After reading the reviews on here I wasn't put off watching this film. As a huge fan of animation, as well as Wes Anderson films this film definitely did everything and more for me. There's so much going on in every scene, I found it even funnier than other Anderson films, and as usual I loved all the characters. Anderson manages to keep all the coin facial expressions/awkward silences between characters/quirky background stories that appear in all his films. It's a true work of brilliance! This film has a 'kids film' label on it, but it's not really for children in my opinion, I urge anyone who appreciates animation and is looking to watch something quirky and intelligent to go for this film. Don't be put off due to the hordes of children. Anderson films are best watched on the big screen, so go see it now before it finishes at our cinemas.

The only criticism I will say about this is that I don't think Anderson should have kept the original title of Roald Dahl's story 'Fantastic Mr Fox'. Mainly because it has been adapted so much to Anderson's style (as well as being Americanised) that it isn't really in keeping with Dahl's story, and fans of the acclaimed writer who want to experience the film adaptation of his story will be disappointed I feel. I think he should have given it a different title, like 'Foxxed' or something (that's a rubbish suggestion, but you get what I mean), as I loved it, and wouldn't change anything else, but marketing it as an adaptation of Dahl's book is a little mis-leading (definitely for British people anyway).

-As a side point I think that as much as Dahl supplies a brilliant story and tons of material to make a very good film, I think Dahl's stories are best kept where they belong, and that is on paper. It is his literacy genius where the magic of his stories lie, and reading them (rather than looking at them) gives me the most enjoyment than I could ever get from watching a film of one of his stories.

I left the cinema with a huge grin on my face and felt like bouncing along the pavement as I made my way home. It definitely has been the highlight of my week, and will be without a doubt one of the best films I've seen this year.

I'm pretty much the sucker for stop motion animation, so this naturally comes with that wee bit of bias, because I surely take my hats off to the filmmakers, especially the modelers and pretty much everyone who has to painstakingly move everything a little bit at a time, which for folks who are impatient (like myself), would already have driven one nuts.

But this crazy effort in bringing to life Roald Dahl's story of a sly fox, is pretty much worth every frame of it. The man hours and intricate designs are something of an old school technique when compared to the latest computer wizardry, but you'll be amazed at what director Wes Anderson and his team managed to come up with, complete with a solid story, likable characters, and plenty of fun.

George Clooney voices Mr Fox, a smug (what else, since Clooney chews these type of roles for breakfast) and wily erm, fox whose specialty is being the chicken thief that he is, providing for family. An incident cutting too close to death has Mr Fox promise Mrs Fox (Meryl Streep) that his thieving days are over, but you know how a leopard cannot change its spots. Soon he moves his family near three farmers Bean (Michael Gambon), Boggis (Robin Hurlstone) and Bunce (Hugo Guinness), and crafts his final hurrah in hitting all three neighbours, only for them to retaliate and demolish Mr Fox's lifestyle, and not to mention his relationship with wife, family and friends, resulting in a battle of wills and wits.

Despite the relatively short run time, the film managed to pack plenty of subplots, characterization, and comedy into one well oiled narrative. You'll surely be one without a sense of humour should you not be able to laugh at anything and everything that Anderson had put on screen, from slapstick to really smart and funny lines that make up every moment of enjoyment in this film. The A-list voice cast also includes the likes of Jason Schwartzman, Bill Murray, Willem Dafoe, Owen Wilson, Brian Cox, Adrien Brody et al, some of whom you'll know are regulars in Anderson's past works.

And if you had enjoyed his past quirky films, then you'd come to expect the same for Fantastic Mr. Fox, with Wes Andersen's signature touches all over the shop, where he made some departures from Dahl's book, but manage to retain the essence of the story, and through a stroke of luck, finding an alternate ending from Dahl's original manuscript which got adopted here in the film. It's comical, it's smart, it's stop motion and it won't be too long before fans will soon adopt Mr Fox's trademarked whistle-whistle-click-click.

Giving up his life of a chicken thief because of a child on the way, Mr. Fox gets a job as a newspaper writer and lives underground. Years pass, his child is older and he wants to move to a tree and not feel poor anymore. Along the way he takes in his nephew and decides to steal again, from the three biggest farmers no less. The farmers get wise and start a battle against Mr. Fox, his family and all their creature friends.

At first I didn't know if I wanted to see this, the animation looked really bad. But after thinking about it for a bit, I found that it fit into Anderson's style, it was something that he would do. So I gave the film a shot and I'm glad I did. This film has Anderson's signature style all over it, right down to the obvious voice casting, which has the likes of George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Michael Gambon, Owen Wilson, and Willem Dafoe.

A lot of people, and I'm including myself in this bunch, might think nothing of this film. After all, it doesn't have the bright, adventurous feel of the recent Disney/Pixar films that have been dominating the animation scene. I'd even throw Dreamworks into that bunch. Those films are done by people who are at ease in their field, animated director like Brad Bird and John Lasseter know their way around the animation style. Yet here comes auteur Wes Anderson, who has a unique style and sense of comedy. His transition to animation, stop motion animation no less, is smart, funny and a pleasure. Is it his best film? Of course not, but it's one of the more enjoyable ones.

The voice cast all work well, Clooney does a good job as the lead. He has that leadership tone in his voice, that arrogance that is needed for the character. Streep isn't given much to do, so her role as the wife is pretty basic, as is the character. Their son Ash, voice by Bored To Death star Jason Schwartzman was a stand out for me, as was Eric Chase Anderson, as Kristofferson. That name might not sound familiar, that's because his resume only consists of Anderson films. Bill Murray plays a badger and Fox's lawyer, who advises him not to buy the tree house. Fox does anyway and that's why he's in this mess. The animals are really small and live in this world where there are apparently small motorbikes for them to use. They can communicate with the human characters, no one seems to find it odd in this little world they live in. You won't find it odd either, you'll just be enjoying the fun.

Each chapter is subtitled, Fox's Master Plan A, Fox's Master Plan B, etc. They even tell you how time passes in human years and fox years and in a comical bit one human hour compare to one fox hour. You never know how long these hours are in comparison to each other, you don't want to know either, it just adds to the uniqueness of the film. At heart, these characters are still wild animals, as Fox even says this in the film, and the way they eat and "fight" each other proves this.

The film has that Anderson humour and might go over some kids heads. It's dark in some places, as one character dies, but I think they will enjoy it. They won't jump up and down for it like Up, or Finding Nemo. They won't want to go out and buy the latest Mr. Fox stuffed animal or toy. This feels more like a film for adults, it doesn't really cater to the kids, but they will have their bits to laugh at, like the possum who stares blankly at some people for whatever reason.

This film was made from scratch, this world Anderson creates is fun and I had a fun time being in it. The film flies by it's running time and I never found the film dragging. It was in and out. As stated before, the kids might enjoy this, but it's more for adults. There's smoking and there's even a unique way of swearing, which I found funny. The camera movements scream Wes Anderson and if you're a fan, then you will enjoy this very much.

One of my favourite films of the year.

In recent years, Disney's Pixar division, with their monopoly over animation, has churned out some of the biggest, funniest, most emotional material to hit theaters in the last ten years. By this point, the public knows their aggressive marketing campaign and knows it well. Adult humor and themes geared not only toward the kids, but the parent's as well. The mass appeal? Mom and dad can now take their eight year old to the local multiplex and fork over the steep price of admission without wasting it on a two hour long power nap. Last quarter's CGI constructed Pixar extravaganza "Up" captured audiences' hearts, imaginations and pocket books, raking in a less than modest 292 mil at the box office, making it one of the highest grossing animated films of all time. Along comes "Fantastic Mr. Fox", helmed by auteur Wes Anderson, a crack team at Twentieth-Century Fox (Yes, I said Fox) and Indian Paintbrush, one of Wes' collaborators on his predecessor "The Darjeeling Limited". If there's one thing that's detrimental to the Trump-like successes of the Disney powerhouse, it's a new found competition…let the games begin.

"Fantastic Mr. Fox" is a pure delight. A feast for the eyes. From frame one, it takes no time at all to draw you into its beautiful visuals of vast countryside's, running streams and falling foliage, all in marvelous stop motion. That's right I said it, stop motion. From the course hair on Fox's face to the cotton ball chimney smoke of Boggis, Bunce and Beans warehouse smoke stacks, everything's been designed from scratch, much of which involves simple household items. After just a few minutes in Wes Andersons world inspired by written cues from the mind of the British children's author Roald Dahl (inspired by Dahl's own hometown) you're dragged out of the theater and immersed in a faraway land for the entirety of its modest and to the point one hour and twenty minute runtime. The real treat lies in the notion of how long it actually must have taken these top notch art designers to bring everything to life. There are forces at play here that give one a clear sense of the fact that stepping away from a computer screen and getting things done the hard way pays off when witnessing the final product. Production value is staggeringly noticeable and truly memorable. I for one am still transfixed by the universe of Mr. Fox.

Among one of the droves of Wes Anderson fans, I had high expectations going into the film. Anderson is one of those rare writer/directors that manage to separate themselves from the societal norm, branch out and go their own way. With Fantastic Mr. Fox, he effortlessly supersedes his reputation as one of the most unique Directors of this century. You may be asking yourself how you direct a bunch of puppets, but Andersons 'puppets' are among some of the most realistic and complex that you're likely to meet. With human emotions, expressions and actions, it is clear that Mr. Anderson took great time and preparation during the film's production and pre-production to make sure everything came off as smoothly and impactful as possible. Look out for a particularly funny scene during one of the nightly stake outs portrayed wholly through images on security camera monitors. Very, very well thought out and clever.

Fox, for being aimed at children, is probably one of the most adult animated films I've seen to date. Think Pixar Redux. There's smoking, 'cussing' and above all some extremely heavy handed adult humor and themes. In Wes Andersons sharp, funny, unbelievably witty script, he keeps all of that classic dry comedy that's become synonymous with his trademark, the only exception being that it's coming from the mouths of the animals he's intricately created. Parts had me gasping for air; others had me rolling in the aisles. It's clear to me that by now Wes has really honed in on his craft and gets marginally better with each new picture.

Wes Anderson, with his creative brain that can only be compared to an Einstein of the medium, lays all his cards on the table and ups the ante for Pixar Studios. When asked if he wanted to continue to make animated films he commented by saying, "I would certainly love to make other animated films in the future." Could this be his new calling? Truly focusing on the niche market of animated movies tipping the scale more in favor of adult audiences? One would love to think so (of course without turning into another Robert Zemeckis and taking a permanent vacation from live action). Fantastic Mr. Fox is something to be experienced. Children will love its adorable characters while adults will marvel in its ability to connect with them. After all, each of us was a kid at one time or another and because of that there has never been a better excuse to pretend again.

Fantastic Mr. Fox is acclaimed director Wes Anderson's first animation, specifically stop-motion, and it's, well, fantastic.

George Clooney's voice as the head fox of an animal clan that shouts diversity is straight out of Danny Ocean-- cool and witty with an overlay of sentimentality that would convince you to open your hen house door to let him have his way. That's after his little speech that tries existentialism on for size, foxwise that is: "Why a fox? Why not a horse, or a beetle, or a bald eagle? I'm saying this more as, like, existentialism, you know? Who am I?"

As the animals pull a caper against farmer Bean (Michael Gambon) and his thugs, the animation pulls away from the gloom of another winner this year, Where the Wild Things Are, and confirms the fun of a well told beast fable with loads of anthropomorphism to reaffirm our love of humanity and confirm that animals, like us, will always be animals. The ease with which Anderson/Clooney convince that this stealing and mayhem are what animals do is a tribute to script and performance that seduce us into the stylistic den of thieves known as the fox lair and all its attitude and custom, sanctioned by mother nature herself.

Mr. Fox: "The cuss am I? Are you cussing with me?" Badger (Bill Murray): "No, you cussing with me?" Mr. Fox: "Don't cussing point at me!"

Such an exchange is indicative of the fun Anderson has with kids and adults by not bombarding the youngsters with profanity but winking at the adults as if to say, "You know what I mean." And the most violent moment comes not from scenes with guns but rather where the animals steal chickens and break their necks, done so gingerly and quietly that it seems what it is: Just what foxes do and what humans must do to eat the chickens. Darwin meets the cartoons: Mr. Fox: "And how can a fox ever be happy without, you'll forgive the expression, a chicken in its teeth?"

That's Wes Anderson for you: Sartre and satire with a dash of dashing fox.

I'll admit it: I love stop motion animation. From the crude Christmas classics that are always on TV this time of year to the elegant masterpieces of Tim Burton, I never miss the chance to see classic animation at work. Needless to say, when I heard about Fantastic Mr. Fox, I was excited. A wonderful Rhold Dahl book, beautifully crafted animation, and an illustrious cast all in one package – this was exciting. I'm happy to say that my excitement was justified as Fantastic Mr. Fox is perhaps one of the best new movies I have seen this year.

The story of Fantastic Mr. Fox follows the lives of the Fox family – Mr (George Clooney), Mrs(Meryl Streep), and their son(Jason Schwartzman) – and their animal neighbors and friends. Mr. Fox, once a professional chicken stealer, decides to settle down with his wife after she becomes pregnant and instead take up a career in writing. After moving to a new home in the trunk of a tree, Mr. Fox takes notice in three massive fowl and fruit farms. Risking everything. Mr. Fox decides to embark on one last big job – stealing from all three farms. What happens after that can only be described as pure confusion and debauchery.

As with most Rhold Dahl stories, the book Fantastic Mr. Fox works to both excite kids and humor adults. As a result, the original short story is considered a classic for many families. Though some adaptations of Rhold Dahl classics (see BOTH adaptations of Charlie and the Chocolate Factory) have strayed from Dahl's dry, quirky humor, the film version of one of his best loved stories have honored this side of Dahl's story, projecting a humor perhaps more suited to adults than children, but creating an overall story that will appeal to all.

This movie would likely have been impossible without the work of numerous wonderful voice actors. George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe, Michael Gambon, and Owen Wilson all provide voices in the movie, among other lesser known but still wonderfully talented actors. As a result, the voices blend beautifully into the animation. Instead of feeling like characters with a voice shoved in, the voices and the characters are one.

The animation is perhaps the most appealing aspect of the movie. The script and humor works with the animation in ways traditional or digital animation could not. In many instances, the animation itself provides part of the story. By using a more traditional method, Fantastic Mr. Fox is also able to provide very specific quirks and personalities to each character, something often lost in newer animation. Adding to the animation is a muted, fall palette of colors, giving the entire film a homey, comforting feel.

Animation has become so perverted in recent years. Throwing away emotional appeal for visual appeal, the plethora of slick, computer animated, shiny films are almost unnerving. In such an atmosphere, choosing to make a use traditional animation can often spell anathema for the film. As a result, Fantastic Mr. Fox shines, choosing to pick traditional animation techniques to allow the viewer to relate to and communicate with the film in a way few films are able to do anymore. Though perhaps not for everyone, I would recommend Fantastic Mr. Fox for anyone interested in quirky humor, stop-motion animation, or simply a beautifully crafted and well written story.

I love this movie. The visuals, the endearment from the characters, the ARCS oh boy the character arcs in this movie are SO SO AMAZING. Anderson makes you feel and care for the characters from square one which is a supremely difficult task to do (most directors/writers instead employ making them dislikable because it's way easier). The visuals are top notch and super original which deserves + 1 star on its own so really this movie gets a 11/10 from me.

The story and the overall effect of this movie to inspire artistic creations and not be afraid of telling a story from your unique perspective is what this movie should really be looked on about. It's a masterpiece.

I made a diorama in third grade of Fantastic Mr. Fox- a book which I loved fondly- and seeing this film brought me back to that, only better and bolder, but with the same handmade quality of someone awed by the world they read. It's also wildly funny and cheerfully light-and-heavy all at once. It brings director Wes Anderson's concerns as a filmmaker to light, as usual (dysfunctional family, idiosyncratic touches with the characters, absurd child-but-adult-like comedy), and in a setting that is a fantasy that anyone can attach to. Children will latch on to it because of its cute/creepy designs, and its raucous energy. Adults will eat it up because, like with Where the Wild Things Are, it brings us back to a time when we just want to have a fun time and do things, even if we might know or thing they're wrong, or maybe just to dance at very odd moments.

Mr. Fox (George Clooney, who else?) is a sly guy with a quick mouth and a caring manner. He is a wild animal though, which is why he breaks the promise he made to his wife to not go out and steal chickens after their first child is born. He can't help it really- those nasty trio of farmers, Boggis Bunce and Bean- have all of those chickens and deliciously alcoholic apple cider just waiting for the taking. As it turns out, this makes the farmers angry as hell (or rather Bean mostly, who at one point does one of those manic 'destroy everything in the house' reactions Kane might appreciate), and they go and destroy the Fox home and all the outlying areas.

From there it becomes a battle of wills and, sometimes, real fire power and acorn-bombs and a rabid dog and other wild craziness. Oh, and the stop-motion. Thanks be to someone out there: there's filmmakers still going through the painstaking but endlessly creative process of frame-by-frame film-making where it takes dozens of hours to get just a few seconds of film. People like Anderson and Henry Selick seek out the limitations so they can break through them, or toy around with them as much as possible.

With the characterization of 'Mr. Fox', Anderson and his animation team gives us creatures whose hair is always slightly blowing in the wind (something that must have been hard to attain being shot frame by frame), have eyes that are motorized and look like real human eyes almost, and water (or apple cider) when it flows becomes rather dreamlike and appears like we haven't seen it before. That all of the characters have something amazing to their features, be it the way Mr. Fox gnarls his teeth and then does his trademark whistle or to how Rat clicks his fingers like a West Side Story villain, there's something happening every other second. You might figure out how this is all done, but it's not as much concern as what they do with their creations, like kids with action figures making an epic on 8mm film.

Fantastic Mr. Fox has the childlike wonder, the modestly dazzling sets and production design (art-Anderson is basically the way to put it by now with his films, from the title cards of species identification to maps and chapter-headings), and an original sense of perspective when it comes to action scenes and simple little camera moves that comes off extraordinary in this setting. But it's also, mostly, hysterically funny. It's not a crude funny like the Hangover or too bizarre like the Men Who Stare at Goats. It's sometimes just plain awkward, or just totally unexpected, or built around an absurdity that comes up and down like the explanation of how to play Whackbat, or Mrs. Bean and her blindness. Or just a line of dialog ("He's just another rat found in the back of a Chinese restaurant") sets off a belly laugh that's hard to contain. This is, at the least, the funniest of all the Dahl adaptations, keeping to the surrealism of animals and humans alike, while sticking to a perfectly dry, off-handed approach by its filmmaker.

As with everything else in the movie, the comedy feels home-grown, not in a Hollywood lab where everything's tested. This goes too for the excellent voice work that brings Anderson/Baumbach's dialog to fruition. In the theatrical trailer, when first seen, the voices of Clooney and Streep and Bill Murray almost distracted from the quality of the animation. But in full context, they all work, even Anderson himself as a real-estate agent creature. And the outdoor-not-in-studio recording of the voices does add something extra: you feel like there's something real going on, not just in fantasy, thanks to the actors and their "on-set" work. I'm sure some extra ideas or expressiveness came out of this, because the performances are a great part of what makes this world so tangible: we know these people and animals, sort of, at least as much as any other Wes Anderson movie.

And sure, they're foxes, but why not connect with the theme while we're at it? The film is lovely and insane, smart and silly, lovable and (for a few moments) a little scary, with a kick-ass soundtrack straight out of a record collection (and musical store) that connects just right right this spectacular place of someplace-England. And hey, why not some existentialism to top it off: "Who am I? And how can a fox ever be happy without, you'll forgive the expression, a chicken in its teeth?" How indeed? "I don't know what you're talking about, but it sounds illegal."

What exactly is the Fantastic Mr. Fox? Since it's a feature cartoon based on a Roald Dahl story one might assume it would be a movie for kids, or a movie for kids of all ages, but it's not. The dysfunctional family and the arch dialog and the low-key performances all make it clear this is something for adults, something aiming to be a quirky way to deliver Anderson's typical fare. Or perhaps it actually does aim to be a kid's film and this was simply the closes Anderson could come.

In either case, the movie doesn't totally work for me. Even though I never read the Roald Dahl story, I know his work well enough to know that this has little to do with it. Anderson and Dahl have very different sensibilities. But at the same time, they are both quirky. I think if Anderson wanted to take a kid's story and give it a modernist twist he would have been better off with something less quirky, a more traditional children's story like The Wizard of Oz. As it is, the two varieties of quirkiness work against each other. Anderson is small and thoughtful and acerbic, Dahl is over-the-top and ironic and somewhat savage. And while Anderson wins this debate, because he has the final word, the vestiges of Dahl make it all feel a bit off.

This is not to say I didn't enjoy the movie. I generally did. It's mildly amusing and the animation is kind of interesting in places. I didn't particularly mind watching it. But I was never drawn into the world, I never felt connected with the characters or concerned about their plight. The movie, like all Wes Anderson films, keeps you at a distance from the characters, but unlike his best movies, it doesn't make up for that with enough eccentricity to keep one engaged.

It doesn't surprise me that the critics loved this movie. Critics tend to get jaded and immediately latch onto anything different, and this movie is decidedly different. But Anderson would have been better off either making a cartoon aimed at kids or making a live action show aimed at adults. Instead, he just confuses the two.

For those who are looking for a 100% faithful adaptation of Roald Dahl's book, I think they will be disappointed. Lacking the dark edge of Dahl's book and of his writing in general, Fantastic Mr Fox is not so good as an adaptation, however on its own terms it is wonderful. It is an endearing and hugely enjoyable film.

One thing that stood out was how the film looked. Instead of the CGI rendered effects, Wes Anderson opts for a more old-fashioned stop-motion effect. This decision worked, because the visual look is outstanding, not just in the beautifully detailed backgrounds and sets but in how the characters move as well and the small details such as the armchair in his writing hut.

I like Alexandre Desplat's music quite a bit. His score for Fantastic Mr Fox is no exception, it is quirky yet still has the minimalist style that makes Desplat stand out. The story is sometimes slow in the pace but because of the humour and how it looked, I never found the film boring, besides the story itself is so good. The writing is great, the humour is more adult but a vast majority of it is very funny with the odd touching moment too.

The characters add a lot. Mr Fox is one of my favourite titular characters in a book and the film did little to change that, and while some are slightly underused they serve their purpose well. The voice work is fantastic. I wasn't sure about George Clooney, but he does do a bravura job, and Meryl Streep is quite touching. Michael Gambon is sterling, as is Bill Murray as Badger.

In conclusion, hugely enjoyable and one of my personal favourites of 2009. 9/10 Bethany Cox

This is one of those films I really wanted to love. I grew up on Roald Dahl and really liked the book, probably one of his most charming stories. However, while I really liked some aspects of the movie, it fell a bit short of being memorable.

I will say that the graphics are an absolute treat throughout this film. The stop motion animation is amazing and the sepia tones really work for me. I find that the majority of 21st century animated films are visually overwhelming with far too much happening on the screen. I often feel that the producers are more concerned with showing what they are capable of doing rather than what they should be doing. Fantastic Mr Fox is one of the few exceptions. It is quaint and charming and matches the feel of the book very nicely.

Unfortunately, I felt the telling of the story just got a bit messy. It was not close enough to the original and felt unnecessarily complex at times, especially given the target audience. My other big gripe was with the American accents. I understand the draw of big Hollywood stars, but this story really demands well-spoken English actors. Sir Ian McKellen as Mr Fox with Ricky Gervais as the Rat could have been epic! Having said that, George Clooney did a pretty good job and grew on me as the movie went on.

Ultimately, I felt this was a beautiful production but one that lacked any real substance. I would still recommend it to anyone based on the remarkable animation but it's not something I'd rush to see again.

Should've won the 2 nominated Oscars that year! Amazing story telling in stop motion, cinematography, soundtrack, delightful dialogue throughout, choreography, and comedy! I love that they say cuss instead of using any profanity. A grand good family flick with heists and wonderful characters where they have to avoid formidable foes or defeat them in some parts. Wes Anderson's films are so legendary they should be more appreciated and he deserves more awards!

Whimsical and often charming- Fantastic Mr. Fox does have some hiccups in terms of pacing- but in the end proves to be a very unique and fun little film. I'll start with the flaws of the film. I watched this film in 3 parts, considering it was about 90 minutes, about 30 mins a part, and the second part did prove to be a bit of a drag. It was slow, it had some cliche moments, and much of it had been done before in other similar movies. I also didn't really care for the conflict storyline between Kristofferson and Ash, and really just felt like it detracted from the film and its story. Besides that though, the film was pretty fun to watch. The visuals are incredibly intricate and well done, the cinematography is excellent, and the stop motion animation is quite detailed and unique making for a very fun visual feast. The film also proves to be quite quirky with how it presents itself, in perfect Wes Anderson style, and has some really funny jokes I enjoyed much more now than I did as a kid. In the end, Fantastic Mr. Fox isn't my favorite animated flick, nor my favorite from Wes Anderson, but its parts are more charming than not and its visual style is impressive enough on its own to stand as a rather unique and memorable little movie.

My Rating: 7.3/10.

To put it simply, Fantastic Mr. Fox is unlikely to leave you disappointed.

For a start, the animation, is simply wonderful. Gorgeously designed backgrounds and scenery full of simply incredible attention to detail, the film is full of such loving care and attention. Each character feels full of personality and it's refreshing to see something other than a glossy 3D rendered animation film for a change most certainly. It feels like a return to a day where a little imagination was expected in films, which is nice.

Comparing Pixar releases and this film is besides the point. This film wasn't made to be compared or compete with others, it was made to tell a classic children's tale by one of the greatest authors at writing them. Dahl's wife Felicity herself has described her delight at how the film portrays the universe great author created and the modification of the story for film length is smoothly and smartly done. It is a beautifully told story, heart-warming and charming, witty and full of comedic moments.

While Pixar films play like films made for children that can be enjoyed by adults. Wes Anderson's film feels like one made for adults, that can be enjoyed by children. Some parents may not feel too comfortable of the less than subtle replacement of curse words with "cuss" or "cussing" it has to be mentioned however.

The voice acting is excellently done, Anderson took the cast outside, underground and indoors for the varying parts of the film to give it a real feel of authenticity which pays off. The soundtrack, as with all Wes Anderson films, is stunningly good and really elevates the film. After watching you may find yourself searching out the soundtrack as soon as you get home.

The film's style and direction screams Wes Anderson at the top of its lungs and so, haters of his previous work may need to be careful, but I would certainly suggest to give the film a try and see if it can convert you, if not at least not make you feel like you've wasted your money.

As a self confessed Wes Anderson fan I was doomed to love this film no matter what, but am genuinely delighted with the end product and believe that more than just the blind Wes Anderson lover will find this film a charming, witty ride of enjoyment.

"If what I think is happening IS happening...it better not be."

I never would have guessed that Wes Anderson would venture into the world of  stop motion animation, but after seeing The Fantastic Mr. Fox, I have to admit that it's a natural fit. I think having the unlimited creative license that animation provides really let him indulge his creativity, and a absolutely great movie was the result.

Anderson and Noah Baumbach took the classic Roald Dahl story and greatly expanded the beginning and end, while giving it a unique look and tone that is quite different from other recent animation. It's still essentially about a fox who steals from three local farmers in order to provide from his family, and brings a lot of trouble on all the nearby animals as a result, but the story is now fleshed out beyond that. This is an Anderson movie through and through, with all the eccentric characters, wonderful music, complicated family dynamics, and understated, off-beat humor that the world has come to expect from his work.

It's difficult to find any part of Fantastic Mr. Fox to raise a complaint about. The animation, character designs and sets are beautiful, the cast of actors and actresses brought in to do the voice acting were all excellent, and the movie as a whole was just charming. Along with Ponyo and Coraline, I'd say that this is among the best animated films I've seen in quite a while. Even better than Pixar's excellent recent work. I really hope that Anderson makes something like this again in the future.

I would think the audience is limited for this kind of animated film but, thank goodness, I'm one of those people who loved it. Apparently, a lot of other reviewers here did, too. There is a lot to appreciate about this movie.

"Fox" is written for other adults, let's be honest. This isn't a kids' movie because most of the dialog would go right over their heads. However, intelligent adults - people especially with a good vocabulary and a quirky sense of humor - should love "Fantastic Mr. Fox."

The hero is even voiced by a real-life elitist, George Clooney. The smug-sounding Mr. Clooney does a super job in the lead voice role of "Mr. Fox." The same goes for the villainous "Mr. Bean," voiced by the nasty-sounding Michael Gambon. The details in the drawings also come through nicely in the Blu-Ray version, so see it in that formula if you have a BD player and HD set. Thus, this film offers great visuals along with the wonderful dialog.

The story is typical; a father finds out his family is more important than anything else and his young son tries to win approval from dad - but how this is executed is really "clever" to both see and hear. Yes, it's a cliché story but it's done so differently with such unique dialog and humor that it's fantastically entertaining.

If you think animated films are strictly for the young; this movie will change your mind. Best of all, it's the type of movie you should be able to enjoy multiple times because there is so much to take in.

I went into this with high expectations, and I was not disappointed.

Firstly, the director is Wes Anderson, a great director who has made this great film possible. I think this film is truly underrated for an animated film, if you think of an animated film, what comes to mind, Toy Story, Cars or The Incredibles, some of the most popular animated films out there, however I think this beats all of those. With Wes Anderson quirky claymation style, symmetrical camera shots and the vibrant colour palette all makes this film great. Suitable for all ages, this eccentric adventure is sure to make anyone laugh with its humorous dry wit that the director is known for. This film is not at all boring due to it putting you into the action within ten minutes, and it's carries on this fast pace style through the whole film. Finally, to tie it all together is the soundtrack, worthy of it's Oscar nomination, it brings joy to all those watching. All of these elements great this into a near perfect film by Wes Anderson.

Technically speaking, the movie is very well-done. Interesting animation with an old-school charm, good soundtrack and famous names, such as Wes Anderson, George Clooney, Meryl Streep, Bill Murray, Willem Dafoe and Owen Wilson, led me to watch this film with somewhat high expectations. Audio-visually the movie did not disappoint, but the story itself was really lousy. It is probably pretty good for pre-teen children, but to me, it was quite boring. And do not fall for advertising - this team has to make much more effort to acquire the right to the comparison with Pixar.

6/10

I have never been so absorbed by a group of animated figures. Even more impressive than the stop action process used here (it must have taken forever), is a delightful set of people/animals that charm us and make us care. As with all Roald Dahl children's books, we get to see the dark side of humanity, no punches pulled. The animals are a combination of their natural propensities and "human" qualities. The story involves an upwardly mobile fox, voiced by George Clooney, who wants the best for his family, but can't seem to avoid killing chickens or robbing the people who live on the edge of his domain. He is a "wild animal" and this makes it hard for him to restrain himself. He is also quite irresponsible but so charming that he can talk his way out of anything. Into the mix is his faithful wife (who really gets fed up with him) and a son who is small, aspires to be an athlete, and is in the throes of teenage low self-esteem. A whiz kid cousin come to visit and upsets the apple cart. Ultimately, the actions of Mr. Fox bring about a battle with the dangerous humans and the fun begins. This is a delight to look at. Even if you're not into "children's" animated films, I became totally absorbed.

The amazing world created by Roald Dahl is exquisitely brought to the silver screen by director Wes Anderson who once again shows his talent. The voice acting in the film was also a joy to behold. Every voice actor played their role as needed while the ones standing out were Michael Gambon and George Clooney. The pacing of the film was not rushed even if the short runtime might suggest otherwise. The characters were imagined beautifully.

As a whole the movie stands out as one of my favourites ever and gets close to perfection.

I watched that movie because of all the hype that was going on around it and I have to say it was a very enjoyable film.I haven't watched many Wes Anderson films,there seems to be a bit much of a controversy around his name,everyone saying he is a "love him or leave him" kind of director.Same saying goes around for this movie.I believe this film is really overrated.Everyone goes like "This is like nothing you have ever seen before","Magnificent on both aesthetic and entertaining level" and such.Personally I don't find it that pleasing,nor unique on the aesthetic level.I am a fan of stop motion animation and I have to say that I have seen MUCH MORE better works on that field aesthetically.Damn almost every stop motion movie since Nightmare Before Christmass I have seen is better aesthetically.Nightmare Before Christmass,Coraline,Paranorman,Wallace and Gromit and Chicken Run,all i consider to be a better job in terms of stop motion animation.Not even talking about Kubo and the two strings...And as far as it goes for the story and everyone talking about how surreal it is...Again Nightmare Before Christmass,Coraline and James And The Giant Peach are surreal, not Fantastic Mr Fox.It's like something we have commonly seen in plain 3d animation stories only that it has many more americanized elements and a more real feel to it.Nowhere near surreal.As long as I was watching the film I constantly had a feeling like I was watching a common American robbery movie like The gang of eleven,Now you see me and other bank robbery movies compressed into a stop motion environment.All and all,it was an enjoyable film but I don't understand the hype about it.For the people saying it's a hate it or love it film I am here to disprove them.I liked it but considering I am a stop motion fan,it was too non surreal and aesthetically mediocre to love it

After viewing the film, I was truly shocked to see such a high rating on IMDb.

'The Fantastic Mr. Fox' is an adaption of a beloved children's classic, portraying the story of the smooth, slick protagonist Mr. Fox (or 'Foxy') as he attempts one 'last' heist to steal from the dreaded Boggins, Bunce and Bean. That's right, one short, one fat, one lean, or however it goes.

I don't quite know where to start with my criticism.

Well, I'm in my late teens and was never a fan of Roald Dahl, but I like his material well enough, having read a few of his books as a child and seen Matilda and Charlie and the Chocolate Factory over and over again. This film, however, struggles for an audience. Is it aimed at children? Adults? I'm still unsure! Many of the 'jokes' would bore a child, especially as Mr. Fox visits a lawyer for example, or complains about being poor. Also, an audience of (I'm assuming) children is expected to sympathise with a character who steals and kills chickens. I'm all for the food chain, but you practically see Mr. Fox biting down on their necks! Surely that's a bit much? And also, the plot... well, it's kind of boring. I stayed only with the hope of it getting better, but instead I just got more and more annoyed at Mr Fox and his son Ash for making stupid decisions.

The humour, meanwhile, falls flat. I laughed only once or twice, even though I specifically recognised attempts at jokes. I think part of it is that the voice acting is so incredibly flat and monotoned. The voice actors have no sense of comic timing, instead aiming for the subtlety of humour that only works with certain mediums. George Clooney aims to portray Mr. Fox as charming and sleek, but his voice has no character. Meryl Streep shows no emotion, I didn't even realise Bill Murray had a role until the end credits, and Ash, twelve-years old in fox-years, sounds like he's about 30.

I love animation, particularly stop motion, but the visual style actually creeped me out a little bit. Characters are tall, spindly and lacking any warmth of design. They move with very little fluidity and often the animation is jerky and strange. There is also a distinctive 'mixed medium' feel, as 2D components are added in sporadically and unsuccessfully. Characters look straight at the camera and talked; it was very awkward. There was one or two moments when Kylie looked straight at the camera, didn't move and had swirls on his eyeballs. It actually freaked me out.

Fantastic Mr. Fox had so much potential. Lots of people still seem to like it - look at the reviews. Maybe it just wasn't for me.

I can't believe I'm going against the grain on this. It's not a terrible film, in fact it's absolutely charming to look at, but when the gorgeous visuals and aesthetic are taken away, I'm left with a pretty muddy narrative and flat characterization.