IMDb RATING
5.9/10
2.8K
YOUR RATING
An intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colo... Read allAn intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonization of New Zealand.An intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonization of New Zealand.
- Awards
- 3 wins & 7 nominations
Rawiri Pene
- Boy
- (as David Rawiri Pene)
Storyline
Did you know
- TriviaIn late-October 2004 Vincent Ward was removed from directing the film by the producers, and replaced by his cinematographer Alun Bollinger. Ward returned to the project when filming was completed.
- GoofsThe morning after Sarah gets her tattoo (done with a chisel), her chin is completely smooth and healed. In reality, her face would be quite swollen with open cuts for some time after.
- ConnectionsReferenced in The Making of 'Hidden' (2006)
Featured review
As the above suggests, I was ultimately unimpressed with this movie. It is lovely to look at, the scenery is lush, but the detail of the story, in particular the characters, are totally unbelievable. Films don't have to be believable, but films like this, with a political edge and social commentary do.
Similarly, I have no problem with commercialism as such, but once again, films like this shouldn't be making casting decisions purely based on box office draw. This is absolutely the case with Sutherland, who is frankly rubbish as Doyle. His accent was far from authentic, but he fell into the biggest trap of all, his accent IS his performance, and we end up with a caricature of Irishness with no personality outside of his nationality. I find it totally implausible that anyone involved thought he was the best man for the job. All in all, this is a clear case of commercial interest over quality and when you're trying to be The Mission, this kind of thing wrecks your chances of success.
Speaking of accents, there were a couple more problems, one being the striking modernity of Boy's accent which acted to dispel the feeling of being transported to another time. More surprising was Samantha Morton's much lauded Irish accent, which was variable to say the least. Her voice meandered between strong north and soft south, even in the voice-overs, where I would've expected any such discrepancies to be picked up.
However, these are minor gripes compared to the motivation and actions of Sarah. She never seems at home with the English, and almost instantly at home with her son and his tribe, the dilemma between the life she knew and the life she if offered just seems like a no-brainer. Perhaps a lot has been lost in editing, perhaps this was meant to be a three hour film or a mini series where these things could've been fleshed out, but I can only judge what I've seen.
Now the biggest problem, Sarah's (Morton) relationship with Doyle (Sutherland) is incomprehensible. The fact is that her affection for him is not conveyed in any way until her having to choose between him and her son, the conflict she goes through at this point was frankly ridiculous and killed the movie for me.
As you may have guessed. this movie didn't work at all for me, but it is top notch to look at, you really won't see anything more stunning in terms of scenery, there are some good performances and my wife liked it.
Similarly, I have no problem with commercialism as such, but once again, films like this shouldn't be making casting decisions purely based on box office draw. This is absolutely the case with Sutherland, who is frankly rubbish as Doyle. His accent was far from authentic, but he fell into the biggest trap of all, his accent IS his performance, and we end up with a caricature of Irishness with no personality outside of his nationality. I find it totally implausible that anyone involved thought he was the best man for the job. All in all, this is a clear case of commercial interest over quality and when you're trying to be The Mission, this kind of thing wrecks your chances of success.
Speaking of accents, there were a couple more problems, one being the striking modernity of Boy's accent which acted to dispel the feeling of being transported to another time. More surprising was Samantha Morton's much lauded Irish accent, which was variable to say the least. Her voice meandered between strong north and soft south, even in the voice-overs, where I would've expected any such discrepancies to be picked up.
However, these are minor gripes compared to the motivation and actions of Sarah. She never seems at home with the English, and almost instantly at home with her son and his tribe, the dilemma between the life she knew and the life she if offered just seems like a no-brainer. Perhaps a lot has been lost in editing, perhaps this was meant to be a three hour film or a mini series where these things could've been fleshed out, but I can only judge what I've seen.
Now the biggest problem, Sarah's (Morton) relationship with Doyle (Sutherland) is incomprehensible. The fact is that her affection for him is not conveyed in any way until her having to choose between him and her son, the conflict she goes through at this point was frankly ridiculous and killed the movie for me.
As you may have guessed. this movie didn't work at all for me, but it is top notch to look at, you really won't see anything more stunning in terms of scenery, there are some good performances and my wife liked it.
- johnnycandle
- Jul 23, 2008
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Королева річки
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- NZ$13,000,000 (estimated)
- Gross worldwide
- $915,442
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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