Women will love this, and men won't mind the eye candy either, so it looks like this Screen Gems release can't help becoming a hit.

The results, while occasionally forced, are consistently amusing.

It's silly and often laughable, but it's a sweet fantasy, too, produced in loving homage to the frothiest traditions of stage and screen.

Should you find yourself in the mood for Big Musical Numbers by the score rather than a film, there's a lot to like about Burlesque.

The enthralling dance numbers-flashy spectacles with feathers and bras made out of pearls and netting-and the combined sass levels of Cher and Christina Aguilera gloss over the movie's weaknesses.

The current burlesque revival is a throwback to ostensibly more innocent times, and writer-director Steven Antin finds something redemptive in each character.

An overwrought, underwritten hootchy-kootchy tuner that desperately wants to be "Cabaret," but lacks the edge and historical context to pull it off.

Anyone heading to Burlesque expecting it to live up to the standards of "Showgirls" is in for some serious disappointment: Burlesque isn't good, mind you, but it isn't the kind of bad that inspires midnight screenings and drinking games and Halloween costumes.

Once again, Bob Fosse's "Cabaret" haunts the stage with derbies and splayed legs, but with results that are strictly Sally Bowdlerized.

Burlesque bumps and grinds. And then it continues to grind and grind and grind.