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    N Octurnal (G Uabina) : A Llegro M Oderato

    Uploaded by

    MarcoOrduz
    partitura para guitarra

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    N Octurnal (G Uabina) : A Llegro M Oderato

    Uploaded by

    MarcoOrduz
    84 views4 pages
    partitura para guitarra

    Original Title

    Nocturnal Guitarsolo

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    partitura para guitarra

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    84 views4 pages

    N Octurnal (G Uabina) : A Llegro M Oderato

    Uploaded by

    MarcoOrduz
    partitura para guitarra

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 4

    Nocturnal (Guabina)

    Winner Master Piece at the 37th National Mono Nunez Festival

    - (Colombia 2011)

    Guitar Solo
    Fingered by: Alberto Morelli

    Jaime Romero - 2011


    www.albertomorelli.com.ar

    Allegro Moderato q=115


    4
    3

    0
    4

    C7
    3


    ### 3 3

    n

    4 2 1
    #
    &

    # 2

    2
    2
    0

    4
    2

    mf

    C2
    2
    3

    1
    1
    2
    3

    1/2C4
    C7
    3

    .
    4 0
    3
    2
    2

    4 # n
    #nn ##
    ### >
    O O

    O
    &

    3 1

    sul tasto
    C2
    4

    (C2)
    0

    0
    3

    2 4
    >
    n

    0
    ### 3 # 4

    1
    3 #1

    & J J

    2 J

    sul pont.

    1
    3

    >

    #

    ##

    &

    13

    1/2C2

    0
    3

    p
    i

    nj

    mp

    # n n

    3 J #nn #
    2 n #
    0
    2 1 3 2 1
    . .3 .
    f
    0
    1

    4
    3

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    4

    C7
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    ### # #

    # n
    & n 1 #
    n
    #
    # 2

    2
    2
    2
    0

    17

    4
    2

    mf
    www.LatinGuitarScores.com

    C2

    To Coda
    1 1/2C4
    4
    4

    1/2C2

    ### 2 >
    & >

    21

    3 4 1
    2

    1/2C7

    1/2C6

    1
    3

    4
    2

    0
    3
    #
    3
    n

    1
    3
    # n1 3 0 3

    3
    3
    # n n
    n 2
    2

    mp

    4 2 0
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    1/2C4

    C2
    3
    2 3

    4
    j

    3
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    j

    ### 2j 2 4 n#3 n#

    # n
    #

    &
    J

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    3
    1


    mp
    ' 3' '

    25

    sul tasto
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    0
    4

    3
    2

    12

    1/2C1 1/2C2

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    &
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    >
    nnn

    30

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    34

    i
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    .
    . . n . . .
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    1

    38

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    #

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    0

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    j
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    4

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    j

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    J
    nJ 2 2

    45

    1
    3

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    2

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    1
    2

    (1/2C5)

    50

    &

    b n

    #
    4
    2

    n
    J

    1
    2

    sul tasto
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    4

    0
    2

    54

    0 3
    b

    & J
    n
    J
    J
    2
    # 3J
    n
    2


    j b n
    3

    . 3. .

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    3 1

    j
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    n #

    j

    n
    O

    &

    J
    O O
    O O J

    2
    #
    3

    2
    p
    2
    4
    3

    right hand

    right hand

    >
    0 2 4 2 0

    J

    63
    0
    4

    &

    3
    J

    mf
    3

    > 0 2 3
    >
    1
    j
    & #

    .
    . .

    67

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    1

    3
    3

    1
    3
    4
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    3
    2

    C5
    4

    4
    4

    2
    j
    #
    n

    1
    1
    0
    1

    C1

    4 1/2C1 0

    71

    4
    0

    2
    3
    4

    #j # n nj n n
    1
    02 n
    2
    # # 0 n
    n
    3

    . . . 2

    & . j
    .
    .
    . # n
    p

    3
    3

    D.C. al Coda
    4

    75

    j n

    O O
    &

    3
    3

    j 3 0 0 4 0 3 4 ###

    # n

    2
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    right hand

    rit.
    C2
    3
    3

    1
    3

    79

    ###

    &

    n
    2

    1/2C6
    2

    4 1/2C7

    4
    1/2C4

    sul tasto
    3
    2

    2 3

    0
    4

    3
    2

    3
    1

    1/2C1 1/2C2

    j j 2

    ###

    O n #
    & # # n
    nO 3 #J

    3 2

    0
    1

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    3 J 1 J 2 n#2 n #
    2
    1

    0
    ' 3' '

    C2

    83

    2
    1

    Coda

    mp
    Note: The parenthesis (i.e. at (C4)) indicates the use of the left index finger as a pivot
    to prepare the left hand for the next chord (Not as a barre-chord). / Nota: El parntesis (ej. (C4)) indica la utilizacin del ndice de la mano izquierda
    como pivote para preparar la mano para el siguiente acorde. No necesariamente debe entenderse como cejilla.

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