Captain Jack Sparrow searches for the Trident of Poseidon to rule the sea while being pursued by old rival Captain Salazar and a crew of deadly ghosts who have escaped from the Devil's Trian... Read allCaptain Jack Sparrow searches for the Trident of Poseidon to rule the sea while being pursued by old rival Captain Salazar and a crew of deadly ghosts who have escaped from the Devil's Triangle.Captain Jack Sparrow searches for the Trident of Poseidon to rule the sea while being pursued by old rival Captain Salazar and a crew of deadly ghosts who have escaped from the Devil's Triangle.
- Awards
- 1 win & 14 nominations
- Gibbs
- (as Kevin R. McNally)
Storyline
Did you know
- TriviaThe father of Captain Jack Sparrow was played by a Rolling Stone (Keith Richards), and in this movie, the uncle of Captain Jack Sparrow was played by a Beatle (Sir Paul McCartney).
- Goofs(at around 1h 3 mins) This film shows the compass being given to Jack by a captain he worked for in his youth as that captain is dying. In Pirates of the Caribbean: Dead Man's Chest (2006), Tia Dalma said he bartered the compass from her.
- Quotes
Captain Jack Sparrow: Who are you?
Henry: My name is Henry Turner. Son of Will Turner and Elizabeth Swann.
Captain Jack Sparrow: Ewww. You're the evil spawn of them two.
[pause]
Captain Jack Sparrow: Does mummy ever ask about me?
Henry: No.
Captain Jack Sparrow: Oh go on. She call my name in her sleep?
Henry: She never spoke of you.
Captain Jack Sparrow: Are you sure we're talking about the same people? He's a cursed eunuch. She's golden-haired, stubborn, pouty lips, neck like a giraffe, and two of those wonderful...
Henry: Yes! Yes, it's her.
- Crazy creditsThere is a scene at the end of the closing credits: Will wakes up from a vision involving Davy Jones. He assumes this is a nightmare and returns to sleep, but is unaware to a few of Jones' tokens remaining.
- Alternate versionsThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame (more picture is opened up at the bottom of the frame due to the common-top method used, resulting in the 2.39 image space appearing at the top) than in normal theaters and on home video.
- ConnectionsFeatured in Good Morning Britain: Episode dated 3 October 2016 (2016)
- SoundtracksPreludio of Sonata No. 6
Written by Lodovico Giustini (uncredited)
Arranged by William V. Malpede (as William Malpede)
Its sequels are not on the same level, and while they are a long way from flawless none of them are awful films either. They have their flaws, 'Dead Man's Chest' did get too frenetic sometimes, 'At World's End' was overlong, bloated and needlessly bloated and 'On Stranger Tides' (which has been dumped upon by many here but to me it was a very enjoyable film, one of the better sequels, and much better than given credit for, which is not going to be a popular opinion) had an underdeveloped and forced romantic subplot and too much filler that could have been trimmed in some places. They all have great merits, namely great visuals, exciting action, Hans Zimmer's music, Johnny Depp, Geoffrey Rush and Bill Nighy.
'Pirates of the Caribbean: Salazar's Revenge' has its defenders but has also been met with underwhelmed disappointment by critics and most fans. Personally am on the fence with 'Salazar's Revenge' and consider it one of the weaker entries generally of the series, with only 'At World's End' being weaker. It is a decent and fun enough ride, but it could have been so much more and has some glaring flaws.
It is easy to say forget the story, however this is a strong case of being very hard to do so when there is so little to it. It takes a while to get going and there are some real pacing problems in the final act, which has its good points but generally is very tedious. It is very thin for the running time and feels overstretched and bloated, giving the impression the film is too long. The script has some droll and witty quips every now and again, but mostly it is very weak with far too much of a rambling, improvisatory and random feel, it just doesn't feel that well structured. There is also a very bizarre exchange with Depp and Paul McCartney (whose presence is rather jarring).
Brenton Thwaites and Kaya Scodelario are vastly inferior to Orlando Bloom and Keira Knightley, they lack presence and come over as bland and dare one say deadweight. The music score is rousing enough and creates some nostalgia, but can be overly bombastic and is too much of a retread from the music of the previous films. There is an overload of CGI effects, which standard-wise are mostly splendid though with some artificial ones too.
With all this being said, there are obvious merits here. Once again, the production values are impeccable, the cinematography is skillful and full of beauty and atmosphere, the costumes, sets and period recreation is authentic and sumptuous and the effects are superb. As aforementioned the special effects are splendid quality-wise.
'Salazar's Revenge's' action is a lot of fun too, being coherent and exciting, especially the very scary one with the undead shark and the ending, which also does a good job clearing up loose ends. There are some great and suitably light-hearted comedy set pieces, like Jack being dragged by a building and clinging onto the guillotine.
Jack not being the central focus but still being essential to the plot proved to be a good move. 'Salazar's Revenge' succeeds in bringing a sense of nostalgia. Loved Barbossa's story arc, inarguably the film's most interesting which allows Geoffrey Rush to really sink his teeth and give a fun and moving performance. His revelation and his farewell was heart-breaking in its emotion.
Contrary to what some have said, apart from the newcomers to the franchise Thwaites and Scodelario as well as McCartney, the acting was fine. Although Johnny Depp's performance has been criticised, to me he still has the enthusiasm, sense of fun and swagger. Geoffrey Rush does a great job as always, while an unrecognisable Javier Bardem (very impressively made-up) is simply brilliant and clearly having a whale of a time as perhaps the franchise's most sinister villain (if not the best, that title still belongs to Bill Nighy's Davy Jones).
Summing up, decent and fun enough ride that could have been so much more. 6/10 Bethany Cox
- TheLittleSongbird
- May 28, 2017
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Piratas del Caribe: La venganza de Salazar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $230,000,000 (estimated)
- Gross US & Canada
- $172,558,876
- Opening weekend US & Canada
- $62,983,253
- May 28, 2017
- Gross worldwide
- $795,922,298
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1