Change Your Image
Jackblyth8
1. Pulp Fiction
2. Parasite
3. Joker
4. The Departed
5. The Shawshank Redemption
Top 5 all-time TV Shows:
1. The Sopranos
2. Breaking Bad
3. The Office UK
4. Better Call Saul
5. Peep Show
Ratings
Most Recently Rated
Reviews
Living (2022)
A Clear Message Expertly Conveyed
Adapted from the 1952 Japanese drama film "Ikiru", Living is a story of making the most out of life and bringing happiness to others. A gentle reminder to celebrate our existence and strive for kindness and compassion.
Overwhelmed at work and lonely at home, a civil servant's life takes a heartbreaking turn when a medical diagnosis tells him his time is short. Influenced by a local decadent and a vibrant woman, he continues to search for meaning until a simple revelation gives him a purpose to create a legacy for the next generation.
Spectacularly shot to include an authentic look into 1950s England, Oliver Hermanus masterfully contrasts the regimented, ritualistic image of gentleman's daily working patterns with organic acts of spontaneity through the implementation of the animated South-Coast nightlife and the endless fun provided in a gaming arcade.
Bill Nighy received his first Academy Award nomination for his role as protagonist Mr Williams, largely down to his complex shift in character pre and post diagnosis. His transition from an expressionless, reserved working man to a vibrant live-wire seeking to make positive change in his community and surround himself with others to maximise socialise interaction is moving and comforting. Despite an unremarkable relationship with his house and his partner, Williams' blossoming friendship with Miss Harris (Aimee Lou Wood) is a beautiful portrayal. Envious of her youthful ambition and warming altruism, Nighy's character mirrors her qualities in a bid to better himself and capture life's essence.
A short and concise tale with a clear message expertly conveyed.
Scarface (1983)
Inspiring Acting from Al Pacino
A riveting tale of power and greed. Scarface explores the consequences of not flying straight, in a world of drug lords.
Tony Montana and his close friend Manny, build a strong drug empire in Miami. However as his power begins to grow, so does his ego and his enemies, and his own paranoia begins to plague his empire.
The writing is superb. Well-timed remarks of hilarity measured to compliment extremely piercing deliveries. Ultimately making the film the success it is, Oliver Stone's screenplay is matched by Brian De Palma's genius, in encapsulating the rags to riches trajectory of Cuban immigrants with big ambitions moving to the US - in this case Tony Montana, and Manny.
With De Palma directing, there was no excuses for the cast not to thrive in their setting. Steven Bauer, Michelle Pfieffer and Mary Elizabeth Mastrantonio capture the essence of their roles: Bauer emphasises charisma in his character, Pfieffer brings a boldness to Elvira, and Mastrantonio displays a desperation to be loved. Protagonist, Tony Montana, portrayed by Al Pacino, steals the show, an overconfident, narcissistic smooth criminal, Al Pacino dominates the screen with standout gestures, infectious mannerisms and a complete killer instinct. Inspiring acting.
Scarface is an all time classic, one for the ages. That lives on. A loose adaptation of the life of Al Capone, the 1983 picture opens a door into the mechanisms of major drug empires and the likeminded, selfish personalities within.
Flawless.
The Whale (2022)
Melancholic, yet Majestically Moving
Emotive, powerful and melancholy. 'The Whale' is an artwork of literature, depicting a tale of struggle and the importance of honesty.
In a town in Idaho, Charlie, a reclusive and unhealthy English teacher, hides out in his flat and eats his way to death. He is desperate to reconnect with his teenage daughter for a last chance at redemption.
Honesty is a concept developed throughout the picture, with its notion as a core element of the story enhanced as the scenes progress. The protagonist, Charlie - portrayed by Brendan Fraser - grows to understand that being honest to those around him will earn him salvation for the guilt he feels.
Set entirely in one location, the lead character's apartment, 'The Whale' illustrates a rather busy week for Charlie, it certainly feels tiring to watch. Each day follows a similar structure, starting with visits from his late partner's sister, Liz and ending with a routine pizza delivery in the evening.
Ellie, Charlie's daughter whom he walked out on age 8 to pursue a new love life, starts visiting her father to seek help with her schoolwork. Charlie sees this as an opportunity to reconnect with Ellie. He's honest with her and this role gives him meaning, as both a human being as well as a parent.
Filmed very much like a play, after all, it is based on Samuel Hunter's 2012 play of the same name. Darren Aronofsky incorporates the 1851 novel 'Moby Dick': with Charlie physically symbolic of The Whale. Frequent darkness and rain provide the pathetic fallacy in mirroring the frightening depths of the ocean which sets the environment for the whale.
Finally, Brendan Fraser's performance is simply wonderful. Giving a grotesque image such a tender and loving character is moving to say the least. An outstanding portrayal, worthy of his Academy Award.
Air (2023)
An Excellent Depiction of a Brilliant Story
An alternative perspective on the sport of basketball. A marketing, commercial outlook on the game is brought to life through the lens of Ben Affleck. Air details the creation of the world's greatest, coolest and most sought after pair of shoes.
Sonny Vaccaro and Nike pursue basketball rookie Michael Jordan, creating a partnership that revolutionizes the world of sports and contemporary culture.
The film is cleverly compiled, with relevant connotations to the era of 1984 America, with Bruce Springsteen's Born in the USA mentioned, as well as the inclusion of a Mercedes Benz 380SL. The story aims to illustrate Nike's rise to the top, despite primarily being third best to Converse and Adidas.
Matt Damon, Jason Bateman and Ben Affleck play contrasting characters with shared ambitions; Matt Damon as Sonny Vaccaro is a basketball guru, obsessed with the game, a man who trusts his instincts. Jason Bateman portrays Rob Strassor, a hardworking, logical-thinker at the heart of Nike's commercial and marketing division - slightly introverted, we learn more about Strassor's struggles with life away from work. Finally, director Ben Affleck encapsulates the passionate, yet laid-back CEO Phil Knight, who risked it all for the deal of a lifetime.
Significantly, the story is solely concerned with the deal in place to sign Michael Jordan, as well as the pioneering of the Air Jordan. Jordan's face is never seen in the picture, his dialogue is minimal, this is to reinforce the crux of the plot, which is heavily focused on Nike and their marketing strategy, rather than Jordan's basketball ability.
A consistent unfolding of events sees the office of Nike's HQ in Beaverton, Oregon is the primary setting in the film, with brief spells in Wilmington, North Carolina (home town of Michael Jordan). Encompassing the work of the characters in convincing the basketball's greatest talent away from rival franchises.
Fitting messages regarding life beyond the Air Jordan of the protagonists in Nike's biggest signing highlight how their work has transformed the organisation.
An excellent depiction of a brilliant story.
Dungeons & Dragons: Honor Among Thieves (2023)
Comedic yet Completely Riveting
A comedic take on the well-liked role playing game, Dungeons and Dragons. Chris Pine stars in the film that transports you through the fantasy world.
A charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a long lost relic, but their charming adventure goes dangerously awry when they run afoul of the wrong people.
The film is unique. A typical pace and tone as to a Marvel / DC picture boasts an authentic selling point, in steering away from superheroes and saving the world, it alludes to restoring the importance of family.
The writers seem to adopt a Monty Python approach to the screenplay, focusing on well-timed humour as the plot unravels, though not "mocking the material" (words of Jonathan Goldstein), enabling the film to "pivot from the absurd and creepy, to a Monty Python-like sequence".
The sensational special effects articulate the fantastical world of the game, emulating and encapsulating its authenticity from the game that originated in 1974. To which, the picture perfectly pays homage to its greatness - reinforcing its value and influence, even today, nearly 50 years later.
Chris Pine took on the lead role of Edgin after seeing how much fun his nephew and friends had playing the game (I'm sure there were other factors too...). He and Hugh Grant stand out for their charisma and comedy value, notable mention to Bradley Cooper for his excellent cameo. However, the entire cast truly encapsulating the personal and emotional traits of their characters.
An expertly, measured comedic, yet engrossing movie, that tributes a great game to a tee.
Manhattan (1979)
Moderately Exciting... But Missing Something
A late-70s classic depicting an unusually comedic love story. Woody Allen directs, writes and stars in 96 minute watch 'Manhattan'.
Director Woody Allen's love letter to New York City stars Allen as frustrated television writer Isaac Davis, a twice-divorced malcontent facing middle age alone after his wife, Jill (Meryl Streep), leaves him for a woman. Isaac is dating fresh-faced Tracy (Mariel Hemingway), a high school girl he knows is wrong for him, and begins to wonder if he and brainy writer Mary (Diane Keaton), the mistress of his best friend, Yale (Michael Murphy), might make a better couple.
The relatively short spectacle is appreciated greatest for its cinematography; shot entirely in black-and-white, Allen ensures the vibrancy and charm of Manhattan, New York, is exhibited and encapsulated through the characters and dialogue.
The writing offers a soft tone to the on-screen individuals, allowing a slow-paced feel to be present - enabling intimacy and reflection to be prioritised. Humour is a welcome component to the mainly lovey-dovey theme, permitting spectators to admire and sympathise with characters, making the film seem relatable to the common person.
Finally, all characters show a sense of vulnerability. All displaying their problems in a city of great opportunity contrasts neatly. A mix of personalities in search for the same thing, to be loved, epitomises the picture. A romantic story needs a romantic setting.
The film is like a painting. There is a stillness and elegance to it, but nothing really happens, and you end up only appreciating its image. It still feels as though it's missing something.
Licorice Pizza (2021)
Wonderfully Quirky
Firing itself into the 2021 film forefront in December, Liquorice Pizza proved the quirky, different picture that created a whole new genre of cinema. Paul Thomas Anderson strikes again with a romance / comedy that takes you on countless journeys through the eyes of two young characters.
Alana Kane and Gary Valentine grow up, run around, and fall in love in California's San Fernando Valley in the 1970s.
Alana Haim - member of pop rock band 'Haim' - partners Cooper Hoffman - son of the late actor Phillip Seymour Hoffman - in what is a turbulent love story, from crazy ambition to Hollywood fame, Liquorice Pizza strives to show the endless opportunities young people can create for themselves. The title is symbolic of the film's uniqueness, an oxymoron ultimately representative of the relationship depicted between the two protagonist.
The spectacle is caught sensationally in showcasing 1970's California. Cameos from Sean Penn, Bradley Cooper and Ben Stiller add, for the audience, to the surprise element. We as spectators traverse across the two characters' youth, though ultimately never feel as though we have left the two individuals we met at the beginning on there talk-and-walk through the High School campus.
Quirky is the word, the movie knows what it wants to be, and that's different. Distancing itself from conventional rom-coms and creating an authentic, beautiful love story. The fact that two lesser known actors lead the film exemplifies the eccentric and alternative look Anderson and co were striving towards - allowing Anderson to pick up a BAFTA for Best Original Screenplay.
The director was nominated for three Academy Awards for his work; Screenplay, Director and Picture categories are no easy feat to achieve. Testament to his experimental style.
Liquorice Pizza's fast-pace undoubtedly caused confusion for some audience members to follow and, thus remain engrossed. Though for film purists, it is a work of art.
Platoon (1986)
A Top Quality War Film
A thrilling journey through sacrifice and fear. Platoon portrays the Vietnam War through the personalities and individuals who served. A film that focuses on people far more than conflict.
A platoon of American soldiers patrols, fights and dies in the jungles of Vietnam, dealing with the horrors of bloodthirsty warfare and the immorality of their political masters.
Willem Dafoe and Charlie Sheen are at the forefront of the 1986 picture that scooped four Academy Awards wins in 1987 - two of which for Best Picture and Director. However, it is the blend of the different individuals that creates the film's poignancy. The traverse through time is turbulent; we experience the dark depths of the jungle war zone, its silence contrasts to the soldiers' vibrant base, we gather the sense of togetherness and cohesion among the group, though, ultimately this is not the case.
The conflict between serving officers is greater than that of the war between nations. Staff Sergeant Robert Barnes clashes with squad leader Sergeant Elias (Dafoe) and later with protagonist Chris. There is also notable disagreement over the treatment issued out by the US.
Director Oliver Stone encapsulates the horrific scenes of the war, the heartbreak, anguish and utter suffering of those involved. The camerawork in creating suspense and anticipating threat is sensational, enticing its audience throughout. The beauty of the spectacle is that we get to understand each individual's story, and begin to sympathise with certain troops and loathe against others.
Set in The Philippines with a $6 million budget (amassing over $138 in the Box Office), Platoon, 36-years later, continues to be regarded as one of the greatest war pictures created. The captured essence of the war reflected on-screen is eerie and authentic. Flawless acting performances bode well to give the film such acclaim.
A magnificent watch.
The Iron Lady (2011)
A Fair Illustration of Britain's History
A fair illustration of the UK's longest-serving, first-female Prime Minister. However, the praise the film receives, ought primarily to be directed to the startling Meryl Streep, for her portrayal of Margaret Thatcher.
An aged Margaret Thatcher gets nostalgic as she empties her late husband Denis's wardrobe. She struggles to come to terms with her husband's passing while also recollecting her political journey.
Two Academy Award wins for the film in 2012 went to Makeup and Hair, and, significantly, to Streep, for her third Oscar win (second for Best Actress). The film veteran plays two roles in the film; the first, an old, withered character confused in her age, piecing together moments of her past and keeping a lasting memory of her late husband in her life. The second, is the journey of Thatcher's rise to power in office, displaying the controversy of her decisions, as well as the wide respect she received from many. Streep is flawless in her staging as protagonist. Encapsulating the will and determination to achieve success, she captures the former PM's aura from her body language to her voice.
The film itself tells its tale in a strong unique format. Drifting from the present, to throughout her years prior. We see the evolution of the woman, in contrast to her current state. In-turn we experience the quiet post-career in comparison to the fast-paced ambition of her life in politics, and the extreme reactions she suffers from a divided Britain at the time.
The exhibition of Thatcher's 11 years are extremely fair. Considering both sides of the argument. We as the audience understand the scrutiny she is under in attempts to stabilise the UK economy. As well as the risk she takes in tackling the Falklands War. Where one states she achieved in strengthening the nation's financial books, another can argue that the disregard towards the poor and unemployment figures, caused a prioritisation of the wealthy.
Ultimately, the film remains impartial, and showcases the life of The Iron Lady in an equitable manner. The elegance of the flow of the film is admirable. Most importantly, the picture is educating in its telling of a key historical time-point in Britain. An impressive presentation.
Everything Everywhere All at Once (2022)
Disappointing. Too Heavy on the Sci Fi front.
Swooping 7 Academy Awards in an array of cinematic fields. Everything Everywhere All at Once is an explosive package, a fast-paced spectacle designed for the most avid sci-fi fans.
A Chinese immigrant gets unwillingly embroiled in an epic adventure where she must connect different versions of herself in the parallel universe to stop someone who intends to harm the multiverse.
Personally, the multiverse is not a favoured setting for myself, neither is an overload of breaking the extents of human capabilities. Therefore, I had low expectations for a film with such high acclaim.
Undoubtedly, the cinematic features are like we've never seen before. Flawless. Sensational. The directory work of Daniel Kwan and Daniel Scheinert in manipulating the camera giving it a supernatural edge even in scenes of simplicity. The sound and effects are timed appropriately, leaving a lasting memory of every scene and stamping contributing to the fast-pace adventure of the watch.
The clever use of comedy contrasting with scenes of distress is measured perfectly. Main character Evelyn goes on an emotional journey in contrasting what her life could've been, to the life she lives today. The humour value provided by her husband and the exceptional supporting role Jamie Lee Curtis' character gives us, is the perfect tonic to the suffering the protagonist experiences.
Equally, scenes of combat / conflict are able to contrast with scenes of stillness, a loud vs quiet comparison acts as a resemblance of reality vs fantasy.
The on-screen acting performances are a joy to behold. Three Oscars deservingly going to Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis respectively, as they all immerse themselves into this sci-fi, action world created. Understanding their roles and ensuring the film keeps its serious, yet authentic feel - doing the sublime screenplay justice.
Certainly a cinematic experience worth living. Though, as anticipated, the film leans too heavy on the side of sci-fi and fantasy, escaping reality entirely. It wasn't for me, but it is for many. Give it a go.
American History X (1998)
A Beautifully Told Tale
A passionate tale of transition and rehabilitation holds American History X in such high regard for its take on topical societal subjects, enlightening and educating in order to shape an equal, diverse community in America.
Derek, who has served three years in prison for a hate crime, tries to change the thoughts of his brother, Danny, who is following the same path.
The '1998' picture stands out for its violent scenes of brutality, emphasising the true rage and horrors of Neo-Nazism in the country. In depicting these troubles, the detail and camerawork in angling every shot and conveying every emotion is a credit to the work of director Tony Kaye, who ensures every moment has a lasting memory in the mind of its audience.
Edward Norton, who was nominated for an Academy Award for his acting performance, entered the spotlight of film following 1996's Primal Fear, and only cemented his name at the upper echelons of cinema for his lead role in 'American History X'. Ultimately, the actor is tasked with portraying two characters, the pre and post incarcerated Derek. Even at his worst, Norton encapsulates the mere sensitivity and love that the character has towards his family, assuming safety and responsibility after his father's passing. When released from prison, we see the rational thinking and reserved personality of the protagonist. The then 27-year-old masters the complete change in character, expressing care and concern, not being afraid to fight back against the hostility and protests.
The beauty of the film is its order of events, emphasising the contrast in the tone of the movie. Intertwining between in and out of prison highlights the power of the catalyst of the spectacle: young Lamont who befriends Derek inside jail nurtures the character to become a better man.
The shift of black-and-white to colour is symbolic throughout. Once again in foreshadowing the transition of perspective, though also to signal the sign of the times in reflecting a foreword-moving, cosmopolitan new America.
A movie which confronted societal divide in a moving and poignant manner. It's moral message still translates today.
Southpaw (2015)
A Rollercoaster of Emotions
The heartbreaking tale of a professional boxer struggling to balance riches and fame with compassion and love. Though, a drive inside, powers a determined outlook to achieve a mighty comeback.
Boxer Billy Hope hits rock-bottom after losing his family and falls into depression. His encounter with a former boxer gives him hope to stand up once again.
'Southpaw' strives to capture the highest highs as well as the lowest lows of life. Jake Gyllenhaal shines in his lead role, encapsulating all the emotions from desperation and frustration, to pure joy and elation. The sports film ensures a level of authenticity is maintained throughout, though it is the scenes portrayed outside the ring that are arguably most potent.
Antoine Fuqua very much mirrors the pace and intensity of a boxing match. One criticism of the spectacle is that it never comes up for breath, it's constant throughout, making for an extreme 120 minutes. The changing of events are too sudden, while the lack of light-heartedness means a lack of tonic for the heavy thriller.
Performances across the board are sensational. Gyllenhaal and Rachel McAdams are standout, with Forest Whittaker's supporting role providing the perfect blend of personalities for the drama unfolding on-screen.
A true rollercoaster of emotions that conveys what is truly important - family and love. Highlighting traits of determination, belief and resilience as the core of not only sport, but life itself.
For many, the film may seem exaggerated and extreme. However, its good intentions and detail of writing and illustrating the sporting world, makes 'Southpaw' enjoyable viewing.
Hustle (2022)
A Scintillating Sporting Picture
Adam Sandler thrives once again in the sporting arena of film as well-respected basketball scout in Philadephia; making for a fast-paced, thrilling motive that encapsulates its audience throughout the duration.
After a down-on-his-luck basketball scout discovers an extraordinary player abroad, he brings the phenom back without his team's approval.
Following his success in 2019's crime-thriller 'Uncut Gems', Adam Sandler seems to have the taste for the sophistication and dramatic side of film. The 56-year-old - whom also produces the film - is a keen sportsman playing basketball regularly through his life. The film sets out to champion Sandler's character, Stanley Sugarman, both in the world of sport, though also as a father-figure to his daughter and Spanish apprentice 'Bo Cruz' and as a husband to his wife Teresa, portrayed by Queen Latifah.
Detailed to capture the extent of severity involved in professional basketball, from the trials and open events, to dealing with the media and major sports businesses (similar to Uncut Gems), 'Hustle' incorporates a 'Rocky' touch to immerse its spectators away from the corporate and governance aspect. Instead, we as viewers are willing Stanley and Bo to triumph. Viewing their journey together from the beginning, we are able to sympathise with both characters respectively, a single father providing for his family in construction and a man who has his regrets from his playing days, the perfect recipe to a success story, we hope.
The structure of the film is interesting, as mentioned, its fast-pace somewhat mirrors the intensity of the sport. However, as the 117 minutes progress, we struggle to understand what direction the plot will turn, continuously turning to entice.
Sporting films over the years have either perfected their goal or failed drastically to emulate the competitive environment. As far as I'm concerned, 'Hustle' has etched itself among the likes of 'Jerry Maguire', 'Moneyball', 'Southpaw', 'Rush' in the highest criteria of sporting dramas.
Sandler shines, furthermore, the story is scintillating.
Im Westen nichts Neues (2022)
A Heart-Breaking Tale Detailed to Perfection
Adapted from Erich Maria Remarque's novel of the same name, All Quiet Western Front transports its spectators on a journey through the trauma and anguish of the First World War.
War breaks out in Germany in 1914. Paul Bäumer and his classmates quickly enlist in the army to serve their fatherland. No sooner are they drafted than the first images from the battlefield show them the reality of war.
Remarque's novel was written from his own experiences as a German war veteran and director Edward Berger ensures that the authenticity and personal meaning of the 1928 text translates in a watch focused largely around the senses, allowing its viewers to almost feel the scenes depicted.
A piercing, aggressive tune is a reoccurring theme throughout the film's most poignant moments. Nominated for 9 Academy Awards including 'sound', 'visual effects' and 'original score' All Quiet on the Western Front (a colloquial expression meaning stagnation, or lack of visible change, in any context) is a work of art detailed to perfection, the effort in emphasising every moment, manipulating the senses and displaying the honest hurt of combat.
The contrast of the friendship between Paul and his classmates at the start of the spectacle to the time in the war zone foreshadows what is truly important in life. The glimpses of silent scenes against the loud, chaotic conflict which is vividly filmed with such evocation, highlight the horror of battle and remind us that love and family are far greater than power and greed.
A visual, heart-breaking international picture. For me, down as one of the Great War films of all time.
The Menu (2022)
Fine Film, Not So Fine Dining
Cooking up a unique and authentic production, Mark Mylod dares to mix the sweet comfort of food, with connotations of greed, entitlement and riches.
The film, penned by Will Tracy and Seth Reiss, "focuses on a young couple who visits an exclusive destination restaurant on a remote island where the acclaimed chef has prepared a lavish tasting menu, ...
Ralph Fiennes leads the evening as Head Chef, his aura and idiosyncrasies are somewhat relative to the audience he is addressing, though his intimidating mannerisms such as a striking clap, and an intimating glare, suggest there is more to this night than the appreciation of exquisite cuisine.
Anya Taylor-Joy portrays Margot, very much the anomaly of the group. Her seemingly humble personality contrasts to the rest, though she possesses a clear sense of realism that unnerves Chef Slowik. Her date, Nicholas Hoult, seeks approval from the chef, he boasts a privileged background and therefore remains out-of-touch in an environment aimed to favour the 'ordinary'.
Described as a thrilling horror, 'The Menu' is a classic structure of class inequality and ultimate division, with Margot, the only of the characters to counteract the evil plans of Fiennes' character. The wealthy individuals of the experience are punished for their gluttonous self-indulgence, whereas the common woman gains the respect of the manipulative and controlling chief protagonist.
With a modest budget, the film proved successful. Screenwriter Will Tracy came up with the film idea when holidaying in Bergen, Norway, experiencing a restaurant on a private island off the city, realising that they were trapped, until they had finished their meal. Distinctive camera work and intricate writing combine to produce a slow, dark, spine-chilling experience. The menu itself is completely metaphorical, with every dish pointing out a flaw in the characters' flawless lives.
While some may find it elaborate and well-poised. Others may feel rather uncomfortable with the shocking turns the film takes, as well as the extreme violence.
For me, a tasty treat that will fill you right up, and only leave you wanting more.
Top Gun: Maverick (2022)
Top Class
36 years later, Tom Cruise returns as Maverick in the sequel to Tony Scott's Top Gun. Though, with the addition of Miles Teller, Jon Hamm and the inclusion of Val Kilmer; director Joseph Kosinski undoubtedly felt the pressure to turn up the knots, and match the original through utilising the pre-existing history, and writing its newest chapter. It is worth noting that Top Gun: Maverick is dedicated to Scott, who died by suicide in 2012. He had been developing his own sequel before his death.
After more than 30 years of service as one of the Navy's top aviators, Pete "Maverick" Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.
Through a cleaner lens, Kosinski captures a slick Tom Cruise suiting up with his iconic shades and leather jacket before speeding through Los Angeles open space as the sun sets in the background. A fitting scene to translate: Maverick is back. The film runs at a fast-pace, much like that of a fighter jet, many scenes set in the sky add to the production's brilliance, allowing for humour and comforting exchanges, in fact, three of the six new actors threw up every day when filming in the jets.
A carefully crafted picture that times well when to refers to the past, allowing fans of the original to remain invested in the story, though also providing context for those who hadn't seen. Cruise and Teller master their art in difficult roles. Cruise as an authoritative character who must show his experience and transmit his wisdom to the next generation, Rooster (Teller) is very much a copy of his father, caring, fun and a god damn good flyer.
Allusions to the past help facilitate the forward direction of the plot, though, they also offer scenes of nostalgia, particularly in an exchange between Kilmer and Cruise, the former, whom suffers from throat cancer, ensured he encapsulated the respect and integrity of his famous name 'Iceman'.
Sensational cinematography makes the film as celebrated as it still is today. The detail of the aviation school and the task-in-hand is extremely thorough in making certain that the movie strengthens its authentic feel.
A fitting display for all Top Gun fans, however, also a job well done in the making of many new. If that's still not you, despite being released in May, Top Gun: Maverick is still on in UK cinemas today!
Good Morning, Vietnam (1987)
The Genius of Mr Robin Williams
One of the finest actors to grace our screens. Good Morning, Vietnam gave Robin Williams the role he was born to play; hilarious, respectful, whole-hearted and kind, not dissimilar to the man he was in real life.
Adrian, a disc jockey, goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humour.
Williams was nominated for an Academy Award and picked up a 1988 Golden Globe for the film, though no award could fully credit the excellence of his acting performance. One with enthusiasm for his eccentric character, though also a touch of care for his surroundings. A comedy watch is always made increasingly difficult when placed in an age of conflict, and there is a greater reliance on the writing and directing of the production to present the context of the Vietnam War with strict justice. Barry Levinson captures the horrors of the action to contrast with the humour provided in the radio show by Williams through heart-breaking scenes of anguish and desperation.
The screenplay - crafted by Mitch Markowitz - elegantly illustrates Adrian as a ray of sunshine to all the serving officers as they fought in combat away from their loved ones. The laughs of the spectacle purposely make the audience forget the troubles at hand and enjoy the entertainment value Williams provides in his character.
The uniqueness of a man with the ability to bring happiness in times of uncertainty and fear epitomises the power of comedy. A genre which Williams represented.
A beautiful film that celebrates a beautiful man. Rest easy, Robin McLaurin Williams.
The Phantom of the Open (2021)
An Unbelievable True Story
The sensational sports-comedy drama tells the true remarkable tale that you will struggle to believe. With plenty of heart, and a lot of laughs, The Phantom of the Open is a story worth knowing.
Amateur golfer Maurice Flitcroft achieves his late-in-life goal of participating in the British Open Golf Championship, much to the ire of the staid golfing community.
Mark Rylance seemingly twists the image of the stern and serious Maurice Flitcroft to cleverly compliment the comedic effect. The Oscar-winning actor offers an innocent portrayal of the man who we as the audience sympathise with. This champions Flitcroft's journey, similar to Hawkins' loveble appreciation for her husband as Jean (Flitcroft). The transition from chain-smoking ship yard crane-operator to self-professed professional golfer is one that will have you scratching your eyeballs, however, is key in delivering a moral message to chase your dreams no matter what; one which Flitcroft encouraged with his two sons - whom provide excellent entertainment value with their breakdancing successes and their attempts at caddying.
The light-hearted nature of Rylance's Flitcroft softens the drama of the spectacle, altercations within the family sphere are resolved through understanding and compassion. The screenplay, written by Simon Farnaby who also stars, does the trip from Barrow to the British Open justice; the script is hilarious, though ensures to be thorough in its telling, a neat cyclical structure beginning and ending and ending a humerus BBC interview.
Maurice Gerald Flitcroft died in 2007 at the age of 77. A moment featuring a young Tiger Woods at the Flitcroft-inspired new golf tournament in Michigan celebrating the less-skilled golfing enthusiasts epitomised the legacy that Maurice had left. That legacy lives on.
The Full Monty (1997)
Creative Comedy Classic
1997's Sheffield-set comedy was a smashing success turning over 258 million USD in the box office from its 28 million USD budget. Peter Catteneo - nominated for one of four Academy Awards - expertly captures the brilliance in every scene that begins in a typical steel factory and ends on six middle-aged male strippers.
After the steel mill they work at shuts down, a group of unemployed men decide to get involved in the stripping business to earn a living. They invest the money they have saved to get started.
An Oscar win for Original Comedy Score, elevating featured song "Hot Stuff['s]" status; The Full Monty received wide universal acclaim for its uniqueness, style and flawless comedic value. Robert Carlyle provides a stellar performance of front man Gaz, very much supported by his dry-humoured son Nathan. Though, it is the group of sensational acting performances that add their own personal touch on the film, ensuring its script and picture lives up to its title.
The sheer creativity in the writing is masterful, Simon Beaufoy - Oscar winner for 2009's Slumdog Millionaire - earned himself a nod from the Academy in 97 for the film's screenplay. The ability to integrate contrasting cultures, bringing a vibrancy to a decaying working class city, that wasn't a shade of its former self - Beaufoy ensures that humour facilitates the spectacle, working to compliment the actions on screen through Cattaneo's direction.
A story of love, commitment and togetherness brought much joy to many in cinemas on August 29 1997, and still continues to share and celebrate that joy today.
3:10 to Yuma (2007)
A Western Worth Watching
Based on "Three-Ten to Yuma": 1953, A Short Story by Elmore Leonard as well as inspired by Delmer Daves 1957 film adaptation 3:10 to Yuma, James Mangold re-sets the western scene, to tell the 21st Century's version of the story.
Civil War veteran and small-time rancher Dan Evans decides to escort Ben Wade, an outlaw, for a paltry sum of 200 dollars to regain his lost honour and retrieve his barn from Glen Hollander.
Nominated twice at the 2008 Academy Awards for its sound mixing and original score, director James Mangold ensured thrill, suspense and ever-growing tension were implemented into 2007's 3:10 to Yuma as core values of the spectacle, to entice its audience through the slow-building 122 minutes. Minimal dialogue focusses attention on finer details such as: the classy application of music, the use of setting in recreating a flawless image of 19th century Arizona and, most importantly, the skill of Mangold's camerawork, in pioneering scenes of grit and violence to contribute to the ruthless and brutal plot of the film.
Russell Crowe stars alongside Christian Bale as protagonist and antagonist in what proves to display the pair's sensational acting versatility, as well as their ability to manipulate spectators. Crowe's character Ben Wade is monstrous, a man who has murdered numerous innocent people, though we, as viewers, find ourselves unintentionally rooting for his freedom, in-turn, exposing our guilt. Equally, Bale's portrayal of Dan Evans radiates the desperation of a man determined and willing to do anything to provide for his family. Though we should only sympathise with the one character, we begrudgingly see both as likeable.
A film that keeps you on edge throughout, its exceptional cinematography, intelligent writing and incredible acting performances rank 3:10 to Yuma as one of the all time Western greats.
The Banshees of Inisherin (2022)
The Full Irish: Funny, Dry and Absolutely Bonkers
Set in the West of Ireland, Brendan Gleeson and Colin Farrell showcase their acting brilliance in a sensational double-act centred around seemingly, very little.
On a remote island off the coast of Ireland, Pádraic is devastated when his buddy Colm suddenly puts an end to their lifelong friendship. With help from his sister and a troubled young islander, Pádraic sets out to repair the damaged relationship by any means necessary. However, as Colm's resolve only strengthens, he soon delivers an ultimatum that leads to shocking consequences.
Martin McDonagh directs with such care and consideration for the acting performances of the cast, as well as the breathtaking spring setting of Ireland at its most beautiful. The multiple wide focus angles greeted with little meaningful dialogue, allows the audience to appreciate the cinematography and subtle aspects of the film.
The back and forth between Gleeson and Farrell is golden entertainment, the former offering a passive, melancholic presence in opposition to the latter, who assumed an eager and determined characterisation of a desperate man epitomising the difficulties of maintaining societal framework on an island as quiet and close-knit as Inisherin.
We are reminded of the values of friendship through the disappointment of Padraig, as well as the importance of family, through his whole-hearted sister Shivon too. For a picture that has lacks a twisting, turning broad premise, there isn't a great amount to review, other than to praise the infectious dry humour, take your hat (not finger) off to the joint protagonists and salute McDonagh for another job well done.
Lock, Stock and Two Smoking Barrels (1998)
Guy Ritchie Perfection
The classic crime comedy from Guy Ritchie ranked in high regard of all time British film for its trademark style, memorable nicknames and intricate writing, Lock, Stock and Two Smoking Barrels is just as popular among cinephile's today, as it was twenty-four years ago.
Eddy persuades his three pals to pool money for a vital poker game against a powerful local mobster, Hatchet Harry. Eddy loses, after which Harry gives him a week to pay back 500,000 pounds.
The brief description above doesn't do the sensational watch justice, with its numerous overlapping subplots, deaths and twists to allow for the film to flow at its typical fast pace. The introduction to characters add to the genius of the writing, names such as The Baptist, Soap and Bacon I'm certain took just as long to come up with as the story at hand.
The impressive cast of Jason Statham - whom brings confidence and leadership to his character, as well as a calmness to even the most chaotic situations. Vinnie Jones joined filming after his release from prison for beating up his neighbour, signs of rehabilitation are non-existent in the picture that seemingly displays only his rage and dominance - the ex-footballer, a regular in Ritchie's productions - exchanges moments of humour to compliment the criminal acts on-screen, performing in a clever double act with his son where all things except profanity go.
Ritchie writes as well as directs, and utilises the camera to ensure all potential dangers are anticipated and yet, what follows is the least of expectation, the film gives very little away, with the 106 minutes advancing to neatly tie together the story's journey towards its conclusion.
One thing we do not take for granted with a Guy Ritchie film is a concise and masterful ending that allows for reflection over the previous scenes in the movie - where questions are answered in a quick, ever-changing character sequence that still keeps you guessing until the final credits begin to roll.
Boiling Point (2021)
A Spectacular Eye-Opener
Shot in one take, the thrilling, fast-paced drama runs instead of walks through the 90-plus minutes Philip Barantini provides with careful precision of the camera that follows characters through the stresses and frustrations of a chef's life, as well as the kitchen they work in.
On the busiest night of the year at one of the hottest restaurants in London, charismatic and commanding head chef Andy Jones balances along a knife's edge as multiple personal and professional crises threaten to destroy everything he's worked for. A surprise visit from a health and safety inspector sets the staff on edge as the overbooked hot spot fills with guests. Jones tries his best to diffuse tensions between management and crew while catering to the ridiculous demands of customers.
On a night where everything needs to be perfect, cracks begin to multiply, bad turns to worse, though the mood at the beginning wasn't for all, so uplifting. Stephen Graham encapsulates the difficult predicament of Andy, head chef, whose anger in the workplace only reflects his struggles at home. A troubled character - Andy boasts all the attributes of effort, desire and commitment to his job, though when things reach boiling point, he struggles to lower the heat.
The constant shift of focus from customers, to Andy and then to his colleagues is a notion to the number of factors that must click in order to have a well-run eatery business. Intricate writing enables the plot to thicken through background information on Andy's past, as we, the audience, forget that this is only one hour into one hour of one week.
Earning a sensational 99% on Rotten Tomatoes, the Netflix release picked up 4 awards at the 'British Independent Film Awards'. For cinematography alone, the brilliance of this picture lies in its production, shooting was knocked by the COVID-19 pandemic, a single take (the third in fact) made the scheduled 8 days of filming no longer required.
One that gathers all the herbs and spices to mix and make a feast of a movie, Boiling Point is picture-perfect, an eye opener into the reality of the tricky and testing working circumstances for many.
Carlito's Way (1993)
A Film to be Remembered
As charismatic and smooth as ever, the mesmerising Al Pacino stars - with help from the excellent Sean Penn - in one of the many roles he was 'born to play'.
Carlito Brigante chooses to lead a quiet life after being released from prison. But when he reluctantly becomes a part of a drug deal, he realises that there is no escape.
Brian De Palma's Carlito's Way doubled its budget in the box office and in the eyes of eager cinephiles, it really could've trebled its numbers, through its classic crime, thrilling shoot of scenes at a fast pace and intense atmosphere. The ever-moving picture stretches landscape from the smoking streets of urban New York, to green, serene plots by soothing waters. Though the movie very rarely matches its background; David Koepp articulates his screenplay to highlight each characters' hubris in contrast to their high-standing status.
A cyclical structure that loops and twists throughout the 140 minutes, De Palms successfully crafts his vision of every scene to leave a lasting remark on the audience, one which allows an array of emotions to be tested, as the eyes remain fixated on a sensational masterpiece. The particular Grand Central Station scene comes to mind, a drawn out, heart-pounding, nail-biting exchange that feels almost 2 hours alone. Equally, a memorable early morning boat trip, hits the same as the perfect pool shot in a backstreet bar.
Accompanying Pacino's brilliance, Penelope Ann Miller deserved her Golden Globe nomination for Best Supporting Actress in 1994, the innocence complimenting elegance is the perfect tonic to the hard-hitting, tough male lead's. Sean Penn is a character who's journey is portrayed to be the most drastic, a man consumed by power, who can't stay in his lane is captured with class on camera.
Finally, 1993's release, adapted from Edwin Torres' twin novels of the same name as well as 'After Hours' gifts cinema with arguably the greatest character names of all time: long live Benny Blanco from the Bronx.
Rating: 8.7/10.
Manchester by the Sea (2016)
An Emotive, Distressing, Heart-Rending Spectacle.
Quoted as one of the "saddest films of all time" Manchester By the Sea's solemn tone and cold picture offers a reflective consideration on life for its viewers. Notions of struggle, depression and helplessness combine to create a melancholic masterpiece, that tees up Casey Affleck's performance of a lifetime.
After his brother's death, Lee Chandler is named guardian to his 16-year-old nephew, Patrick. This forces him to return to his hometown and confront his past.
Two Academy Award wins in 2017 for the film, Kenneth Lonergan and Affleck credited for writing and acting respectively, a served justice to their work on 2016's drama. Set in the titles name south of Essex, Massachusetts, the film takes you on a journey through the lens of a man whose life holds very little, however has experienced a plethora of challenges. Well-timed comedic input compliment the overwhelmingly saddening script, one which oozes a slowness silence that scrapes through the 137 minutes.
Affleck encapsulates the frustration, regret and defeatist persona of a character who has been ruined by events both in and out of his hands. Lucas Hedges provides a needed edge of light to the picture's white coldness, offering a reason to hold on, as well as constituting a level of humour yet grit to the cast. His sporadic yet controlled character enables a brotherly friendship to blossom from the realms of darkness.
In truth, the film expresses a wealth of sorrow and misery, however, it's quirks and glimpses of humour, prove it as a far more relatable and understanding watch. Difficult and shocking at times, and though Affleck's (and to some extent Hedges') performance will most likely amaze, the premise and moral message in the writing will stand tallest.
An emotive, distressing, heart-rending spectacle. That is portrayed with such care and elegance.