In New York City, a crime lord's right-hand man is helped by a woman seeking retribution.In New York City, a crime lord's right-hand man is helped by a woman seeking retribution.In New York City, a crime lord's right-hand man is helped by a woman seeking retribution.
Roy James Wilson
- Blotto
- (as Roy James Wilson, Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Niels Arden Oplev has disowned the American advertising campaign, which he felt misrepresented the film. He also spoke of budget problems during production, which forced him to speed up the shoot, and of not being able to edit the film the way he would have preferred.
- GoofsWhen Beatrice and Victor speed away from the home of the driver of her accident, she pulls the emergency brake on his truck. Full size trucks, a Dodge Ram in this case, have the emergency brake pedals to the far left of the driver, not levers like in small cars. Victor would have had to initiate the brake, not Beatrice.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #21.102 (2013)
- SoundtracksFreak
Written and Performed by Kenn Haunstoft
Courtesy of BitchBridge Productions
Featured review
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Victor (Colin Farrell) is a Hungarian immigrant, who arrived in the US hoping to raise a family and hold down an honest job. But these simple dreams were shattered when crime lord Alphonse (Terrence Howard) and his goons took over the apartment block he was living in, and his family were killed. He has now infiltrated Alphonse's gang, and is systematically annihilating every one of them until he reaches the main man himself. But Victor crosses paths with Beatrice (Noomi Rapace) a beautiful woman whose life has been ruined after she was left with a hideous facial scar by a drunk driver, who tries to blackmail him in to helping her get her own revenge.
It may have reached the stage now where audiences are basically forced in to being a little less demanding and must accept if a plot isn't entirely original or has been done before, as long as it's maybe told in a different sort of way or explored from different angles. Which seems to be the case in hand with this offering from the director of the original The Girl With the Dragon Tattoo. As multi-layered as a BLT sandwich, Dead Man Down compounds the action with a cacophony of sub- plots and plot angles that means it never plays out like a traditional revenge thriller, even if the basic plot line is exactly the same.
Shot in a drained background colour, it keeps the feel of a bleak, dreary style that feels like the norm these days. Playing a foreign character whose English isn't so good, Farrell also has to carry the film without much dialogue, but has developed a natural presence by now that gives him enough gravitas to do so. The story and the performances keep you hooked, even if at times they all feel a bit over-whelming and you struggle to take it all in.
While not quite the sum of it's parts that it could have been, Dead Man Down is still a very impressive film, in both a technical and practical sense, that is one of the finer points of Farrell's recent resume. ***
Victor (Colin Farrell) is a Hungarian immigrant, who arrived in the US hoping to raise a family and hold down an honest job. But these simple dreams were shattered when crime lord Alphonse (Terrence Howard) and his goons took over the apartment block he was living in, and his family were killed. He has now infiltrated Alphonse's gang, and is systematically annihilating every one of them until he reaches the main man himself. But Victor crosses paths with Beatrice (Noomi Rapace) a beautiful woman whose life has been ruined after she was left with a hideous facial scar by a drunk driver, who tries to blackmail him in to helping her get her own revenge.
It may have reached the stage now where audiences are basically forced in to being a little less demanding and must accept if a plot isn't entirely original or has been done before, as long as it's maybe told in a different sort of way or explored from different angles. Which seems to be the case in hand with this offering from the director of the original The Girl With the Dragon Tattoo. As multi-layered as a BLT sandwich, Dead Man Down compounds the action with a cacophony of sub- plots and plot angles that means it never plays out like a traditional revenge thriller, even if the basic plot line is exactly the same.
Shot in a drained background colour, it keeps the feel of a bleak, dreary style that feels like the norm these days. Playing a foreign character whose English isn't so good, Farrell also has to carry the film without much dialogue, but has developed a natural presence by now that gives him enough gravitas to do so. The story and the performances keep you hooked, even if at times they all feel a bit over-whelming and you struggle to take it all in.
While not quite the sum of it's parts that it could have been, Dead Man Down is still a very impressive film, in both a technical and practical sense, that is one of the finer points of Farrell's recent resume. ***
- wellthatswhatithinkanyway
- Oct 25, 2013
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Kẻ Báo Thù
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $10,895,295
- Opening weekend US & Canada
- $5,345,250
- Mar 10, 2013
- Gross worldwide
- $18,074,539
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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