While in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation that involves his former mistress and his driver.While in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation that involves his former mistress and his driver.While in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation that involves his former mistress and his driver.
- Nominated for 1 Oscar
- 3 wins & 5 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was shot as if it had been made in 1945. Only studio back lots, sets and local Los Angeles locations were used. No radio microphones were used, the film was lit with only incandescent lights and period lenses were used on the cameras. The actors were directed to perform in a presentational, stage style. The only allowance was the inclusion of nudity, violence and cursing which would have been forbidden by the Production Code.
- GoofsTully wears a hat with a silver border trim. This is an officer's hat, but Tully is clearly enlisted.
- Quotes
Lena Brandt: An affair has more rules than a marriage.
- Crazy creditsAll the logos appear in black and white, while the Warner Brothers logo appears in the forties old style
- ConnectionsEdited from A Foreign Affair (1948)
- SoundtracksSomebody Else Is Taking My Place
Written by Bob Ellsworth, Dick Howard and Russ Morgan
Performed by William Marsh, Chris Ross, Johnny Britt and Gary Stockdale
Featured review
Soderbergh continues to experiment, but as with Solaris, it just doesn't pay off.
Its clear that from the off that Soderbergh has set himself a strict mandate for this film, make it as much like a forties movie as possible. The music, the acting style, the lighting, the process shots and background paintings all give it a great look and feel.
However, everything is so low key and downbeat that it fails to deliver any suspense or menace. What is essentially a modern thriller dressed as classic noir just isn't thrilling. The plot twist and turns but the drama is never heightened, the pace never seems to increase, it just plods along to its conclusion.
Apart from the sex and swearing, the actors seem straight jacketed into their roles by the 40's styling seemingly because the script lacks any of the dry wit and charm you'd find in a genuine movie of this era. George Clooney for example has every little to do, his character has none of the snappy dialog you'd expect, given his Marlowe-esquire role in the plot. Soderbergh compounds matters by drawing an unfortunate comparison with Bogart. Though generally the acting was of the high quality you'd expect from such a sterling cast, it's difficult to empathise with their characters plights given the lack of suspense or melodrama.
Overall the experiment fails to deliver anything other than a beautifully shot but unengaging film.
Very disappointing.
Its clear that from the off that Soderbergh has set himself a strict mandate for this film, make it as much like a forties movie as possible. The music, the acting style, the lighting, the process shots and background paintings all give it a great look and feel.
However, everything is so low key and downbeat that it fails to deliver any suspense or menace. What is essentially a modern thriller dressed as classic noir just isn't thrilling. The plot twist and turns but the drama is never heightened, the pace never seems to increase, it just plods along to its conclusion.
Apart from the sex and swearing, the actors seem straight jacketed into their roles by the 40's styling seemingly because the script lacks any of the dry wit and charm you'd find in a genuine movie of this era. George Clooney for example has every little to do, his character has none of the snappy dialog you'd expect, given his Marlowe-esquire role in the plot. Soderbergh compounds matters by drawing an unfortunate comparison with Bogart. Though generally the acting was of the high quality you'd expect from such a sterling cast, it's difficult to empathise with their characters plights given the lack of suspense or melodrama.
Overall the experiment fails to deliver anything other than a beautifully shot but unengaging film.
Very disappointing.
- Espontaneo
- Feb 11, 2007
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El buen alemán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $32,000,000 (estimated)
- Gross US & Canada
- $1,308,696
- Opening weekend US & Canada
- $76,817
- Dec 17, 2006
- Gross worldwide
- $5,914,908
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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