In 1984, when Tim Burton worked for Disney made a short film called Frankenweenie, which tells the story of Victor, a boy who after losing his dog Sparky in an accident decides to bring him back to life in the purest Frankenstein style, without considering the consequences this may cause. This work helps us to understand the basics of Burton's thematic and visual style, which became his trademark over the years: dark worlds with isolated and/or solitary characters faced to the reality of the world that confronts or rejects them.
It is almost 30 years later and a streak of quite irregular films that Burton returns to his roots and decided to resume the story of Frankenweenie to make an animated feature making use of the stop- motion technique, with which he created some of his best works such as the Nightmare Before Christmas and Corpse Bride, and Frankenweenie is no exception, as it represents a return to the best films of Burton.
On this occasion the original story remains intact and makes a bigger emphasis on the impact of the resurrection of Sparky among Victor's friends and as they'll try to emulate the feat with catastrophic results for the small town they live in. Likewise, the relationship between Victor and Elsa, her neighbor and school crush is explored, through which a great reference to The Bride of Frankenstein is made, although it'snot the only one, since along the film there are winks to classic monsters movies from the 30's as the Mummy, Creature from Black Lagoon, Cabinet of Dr. Cagliari and even classic monsters like Godzilla. And the film itself is a homage to this cinema being filmed in black and white and with music in perfect tone by Danny Elfman (Burton's closest collaborator).
An innate quality of Burton is the skill to create endearing characters out of the dark and grotesque and the best example of it is Sparky, a little dog now part of the most adorable creations on the burtonian universe, and that somehow reflects many of elements or themes that have remained constant in most of Burton's filmography: childhood, loneliness, friendship and a strange fixation with death and what happens after this.
Excepting the end that seems to betray the original concept, it is safe to say that Burton needs to do more films like Frankenweenie and much less like Alice in Wonderland.
