This is a story about the wrong person in the right place at the wrong time. Two heinous crimes have left a suburban town reeling.This is a story about the wrong person in the right place at the wrong time. Two heinous crimes have left a suburban town reeling.This is a story about the wrong person in the right place at the wrong time. Two heinous crimes have left a suburban town reeling.
- Awards
- 13 wins & 19 nominations
- Paraplegic
- (as Aaron McLoughlin)
- Fiona Frost
- (as Sandra Wilson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe driver of the ute asks the copper, "You're not gonna canary the ute, are ya?". A 'canary' is a yellow sticker issued and attached to the windscreen by the police on an unroadworthy vehicle. It indicates a time limit in which the vehicle must be repaired and made roadworthy.
- GoofsThe train carriage in which the massacre occurs is halfway down the train. One of the victims is a man in an electric wheelchair. Because there is a gap between train and platform on Melbourne's train system people in electric wheelchairs must board the train in the front carriage, where the driver can assist by placing a ramp between the train and platform.
- Quotes
Constable Graham McGahan: I got this theory about that. You know, what I read was, heaven or hell, is whatever you're thinking that second between your body dying and your brain dying. Your regrets, who you loved, who loved you. What you remember of your life, that's the eternity everyone's talking about. So, if you are a fuckwit, then... when you die, in that ten seconds between your brain and your body dying, your brain remembers all the time you were a fuckwit - over and over again... until it feels like this eternity. But if you weren't an idiot all your life, then your brain would remember that. Your brain would remember all the occasions when you managed not to be an embarassment - and that would be heaven.
- ConnectionsFeatured in South Australian Film Corporation 40th Anniversary Showreel (2012)
Unfortunately, the downside is the disjointedness of the plot line. To me it seemed yearning to be free from a plot line as a major source of interest (and focus instead in the pure dialog and landscape - certainly I feel that's where Saville's interest is). But it wasn't. There are two driving plot lines along the whole film and something happens in every scene, even though subplots are not continued, or often resolved. To me the finale was also ultimately quite generic and futile as a point of interest.
Ultimately, the words 'interesting, but not "great"' come to mind, and it fits vaguely into a bucket with several other Australian films of the last 5 years (candy, little fish, look both ways, Japanese story, etc.) in dealing with the same demographic, themes of emptiness and loss, and being willingly obtuse (artistic?) in its presentation, even if this one does have its own thing happening a little outside of that also.
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Details
Box office
- Budget
- A$4,300,000 (estimated)
- Gross worldwide
- $800,755
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1