Directed by
Carlo Lavagna |
Writing Credits (in alphabetical order)
Damiano Bruè | ||
Fabio Mollo | ||
Vanessa Picciarelli | ||
Tiziana Triana |
Cast (in credits order)
Mia Threapleton | ... | Alma | |
Lola Petticrew | ... | Alex | |
Saskia Reeves | ... | Mother | |
Rest of cast listed alphabetically: | |||
Julia Dillon | ... | Young Alex | |
Julia Dillon | ... | Young Alex | |
Luke Harmon | ... | Young Alma |
Produced by
Daniele Beni | ... | supervising producer |
Nathalie Biancheri | ... | co-producer |
Jane Doolan | ... | executive producer |
Jessie Fisk | ... | co-producer |
Daniele Gentili | ... | executive producer |
Fabio Mollo | ... | creative producer |
Catherine O'Flaherty | ... | line producer |
Andrea Paris | ... | producer |
Matteo Rovere | ... | producer |
Ines Vasiljevic | ... | associate producer |
Music by
Michele Braga |
Cinematography by
James Mather |
Editing by
Davide Vizzini | ... | (edited by) |
Casting By
Amy Rowan |
Production Design by
Joe Fallover |
Costume Design by
Louise Stanton |
Makeup Department
Kara McAleer | ... | makeup and hair |
Louise Myler | ... | makeup & hair designer |
Shadows | ... | makeup & hair designer |
Production Management
Claudia Panzica | ... | post-production supervisor |
Filippo Schiaffino | ... | physical production executive |
Second Unit Director or Assistant Director
Benjamin Crowe | ... | first assistant director |
Megan Kennedy | ... | trainee assistant director |
Brian 'Joker' Mulvey | ... | second assistant director |
Kieron Walshe | ... | third assistant director |
Art Department
Marie Doyle | ... | assistant buyer |
Conor King | ... | graphic designer |
Therese O'Leary | ... | buyer |
Sound Department
Matteo Bendinelli | ... | additional sound editor |
Fabrizio Cheloni | ... | re-recording mixer |
Mauro Eusepi | ... | foley artist |
Andrea Lancia | ... | sound post-production manager |
Mirko Perri | ... | supervising sound editor |
Mattia Persico | ... | dialogue editor |
Michele Saldarella | ... | foley editor |
Visual Effects by
Gaia Bussolati | ... | visual effects supervisor |
Vittorio De Mitri | ... | digital compositor |
Francesco Grisi | ... | visual effects executive producer |
Alessandro Melillo | ... | digital compositor |
Kerem Ogan | ... | digital compositor |
Filip Popov | ... | digital compositor |
Elisabetta Rocca | ... | visual effects producer: EDI Effetti Digitali Italiani |
Fabio Scotellaro | ... | visual effects editor |
Stunts
Norman Kelly | ... | stunt coordinator |
Norman Kelly | ... | stunt coordinator |
Camera and Electrical Department
Dave King | ... | key grip |
Richard Lacey | ... | second assistant camera |
Cormac O'Maille | ... | first assistant camera |
Shane Rowan | ... | camera trainee |
Graham Scully | ... | first assistant camera |
Costume and Wardrobe Department
Sara Ben-Abdallah | ... | costume maker |
Katie Butler | ... | costume trainee: Ireland |
Nicola Flynn | ... | costume assistant |
Editorial Department
Steve Flamini | ... | assistant editor |
Christian Gazzi | ... | digital color grading |
Barbara Magrelli | ... | on-line editor |
Roberta Tombolesi | ... | assistant colorist |
Noemi Vitali | ... | post-production coordinator |
Location Management
Dougal Cousins | ... | locations: County Dublin |
Manus Hingerty | ... | location manager |
Music Department
Alix Brown | ... | music supervisor |
Roberta D'Angelo | ... | music editor |
Piernicola Di Muro | ... | music mixer |
Gabriele Lilli | ... | music coordinator |
Script and Continuity Department
Sinéad Lillis | ... | script supervisor |
Additional Crew
Hazel Burke | ... | production assistant |
Clara Byrne | ... | stand-in/body double |
Orlaith Deasy | ... | production coordinator |
Giorgia Esposito | ... | delivery |
Luigia Lazzaro | ... | Legal consultant: belaw law firm |
Gabriele Lilli | ... | business affairs executive |
Lisa O'Malley | ... | assistant production coordinator |
Luca Persiani | ... | subtitles |