Ole Bornedal's third adaptation of the material. From the debut, to the Hollywood opportunity, to the open confession of having to earn money to feed his family. Ok, at least it's honest and, in this context, the logical consequence of giving his daughter the leading role. He doesn't have many films on his CV, no absolute masterpieces, but no total failures either. And in addition to his mastery of solid film craft, he also has a little mischievous streak in his neck. I wouldn't overemphasise the citation of the purely commercial intentions; the nostalgic return of many of the contributors alone looks more like an age-related look back, perhaps a small project of the heart. Whatever the case, the location still works perfectly, but is utilised much less than hoped. The first highlight is provided by another, this one and the meeting with the killer from the original. First exciting, then tragic, then disturbing, a remarkable emotional marathon at breakneck speed. From now on, however, things become quite strange and wild, with one strange scene following another. A standard crime thriller was obviously not the aim, but something special. Whether this was successful is in the eye of the beholder. In the end, it's less straightforward than its predecessors and certainly less lasting, logically enough, but two hours of solid genre fare with plenty of thrills in the long finale. And the realisation that Kim Bodnia can neither play football nor will she be around in 2064.