your peace within, and how it's real, and how you're gonna shout it? Or... would you sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people. It ain't got nothin to do with believin' in God, Mr. Cash. It has to do with believin' in yourself.
Johnny Cash: [after a pause] I got a couple of songs I wrote in the Air Force. You got anything against the Air Force?
Sam Phillips: No.
Johnny Cash: I do.
- Crazy creditsIn the opening credits, Robert Patrick's name appears to pass through the prison bars, like his T-1000 character did in Terminator 2: Judgment Day.
- Alternate versionsOriginally released on DVD in its theatrical incarnation. An extended cut, adding about 16 minutes worth of additional footage into the movie, was released later on. The French Blu-Ray version contains the extended cut, while the American version contains the theatrical version.
- ConnectionsFeatured in HBO First Look: Walk the Line (2005)
- SoundtracksCocaine Blues
aka "Transfusion Blues"
Written by Red Arnall (as T.J. Arnall)
Performed by Joaquin Phoenix
But they're right for once.
Joaquin Phoenix wears Johnny Cash like a suit. He isn't doing a Rich Little impersonation, you don't rub your eyes in disbelief, but he channels a man so distinct in appearance and voice to a level that is beyond admirable. One of the traits that made Johnny Cash a legend was that nobody sounded or looked like him. Short of a computer generated Cash walking around in his own bio-pic like one of those John Wayne beer commercials this is the definitive representation.
And yet Phoenix may not give the best performance in the film.
Reese Witherspoon more than holds up her end in a role that easily could have been reduced to a clichéd bumpkin. Witherspoon portrays the on-stage June in the way June portrayed her own "character", the stage persona that people adored, while giving her the resolve and inner strength to be the woman who tamed a hell-bent, grizzly bear of a man like John.
The chemistry of Phoenix and Witherspoon together in any scene, but their on-stage duets in particular, are truthful in a way that resonates long after the credits. I know that unless you have been living in a cave for the past week you have likely been bombarded with the word that the actors sing themselves without use of lip syncing. I have never been a fan of musicals, or even musical performances in a film. They generally seem forced and uncomfortable to me, the moment when I stop experiencing the story and feel reminded that I am watching a movie. I never felt that in this film. I never felt that their singing took the focus of the film, but the performances work with the story like no other music bio I have ever seen. I never felt as if I was being led through the catalog, the songs felt as organic and natural as any spoken dialog in a great narrative.
This film far exceeded my expectations and afforded me the first trip home from a theater with a true feeling of satisfaction in a very, very long time. Highly recommended.
- hollingsworth76
- Nov 18, 2005
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Johnny & June: Pasión y locura
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $119,519,402
- Opening weekend US & Canada
- $22,347,341
- Nov 20, 2005
- Gross worldwide
- $186,797,986
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1