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    Wavetable Synthesis

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    marktowers7653
    Multiple wavetable synthesis refers to two methods: wavetable crossfading, which creates a dynamic timbre by fading between multiple wavetables over time, and wavestacking, which layers multiple wavetables to be scanned together. Another related technique called multiple wavetable synthesis was developed by Horner, Beauchampl, and Hakken as a variant of additive synthesis using sums of sinusoids derived from analyzed wavetables.

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    Wavetable Synthesis

    Uploaded by

    marktowers7653
    63 views1 page
    Multiple wavetable synthesis refers to two methods: wavetable crossfading, which creates a dynamic timbre by fading between multiple wavetables over time, and wavestacking, which layers multiple wavetables to be scanned together. Another related technique called multiple wavetable synthesis was developed by Horner, Beauchampl, and Hakken as a variant of additive synthesis using sums of sinusoids derived from analyzed wavetables.

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    Multiple wavetable synthesis refers to two methods: wavetable crossfading, which creates a dynamic timbre by fading between multiple wavetables over time, and wavestacking, which layers multiple wavetables to be scanned together. Another related technique called multiple wavetable synthesis was developed by Horner, Beauchampl, and Hakken as a variant of additive synthesis using sums of sinusoids derived from analyzed wavetables.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as RTF, PDF, TXT or read online from Scribd
    Download as rtf, pdf, or txt
    63 views1 page

    Wavetable Synthesis

    Uploaded by

    marktowers7653
    Multiple wavetable synthesis refers to two methods: wavetable crossfading, which creates a dynamic timbre by fading between multiple wavetables over time, and wavestacking, which layers multiple wavetables to be scanned together. Another related technique called multiple wavetable synthesis was developed by Horner, Beauchampl, and Hakken as a variant of additive synthesis using sums of sinusoids derived from analyzed wavetables.

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    Download as RTF, PDF, TXT or read online from Scribd
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    Multiple Wavetable Synthesis

    By multiple wavetable synthesis, we refer to two simple yet sonically effective


    methods: wavetable crossfading and wavestacking. These are not the only synthesis
    methods that can use multiple wavetables; indeed most methods can be configured
    to do so. We distinguish the techniques discussed here by the fact that they are
    dependent on the existence of multiple wavetables. Both are common in commercial
    samplers and sample players.

    Horner, Beauchampl, and Hakken (1993) have developed another technique the call
    "multiple wavetable synthesis". It is perhaps best classified as a variant of additive
    synthesis/resynthesis. But it also can be viewed as an instance of the wavestacking
    method presented here, where wavetables are sums of sinusoids derived from an
    analysis and data reduction stage.

    Wavetable Crossfading

    In fixed waveform synthesis, a digital oscillator scans repeatedly through a


    wavetable that has been previously filled. with a single waveform. This creates a
    static timbre, since the waveform repeats without variance over time. By contrast,
    wavetable crossfading

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