A young woman embraces her pregnancy while she and her family set out to prove her childhood friend and lover innocent of a crime he didn't commit.A young woman embraces her pregnancy while she and her family set out to prove her childhood friend and lover innocent of a crime he didn't commit.A young woman embraces her pregnancy while she and her family set out to prove her childhood friend and lover innocent of a crime he didn't commit.
- Won 1 Oscar
- 109 wins & 197 nominations total
Aunjanue Ellis-Taylor
- Mrs. Hunt
- (as Aunjanue Ellis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe name Deux Soeurs is displayed at the perfume counter where Tish works. Deux Soeurs is not a known parfumerie, but Deux Soeurs, LLC is credited as the film's copyright holder. The story also features two pairs of sisters.
- GoofsWhen Tish is waiting on a subway platform where the 1960s-style enamel column plates say that the station is 135th St (probably on the 8th Ave line rather than on the Lenox Ave line). However, the mosaic on the wall above the tracks features a capital 'B' -- suggesting that filming may have taken place in the now-closed-off part of the Bowery station on the Nassau St line.
- Quotes
Sharon Rivers: I don't want to sound foolish, but remember love is what brought you here. And if you've trusted love this far, don't panic now. Trust it all the way.
- ConnectionsFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
- SoundtracksMist of a Dream
Written by Sidney Banks
Performed by Birdlegs & Pauline
Courtesy of The Numero Group
By arrangement with Bank Robber Music
Featured review
Two years after sending shockwaves through the film world with "Moonlight," which went on to win Best Picture at the Academy Awards, Barry Jenkins is back with "If Beale Street Could Talk." Needless to say, the film is excellent and is everything one could hope a follow-up to "Moonlight" would be. The film follows a young African-American couple in Harlem before and during when the man is wrongfully accused of sexual assault. While such difficult subject matter could feel slightly tone-deaf to some in the era of #MeToo, viewers should rest assured that Jenkins handles the material with a delicate and incredibly thoughtful sense of sensitivity. Like "Moonlight," the film's aesthetic qualities feel almost lyrical in tone, which is a beautiful sight to behold. The score is also superb as well, managing to be both quietly rousing and emotionally stirring.
Jenkins' technique of characterizing the setting or settings where his films are set is put to great use here. New York City feels almost like a character in this film, as it adds a rich tapestry to the film's narrative. This sense is heightened further when paired with a meticulous sound design, where even simple and day-to-day sounds like a subway car rolling into the station enhance the viewing experience. The acting is strong and quietly powerful from beginning to end, and the amount of thoughtful character development that Jenkins deploys throughout the story's narrative is commendable. The same can be said to the film's frequent use of narration. In many other films, this could have come off as annoying, but the film uses this tactic to great ends here by primarily using it to enhance the audience's emotional connection to the characters. Such a connection further builds up the powerful nature of the film's narrative, which makes a powerful and deeply tragic statement on the nature of racism without ever resorting to feeling heavy-handed by the end. I will note that the film does take some time to get going and has a few minor redundancies in its beginning scenes. But otherwise, this film is superb and on par with "Moonlight" in quality. Baldwin's prose is not just honored in this film, but it is cherished. 9/10
Jenkins' technique of characterizing the setting or settings where his films are set is put to great use here. New York City feels almost like a character in this film, as it adds a rich tapestry to the film's narrative. This sense is heightened further when paired with a meticulous sound design, where even simple and day-to-day sounds like a subway car rolling into the station enhance the viewing experience. The acting is strong and quietly powerful from beginning to end, and the amount of thoughtful character development that Jenkins deploys throughout the story's narrative is commendable. The same can be said to the film's frequent use of narration. In many other films, this could have come off as annoying, but the film uses this tactic to great ends here by primarily using it to enhance the audience's emotional connection to the characters. Such a connection further builds up the powerful nature of the film's narrative, which makes a powerful and deeply tragic statement on the nature of racism without ever resorting to feeling heavy-handed by the end. I will note that the film does take some time to get going and has a few minor redundancies in its beginning scenes. But otherwise, this film is superb and on par with "Moonlight" in quality. Baldwin's prose is not just honored in this film, but it is cherished. 9/10
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- Oct 13, 2018
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Якби Біл-стріт могла заговорити
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $14,915,773
- Opening weekend US & Canada
- $224,476
- Dec 16, 2018
- Gross worldwide
- $20,596,567
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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