A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central serie... Read allA rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.
- Awards
- 1 nomination
Kerri Kenney
- Deputy Trudy Wiegel
- (as Kerry Kenney-Silver)
Storyline
Did you know
- TriviaIn the opening scene of the movie, all of the officers SWAT uniforms have United States flags on them except for Lt. Dangle. His is a Gay Pride flag.
- GoofsWhen Wiegel and Raineesha are talking to Terry on the boardwalk, a muscular body-builder can be seen walking toward the camera. He disappears when the camera cuts, but this is because there is a barely noticeable jump cut there, as done several more times throughout the scene and the movie. The movie is filmed like a reality TV show, where jump cuts like this are done on purpose.
- Quotes
Deputy Travis Junior: Reno is a lot like Mayberry on the TV except that everyone's on crystal meth and prostitution's legal.
- Crazy creditsThere are 3 short scenes after the credits: Jim and Travis playing with their metal detectors, Jim and Travis X-Raying luggage at the airport, and Travis talking to the camera while driving his patrol car.
- Alternate versionsWhen the film hit DVD it had an R rated version and an Unrated version, which was not seen in theaters.
- SoundtracksPolice And Thieves
Written by Junior Murvin and Lee 'Scratch' Perry (as Lee "Scratch" Perry)
Performed by Dave Grohl (as Sprechen Sie Deutsch)
Featured review
I'd only seen part of one episode of the TV show before seeing the film, so my knowledge of the characters and the premise of the show was limited. No matter: the film does an excellent job of establishing its tone and the specifics of the characters right off the bat. No roadmap required.
My biggest fear with seeing a theatrical version of a TV series is that the film tries to overinflate the stakes of the plot to justify the increased length and budget and fails. Reno 911!: Miami took that necessity to its logical next step by moving the small town incompetence to a much larger scale in Miami, but due to some clever (and minimalist) writing, the relocation works. And, since nearly all of the humor in the film is derived from the characters and their reactions to their situations -- all of which speed by at a brisk pace, so as to not overmilk a joke -- the relocation never felt forced or unwelcome.
Impressively, the film veers into cliché territory on numerous occasions but never delivers the expected punchline. The actors know their characters so well that their improvisations keep the audience and their costars on their toes at all times. Even the traditional "caper" plot, which is really just an excuse to tie all the vignettes together, is handled with more originality than I would have expected.
Perhaps I should start expecting more from this creative team, since they're capable of sustaining my interest (and my amusement) over the course of a full-length feature. In fact, perhaps I should start watching the series...
My biggest fear with seeing a theatrical version of a TV series is that the film tries to overinflate the stakes of the plot to justify the increased length and budget and fails. Reno 911!: Miami took that necessity to its logical next step by moving the small town incompetence to a much larger scale in Miami, but due to some clever (and minimalist) writing, the relocation works. And, since nearly all of the humor in the film is derived from the characters and their reactions to their situations -- all of which speed by at a brisk pace, so as to not overmilk a joke -- the relocation never felt forced or unwelcome.
Impressively, the film veers into cliché territory on numerous occasions but never delivers the expected punchline. The actors know their characters so well that their improvisations keep the audience and their costars on their toes at all times. Even the traditional "caper" plot, which is really just an excuse to tie all the vignettes together, is handled with more originality than I would have expected.
Perhaps I should start expecting more from this creative team, since they're capable of sustaining my interest (and my amusement) over the course of a full-length feature. In fact, perhaps I should start watching the series...
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $20,342,161
- Opening weekend US & Canada
- $10,273,477
- Feb 25, 2007
- Gross worldwide
- $22,021,262
Contribute to this page
Suggest an edit or add missing content