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John Driscoll and Evan Mather

LIS 701 02 Context Book Assignment

March 20, 2013

Aufderheide, Patricia, and Peter Jaszi. Reclaiming Fair Use: How to Put Balance Back
in Copyright. Chicago; London: The University of Chicago Press, 2011. Print.
Fair Use: The right to use copyrighted material without permission or payment when
you make a work - whether a blog entry, a song, a mashup, a poem, a documentary, a
magazine article... (ix)
Chapter 1: The Culture of Fear and Doubt, and How to Leave It
Long & strong copyright creates a culture of fear and doubt - mind-forged
manacles
We are becoming a nation of makers and sharers (7)
We often face gatekeepers even before copyright holders
Chapter 2: Long and Strong Copyright
Caused by two poisonous notions:
Copyright exists only to protect rights holders
Creators deserve total protection because they are 100% responsible for their
ideas (16)
Interpreting fair use: four factors
Chapter 3: The Decline and Rise of Fair Use: the Back-Room Story
1976 Copyright Act
copyright protection for all works from moment of creation
single long-term instead of two terms with optional renewal
new, harsher penalties for infringement
still recognized fair use
Fair use cases focus on fourth factor: economic effects
Digital Millennium Copyright Act
criminalized circumventing DRM whether copyright was violated or not
exempted ISPs from liability
Chapter 4: The Decline and Rise of Fair Use: the Public Campaigns
Content industries: all copying is piracy
Opposition push for Creative Commons and free culture
Both sides ignore fair use

Chapter 5: Fair Use Resurgent


Fair use already exists. We just need to increase awareness and use.
ACLU, Duke Universitys Center for the Study of the Public Domain, Electronic
Frontier Foundation
Bound By Law web comic: http://web.law.duke.edu/cspd/comics/
Chapter 6: Fair Use in the Courtroom
Law purposefully written to require case-by-case assessment, so it is important to
understand current legal thinking
Transformativeness has become the primary criteria for determining fair use
Music sampling is more rarely seen as fair use because of a widely accepted
licensing system
Chapters 7 & 8: Documentary Filmmakers & Codes of Best Practices Catch On
Doc filmmakers first to create Code of Best Practices for Fair Use
Explains & defines fair use within industry standards and common practices
More groups follow documentary filmmakers lead
Chapter 10: A Note on the International Environment
Few other countries have fair use, but it also isnt as necessary with less strong &
broad copyright policies
Always follow the law of the country you are creating the work in
Chapter 9: How to Fair Use
Dont feel guilty about getting away with fair use - its a right, not a privilege
Other examples of fair use: public domain, Creative Commons, and exemptions
Term of use and end-user license agreement are contracts to relinquish your right to
fair use
Areas outside copyright: trademark, patent, trade secret, right of publicity
Appendices
Appendix A: List of Codes of Best Practices
Appendix B: Code of Best Practice Template
Appendix C: Documentary Filmmakers Code of Best Practice
All available at: centerforsocialmedia.org/fair-use
Appendix D: Myths & Realities about Fair Use
Appendix E: Answers to You be the Judge

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