You'll need to inhale, then exhale slowly and relax before plunging into the world of Nick Naylor (Aaron Eckhart), lobbyist and bag man for the Tobacco Industry. The laughs are some of the best abdominal exercise I've ever had at the movies. Thank You for Smoking is far and away the best satire to come out of Hollywood in years. The last attempt I remember was WAG THE DOG. This film is far better at true satire, its wit biting do-gooders and do-badders alike. It has been too long since Satire and the Politically Incorrect Sense of Humor have been allowed to point out the absurd in all sides of an issue. If you don't laugh out loud, your sense of humor has become a casualty of malpractice by the Doctors of Spin and the Nursemaids of Political Correctness.

Young Jason Reitman's direction and screenplay are deft and light. He is never heavy-handed, or worse, condescending (as may have happened more than once in WAG THE DOG). Based on a novel by Christopher Buckley (the son of William F. Buckley), the script is the star here. The double, triple, and sometimes quadruple entendres are spoken conversationally by a star-studded ensemble cast, who clearly revel in great material and great lines. Every reviewer opines that this will be Aaron Eckhart's break-out role. With his Dudley-Do-Right face and "that guy who always gets the girl----- on crack" charm and glibness, his Nick Naylor is the ultimate purveyor of the spin doctor's prescription: "the means justify the end".

The casting director should be congratulated in the same breath as the director. Rob Lowe as the "genius" behind Hollywood "EGO", a consultant firm which helps raise financing for movies with strategic product placement, is note-perfect in a "small role". With William H. Macy, the Vermont Senator who takes on the tobacco industry, Maria Bello, a fellow Merchant of Death lobbyist, and Robert Duvall, the "Captain" of this particular industry--- the cast is jaw-dropping, and sublimely funny. Katie Holmes, pre-TomKat, is gorgeous, seductive, and completely believable as the reporter who stops at nothing to get her story.

Nick Naylor's relationship with his son is the lens which focuses Nick on his own behavior. Even that relationship is not treated as a cliché, or completely reverently by the satirist, who remains true to the last frame to the goal of letting the air out of our self-righteousness. It is a breath of fresh air. I not only recommend it, I intend to see it again.

A clever satire of the spin-world (thanks largely to its cast and a witty script by Jason Reitman), Thank You For Smoking comes on like Wag the Dog via The Insider – it's a painfully honest insight into the tobacco industry, led by the narration of Nick Naylor (Aaron Eckhart), the Big Tobacco corporation's chief spokesman. His narcissistic self-infatuation ("Charles Manson kills people; I talk.") and sleazy tactics land him in trouble when he finds himself bribing a lung cancer victim in front of his pre-teen son, who is not yet old enough to smoke but is being influenced by his money-driven father.

Nick has a lot on his mind. He's got pressure from an anti-smoking Senator (played brilliantly by William H. Macy), his boss, his ex-wife, fanatical groups on homicidal missions, a double-crossing reporter (Katie Holmes) and a Hollywood producer (Rob Lowe) trying to cast the perfect Hollywood glamorization of smoking (Brad Pitt and Catherine Zeta-Jones are offered as the leads).

The movie, directed by the son of Ivan Reitman (the "Ghosbusters" director/producer extraordinaire), balances absurdity with realism; moments of the film come across as poignant reflection while following scenes are completely the opposite. This balance is thrown off a bit sometimes – David Koechner's portrayal of an NRA lobbyist is great but feels out of place, as if it belongs in a comedy in the vein of "Anchorman." And ultimately this uneven mix of the deadly serious (literally) with off-the-wall gags does catch up with the film; it eventually falls back upon its very strong script, which supports it (a lesser film might be affected more drastically with a weaker screenplay), but some scenes probably should have been toned down a bit to comply with the subtler and more realistic scenes. For what it's worth, the wacky scenes are extremely hilarious, but they seem to contradict other portions of the material.

Jason is a better director than his father, though, and shows a lot of potential here: I'd say the direction is almost deserving of a more serious film. I'd love to see what he could do with a drama in the future.

The movie also boasts an excellent lead performance by Aaron Eckhart, who oozes with sleaze, greed, corruption and a hidden sense of morals. He knows what he is doing is wrong, but he's not a stereotypical Hollywood motion picture "good guy" – even the closing of the picture, without spoiling it, isn't the moralistic cop-out I had expected; the movie isn't a black-and-white painting of the smoking controversy; it doesn't take sides on either side of the debate.

This is really being marketed incorrectly as the next "40-Year-Old Virgin" right now, but the film – for the most part, anyway – really isn't as hilarious as it is thought-provoking and engaging. Apart from a few aforementioned moments of utter absurdity, the majority of the film's duration involves some pretty serious topics, and it handles them well. It's not a bust-your-gut-funny movie, and it's perhaps not as strong as some reviews would lead you to believe, but it's one of the better satires in recent memory and certainly one of the more effective since Wag the Dog.

EDITED to omit reported 'spoilers'. And by spoilers I don't mean the "Bruce Willis is dead" type, but "Bruce Willis is bald" types. *sigh*

Some jobs are harder than others but Nick Naylor (Aaron Eckhart), tobacco industry spokesman, handles his with effortless skill. Along with two other spokespeople for the alcohol- and firearms industry respectively, he is part of the self-appointed M.O.D. squad ("Merchants of Death") whose main objective is to talk. To BS. To spin. To confuse and convince their opponent, and charm their audience. A job of such nature naturally requires a certain moral flexibility, and with smooth-talk and sex appeal, it is apparent that Nick is incredibly gifted in this area.

He goes on TV-shows, verbally battles U.S. senators, deems the Cancer Research Foundation "arseholes" – all the while trying to set an example for his 10-year-old son. This is naturally very difficult, doing what he does. So as Big Tobacco (for whom he is a lobbyist) launches a campaign to reinstate the "cool smoking" image into mainstream Hollywood, and sends Nick to work a producer for the proper product-placement, Nick decides to bring his son along for the ride, to see "how daddy works" in hopes to bond with him.

Good satires are hard to come by, but Reitman's "Thank You For Smoking" is so wet with sarcasm and dripping with humour that it is impossible not to enjoy. It navigates the fast-paced industry, the art of talking and spoofs the anti-smoking camp with their chiché "cancer-sick boy in a wheelchair" front (as seen in the opening scene of the film), and it explores the moral flexibility of Americans, without preaching too much in doing so. Only once does it fall prey to predictable moral messages, as when Nick starts reevaluating his work and has moral qualms following his kidnapping by an anti-smoking group, only to swoop down into tongue-and-cheek mode again and return twice as biting – and twice as funny.

Although the film is evenly peppered with fun one-liners and perfect delivery from its cast, the best scene is when the M.O.D. squad are at their usual restaurant hang-out at the end of the day and brag to each other and argue over whose business kills the most people per year. Nick: "How many alcohol-related deaths per day? 100,000? That's what... 270 a day? Wow. 270 people, tragedy. Excuse me if I don't exactly see terrorists getting excited about kidnapping anyone from the alcohol-industry." Maria Bello who plays the detached, funny Moderate Spokeswoman for alcohol has great in-your-face aptitude and attitude, "That's stupid arguing." Aaron Eckhart is also hilarious throughout in a shady businessman way (I now have a major crush on him). Out of all the cast, only Nick's little kid Joe chokes on the well-written lines.

In fact, even the cinematography is well-crafted in the film... just the way a scene cuts to another deserves credit, opening with a rapid-fire ironic note. Speaking of which, "Thank You"'s opening montage of cigarette packages as credits is a stroke of genius on Reitman's part. So are the various casting choices – the amount of respected actors that have been crammed into supporting roles in impressive (Robert Duvall, Sam Elliot, William H. Macy) and give rise to an almost familiar and "feel-good" tone in the film.

That said, I wouldn't call this "laugh-out-loud worthy" exactly and I didn't care for the ending but it is clear that a lot of thought has been put into Thank You For Smoking – every line is a well-articulated kick up the arse to something and delivered by the bucket-load. A very enjoyable little satire.

8 out of 10

First of all, sorry for the cheesy title. I couldn't help myself. Second of all, "Thank You for Smoking" is, in fact, a darn good satire - one of the best I've seen since "Election". Aaron Eckhart holds the picture together with a witty, charismatic performance as a tobacco lobbyist. The film is basically about his profession as he spins the news, pitches a movie idea, dodges a subpoena, has an affair with a reporter (Katie Holmes), tries to spend time with his son (Cameron Bright), and has lunch with an alcohol lobbyist (Maria Bello) and a firearms rep (David Koechner) - where they literally compare body counts. The performances are excellent across the board, from William H. Macy's crusading Senator to Rob Lowe's smirking Hollywood agent who struts around his office in a kimono. Even Adam Brody is enjoyable as Lowe's hyperactive assistant whose in-joke with a co-worker earned one of the biggest laughs of the movie.

The majority of the credit, however, needs to go to first-time feature director Jason (son of Ivan) Reitman. Adapting from Christopher Buckley's novel, Reitman has fashioned an enormously clever script, consistent and strong in character, yet not forgetting to be incredibly funny. The style is also perfect - brisk, light-hearted, with impeccable timing marred only by a tangental subplot including Sam Elliott that is, sadly, not very funny. Overall, however, the pace is fast enough where the laughs keep coming.

Reitman also does the unthinkable: he keeps the satire dark and funny to the very end. While most comedies stray blindly into the sentimental, "Thank You" avoids unnecessary emotional tripe and - thankfully - avoids sermonizing about the dangers of smoking or of the flaws of the political process. Eckhart's flawless performance and Reitman's wonderful screenplay anchor an uncommonly perceptive comedy, provided you take yours black. If you need a little cream and sugar, "Fun with Dick and Jane" might still be at the dollar theater.

Just saw this as it premiered in Toronto - awesome cast, very funny dialog, and more than skin deep. First time director does a nice job - and the opening credits are noteworthy. RECOMMENDED. Pokes fun at the smoking industry (and lobbyists), but at others as well, and its hard to disagree with the sharp satire. Rob Lowe's small role is priceless, the casting was perfect across the board. Nick Naylor's (Eckart) relationship with his son is center and keeps some genuine qualities through all the laughs. My friend and I both rated this near the top or at the top of the 7 films we saw in Toronto last weekend. Not sure what its distribution / release schedule is yet, as there was still some debate over who had actually purchased the rights to it. Eckart in person came across as very genuine and is also in another great upcoming movie - Neverwas.

This was the most enjoyable film we saw at Sundance. Smart and funny is not an easy pairing to find these days. Thank You For Smoking provides thought provoking content delivered through a network of great acting performances that make this film so thought provokingly hilarious.

This comedy, unlike many that grace the screen these days, is clean enough to take your parents to, and funny enough that you will forget you are at the movies with your mom. It was truly refreshing how no one in the film was filmed smoking a cigarette. Rob Lowe's character provides a wonderful satire of the corporate film world. I only hope that the intelligence level of this film does not keep it from gaining mainstream appeal.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Nick Naylor (Aaron Eckhart) is damn good at his job but that doesn't stop him being any less detested for it- he's a spokesperson for the tobacco companies, cleverly putting slants on 'proven' medical facts and observations. But he's facing a new opponent in the shape of Senator Finistirre (William H Macy) who's challenging him to come to a commitee and stand up against some new anti-smoking material he's discovered. He's also got to struggle to be a positive role model to his 12 year old son Joey (Cameron Bright) who he takes on a cross country trip to try and bond with. And, to top it all off, the tobacco giants are desperate to make smoking appear 'cool' in the movies again, a job they leave at the hands of Nick. But a double crossing reporter (Katie Holmes) and a group threatening to bump off Nick for the 'lives he's ruined', his own life is starting to look pretty bumpy on it's own.

Always leave it to the small independent films to produce the best comedies, because they generally do a much better job of it than big over-blown Hollywood productions. TYFS has received a large number of generally glowing reviews up to this point...and I'm glad to say this will be another one.

With a title and premise that was guaranteed to spark controversy (or maybe outrage would be a better word?) rather than go for shock value in any other way, this manages to be a consistently clever and sharp stab at the hypocrisy and over-reaction that can cloud those who make it their lives to poo poo tobacco and those who try and defend it, with one of the greatest cinematic characters in a while in Nick. He defends an industry I despise, so it's credit to the film that he struck a chord as such a savvy and charismatic guy who carries the film to the beat of his own tune. Great performances all round also do the film no end of favours, guided along by a screen play that dishes out witty and sparkling dialogue by the bucket-load, making the film a seemingly never-ending glee ride.

Thank you for Smoking, Please come Again. ****

This was quite the clever satire. But it's not really about smoking. I was reminded of Cinderella Man (last year's best film). That one wasn't really a boxing movie: it was about a man realizing what was important in his life, and boxing was just a means to an end. Thank You for Smoking isn't trying to convince people to smoke, or, not to smoke. It's about choice. Well, that's what the characters are lobbying for, quite literally. Maybe since this is a dark comedy, it doesn't really have any moral high ground. But Aaron Eckhart, who plays the lead role of Tobacco industry spokesperson Nick Naylor, and is playing a character who himself smokes, doesn't actually light up a cigarette on camera.

Nick Naylor's job is spin, and he's damn good at it. As he tells his 12 year old son, who idolizes his father, you're never on the wrong side of an argument if you can support your facts, and most importantly, prove the other person wrong. And it's not that Naylor thinks cigarettes are the greatest invention ever: he does what he does for the challenge. His tasks in this film include getting cigarettes back into movies, preferably being used by Brad Pitt and Catherine Zeta-Jones right after a zero-g sex scene, and to convince a congressional subcommittee to not include a new poison icon on all packs of cigarettes.

The movie is full of subplots and great supporting characters, but the movie doesn't seem weighed down by them. It still moves along rather briskly and clocks in at about 90 minutes. But at the same time it never loses its dual focus: that of Naylor's relationship with his son, where he's still trying to be a good role model despite how hated he is by others for what he does, and with the other focus just being the brilliance of Naylor's spin. Eckhart shines in this film. He never rambles. He always gets his two cents in, and more. He's clever throughout, and no matter what evil it is that he may be defending, you can't help but like and admire him.

And I must go over some of this supporting cast. Maria Bello and David Koechner join Naylor for lunch once a week, and as respective representatives for the alcohol, firearms, and tobacco industries, they refer to themselves as the Merchants of Death and have quite a lively meal/debate. William H. Macy is Senator Ortolan K. Finistirre, who loves his state of Vermont's cheese and is one of the most outspoken adversaries of Big Tobacco. I loved J.K. Simmons as BR, Naylor's boss. He just has such a loud mouth: I love hearing him swear and rant in movies. You also have Robert Duvall as The Captain: the guy BR has to run policy through and who is idolized by anyone working in Big Tobacco; Sam Elliott as a former Marlboro Man who is dead-set against not shutting up in anger until Naylor spins a few things; Katie Holmes as a reporter Naylor falls for; Rob Lowe as a movie producer who'll take funding from anyone and can spin as well as Naylor, and Dennis Miller as (thankfully) himself.

So then, I don't think this movie takes sides at all on tobacco. It's a movie for people actually capable of looking at an issue from both sides, and to find humor in it all. I guess that means it's not for Republicans. And even if you go into this movie thinking you won't be impressed, I think Naylor will work his magic and convince you otherwise.

Lawyers are often asked how they can act for clients who are clearly bad people who ought to be in jail. Once the arguments like "everyone is entitled to a fair trial" and "everyone is presumed innocent" are swept aside, it usually gets down to "well, I've got a mortgage to pay." So it is for lobbyists for unpopular industries. There is no legal industry more unpopular than Big Tobacco and in this film Aaron Eckhart plays with great relish, Nick Naylor, a superb operator with absolutely no shame who prosecutes Big Tobacco's cause at venues ranging from grade school classes to congressional committees.

First –time director Reitman derived his screenplay from Christopher Buckley's 1994 book, and in the book there is a deeper motivation than the "must pay the mortgage" defence. Chris Buckley happens to be the son of the wealthy right-wing columnist and political gadfly William F Buckley and Chris shares his father's politics to some degree. If you are against the state telling people what to do (ie, not smoke) it is logical to support the tobacco companies, who, after all are only providing a substance people are free not to use. The problem with this libertarian position is of course externalities – others are affected by the smoker's actions through passive smoking and the state will still have to foot the bill for the smoker's medical treatment. So unless our smoker is going to smoke only with other smokers (or alone) and is prepared to pay for their medical treatment, the state has an interest.

This issue is only lightly alluded to in what is a very clever, witty, snappily directed and rather superficial satire on lobbyists for pariah industries. The film does come close to being serious when Nick takes his perceptive 12 year old son Joey (wonderfully played by Cameron Bright) to various work engagements. How can a lobbyist for big tobacco justify what he does to his son? He does it, but I won't spoil your enjoyment of the movie by telling you how.

The satire here is not subtle, and some of the performances border on caricature. William H Macy, however, as the anti-tobacco Senator for Vermont (home to cheese-created cholesterol), manages to avoid farce and produce a believable character.

Christopher Buckley was reportedly pleased with this film though I think his message was obscured somewhat by the pyrotechnics of Aaron Eckhart's performance. Perhaps those champions of individual freedom are actually sociopaths, using liberty as an excuse for doing bad. I don't like being told what to do, or telling other people what to do, but sometimes there is no other choice.

I saw this movie at a screening in DC last night. It was great. Aaron Eckhart, the single leading man with the WORST haircut in Hollywood (full disclosure - I'm damn near bald) matches very well with the direction of Reitman. From the get-go, it's a fast-paced send-up of everyone and everything in the tobacco war. The entire cast does a good job (w/ the exception, maybe, of Katie Holmes). Rob Lowe is hysterical in his cameo, but I have to say Eckhart & his MOD squad buddies (Maria Bello & David Koechner) really light up the screen. Their scenes of discussing the dealing out of death through the industries they represent over drinks are a real strong point of the movie.

The fact that this movie doesn't take sides - and really, could be about any issue, because it's more about the MAN behind the spokesperson - but makes fun of all sides in the tobacco issue. The interaction b/w Nick Naylor (Eckhart) & the old Marlboro Man (Sam Elliot) is priceless, as is the back-and-forth between Naylor & Senator Ortolan Finistirre (William H. Macy) towards the end of the film -it's basically good actors doing what they do well - and it's very funny.

The movie's also a little bit touchy-feely, focusing for a bit on the relationship b/w Naylor & his son, Joey (Cameron Bright) - the kid's good & some of the lines written for him are priceless.

There was one odd, stupid thing - and my wife agrees w/ me on this, so I'm not just being a guy; there are 2 'sex' scenes w/ Eckhart & Katie Holmes, but zero nudity. Nada. Not even partial. We see them having sex in multiple places & positions, but they're almost completely clothed. It just took away from the credibility is all I'm trying to point out here - as I said, my wife actually made the comment before I did.

Bottom line, it's a great movie - well worth the price of admission. It's funny, it's entertaining & it moves, what more could you ask for?

The moral ambiguities of a smooth-talking, quick-thinking lobbyist for the tobacco industry come under fire while he continues to work for a heartless organization that panics when cigarette sales drop even the slightest percent and cancer patients turn up on TV talk shows. Writer-director Jason Reitman, working from Christopher Buckley's novel, cleverly juggles his film's dark-hued elements with comedy in an inviting package. The filmmaker doesn't attempt to use sneaky reverse psychology on us (thankfully); instead, he boldly displays the smug recklessness of not only the tobacco industry but the squawk-boxes for the alcohol and firearms people as well. We see them for the bloodsuckers they are, bragging about doing their dirty work "for the mortgage"--and Reitman even manages to make them funny. Aaron Eckhart was the perfect casting choice for this "Sultan of Spin"; with his creamy pseudo-charm and unbridled arrogance, Eckhart knows just how to play the devil incarnate and make him both wily and buffoonish. Reitman's style is jaded satire in a glossy format; he wrings big laughs out of the quotable lines of dialogue, though there's no weight behind his verbal (and visual) slings and arrows. The movie's edges are blunted in its quest to be likable--it's a skewering of all the outrageous behavior we see on the news--and nothing here goes beyond the cheeky, sideways-slanted humor which deliberately dominates. **1/2 from ****

I had high hopes for Thank You For Smoking, a satire about smoking and the way the media, politicians and people in general act in relation to the issues it generates. I found it to be disappointingly tame in its derision of the hypocrisies and manipulation of the various groups and characters in the film. Sure, it presents a number of interesting ideas, but most of them just don't really go anywhere. William H. Macy's character in particular seems plainly unoriginal and pointless.

However, the real problem for me is that this just isn't nearly as funny as it ought to be. Although some bits of it are pretty funny and others original and thought provoking, the remaining sections are often to be quite frank, dull. Much of the humour misses (in my opinion) and some scenes are borderline boring. The occasional witty line is not enough to engage an audience and tell a meaningful story. Furthermore, I found the film confusing in its tone. It's too silly for its plot to be taken seriously, but then it spends so much time on establishing an elaborate plot that goes nowhere in particular.

Aaron Eckhart is very good as Nick Naylor while the supporting cast is solid. However, none of the characters are explored deeply enough to truly add any depth to the movie with perhaps the exception of Nick Naylor and his son. In fact, some of the most intelligent and memorable lines come from the son but for me they were still unrealistic and lacked subtlety. That's a problem with the movie as a whole; the characters aren't real and as good as some of lines may be, they don't fit in with the characters and situations.

Another odd problem with the movie was the colour. It often seemed to have some kind of yellow tint to it - I thought there was a problem with our DVD player or something. Also, the cinematography felt limited and languid, accentuating the slower, weaker parts of the movie. The music by Rolfe Kent, although probably alright per se similarly added nothing in my opinion (unlike the use of his music in Sideways for example).

Perhaps the worst thing about Thank You For Smoking is how forgettable it is. I remember I enjoyed some bits but I find it difficult to recall any of them. Thinking back I am primarily reminded of how much of a missed opportunity it ended up being.

Nick Naylor is a talented man who is employed as one of the top spokesmen for "Big Tobacco". Sure he has to keep the alleged "truth" about the health effects, contributing to the death of 1200 people each and every day, but he's got to pay the mortgage just like the rest of us. He is separated from his wife but still wants to be a role model to his son while also pursuing his chosen career. Summoned to meet with The General (one of the last great tobacco barons), Nick is put in charge of pushing through new ways of promoting smoking while also defeating a push by Senator Finistirre to put a skull and crossbones on the front of every cigarette packet sold in the country.

If the plot summary sounds like this film has a definite narrative flow to it then I'm sorry for misleading you because, although it moves in a certain direction, it isn't that tight a story. It probably didn't help either that I had literally been in a different cinema watching Dr Strangelove an hour before I watched this film because this was never going to be able to compare (no matter what the current IMDb rating says!). The comedy isn't that sharp and in terms of satire this is about as mean as a poodle. This lack of teeth is evident from the very start where the opening credits are kind of cool, comic and fun; in the same way the comedy is cool, funny, enjoyable but not really something that rips into its subject with an acerbic wit that I expected. Part of me was thinking this at times that this was a problem but then I realised that it actually wasn't that big a deal.

The reason is that, sure it ain't a sharp satire, but it is a fun comedy with a general swagger and a great ear for dialogue. The story wanders and tends to go off in directions that it drops or doesn't follow through, but by staying with Nick at least we have a focal point that is interesting and engaging. I did have a bit of a problem swallowing Nick's sudden massive lack of professional judgement and the fact that it is a key part of the plot made the film seem to stall for a while, but such moments were mostly covered by the pace and energy of the majority. The targets are easy but the manner of writing produces a great feel of mocking them from the inside rather than being outside throwing stones. The "gentle mocking" approach takes away the edge but it makes the film easier to enjoy. It has a steadily amusing air to it while also throwing in lines, characters and touches that made me laugh out loud. Reitman may not be the future of satire but he can certainly do comedy and this film is all the better for this work as director and screen writer.

The cast is deep and everyone gets a piece (albeit mostly small pieces). The film belongs to Eckhart who has proved (Company of Men etc) that he seems to find it easy to play characters whose moral compasses are way off. He is as charming as he is soulless and he is a delight to watch – a major force in the film being as engaging as it was. The support cast includes some real heavyweight names such as Duvall, Bello, Elliott, Holmes, Macy, Simmons, Lowe and others. Generally the quality is high but I found the presence of Holmes to be a distraction and her "fully clothed" sex scenes to be pretty laughable – her lack of genuine sex appeal and chemistry here made her part of the plot much harder to buy.

Overall then this is not the sharp, acerbic satire that some reviewers would have you believe it is – it simply hasn't got the teeth or the balls for that. But this shouldn't matter too much because what it does do is produce a consistently fun atmosphere that is cynical without wandering away from being pretty mainstream in delivery. The cast are mostly very good but Eckhart dominates with a great lead role while the material keeps the laughs coming on a fairly regular basis.

Ivan Reitman must be so proud. I'm not kidding, his son Jason has come out with a caustic original comedy all his own. I don't know what people outside Los Angeles may make of this. They may think is science fiction when, in fact, most people who have spent any time there knows that this is as normal as going to church in the Vatican. The scenes inside the CAA like agency are even underplayed if you believe that. Aaron Eckhart is as perfect as they come. The charming monster with human sides. William H Macy, Rob Lowe and the rest of the cast are great fun to watch. I'm rooting for this movie to make a zillion bucks. It'll be nice to have more good writing, good acting and good direction in March for a change.

I hate to say it. but this movie is gonna fail in the box office. for the same reason no one showed up to its screening. but this will be one of the most entertaining cult movies ever. although it lacks the glam and actually will turn a lot of people away before they even get to the box office do to the subject matter, but they will all be missing out on a hilariously made movie. I don't think i've laughed this hard in a long long time. this movie isn't really intended to be anti-smoking propaganda, but there is some of it. Its more of a satire on the reality of people and how much we're willing to believe or willing to be dooped. I see it similar to liar liar not being about about the legal system but the moral and ethical decisions of people within society. overall I would have to saw this is a great great movie. Highly recommend it. And could not imagine this movie to turn out any better than it has already been with the perfect cast and great story line. I think the best way to encompass the movie is paraphrased in the movie's catchy advertising line the main character, Nick Naylor doesn't lie, he filters the truth.

Review: Although this is an old movie, I still enjoyed it. It shows a different aspect to big business, which, good or bad, every business needs. The acting is great from all of the cast and the writing was witty, even though it is a serious subject. After watching movies like The Insider and many Michael Moore movies which show how big businesses trick the world by making them think that they are doing right by buying there products, it's good to see a lighter side to the subject. It's very well written and entertaining from beginning to end. Enjoyable!

Round-Up: Judging by the money that this movie made, it must have touched all audiences, smokers and non-smokers, and the relationship between the leading character and his some gave it a human touch. I've seen this movie a few times on TV so I knew what to expect. In a lot of way, this message is politically incorrect, but once the spin had been applied by the spin doctor, you does twist your mind. By the way, the director cleverly didn't show anyone in the movie smoking so he obviously put his own message across.

Budget: $6.5million Worldwide Gross: $40million

I recommend this movie to people who want to learn about the spin doctors who work for the tobacco industry. 6/10

Very smart, funny and interesting movie. I seldom say that about any movie. The story of a lobbyist for the tobacco industry who's job is to put a spin on cigarettes, improve their image, make them cool again, and prevent one senator from getting legislature to mandate that cigarette companies place a large graphic skull and cross bones on each pack sold.

Nick Naylors character is brilliant. While he was "selling" the public on his ideas and views and convincing them, his own son, and everyone else that he is correct he actually sold me too with his good looks, charm, and logic.

Everyone knows that smoking causes cancer and anyone who attempts to sell or promote it won't garner any sympathy for lagging sales. That's where the spin doctor Nick comes in to teach everyone that smoking is cool.

Excellent movie.

Dont watch this movie if you wanna see a straight comedy. The jokes are too subtle and too intelligent or simply too obnoxious, to evoke big laughs. I would still recommend this movie though to those who long to be really confused and puzzled. Watch it if you like intelligent movies that make you start to think or have doubts about the subject of the story:

how to promote a product that kills people by the hundreds of thousands.

It is kinda weird to see a movie defending the tactics these cigarette companies use to sell these cigarettes. There are some laughs though, because it is funny to see a cigarette lobbyist use the act of clubbing baby seals to death in his campaign to promote smoking. It is also very funny to see a cigarette lobbyist tell little children at school, to think for themselves and not take for granted as the truth what their parents teach them.

Conclusion: It is a rather sleezy, yet still (cringelike) amusing movie about promoting lying and bribing.

Endnote: Watch "The Insider" with Al Pacino and Russel Crowe though if you wanna see a real TRUE TO LIFE thriller that does NOT glorify the big tobacco lobbyists.

The chief spokesperson and lobbyist Nick Taylor (Aaron Eckhart) is the Vice-President of the Academy of Tobacco Studies. He is talented in speaking and spins argument to defend the cigarette industry in the most difficult situations. His best friends are Polly Bailey (Maria Bello) that works in the Moderation Council in alcohol business, and Bobby Jay Bliss (David Koechner) of the gun business own advisory group SAFETY. They frequently meet each other in a bar and they self-entitle the Mod Squad a.k.a. Merchants of Death, disputing which industry has killed more people. Nick's greatest enemy is Vermont's Senator Ortolan Finistirre (William H. Macy), who defends in the Senate the use a skull and crossed bones in the cigarette packs. Nick's son Joey Naylor (Cameron Bright) lives with his mother, and has the chance to know his father in a business trip. When the ambitious reporter Heather Holloway (Katie Holmes) betrays Nick disclosing confidences he had in bed with her, his life turns upside-down. But Nick is good in what he does for the mortgage.

"Thank you for Smoking" is a great politically incorrect movie, that satirizes the phobia against smokers and cigarette industry. Aaron Eckhart is simply awesome in the role of a man that has argument and is good in talking. The witty screenplay is original, using cynical lines and amoral characters. I quited smoking almost twenty-five years ago, and I do not like smokers and cigarettes, but Nick Taylor is amazing spinning the truth to defend the cigarette industry to pay his mortgage. Like said in "An Inconvenient Truth": "It is difficult to get a man to understand something when his salary depends upon his not understanding it". My vote is eight.

Title (Brazil): "Obrigado Por Fumar" ("Thank you for Smoking")

Thank You For Smoking does two things in particular- it shows it's writer/director, Jason Reitman (son of Ivan), should have a good career ahead of him, with this being a promising debut; it also shows how casting decisions do make up then crucial framework for a film like this, where its ensemble form needs the right people. The satire comes in the form of it's lead character, a lobbyist for Tobacco (Aaron Eckhardt, one of his better performances), who has a crises in the midst of a reporter's investigation (Katie Holmes), his own son, and in dealings with a super movie agent (Rob Lowe, one of his very best roles), and even the old Marlboro man (Sam Elliot). His main opponent, from the cheese-head mainstay state of Vermont, is played by William H. Macy in another key role- if there's one thing this man can play it's smarmy and antagonistic, while seeming very professional (i.e. Fargo). It's with this parallel of the two sides of varying hypocrisies, of the tobacco's side and the fervent anti-tobacco side, that Reitman loads his guns, not to mention with the alcohol and tobacco sides represented as the guy's friends (there scenes in the restaurant are some of the funniest in the film).

If there is a problem, at least for me, with the film in the overall is that as much as a satire can be clever and have aims, it's needs to balance out its comedy with its storytelling. After the first twenty minutes of the film, which contain some really big laughs (if not by the actors, i.e. JK Simmons, then by the cool style of Reitman's), it goes into its story, and becomes more or less in the realm of being entertaining, but not necessarily as funny as it should or could be. In a way this is one of those films I admire more so for having me grin at a lot of what's going on, and that the shots at the societal tennis match of the tobacco issue do work. There's nothing per-say I can say that should dissuade you from seeing it, and it could very likely become a comedy cult favorite along the lines of the Christopher Guest films (albeit a different sort of cultural satire). That it's less than great though when it becomes sincere, and that the sincerity isn't as matched up with its clever side, is more of an observation than a stone-cold criticism. After all, it's hard to turn down a film that features Lowe in a kimono on a sleep-only-on-Sunday schedule. B+

I saw this at Sundance last night (actually it was a Salt Lake screening, and thus the filmmakers didn't bother to drive 30 miles to talk to us...not that I am bitter...) At first I was a bit worried that this was going to be the old hat anti smoking movie that makes all smokers victims of the eeeeevil tobacco companies, but then I saw that it was based on a Christopher Buckley novel and I relaxed a bit! This pokes fun at all sides of the issue, from the tobacco lobbyist's insistence that there has been "no conclusive proof" that tobacco is harmful, to the legislator's thinking that putting a warning label on cigarettes will actually make someone pick up a cigarette package, read the label, and decide not to smoke...as if ANYONE with half a brain doesn't know that inhaling smoke into your lungs will harm you.

Aaron Eckhart did a fine job in his role, as did Sam Elliot, Rob Lowe, Katie Holmes...I could go on and on. It's fascinating to watch Eckhart's character spin and spin so that he brings people around to his way of thinking. He has to be representing one of the most hated industries in the United States, yet he is able to convince people as to the opposite! I highly recommend this film!

This is a film that could have been good but fails in all areas. The actors all of them professional with excellent resumes go thru the motions with no real interest in the production The story of a tobacco industry lobbyist could have been good satire but instead turns into a vulgar film with no need to entertain but to shock. The director of this movie as capable of so much more, the storyline could have worked but the movie which runs about 92 extra long minutes fails to entertain but does offend the senses. Rarly have I been so disappointed in a movie. The film is based on a novel by Christopher Buckley, after viewing the movie I suggest that you read the book as it has to be a lot better than this very hastily thrown together film.