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Name: Joseph Brown (2231416)
Module: The Principles & Practice of Teaching EAP/ESP (4012)
Tutor: Clare ODonoghue Date: 15/12/2003 W/C 3,465 Joseph Brown 1 Design an original syllabus for a specified group of learners on an ESP or EAP course of 100 hours. Discuss the issues involved in such a course design. Evaluate the strengths and weaknesses of your course. Discuss the methodology that would most meet the students learning needs. Provide some sample material in an appendix.
Joseph Brown 2 Introduction
The development of English for specific purposes (ESP) can be traced along two pathways: language use and language learning. The first, language use, focused on the surface forms of the language; that is, sentence level as in register analysis (the identification of grammatical and lexical features of the target environment), and above as in discourse analysis (the identification of language use and meaning in the target environment). These two areas of development have been placed under one umbrella; namely, the target situation analysis (TSA), which seeks to identify that which the learner needs to know in order to function to the required degree of competence in the job/target environment 1 . The second, language learning, focused on the underlying factors that aid as well as impede language learning. [It] cannot [be] simply assume[d] that describing and exemplifying what people do with language will enable someone to learn it ... a truly valid approach to ESP must be based on an understanding of the processes of language learning (Hutchinson & Waters, 1999: 14). Some of the apparent differences between ESP and general purpose English (GPE) are as follows: ESP is goal oriented; it focuses on specific identifiable learner-needs 2 ; it focuses on language appropriate to the activities specified by the TSA; it runs for a limited period of time in which objectives must be achieved; it is aimed at a specific discourse community (DC); and its learners are adults or teenagers and not school-children, except those in technical schools where English is not the native language but the medium of instruction. As for the growth of ESP, it can be linked primarily to the following three factors: (1) the expansion of demand for English to suit particular needs. (2) Developments in the fields of linguistics and (3), educational psychology; that is, factors that aid or impede learning (Hutchinson & Waters, 1999: 8). The aim of this paper is to design an original ESP course for a specific group of learners (refugees, asylum-seekers and immigrants). They are experienced painters and decorators in their native countries (North & West Africa, and the Eastern-bloc), but
1 [F]or certain jobs, students may require only a low-level of accuracy, or native-like ability, etc. The TSA may thus pinpoint the stage at which good enough competence for the job is reached (Robinson, 1991: 9). 2 What distinguishes ESP from General English is not the existence of a need as such but rather an awareness of the needit is the awareness of a target situation a definable need to communicate in English - that distinguishes the ESP learner from the learner of General English (Hutchinson & Waters, 1998: 53-54). Joseph Brown 3 need to improve their level of English, in order to ascertain employment in England, working on both commercial and domestic building projects. The paper is divided into the following three parts. Part 1: The Needs Analysis, which is subdivided into five: (1) Needs. (2) The target situation analysis (TSA). (3) The present situation analysis (PSA). (4) The learning situation analysis (LSA) and (5), Needs analysis: An ongoing process. Part 2: English for Painting and Decorating: Syllabus & Course Design, and part 3 concludes by looking at the issues involved in designing the syllabus; evaluating the strengths and weaknesses of the syllabus; as well as discussing the methodology that most suits the learning needs of the students. Joseph Brown 4 Part 1 The Needs Analysis
1.1 Needs The term needs is somewhat vague and does not convey the true complexity of the different factors and perspectives that have helped the phenomenon to grow. Thus, it is not surprising to find that when we delve beneath the surface, a number of definitions have been made 3 .
1.2 Target Situation Analysis (TSA) The first stage in designing an ESP course is to identify the needs of the respective job/target environment. The idea is to collect as much data as is possible as regards that environment and the linguistic features commonly used therein. A number of methods can be used to ascertain this information such as: questionnaires, interviews, and observations, collection of subject-specific texts, informal interviews with sponsors, institutions or companies, as well as personal experience. Of course, the method/s employed in gathering such data is dependant on the time and resources available. The most sophisticated application of needs analysis to language syllabus design is to be found in the work of John Munby (1978). The model contains nine elements and according to Munby, it is important for the syllabus designer to collect information on each of these components 4 (Nunan, 1988: 19).
3 A number of people, for example, Berwick, R. (1989), Brindley, G.P. (1989), Mounford, A. (1981), and Widdowson, H.G. (1981) have discussed the different meanings or types of needs. First, needs can refer to students study or job requirements, that is, what they have to be able to do at the end of their language course. This is a goal-oriented definition of needs (Widdowson, p. 2). Needs in this sense are perhaps more appropriately described as objectives (Berwick, p. 57). Second, needs can mean what the user-institution or society at large regards as necessary or desirable to be learnt from a programme of language instruction (Mounford, p. 27). Third, we can consider what the learner needs to do to actually acquire the language. This is a process-oriented definition of needs and relates to transitional behaviour, the means of learning (Widdowson, p. 2). Fourth, we can consider what the students themselves would like to gain from the language course. This view of needs implies the students may have personal aims in addition to (or even in opposition to) the requirements of their studies or jobs. Such personal needs may be (and often are) devalued by being viewed as wants or desires (Berwick, p. 55). Finally, we may interpret needs as lacks, that is, what the students do not know or cannot do in English (Robinson, 1991: 7-8) 4 (1) Participant: Under this component is specified information relating to the learners identity and language skills. (2) Purposive domain: This category refers to the purpose for which the target language is required. (3) Setting: Under this parameter, the syllabus designer must consider the environments in which the target language will be employed. (4) Interaction: Here, the syllabus designer needs to consider the people with whom the learner will be interacting. (5) Instrumentality: [This] refers to the medium (whether the language is spoken or written, receptive or productive), the mode (whether the Joseph Brown 5 The following table is an adaptation of Munbys model in an attempt to show some of the job/target requirements in the field of painting & decorating, drawn from 15 years personal experience.
Job/Target requirements Related micro-functions Language forms (productive) Read & understand Job specification (appendix 1) 1) Carry out job specification. Use of imperatives. Understanding vocabulary with specialized meaning. Understanding ellipsis. Ability to express oneself. 1) Client advice & suggestion.
2) Report job progress to foreman/supervisor. Use of negative. Use of conditional sentences. Use of adverbs of manner, frequency and place. Use of adjectives. Ordering & receiving materials. 1) Monitor & assess the amount of materials needed for & during a job.
2) Check & receive ordered materials. Use of genitive: I have.../we have Use of numbers (cardinal and ordinal)
Use of there, theres and there are.
1.3 Present Situation Analysis (PSA) This aspect of the needs analysis looks at the learners existing proficiency and pitches it against the required target proficiency (TSA). Information as regards the students existing language proficiency can be acquired by means of a proficiency test. The gap between the TSA and the PSA (i.e. students existing proficiency) is the area in which the learner is lacking (Dudley-Evans & St John, 1998: 123-4). It is this area that will form the basis of the course. Since the learners are already experienced in the field of painting and decorating, content knowledge can thus be assumed and therefore not necessary. The learners as a whole are a heterogeneous group in terms of their language (L1) and educational background. All students are required to sit a proficiency test at the beginning of the course so as to determine their English language proficiency, which ranges from false- beginner to intermediate, with some possessing a higher level of English.
communication is monologue or dialogue, written or spoken, to be heard or read), and the channel (whether the communication is face-to-face or indirect). (Nunan, 1988: 19-20). Joseph Brown 6 1.4 Learning Situation Analysis (LSA) The learning situation analysis (LSA) seeks to establish the external and internal factors concerning the environment in which teaching is to take place and the learning-needs of the learners. The external factors can be seen as objective and are things such as: place (i.e. target country/native country); duration of course; length of classes; time of classes; size of classes (i.e. number of students per class); number of teaching staff available; and availability of equipment (i.e. over-head projectors, photocopiers, etc). The internal factors can be seen as subjective and are things such as: the cognitive processes of learning (i.e. the most effective learning style for a student); the psychological needs of a student (i.e. support, confidence building, and the issue of face validity); students likes and dislikes (i.e. pair-work, group-work, tests, etc); and last but not least, learner motivation 5 , which is crucial in establishing an effective and efficient learning environment. Concerning the external factors - the English for painting and decorating course is a four-week intensive run in the target-country (England). Classes are held in the mornings, from 9am-1pm, with approximately 15 learners per class. The teaching-staff are qualified and experienced ESOL tutors with a proven track record of committed professionalism and motivation. The institute is situated in the heart of London, and is equipped with audio-visual equipment, including video; soundproofed self-access language laboratories and self-access internet facilities. It is accredited by the British Council and is a member of ARELS (Association of Recognised English Language Services). As for the internal factors, all learners are required to complete a questionnaire provided by their tutor on the first day of class, so as to obtain data pertaining to issues like those raised in the internal section of appendix 2. This information is then used to finalise a workable framework that for the most part, meets the various needs of the learner. Of course, not all needs can be accommodated; nonetheless, the staff at the institute are committed to making ones stay an enjoyable and profitable affair.
5 Research over the last decade has confirmed that a variety of affective variables relate to success in second language acquisition (Krashen, 1982: 31). Joseph Brown 7 1.5 Needs Analysis: An ongoing process Needs analysis (NA) as an ongoing process, has established itself over the years as an integral part of the ESP programme. It is most beneficial because (1), it can be used as an evaluator, allowing the relevant bodies (i.e. the sponsors, the institute, the teachers, the students, and the course designer) the opportunity to assess whether the course is meeting the perceived target needs of the students and (2), it highlights the areas which need modifying in order to meet the target requirements and fulfil the learning needs of the students. The mechanisms incorporated in the English for painting & decorating course by which NA as an ongoing process is achieved are as follows: Informal classroom observation. This is an ...integral part of everyday teaching. [T]eachers continuously observe their students language use during formal instruction or while the students are working individually at their desks (Genesee & Upshur, 1998: 77-78). This entails the observation of how students respond to and use instructional materials; how they interact during group/pair-work; the learning strategies that facilitate as well as impede their learning; and a weekly revision. Mid-course student tutorials. Students discuss with the tutor on a one-to-one basis the effectiveness of the tutors teaching; any difficulties the students maybe experiencing in respect of learning; and the contents of their portfolios. Self (i.e. teacher) observation. The tutor should continuously observe how effectively they are presenting their lessons. They should provide enough comprehensible input and be aware of the student/s who have not grasped the intended lesson, as well as the errors they make, the cause/s of such errors and the circumstances under which they are made. All these observations, and any subsequence inferences concerning teaching and learning are important for the planning and execution of the same lesson, unit or course in the future.
Joseph Brown 8 Part 2 English for Painting & Decorating: Syllabus & Course
3.1 The Syllabus Organizing a syllabus is just as important as the syllabus itself. An ESP syllabus should not be done in an ad-hoc way, but according to certain criterion (i.e. functional, notional, situational, phonological, lexical, topic, task, and skills). A syllabus should be a reflection of the needs of the student, as well as the different facets of language and language learning. If we know that there is both a functional and a structural aspect to language, then a course should have a functional and a structural syllabus. If we know that language knowledge is limited unless the learner has the skills and strategies for using it, then a course should have a skills and strategies syllabus too (Hutchinson & Waters, 1999: 89). Given the complexity of language and language learning, it is imperative that a number of factors be considered, when deciding what to teach to a particular group of learners, over a limited time period and with clear ESP goals for post-course employment - all of which must ultimately be reflected in the syllabus. When deciding as to what type of syllabus would best meet the learning needs of the students and maximise learning, one thing soon became apparent - no one syllabus was able to fully meet these objectives. If one were to adopt one syllabus at the expense of another (or others), then the likelihood is that the programme would suffer from serious omissions and deficiencies. However, The real issue is not which syllabus to put first ... [but] how to integrate eight or so syllabuses (functional, notional, situational, topic, phonological, lexical, structural, skills) into a sensible teaching programme (Swan, 1985: 80). The English for painting & decorating syllabus (appendix 3) is primarily a functional/task-based syllabus; however, it does implicitly operate several parallel syllabuses (grammar, situational, skills, lexical, notional, and phonological). ...[T]eaching materials must, in reality, operate several syllabuses at the same time. One will probably be used as the principal organising feature, but the others are still there, even if they are not taken into account in the organization of the material (Hutchinson & Waters, 1999: 89). The syllabus is analytic, as the purpose of the course is to bring the learner to an adequate level of real-world language use in respect of the job/target environment. Joseph Brown 9 [A]nalytical syllabuses are organised in terms of the purpose for which people are learning language and the kinds of language performance that are necessary to meet those purposes (Nunan, 1988: 27-28).
3.2 The Course The English for painting & decorating course is a four week intensive programme to which the learners time is totally committed. This enables the learner to focus solely on the purpose for which they are learning the language without any distractions. Due to the availability of time, a great deal of variety can be incorporated into the lessons. This can be extremely helpful in alleviating boredom and maintaining the learners interest. The course has a narrow orientation as opposed to being broad. This enables the teacher to utilize several skills when teaching, even though the need may be one; for example, to teach the English names of the tools of the trade. This could be accomplished by drilling exercises (an aspect of Behaviourism), multiple-choice exercises, and a dictation coupled with a self-evaluation worksheet (appendix 4), all the while maintaining that communicative element, which facilitates and maintains learner interaction; a facet of the learner-centred approach. As for the materials used on the course, they are both common-core and specific; authentic and non-authentic; however, the degree of use in respect of specificity is dependant upon the learners pre-experience (i.e. knowledge of the target environment). The course should be neither fixed to the point of being rigid, neither should it be negotiable to the point of being unauthoritative, but instead it should lie between the two, with feed-back channels (i.e. student-tutorials/conferences and in-course assessments) in order to accommodate change. Joseph Brown 10 Part 3 The Conclusion
4.1 Issues involved in designing the syllabus One of the initial difficulties encountered in designing this syllabus was the issue of content selection. ESP courses normally run for a limited period of time. This is problematic since ...the shorter the course, the greater the need for precision in content specification (Nunan, 1988: 10). What this means, is that tasks, which are incorporated into the syllabus, must ensure maximum transfer of learning to those tasks, which are not. For example, teaching the verb to be (which, in Arabic, is implied) would not only be taught as a grammatical exercise, but it would also be used to perform real-world communicative objectives like introducing oneself (appendix 4). Another issue encountered while designing the syllabus was the point of departure, that is to say, upon what criteria should the sequencing of the tasks be based. Should it be according to grammatical simplicity and complexity (i.e. sequence the teaching of grammatical elements according to simplicity), or should it be according to the communicative purposes for which the learner requires the language. Concerning grammatical simplicity and complexity, ...what is grammatically complex will not necessarily be that which is difficult to learn, and that which is grammatically simple will not necessarily be that which is easy to learn (ibid, 28). Ability and aptitude are variables, and what may be simple to grasp for one learner, may not be so for another. As for the functional syllabus, it has been commended by Finocchiaro and Brumfit (1983) for placing the learner and their communicative needs at the heart of the curriculum 6 . However, this approach makes the selection and grading of tasks much more difficult, because in order to select tasks that will best meet the learners communicative objectives, a needs analysis must be conducted. One of the problems with conducting a
6 [Finnochiaro and Brumfit] list the following benefits of adopting a functional-notional orientation: (1) it sets realistic learning tasks. (2) It provides for the teaching of everyday, real-world language. (3) It leads us to emphasise receptive (listening/reading) activities before rushing into premature performance. (4) It recognizes that the speaker must have a real purpose for speaking and something to talk about. (5) Communication will be intrinsically motivating because it expresses basic communicative functions. (6) It enables teachers to exploit sound psycholinguistic, sociolinguistic, linguistic and educational principles. (7) It can develop naturally from existing teaching methodology. (8) It enables a spiral curriculum to be used, which reinforces grammatical, topical and cultural material. (9) It allows for the development of flexible, modular courses. (10) It provides for the widespread promotion of foreign language courses (Nunan, 1988: 36). Joseph Brown 11 needs analysis is that it is time consuming. Adding to that, once the data has been collected, it then has to be processed and analysed. As for the grading of tasks (i.e. what should be taught first), there is no clear means by which we can truly say that one functional item such as advising or giving directions is simpler to learn than another. Thus, the tasks in this syllabus have been graded, for the most part, according to the sequence of activities carried out in a days work as a painter & decorator.
4.2 Weaknesses of the syllabus One of the weaknesses of the syllabus is the lack of recycling. Because of the time constraints that encapsulate ESP courses; it was difficult to incorporate adequate recycling into the syllabus. Reinforcing memorization and improving communication is dependant on recycling and the performing of objectives (role-plays). However, Friday has been designated as a review day of the week. Another weakness of the syllabus is that it does not incorporate any cultural content. Some of the students may have little or no knowledge of English culture and will undoubtedly encounter difficulty in understanding idiomaticness and metaphoricness; and since ESP accounts for a small percentage of general English (GE), it is important that some cultural element be included in the syllabus.
4.3 Strengths of the syllabus One of the strengths of the syllabus is that it does not impose upon the learner the concept of failure. Because there are no formal examinations at the end of the course, but instead, in-course assessments and an end of course achievement test, the notion of failure is removed from the learners psyche. The idea that an ESP course is solely about achieving objectives implies that anything less than, is a failure. Of course, there should be goals towards which learning is directed, but only as a focal point. If the foci is centred upon improving the individuals initial situation, as appose to the attainment of pre-set objectives, then what should ensue from this is a sense of achievement, which in turn should foster a desire to continue learning. Hence, the English for painting & decorating syllabus is an open-ended affair wherein learning continues beyond the parameters of the course, that is, the real-world.
Joseph Brown 12 4.4 Methodology most suited to the learning needs of the students The methodology that one adopts is dependant on the interpretation one holds concerning language and language learning. The traditionalist view (and one that often made the teacher appear intimidating to the learner) was that the teacher was the sole possessor of knowledge, and the learner was merely an empty vessel into which knowledge was transferred (the jug and mug syndrome). Over the years, our understanding of language and the cognitive processes of language learning has vastly improved. No longer is the learner viewed as an empty vessel waiting to be filled, but a person who has a mind, who has feelings, who has expectations, but most importantly, who has existing knowledge of language communication (L1). The methodology proposed for the implementation of the English for painting & decorating syllabus, and one that is reflective of such an understanding, is the learner- centred approach. It is one in which key decisions about what will be taught, how it will be taught, when it will be taught, and how it will be assessed ... [is] made with reference to the learner (Nunan, 1996: 14). In the learner-centred approach, the learner is considered at every stage of the design process, from identifying the target situation, to designing/and or redesigning the syllabus, through to the selection and the teaching of materials, as well as monitoring and evaluating ones own progress. The English for painting & decorating syllabus was designed without consulting real learners because of the following two reasons: (1) The impracticality of gaining access to real learners. (2) Not all learners would be endowed with ample knowledge of the target- environment with which to provide accurate and substantial data. Hence, the data used to design the syllabus, is taken from 15 years personal experience as a painter & decorator, as well as knowledge of the language and culture of the learners, obtained through study, travel and teaching work. Likewise, the learner-centred approach is oriented towards learner-autonomy. It is an end towards which all teachers and learners ought to work (ibid: 14). However, because not all learners are endowed with the ability to make informed decisions from the outset, an approach that is oriented towards developing this ability is required. The learning-centred approach, which consist of two complementary aims: the language content and the learning process, systematically educates [the learner] ... in the skills and knowledge ... [necessary] in order to make informed choices about what they want to Joseph Brown 13 learn and how they want to learn (ibid: 15). So what we find is that one (approach) necessitates the other. Because of the centrality of the learner, the needs of the learner, and the cognitive processes that underpin language learning, no single methodology is able to completely meet such demands. The most suited approach (and it is one that has been adopted for the implementation of this syllabus) is principled eclecticism; that is, utilizing what is best or most appropriate from a variety of sources or styles (appendixes 4, 5, 6 & 7).
Joseph Brown 14 Bibliography
Berwick, R. (1989). Needs assessment in language programming: From theory to practice, in Johnson, R. K. (ed.) (1989) The Second Language Curriculum. CUP.
Brindley, G. P. (1989). The role of needs analysis in adult ESL programme design, in Johnson, R. K. (ed.) (1989). The Second Language Curriculum. CUP.
Dudley-Evans, T. and St John, M. (1998). Developments in English for Specific Purposes. Cambridge: CUP.
Genesee, F. & Upshur, J. A. (1998). Classroom-based Evaluation in Second Language Education. Cambridge: CUP.
Hutchinson & Waters, A. (1999). English for Specific Purposes. Cambridge: CUP.
Krashen, S. D. (1982). Principles and Practice in Second Language Acquisition. Oxford and NY: Pergamon Press.
Mounford, A. (1981). The what, the why and the way, in Aupelf/Goethe Institut/British Council (1), pp. 19-34.
Nunan, D. (1988). Syllabus Design. Oxford: OUP.
Nunan, D. (1996). Towards autonomous learning in Taking Control: Autonomy in Language Learning. Edited by: Beinberton, Li, Or, and Pierson. Honkong University Press.
Robinson, P. (1991). ESP Today: A Practitioners Guide. Prentice Hall (UK) Ltd.
Swan, M. (April, 1985). A critical look at the Communicative Approach (2). ELT Journal Volume 39/2.
Widdowson, H. G. (1981). English for specific purposes: Criteria for course design, in Selinker et al. (29), pp 1-11.