45
Metascore
11 reviews · Provided by Metacritic.com
- 75MovielineMichelle OrangeMovielineMichelle OrangeThe result is way out there - so far that you won't quite recognize the terrain, and still feel strangely at home. The look has the impossible feel of a CGI soundstage: Not cheap, not even necessarily fake, just… weird.
- 70VarietyJoe LeydonVarietyJoe LeydonA visually inspired multi-genre amalgamation, a borderline-surreal folly that suggests a martial-arts action-adventure co-directed by Sergio Leone and Federico Fellini.
- 60Time OutKeith UhlichTime OutKeith UhlichSomeone surely thought to call this knowingly ridiculous genre mash-up "Cowboys vs. Ninjas," though even that title wouldn't hint at all the you-gotta-be-kidding-me craziness on display.
- 50The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttOne ticket buys you cowboys, samurais, gangsters, ninjas, spaghetti Westerns, Hong Kong martial artists, knife throwers and even Fellini-esque circus performers. But like kimchi pasta, some things aren't meant to mix.
- 40Boxoffice MagazineSteve RamosBoxoffice MagazineSteve RamosGenre movies like The Warrior's Way are all about pleasing core fan boys. While the film claims dazzling visuals, Lee fails to deliver the type of never-before-seen martial arts fights fans demand.
- 40Austin ChronicleMarc SavlovAustin ChronicleMarc SavlovDrained of much of its presumed power by a distinct "been there, seen that" vibe.
- 38Orlando SentinelRoger MooreOrlando SentinelRoger MooreA genre mash-up that never quite achieves "So very bad it's good" status.
- 33Entertainment WeeklyAdam MarkovitzEntertainment WeeklyAdam MarkovitzThere isn't a shred of subtlety in their clowning - or in any part of the movie, which clumsily shoots for operatic highs and lows. But with so many borrowed bits and pieces, the only feeling it successfully evokes is déjà vu.
- 30Los Angeles TimesRobert AbeleLos Angeles TimesRobert AbeleSouth Korean filmmaker Sngmoo Lee's debut feature is less a genre-spanning romp than a tiresome lab experiment in computer-generated tropes and green-screen oppressiveness.