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    Charlie Parker Ideas

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    dan1234d
    The document discusses Charlie Parker's use of bebop scales and chromaticism from Donna Lee. It also discusses substituting II-V progressions with scales like Dorian, Lydian dominant, and Mixolydian to sound better than using different scales for each chord.

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    Charlie Parker Ideas

    Uploaded by

    dan1234d
    115 views1 page
    The document discusses Charlie Parker's use of bebop scales and chromaticism from Donna Lee. It also discusses substituting II-V progressions with scales like Dorian, Lydian dominant, and Mixolydian to sound better than using different scales for each chord.

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    Jazz

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    The document discusses Charlie Parker's use of bebop scales and chromaticism from Donna Lee. It also discusses substituting II-V progressions with scales like Dorian, Lydian dominant, and Mixolydian to sound better than using different scales for each chord.

    Copyright:

    © All Rights Reserved
    Download as DOC, PDF, TXT or read online from Scribd
    Download as doc, pdf, or txt
    115 views1 page

    Charlie Parker Ideas

    Uploaded by

    dan1234d
    The document discusses Charlie Parker's use of bebop scales and chromaticism from Donna Lee. It also discusses substituting II-V progressions with scales like Dorian, Lydian dominant, and Mixolydian to sound better than using different scales for each chord.

    Copyright:

    © All Rights Reserved
    Download as DOC, PDF, TXT or read online from Scribd
    Download as doc, pdf, or txt
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    II Vs Charlie Parkers ideas from Donna Lee Bebop scale chromaticism is used.

    7th chord arpeggios built from the 3rd of the chord are fre uentl!. II Vs can be reduced to IV V "hich is easier to picture on a stringed instrument. e.g. #$7add % to &7 or #m7add% to &7b% #m7. 'r Dm7 to Dm7b( or D diminished ) real e!e opener is ho" great the )m triad sounds o*er the II chord+ the full )m7 chord sounds too much like a tonic but the straight )m,-o (th of C. sound great.

    /ubstitute II Vs )ppl!ing Dorian and L!dian dominant scales to a short substitute II V can sound clunk! as the progression is an artificial creation. ) better option although not technicall! correct is to use $i0ol!dian o*er both chords.

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