Star Trek always had what I called the "Macy's Parade" approach to working within a budget--especially in season three. Matte paintings, props,sets, visual effects shots, all were fair game for the producers to utilize, repaint and reconfigure to save money. They must have thought viewers had short memories. Not "Trek" fans. With that said, this episode did a great job of pulling off a lot with the barest of essentials. The Enterprise's landing party transports down to the planet's surface to find a deserted city. This is odd because they were recently sent a distress signal by the inhabitants of this world. A crew member, planet-side, stupidly, takes a drink from a cascading water fountain and disappears. Kirk and the others hear (but don't see) buzzing insects. They are, needless to say, a little perplexed by this turn of events. They scurry back to the ship. On the bridge, Kirk drinks a cup of coffee and he too disappears. The Scalosians, you see, have been able to accelerate themselves into a state of hyper-space. Their motives are not good--it's a trap. I wonder if one of the ideas for this wacky story, may have sprung from a movie titled "The Time Travelers," and it's low-budget remake, "Journey to the Center of Time." Something to keep in mind when you watch this episode, one of the best from Star Trek's final season. Space trivia alert: Kathie Browne, Kirk's love interest in this story and female leader of the Scalosians, was married to the "Night Stalker" himself, Darren McGavin. Sadly, Ms.Browne and her husband passed away in the last few years. But their cult status as icons of 60's television remains intact.

We're back to space invaders in this one, similar to "By Any Other Name" in the previous season. These aliens hail from a planet where volcanic upheavals and radiation have accelerated them - make that 'hyper-accelerated' - to the point where they move too quickly for normal humans to see them. It's almost like they're stuck in another dimension (another level) and the concept is similar to the "Flash" comic book character, who moves so quickly at times that everything else appears to be frozen still. There are obvious discrepancies in the way the concept is presented here: though all Scalosians supposedly move at a pace of 100 times that of normal, they go through the same amount of experience in this episode as the normal-moving crew; the crew get just as much done as the invaders during the course of the episode. For example, the Scalosians should have completed their invasion plan in the time it took for Spock to head down to McCoy's medical lab in mid-episode. Right after Kirk is accelerated on the bridge, he heads for the turbolift, but that mode of transport would now take him an eternity; though it isn't mentioned, he must have used the stairs, er, ladders. This seems to be some careless scriptwriting. However, maybe the Scalosians were using the turbolifts in ignorance and this slowed them down enough for the discrepancies to make sense.

Despite a surprisingly slow pace in spots even though this is such an, uh, accelerated episode (we see video tapes of the Scalosians over & over), this comes off as fairly entertaining due to Kirk's odd conflicting attraction with the leader of the invaders, princess Deela, played by actress Kathie Browne like some naughty valley girl from outer space. It's amusing to see Kirk allow himself a very brief lecherous smirk when he first sees her, even as he knows he's in the middle of a hostile invasion. Here's where Kirk's rep as the super-stud of Trek space may have gained the most traction, ahem. There's even a scene of him putting his boots back on after he and the foxy invader have obviously done the nasty deed (since this is the sixties, all other TV episodes on this show never went beyond subtle suggestion, say, a veiled wink or two; by contrast, this scene was very direct). He and Deela obviously felt a genuine sexual heat, much more apparent and honest than the usual family-oriented titillation. In fact, the entire plot of the episode revolves around the theme of survival based on necessary procreation - mating for the sake of a species, but also seeking as much enjoyment as possible in the act. This is almost an episode for grown-ups only. Almost. But, the outfits on the male Scalosians were a bit too kinky for my tastes.

This Star Trek story has the Enterprise answering a distress call from the planet Scalos where one can see a lovely futuristic city, but no people at all. But as William Shatner remarks there's a lot of insect life because he hears this buzzing like bees in his ears. The disappearance of an Enterprise crewman sends the landing party back to the ship.

Whereupon Captain Kirk disappears like the crewman. He finds himself living at an accelerated speed. When he was at normal speed the Scalosians whom he now sees and interacts with sounded like buzzing insects. There are only five Scalosians left, Jason Evers, Kathie Browne and three others. And there is crewman Geoffrey Binney as well, but he dies from a little too much accelerated living.

The Scalosians are quite frank as to their intentions as they don't think that Shatner can do anything. But he's not a knowledgeable Star Trek captain for nothing. Human and Vulcan ingenuity do triumph.

A nice Star Trek episode without an earth cultural reference for a change.

This is a case of clashing cultures caught in conflicting time accelerations. After a visit to a barren planet, people begin to disappear on board the enterprise. Kirk and one of the unfortunate red shirted crewman have been moved to a ship where time is passing at an alarming rate. This is with coffee that's not on Starbuck's menu. A small group of aliens wearing shiny Mylar suits (well, I take that back. The women wear almost nothing) are on the brink of extinction and must bring people from a different time designation to mate with. Kirk, of course, gets the queen of the whole bunch. She likes him because he is a "pretty" one. She is quite sexy and doe eyed. Because they don't fear Kirk, he is allowed access to the ship. This is a mistake because he is nothing but trouble. There is also jealousy at work on the ship. Kirk's mission is to get a message to the crew who are moving at an indecipherably slow speed. This is a good concept. It comes up short but is engaging enough to keep one's attention.

Living life in the super-fast lane, a rapid accelerating speedy domain, express and fleet, they've very quick feet, flying along like a swift bullet train.

A fast forward race of aliens in a hurry have designs on the crew of the Enterprise.

Kirk's love affair with a playful princess who hides a deadly secret!

This was always one of my favorite episodes as a kid, and I think I know why. It's got a science fiction premise ("acceleration") but the mood and tone is that of a classic fairy tale or Greek myth. Enchanting, golden-haired Deela (short for Delilah?) is a real archetype -- the doomed temptress who lures great heroes to her bed for an eternity of love, only to exact a terrible price in slavery and loss of self-respect.

Ironically, this is one of the most "timeless" Star Trek episodes, precisely because it's not based on technology or social issues, but on myths, dreams, and memories. Kirk's can-do spirit is admirable, but in the end he can't find a solution for Deela or her people, and he has no answer to her tearful image at the end, except to say "Good-bye."

The Voyager Episode "Blink of an Eye" has a similar premise - People living so fast you can't see em. Kind of like my neighbors (EX neighbors).

What was in The Scalosian Water, a super concentrated version of "That stuff that keeps you awake for a long time"?

Whatever it was, it really makes people go fast! In fact, when the "Landing Party" gets down there, Kirk thinks there are bugs flying around. Bugs that apparently talked all the time, to make that noise. Kirk finds out later, the Queen Scalosian "Deela" (Kathie Brown) was smooching him without his consent.

So, these parasites get Beamed up with The Landing party and immediately take over, changing the Enterprise into a huge refrigerator, so they can get "Take Out" food. Oops, would not the Transporter Chief see a sudden increase in MASS on the Transporter Pad, and the outlines of unknown people being beamed up? I dunno, I suspend a LOT of disbelief for some of these episodes. It's because I dug Bill Theiss' great costumes for these chicks, and none of those costumes ever cost more than a buck in material costs, so to say they are 'Skimpy' is an understatement of mass proportions.

It's actually because of the Scalosian Chicks, who can't get knocked up with their own men, so they have to kidnap unsuspecting spaceships passing by, pick a few choice morsels and freeze the rest, have several orgies, and then unfreeze more men. What do they do about the Women? Uhura would have been SOOL.

I just wanna say that, these people would have been dead after the first 10 minutes of real time on The Enterprise. Unless maybe they have a lifespan of several hundred years in comparative Earth-Time.

One thing they got relatively accurate is the DAMAGING EFFECT of substances that "stimulate" you - One guy dies of a mere scratch. So, as far as "Fair Warning" goes about abusing these kinds of things, this is a good horror story for that, an exaggeration, but true nevertheless.

If you think about this, how can you fight this kind of thing, being attacked by people who live at a different speed than you? It's utterly impossible, you have to fight them on their own level, which Spock does and he can do this because he himself has a very long life span.

The whole thing is so unbelievable that I loved it anyway. And Kirk BLATANTLY gets "Lucky" with Deela.

Season 3, episode 11. The Enterprise receives a distress call from the planet Scalos. Kirk and a party beam down to the planet to find no one there but they did find a strange insect-like sound buzzing around them. The crew inside the Enterprise are still seeing the Scalosians on the screen, they do not see the landing party and the coordinates match exactly. McCoy is watching a red shirted crew member named Compton who suddenly disappears right before McCoy's eyes. Kirk and crew beam back aboard, they are watching a delayed, taped message from the Scalosians on the screen. Strange things are happening on the Enterprise - constant malfunctions, things in sickbay have been moved in the cabinets, buzzing sound can be heard by Kirk and something invisible touching him and more. Kirk discovers that something has beamed aboard the ship with them. Only Kirk and Spock are allowed to search engineering by the invisible aliens. A bit later Kirk grabs some coffee on the bridge, then all crew members suddenly start moving very slow then are in a state of suspended animation - suddenly Deela, Queen of the Scalosians appears to Kirk. She grabs and kisses Kirk and introduces herself as "Deela the enemy". Deela has made Kirk like herself so the crew members only hear Kirk as an insect because they move very quickly - accelerated. She wants Kirk as the King to her Queen. The crew is moving at their own normal speed and can't see Kirk anymore - he vanished to them. Kirk finds that what happened to him also happened to Compton. It's up to Kirk to get back to normal from his end, while Spock and crew try to get Kirk back from their end.

Another average episode that embodies what Star Trek is all about.

7/10

I am currently watching this episode. The clever plot has always intrigued me but now I notice that Kathie Browne as Deela really steals the show. Her costume is extremely well done, being half-on and half-off at the same time. Her performance is just as well done.

There have been other lovely women on Star Trek but she really sweeps Kirk off his feet in this episode. His wistful look at the end looks genuine - because I feel the same way myself. She has a calm and serene attitude that is pleasant to see and hear.

Many of the female guest stars are merely eye candy, but Kathie Browne brings elegance to her role. Even Kirk is subdued in his desire to get his ship back, rather than his usual bluster. It's a nice change of pace.