An Asian cross-cultural trilogy of horror films from accomplished indie directors.An Asian cross-cultural trilogy of horror films from accomplished indie directors.An Asian cross-cultural trilogy of horror films from accomplished indie directors.
- Awards
- 5 wins & 14 nominations
Po-Lin Lau
- Li's Maid (segment "Dumplings")
- (as Pauline Lau)
So-Fun Wong
- Kate's Mother (segment "Dumplings")
- (as So-Foon Wong)
Im Won-hee
- Stranger (segment "Cut")
- (as Won-Hee Lim)
Lee Dae-yeon
- Actor in School Girl Uniform (segment "Cut")
- (as Dae-yeon Lee)
Storyline
Did you know
- TriviaThe three films are Chinese, Koren and Japanese.
- GoofsIn the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen.
- Alternate versionsLions Gate's U.S. version changes the order of the segments. In the original Asian release, the order was "Box"/"Dumplings"/"Cut." The American release has been changed to "Dumplings"/"Cut"/"Box."
- ConnectionsEdited into Dumplings (2004)
Featured review
This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
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Details
Box office
- Gross US & Canada
- $77,532
- Opening weekend US & Canada
- $36,414
- Oct 30, 2005
- Gross worldwide
- $516,930
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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