A world-weary political journalist picks up the story of a woman's search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.A world-weary political journalist picks up the story of a woman's search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.A world-weary political journalist picks up the story of a woman's search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.
- Nominated for 4 Oscars
- 33 wins & 86 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThere are flashbacks, done with "home movies". Some were created for this movie, and some are footage of Philomena's actual son.
- GoofsWhen the phone rings in Martin's Washington, D.C. hotel room, the ringtone is typical UK, not US: two short rings, which repeat. "Filming Locations" indicate that interior hotel scenes were filmed at the London Marriott Hotel. The sound editor should have changed ringtone.
- Quotes
Martin Sixsmith: The end of all our exploring will be to arrive where we started and know the place for the first time.
Philomena: That's lovely, Martin. Did you just think of that?
Martin Sixsmith: No, it's T.S. Eliot
- Crazy creditsReal footage of Anthony/Michael is shown at the ending credits
- ConnectionsFeatured in At the Movies: Venice Film Festival 2013 (2013)
- SoundtracksMother of God Here I Stand
Composed by John Tavener and Mikhail Lermontov
Published by Chester Music Ltd.
By kind permission of Music Sales Creative
Performed by The Tiffin Boys' Choir
Choir Director: Simon Toyne
It tells the story of Philomena Lee (Judi Dench, who is as brilliant as ever), an elderly Irish woman whose child was taken away from her 50 years ago by an austere Catholic convent. Martin Sixsmith (Coogan) is the cynical, know-it-all journalist turned government spin doctor, recently sacked, who is on the look out for a story. After a chance encounter at a party, Sixsmith reluctantly takes up the 'human interest' story of Philomena's search for her son, Anthony.
The key to Philomena is the relationship between the titular character and Sixsmith. And it works. It really works, in fact. His cynicism, bordering on arrogance, is matched perfectly by her simple and completely sincere belief in common human decency. It could easily have been overly sentimental, but Judi Dench in particular does a remarkable job of keeping it grounded.
There's some very dark stuff here, and it's a testament to the script that the film does not become overwhelmed by it. The Magdalene laundries were awful places, yet this story is not about revenge. I was almost cheering when, at the end, Sixsmith gives one particularly odious nun a piece of his mind. But moments later Philomena accosts him and gives me a slap on the wrist. She does not want revenge or angry confrontation. She just wants the truth. It's a remarkable act of forgiveness, and one that, like Sixsmith, I could not agree with. But then, I'm just another cynical and bitter atheist. I have to say, this film made me angry at myself for being one. And yet it also made me pleased I wasn't a Catholic. Go figure.
Philomena is an incredible and heartfelt story. It's desperately sad, yet never overly sentimental. There's some genuinely funny moments, mainly emanating from the contrast between the wide-eyed and refreshing simplicity of Philomena's world view and the weary wryness of Sixsmith. If you get a chance, see it.
- phillewis91
- Nov 15, 2013
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Lost Child of Philomena Lee
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $37,709,979
- Opening weekend US & Canada
- $128,435
- Nov 24, 2013
- Gross worldwide
- $100,129,872
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1