Ip Man (Donnie Yen), a master of the fighting style Wing Chun despite his smoking habit, has come to Hong Kong. But he meets some resistance, both from other masters of other fighting styles and then from the British authorities who rule. Can Ip Man overcome, or at least learn to live with, such obstacles?

Let me just get this out of the way: "Ip Man" is a terrible name for a movie, even if that was really the man's name. And having his nemesis be Master Hung? This is not how you sell a movie to American audiences. Marketing concerns aside, the film was amazing.

The choreography was excellent, the use of tables, chairs and pallets as props during fighting was wonderful. And the musical score was phenomenal, hitting all the emotional highs in just the right places, making the fight scenes even more epic than they already were.

I can see this film being popular, especially with the current MMA craze: this film features a Wing Chun master fighting a Western-style boxer. Of course, this is not real, but I still see this appealing to someone. Probably many someones.

The DVD is loaded with hours of extras, and the quality is amazing. You even have six audio options, so your stereo will get a workout, and you can watch in either Chinese or English (I watched in Chinese with English subtitles, but you may prefer to have your movies dubbed).

The quote on the cover called this "possibly the best martial arts movie", which I am sure is taken out of context, but it is also not a stretch. While I am not a huge fan of the genre, this film captivated me and I found it hard to look away. With the exception of Master Hung's repulsively ugly, fat son, this movie is pretty much perfect.

I somehow doubted that IP MAN 2 would compare to the general excellence of the first film, but to my surprise and delight it does! It's a cracking little action movie that tells an involving, true-life story that doesn't just repeat the same kind of stuff we saw in the first film. This time around, Ip Man must test his mettle against a series of Hong Kong martial arts masters before taking his talent to the world stage.

The film displays exactly the same kind of sumptuous production values as the original, with Wilson Yip's expert direction combining with Sammo Hung's beautiful fight choreography to startling effect. Hung himself appears as a rival master and his various bouts with Yen are awe-inspiring, and there's a mid-way set-piece in a fish market that has to be seen to be believed – one of the greatest large-scale fight scenes ever put on film. By the time we reach the events of the last reel, involving a nasty British boxer, I was fully behind the film and loving every action-packed minute. It goes without saying that Yen gives a seemingly effortless performance and that the film provides real heart as well as top-notch action. Outstanding!

Donnie Yen returns as the titular kung fu grandmaster in Ip Man 2, with Wilson Yip reassuming his directorial duties and, most importantly, Sammo Hung back in his role as action director, and also as a main character.

The story picks up from where the first movie left off. Ip, having survived the war period in Foshan, moves to Hong Kong with his family and attempts to make a living teaching his beloved art of Wing Chun boxing. However, he is met with opposition and hardship in the form of rival martial arts schools and the atypical British oppressors, and finds that even his formidable martial arts prowess may not be enough to resolve these problems.

But the story aside, anyone with a little background knowledge of this film should know what to expect; a dose of intense Hong Kong kung fu film action. As the story begins to drag, at some point even a unsuspecting viewer should have realized that all the plot devices and dialogue serve little purpose other than as catalysts leading to the combat scenes. And at helm of the fight scenes is none other than the legendary Sammo Hung, in familiar territory choreographing the Wing Chun style, which he made a name for himself in movies such as The Prodigal Son in the 80s. With some creative input of his own, he manages to compose complex and graceful fight sequences that stays true to traditional kung fu styles, from Praying Mantis to Hung Gar Kuen. And who better to bring his imagination to life than the ever reliable Donnie Yen? What Hung designs, Yen executes with masterful control and precision. And in the movie when the former steps up to challenge the latter in a sparring session, we witness two of Hong Kong's greatest kung fu stars pushing themselves doing what they're best at in a brilliant exchange of strikes and blows. Absolutely a sight to behold.

In the end, the typical viewer is unlikely to be captivated by the highly borrowed storyline, save for some who still enjoy the cinematic display of Chinese pride that is rather blatant and unsubtle. But you will be blown away by the fights, you will be in awe of the moves, and, if you're able to, appreciate the action scenes not as the mindless, disposable portion of the movie, but rather the core of it, carefully thought out, executed, and filmed as a true form of art. With that, forgive the storyline, and enjoy the film for what it is.

Overall, Ip Man's series has been a very inspirational trip for me. I grew up with Bruce Lee and from the direction of the director, I see where the movie is going to, whether it's historic or not. Before anyone else say anything about the western boxer in this movie, I lived through the end 70's of Asian martial arts world and I must say it has has it's share of "to the death boxing matches". Growing up in asia, we have had our share of nonregulated matches where contestant signed papers which declared their fight to the death. So it is no surprise that in this movie such a scene would occur. Not having TV at that time, the thrill of hearing such a match from radio (I remember my first Ali match and it was also on Radio, not TV) I can sympathise for the director's broad representation of history.

On the whole, when Ip Man told his disciple Leung, that he wasn't trying to teach him how to fight but to teach him the values of "martial morals", reminded me of my martial arts training under my master. Movies reflect life and in this moment of the film, I totally understood what the movie was going to.

I can only say, seek the truth and not be blinded by what is presented.

Ip Man 2 contains top-notch action sequences from the beginning to the end. It is a befitting sequel that is almost on par with the first movie.

However, it is unfortunate that some of the action scenes rely too much on wire-works. The battle between the masters for example, was inventive but a bit on the fantastical side. Looking back at the first movie, all of the best action sequences were much more grounded in realistic portrayal, as the Wing Chun style looks good in this manner.

It was good to see some cool style vs style fights though, as we get to see Animal Style, Baguazhang and Hung Gar vs. Wing Chun. A friend and I were wondering though if it'd be more accurate to present Preying Mantis, Taiji and Choy Li Fut in the mix as these styles are well established in Hong Kong.

In terms of plot, Ip Man 2 transitions nicely from the first movie, where we get to follow Ip Man as he establishes and propagates Wing Chun in Hong Kong after escaping Communist persecution in 1949. A fact that was obscured by making the character look like he's escaping the Japanese Army instead. No doubt this is a marketing ploy to make sure the movie would not upset the powers-that-be in China.

And like the first movie, Ip Man 2 takes liberty with many facts and plot to condense the essence of Ip Man's characters and what he stood for. It is interesting to note that little is mentioned about his sibling and extended family who helped him in some capacity during this difficult period of time. One of his first pupils was loosely based on a real-life counterpart, the late Master Wong Shung Leung. In Ip Man's old life, he'd often send Wong to successfully answer challenges.

Sammo Hung has delivered yet another amazing feat with choreographing this movie, despite his declining health during production.

My biggest disappointment has to do with the blatant stereotype and one-dimensional characterization of the British colonists and the Twister character. It's a lazy writing that may excite a certain segment in the Chinese market, but in my eyes this serves only to bring down the movie to B-grade martial art flicks of bygone era. There's no denying the populist appeal of this method considering the main target market.

All in all, this has been a fun movie to watch, and I hope the prequel will be as fun, if not more mature in its storytelling.

Much cornier and more emotionally broad than the first, this sequel doesn't care much about story or character logic. Luckily, the fight scenes are still the saving factor; Ip Man fighting all the masters on the wobbly table is outstanding and the main reason to watch this thing.

Continuing the legend of Ip Man, this 2010 movie continues on the tale from the 2008 movie, and again with Donnie Yen at the lead role of Ip Man.

It was nice to see the movie revolve around the early starts of Ip Man's Wing Chun school and see how harsh the terms of such existence turned out to be. And it was an interesting approach with the numerous schools of martial arts and how their structure worked.

I loved the interaction between Ip Man and the auntie with the laundry on the roof. Those scenes, although having no big impact on the storyline, were just a really nice touch to the movie.

Similar to the 2008 movie, then "Ip Man 2" is heavy on martial arts, and it was also equally well choreographed and executed on the screen. It is always a pleasure to watch Donnie Yen in action in movies such as these, and he does so with flying colors.

The acting in "Ip Man 2" was good, and they had a good group of actors and actresses for the various roles. And they did a great job with setting up the bad guy as a person that you really didn't root for in any way, and they had a great guy cast for that particular role, as Darren Shahlavi did a great job in portraying him. And once again, there are some impressive Hong Kong talents on the cast list as well, aside from Donnie Yen, which includes Sammo Kam-Bo Hung and Simon Yam.

There is a good continuous flow to the movie, with a great combination of storytelling and martial arts.

If you enjoyed the 2008 "Ip Man", then you will most definitely also enjoy the 2010 "Ip Man 2" movie, no doubt about it.

After I wrote my comment on Ip Man part I, I said I have not seen such action movie since Bruce Lee. Well, here is another movie of the same kind. No mistake. Afer we saw all the Stallones, Van Dammes and Schwarzeneggers we finally got one more film milestone. I really cannot find anything bad about this film. Except maybe ... the first part develops the characters more carefully, so if you have not seen the first sequel you might not recognize some fun in numb 2 ... But, everything else is a work of a masterpiece!! Acting, costumes, development of the action plot and emotional plot as well ... Just keep on working, seriously - I have not seen such a good action movie serial made anywhere else in the world for a very long time, especially not in Hollywood. After Kurosawa and Bruce Lee, this is the name you suppose to remember!!!

'Ip Man 2' is really spectacular. No wonder that this movie has tons of actions scenes. Even though you're not Chinese, this is a really great Chinese movie you have to watch.

The story is pretty normal since it's a part historical movie where you can't change a lot of the original story. For a historical film, the story is not the real factor for it to be good.

After seeing 'Ip Man', I have to say that it was good. It was very astonishing! After hearing the announcement on this sequel, I decided to check it out! Honestly, it was beyond my expectations! The fighting scenes were long enough and awesomely shot. The movie had so many fighting scenes that I say this movie is much better than it's predecessor. All those scenes were beyond my thoughts.

The kungfu moves were also well directed. They were amazing and far cooler than the first movie.

With a lot of action scenes, I think that 'Ip Man 2' is one of the greatest Chinese action films in history.

Well done 'Ip Man 2'! 8 stars for this sequel!

Ever since "Ip Man" started making waves across Asia, a continuation/sequel was inevitable. People wanted more out of Donnie Yen and Wilson Yip. They wanted more of the same: martial-arts action-laden sequences carefully woven around an old-fashioned moral lesson about martial arts. And that is exactly what Yen, Yip and company have made here: a sequel which is surprisingly as solid as the first.

As per the first film, Donnie Yen once again proves that he can act AND fight at the same time. He is perfect as the wise sifu Ip Man and he acts rationally without ever losing control of himself. Even when he gets angry. Now that is a true man. His fighting skills prove that in spades.

The supporting actors are a mixed bag. On one hand we have the Chinese actors giving their best, including Sammo Hung in a memorable role as a fellow martial-arts master. However, the British actors are the ones I'm complaining about, some of their acting is just overdone and hammy. But the action still overlays this flaw. One part I did like about this sequel though; a villain in the previous film now becomes a like-able friend in this one. The reason? He found a family and humbled down, realizing his foolish mistakes in the past. This is proof that this movie is not all-action, but it has a big heart as well.

Again, the story is nothing new to write home about; it's basically the Hong Kong version of "Rocky IV", with Donne Yen playing "Ip Man" which is equivalent to Stallone's iconic character, and a very buffed-up Darren Shahlavi playing a British boxer which is the equivalent of Dolph Lundgren's "Ivan Drago" character. However the direction and the fight scenes are executed so masterfully that it makes the story easy to relate to.

Once again, his fists move like a chain-gun firing without reloading. And as for Sammo Hung, if you think that a fat guy can't fight, think again. Sammo Hung moves at breathtaking speed and it's a marvel watching Donnie Yen and Sammo Hung duking it out on the big screen. The martial-arts action sequences reaches new heights of excitement, and the adrenaline level of anyone watching them will be spiked. Then again, it has it's fair share of realism in it as well. Donnie almost gets the crap beaten up of him at one point, making his character all but human just like the rest of us.

Overall, it is a fine martial-arts movie, with good acting, a good ol' fashioned moral tale and lots of exceptional fight sequences that will leave you breathless. It's one Asian blockbuster not to be missed. And that last scene of the movie... a promise of things to come, like "Ip Man 3"?

Overall rating: 64/10

This is my first review on IMDb but after watching this film and being bitterly disappointed i felt i had to write one.

I want to begin by saying what i liked so much about the first one to illustrate the differences between the 2 films. The first one blew me away, the fight scenes were absolutely brilliant, before seeing ip man i was always a fan of the jet li stuff but donnie yen changed everything in the first film, it made me fall in love with win chung, and he was awesome, none of the fight scenes were over the top they were simple but thats what made them brilliant. In the second one i felt like i was watching a John Woo film, death by slow motion.

None of the characters were properly developed so you didn't care about them, and the fight scenes seemed to drag on, i mean taking on 50 guys with machetes c'mon for gods sake its supposed to be based on a real man, i don't care how good anyone is that just wouldn't happen, and the bit with the crate Jackie Chan film comes to mind, but the worst bit was the final fight , yaaaaaaaawwwwwnn!!! how boring and predictable, and as someone else mentioned Rocky 4 done all over again. People watch these films for the beauty of Chinese martial arts and in this one Wing chun in particular, and all of that is gone in this one, other than the very first fight with his student. Also the film touches on the spirit of kung fu and the belief system that goes with it, but doesn't go any deeper, which i would have loved, and this film had the opportunity to do that because he was teaching kung fu in this film.

So to sum up, Ip Man 2 is nothing special, still enjoyable but doesn't come close to the first one, ill still look out for more donnie yen films though because i still think he played the part well.

The most impressive thing about Ip Man was its action choreography, not because it was expertly carried out but because after a long time, martial arts in cinema didn't look like a joke that went way too over-the-top. Instead, it had a very realistic feel, something that I'd been waiting for so long. There's no denying that the film had its storytelling issues but most of those complaints were simply brushed aside by its adrenaline-fueled, high octane & wildly spectacular action.

Now as for Ip Man 2, almost everyone who went in expecting the same thrilling experience that the original delivered didn't really come out feeling exactly the same. The film had an opportunity to be a worthy sequel to Ip Man but it exhibits such a massive downgrade in all aspects that it turns into a disappointment quite easily. Even its action choreography discards that grounded feel & ends up taking the same over-the-top route we've seen so many times in so many martial arts actioners before.

Following the events after the first film, set during the early 1950s & very loosely based on the life of Chinese martial artist Ip Man, Ip Man 2 presents the Wing Chun grandmaster's life in Hong Kong under British colonial rule where he opens a school to teach his discipline but soon faces opposition from local practitioners. After managing to earn their respect, things go extremely wrong when a cocky British boxer makes fun of the Chinese tradition & throws an open challenge to anyone, thus forcing Ip Man to step into the ring.

Directed by Wilson Yip, there are a handful of positives in this film such as its good pacing, an enjoyable plot & another charismatic performance from Donnie Yen. But that's all there is to this picture for it is marred by dull characters, horrible dialogues, poor performances, fractured storytelling & the most heartbreaking of them all, lacklustre action. What was done so amazingly well in the previous film is completely forgotten here although there are a few glimpses of such moments when the filmmakers aren't trying too hard.

On an overall scale, Ip Man 2 lacks the elements that made Ip Man such a terrific example of its genre & feels like those sequels which are made to cash in on the success of the original rather than trying to push forward what it achieved with the first film. Replacing the authentic martial arts choreography with eye-candy moments full of gravity-defying stunts in slow-motion within the first act of the film, Ip Man 2 is a massive disappointment in every manner, lacks the kinetic energy of the original & falls remarkably short of its expectations.

This is a good follow up to the first Ip Man film with a new story, time period and setting. It really keeps things fresh and I liked the action and fighting matches in this one. My main complaint is that the boxer character is too cartoonish. His prejudice was so over the top and unbelievable.

Edmond Wong's screenplay, like the first film, focused more on drama and had moments where questions such as integrity and the living of one's life according to ideals get raised, whether it is, for the sake of the greater good, worthwhile to forgo those ideals in order to make a living, and allow those who work for you, to make something out for themselves too. In essence, which of the lesser evils are you willing to compromise on. There's also time taken to devote to the corruption of Caucasian police officers, as well as how the Chinese used to fight their own, before learning to unite in the face of stronger, external opponents out to humiliate and insult long held values because of ignorance and prejudice.

The second half of the film, with what we've seen in the trailers involving yet another East versus West matchup that have been covered in contemporary martial arts films and biopics like Fearless and True Legend, was quite the worry for me, in that it would be another opportunity for meaningless bashing and the championing of nationalistic messages. It's that sense of deja-vu that you fear arising from a similar situation from its predecessor, but thankfully, we get a fight that's quite compelling to watch, with Ip Man now being properly challenged by an opponent who's skilled with plenty of power and dexterity, with that lack of honour in dishing out a fair fight. Darren Shahlavi who portrays Twister the boxer, gets top marks for making you all riled up with his constant air of superiority.

Action choreography continues to be designed by Sammo Hung, and personally three action sequences stand out. I didn't enjoy the fish market brawl, as I didn't take to Ip Man fighting with an unruly horde, except that there's a moment of truth there when he shows by example his philosophy of "running away" (not that he's a coward) which continues from where he left off from an answer to Wong Leung. Two scenes which stood out involves Shahlavi's battle with the Chinese grandmasters, and frankly, despite being a "boxing" match, it was really imaginative of Sammo to deliver something that's quite different from the usual action sequences in Chinese films involving battling a Caucasian in a ring.

But the number one action sequence, albeit a little bit short, would be that which you've been teased by the trailer, with Ip Man versus Sammo's Hung Jan Nam mano a mano atop a flimsy table, in what would be Wing Chung versus Hung Ga Kuen. Naturally, not to offend real life practitioners means the result of the fight would be understood, but to see Donnie Yen and Sammo Hung match up against one another, is an action film fan's dream come true again, from SPL, especially after Ip Man dispenses with the side show phonies. If I had a complaint, these two really went all out with the speed of execution, that you just want to beg the camera to stay put from afar in slow motion to allow us all to gaze.

And because of the enigmatic presence of Sammo, somehow I feel that Ip Man the character got diluted screen time because ample time has to be set aside to prevent Sammo's Master Hung from being just the supporting character, but one that's properly fleshed out. He's there to be the contrast as the older martial arts practitioner who's well respected by his peers, and providing that glimpse of how Ip Man could progress, and whether to want to compromise ideals for those dependent on him for livelihood. Sammo being Sammo also chews up the screen with his charisma, and you can hear gasps of reverence reverberate around the cinema hall when he first appears on screen, his persona just screaming that he's one bad mo-fo not to be messed around with.

So Ip Man's thunder did get stolen a little, and the air of invincibility of Ip Man also got shattered in this film, as Wing Chun gets practiced and delivered by others, and we see him drawing or even beaten, which is something rare and unseen thus far. Of course this makes his character even more believable that he's no Superman, and that it provides an opportunity for us to cheer him on in continuing to combat and stand for his ideals. Yen continues to deliver Ip Man in a relatively low key style, preferring smiles and the occasional smoke to wanting to show off that he's one of the best martial artists out there.

Simon Yam, Calvin Cheng, Fan Siu-Wong and even Lynn Hung who plays Ip Man's Wife from the first film were all sadly underutilized, and the introduction of Kent Cheng was something like a direct replacement of Lam Ka-Tung's character from Ip Man 1 (which means the deleted scene in the earlier film could be considered canon if you wish), being the default translator between the Chinese and the British, and more often than not is seen siding with the Westerners in order to keep his cop job. Huang Xiaoming brings a youthful energy as Wong Leung, and I suppose his inclusion is to capture the Mainland market where he's got a huge following.

Same same, but different, is my verdict of Ip Man 2, being just as enjoyable but lacking a certain inexplicable x-factor that could have made the second outing surpass the first.

Great story with an excellent screenplay, perfect choreography, with directing on point! This is the only film of the three I've seen so far that was dubbed in English, so today I learned it's pronounced Ip, not I.P. as in Internet Protocol of which I've been calling the Master lol.