Milan Maestro

Libro de musica de vihuela de mano
intitulado El maestro,
compuesto por
Luys Milan
Valencia : Francisco Diaz Romano, 1536
Edited and transcribed by Goran Crona
Foreword
Luis de Miln's 1536 work "El Maestro", (the teacher) is said to belong together with the Petrucci lutenists and Capirola to a "transitional"
style, that bridge the few available late 15th century lute works with the later (ca. 1530's) more contrapuntal ones. Casteliono, (1536),
displays a more advanced style of fantasia making. (Made by professional players in contrast to Miln's self-admitted autodidactic amateur
status. Said to have travelled in Italy, Miln worked at the court of Germaine de Foix until 1538, with direct ties to the Spanish possessions
in Naples. His book abounds in italianate music. He includes pieces of Italian origin, and was without doubt influenced by an Italian style.
At the same time, he has a distinct, personal and almost archaic sound. Also note his rhythmic playfullness and the hexachord modes, so
typical in Renaissance music, which often sound strange to our ears.
That this book suddenly appeared in 1536 without antecessors in Spain, displaying an already relatively "mature" style is seen by some as
proof, that he had learned and borrowed from the existing Italian lute tradition. Also his surname indicates Italian family-roots. When the
monopoly on printing ended in 1536, there was a deluge of lute book publishing, (see Brown). Miln displays an elusory charm in his
music. Chords and runs are brought together in an earthy, perhaps more emotional than learned way. His use of triple time is nearly
exclusive among vihuelists.
Working from the facsimile, obvious misprints and errors have been silently corrected. When you spot the ones that slipped me by, kindly
drop me a mail, so I can correct them. Some of the fantasias are not easy, but with industrious work those should also be manageable. In
some places, the fingerings could be simplified, to play an open string instead of a held one, but here I've consistently kept Miln's original
ones.
Goran Crona
e-mail: gcrona@operamail.com
Table of Contents
_______________
1 - Fantasia del primero tono
4 - Fantasia del segundo tono
6 - Fantasia de tono mixto, primero y segundo
7 - Fantasia del tercero tono
8 - Fantasia del quarto tono
9 - Fantasia de tono mixto, tercero y quarto
10 - Fantasia del primero y segundo tono
11 - Fantasia del primero y segundo tono
12 - Fantasia del tercero y quarto tono
14 - Fantasia del quarto y tercero tono
15 - Fantasia del quinto y sexto tono
18 - Fantasia del septimo y octavo tono
19 - Fantasia del quinto tono
20 - Fantasia del sexto tono
21 - Fantasia del septimo tono
22 - Fantasia del octavo tono
23 - Pavana del primero y segundo tono
24 - Pavana del tercero y quarto tono
25 - Pavana del quinto y sexto tono
26 - Pavana del septimo y octavo tono

27 - Pavana del octavo tono "Qua la bella francesquina"
28 - Pavana del octavo tono
31 - Fantasia de tono mixto, primero y segundo
32 - Fantasia del tercero y quarto tono
33 - Fantasia del tercero tono
34 - Fantasia del quarto tono
40 - Tentos del primero y segundo tono
41 - Tentos del tercero y quarto tono
42 - Tentos del quinto y sexto tono
43 - Tentos del septimo y octavo tono
44 - Fantasia del septimo tono
45 - Fantasia del octavo tono
46 - Fantasia de tono mixto, septimo y octavo
47 - Fantasia de tono mixto, septimo y octavo
Fantasia del primero tono

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El Maestro : p. 2
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El Maestro : p. 3
Fantasia del segundo tono
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El Maestro : p. 4

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El Maestro : p. 5
Fantasia de tono mixto, primero y segundo
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El Maestro : p. 6
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El Maestro : p. 7
Fantasia del tercero tono

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0
01
2
2
2
3
0
0
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0
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0
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2
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El Maestro : p. 8
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3
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2
3
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El Maestro : p. 9
Fantasia del quarto tono

Y
0
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El Maestro : p. 10
Fantasia de tono mixto, tercero y quarto
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El Maestro : p. 11
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El Maestro : p. 12
Fantasia del primero y segundo tono

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El Maestro : p. 13
Fantasia del primero y segundo tono

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El Maestro : p. 14
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El Maestro : p. 15
Fantasia del tercero y quarto tono

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El Maestro : p. 16
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El Maestro : p. 17
Luis de Miln 1536
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El Maestro : p. 18
Fantasia del quarto y tercero tono
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El Maestro : p. 19
Fantasia del quinto y sexto tono

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Fantasia del septimo y octavo tono
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El Maestro : p. 39
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El Maestro : p. 40
Pavana del septimo y octavo tono

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El Maestro : p. 41
Pavana del octavo tono "Qua la bella francesquina"

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El Maestro : p. 42
Pavana del octavo tono

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El Maestro : p. 77
Tentos del tercero y quarto tono
3
3
0
1
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34
46
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24
Luis de Miln 1536
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El Maestro : p. 78
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El Maestro : p. 80
Tentos del quinto y sexto tono
1
1
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El Maestro : p. 82
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El Maestro : p. 83
Tentos del septimo y octavo tono

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El Maestro : p. 84
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FINIS
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Libro de musica de vihuela de mano

Valencia : Francisco Diaz Romano, 1536

Edited and transcribed by Goran Crona

26 - Pavana del septimo y octavo tono

Fantasia del primero tono

Luis de Miln 1536

Fantasia del primero tono

Luis de Miln 1536

Fantasia del primero tono

Luis de Miln 1536

Fantasia del segundo tono

Luis de Miln 1536

Fantasia del segundo tono

Luis de Miln 1536

Fantasia de tono mixto, primero y segundo

Luis de Miln 1536

Fantasia del tercero tono

Luis de Miln 1536

Fantasia del quarto tono

Luis de Miln 1536

Fantasia de tono mixto, tercero y quarto

Luis de Miln 1536

Fantasia del primero y segundo tono

Luis de Miln 1536

Fantasia del primero y segundo tono

Luis de Miln 1536

Fantasia del tercero y quarto tono

Luis de Miln 1536

Fantasia del primero tono

Luis de Miln 1536

Fantasia del quarto y tercero tono

Luis de Miln 1536

Fantasia del quinto y sexto tono

Luis de Miln 1536

Fantasia del quinto y sexto tono

Luis de Miln 1536

Fantasia del quinto y sexto tono

Luis de Miln 1536

Fantasia del septimo y octavo tono

Luis de Miln 1536

Fantasia del quinto tono

Luis de Miln 1536

Fantasia del sexto tono

Luis de Miln 1536

Fantasia del septimo tono

Luis de Miln 1536

Fantasia del octavo tono

Luis de Miln 1536

Pavana del primero y segundo tono

Luis de Miln 1536

Pavana del tercero y quarto tono

Luis de Miln 1536

Pavana del quinto y sexto tono

Luis de Miln 1536

Pavana del septimo y octavo tono

Luis de Miln 1536

Pavana del octavo tono "Qua la bella francesquina"

Luis de Miln 1536

Pavana del octavo tono