Mariano Barroso's last film starts as most of his films, with a robbery plan. Soon we realize that this plan is the biggest McGuffin from his filmmaker career. The plot could be placed with difficulty further from a thriller or suspense movie. In exchange we find a delicate, funny and intelligence trip to the main character psyche. An exceptional- never use better this word-Eduard Fernández shows his maturity problems and manipulative skills through his conversations with six women that orbit around his life. The film benefits from its birth as TV show in a simple staging that let us to enjoy without distraction the words and actors. In Fernandez hands -and rest of female cast- this trip to himself become a tour through the essence of cinema.