Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.
- Awards
- 3 nominations
Katsiaryna Shulha
- Linda
- (as Caterina Shulha)
Storyline
Did you know
- TriviaThe unicorn collection belonging to Linda the blonde is a juxtaposition to her character. The unicorn symbolism is usually attached to chastity and virginity (as depicted in the Medieval Arts) whereas her job is implied to be a sex worker or escort. Her red apartment alludes to a "red-light district".
- GoofsWhen Genko goes and finds McInsky's van, there is a strong wind sweeping the front yard of the van. Looking at the right corner of the van, the bed sheets hanging on a rope are completely still.
- ConnectionsReferences Suspiria (1977)
Featured review
A kidnapped girl is found 15 years after her abduction. A celebrated psychiatrist is trying to deal with her trauma and a retired detective who only has hours to live is ready to put it all on the line to find a vicious killer. Will he be able to succeed? And who is the real villain?
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Дівчина у лабіринті
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,000,000 (estimated)
- Gross worldwide
- $2,517,731
- Runtime2 hours 10 minutes
- Color
- Aspect ratio
- 2.39 : 1
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