For fans of Saffron Burrows, it will be an enjoyable 90-minutes of your time. She does the best with what little material she has to work with and turns in a gutsy, raw performance. The first half-hour is especially strong as the camera focuses almost exclusively on Burrows as her character copes with the diagnosis of a terminal illness, losing her job and being dumped by her boyfriend
all on the same day.
This is a very small budget production and it shows. The 21-day shoot makes for a slightly rushed and rough finished product. The directing by Amy Redford is on par, or slightly better, for an indie film. The sound and lighting were all acceptable as the majority of the film takes place in a huge penthouse loft with ample sunlight during the day and candle light being effectively used in the evening. There isn't much in the way of a supporting cast as this is primarily a showcase for Burrows displaying how one person might cope given this horrible scenario.
Some people will openly criticize how the Melody Wilder character initially deals with her dire situation, but I had no problem with it. I rather enjoyed it, actually. If you like Burrows or the premise as stated in the plot summary, I recommend seeing this film.
However, I personally prefer "Henry Poole Is Here," also released in 2008, by the talented director Mark Pellington (Arlington Road, The Mothman Prophecies). It has a larger budget which is used wisely by casting some well known as well as virtually unknown actors, and possesses quality direction and superior production aspects. The camera work is especially good.