Water Polo For Players & Teachers of Aquatics
Water Polo For Players & Teachers of Aquatics
Water Polo For Players & Teachers of Aquatics
WATER POLO
FOR PLAYERS & TEACHERS
OF AQUATICS
Pete Snyder, Ph. D.
Professor, Fullerton College, Fullerton, California
This manual may not, in whole or in part, be copied, photocopied, reproduced, translated, or converted
to any electronic or machine readable form without prior written consent of the author. It is Web-pub-
lished by the LA84 Foundation under a license from the author.
2
Acknowledgements
This book would not have been completed and had its particular attention to detail without the help
and support of the following individuals.
First I’d like to thank Mr. Lundy Smith, an English teacher and head Girls Water Polo Coach at
Phillips Exeter Academy in Exeter, New Hampshire. Lundy was most helpful in points of emphasis
and grammatical structure in the book.
I’d also like to thank Roger Nekton from Phillips Exeter. Roger just retired as head boys water polo
and swimming coach after a long and very distinguished career of over thirty years at the Academy.
Roger provided valuable technical input as well as encouragement regarding the need for written
material in the sport of water polo.
As a picture is worth a thousand words, I’m very indebted to Mrs. Chris Kittredge of CMK
Enterprises (www.tudorgraphics.com). Chris was able to capture some of the more difficult team
aspects of the game only because of her dedication, extensive knowledge of over twenty years with the
sport and her brilliance as a photographer.
Many great photos throughout the book were made available through the generosity of Joan Gould
(www.waterpoloplanet.com). Joan’s tireless efforts at taking and posting photos have helped spread
water polo throughout the country and the world.
And, last and most importantly, my children Grady and Kendall, both of whom were generous
enough to allow me to publish their high school and college water polo photos as well as field numer-
ous innocuous questions and comments about the sport we know and love.
Sincerely,
Pete Snyder, Ph.D.
3
Table of Contents
Chapter 1: History and Tradition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Comparisons With Other Sports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Breaststroke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Side Stroke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Sample Swimming Conditioning Drills and Their Applicability to Water Polo . . . . . . . . . . . . . . . 38
Sample Ball Handling Conditioning Drills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Eggbeater Leg Motion and Sample Drills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
4
Layout Pass When Closely Guarded . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Basic Passing Drills, Guarded and Unguarded . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Drive Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Pick Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Field of Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Classification of Fouls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Ordinary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Ejection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Penalty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Major . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Referee Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
5
Basic Passes to the Posts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Shots From 1 & 6 Positions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Three-Three Offensive Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
6
CHAPTER
1
History and Tradition
Comparisons
Water polo is a game that captures a number of different facets of some of the more
popular sports in world culture. Much of what is involved with water polo, as can be
seen in this chapter, is comparable to the sports of hockey, basketball, and soccer.
To visualize the sport, combine the dual skills of swimming and ball handling; and,
add to it the physicality and power play opportunities of hockey, the fast break oppor-
tunities and passing of basketball with the pivot (center) position, and the penetration
and goalie play of soccer. Water polo players typically swim over 1.5 miles in a game.
Physiologists have ranked the sport as one of the most strenuous activities of all. In
1991, water polo was quoted as the “Best overall sport in terms of physiological
demands placed on the athlete,” by a panel of physiology experts from all over the
U.S.(Ludovise, C1,6) The exercise of swimming itself utilizes many sets of muscles.
Add to swimming the head-high ball handling skills of passing and shooting, the leg
support generated through the eggbeater kick and the physical contact between play-
ers, and you have a thoroughly arduous sport.
7
tivals included a rugby-style game which involved a submersible ball. The name is
the only connection between water polo and the horse version, as polo was derived
from the East Indies word “pulu” which means ball. The first “pulu” ball was made of
Indian rubber. (Smith, 2) There was, however, a variety of the game where the players
played on barrels with sticks. (Fig. 1-1)
In the 1860’s, there was a version of “football in the water” which was developed but
not codified by the London Swimming Association. The first game of Water Football
was played at the Crystal Palace in London in 1874. In 1876, the first rules were
written by William Wilson in Aberdeen, Scotland at the Bon Accord Club. At this
time, Wilson deemed the sport “Aquatic Football.”
True to its early descriptions, the game was similar to a scrum in rugby and points
were scored by physically advancing the ball over or underwater and placing it on
a goal. The ball, originally a pig’s bladder was later made of rubber, and malleable
enough to even fit in a players’ swim suit. (Fig. 1-2) Two hands were allowed by all
players. (Fig. 1-3)(Worldwide aquatics, 1)
J. HARE
Fig 1-2. Second official National Championships, Madison Square Garden, 1899
Ten years later, in 1886, the Association Swimming Club of Glasgow formed a com-
mittee to standardize the rules. Within a year, goalposts were used to “shoot” at, one
hand at a time was allowed to touch ball, and players were not allowed to use the bot-
tom of the pool. (Lambert and Gaughran, 4)
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History and Tradition
In 1888, the London water polo league met and revised the rules to take advantage of
changes in the swimming strokes (Trudgeon) and thus speed up the game. The goal
was made larger (3 feet by 10 feet) and a point could be scored by throwing the ball
into this area. The composition of the ball was changed to leather and the seven field
players could only used one hand, and could only be tackled if they were in posses-
sion of the ball. Passing became a much more integral part of the game. (Worldwide
aquatics, 1)
HARPER'S WEEKLY
Fig 1-3. Water polo at the Manhattan Athletic Club, February 28, 1891
In the same year John Robinson, and Englishman, introduced the game in the United
States at the Boston Athletic Club. The first men’s competitions in the sport were
between clubs, with the Knickerbocker Club of New York taking the first National
Championship in 1898. The New York Athletic Club started water polo in the
fall of 1890. One of the first recorded series of matches was between the Boston
Athletic Association (Club) and Sydenham of Providence, in 1890. (Boston Athletic
Association Report, 1890)
For decades the U.S. game used the early physical style of play, even to the extent of
requiring the 1904 Olympic Games in Saint Louis be played by these 1876 vintage
rules. The result was that no European teams participated in the 1904 Games and
the U.S. “won” gold, silver, and bronze medals.
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CHAPTER 1
History and Tradition
The dimensions of the pool had a large impact on the early tenor of the game. With
few large pools, water polo had a very rough style because there wasn’t much room for
the fourteen players and thus minimal swimming space available. With the addition
of new facilities, the European game changed. The Europeans took a dominant role
in the sport most especially with the adoption of FINA, the Federation International
de Natacion Amateur, as the uniform rules in 1911. The U.S. schools and Clubs still
“clung” to the older style wrestling “softball water polo” rules for years to come.
As an Olympic sport, men’s water polo was added to the program in 1900 at the Paris
Games. Water polo, along with soccer, are thus the oldest team sports in the Games.
(Fig. 1-4)
Water polo has long been affiliated with schools. Cambridge University in England
fielded its men’s water polo team in 1882 and started the oldest collegiate rivalry
in the sport with Oxford in 1891. The U.S. universities started water polo as early
as 1897, when the University of Pennsylvania began its program. (Lambert and
Gaughran, 5,11) The sport was unfortunately dropped as men’s varsity status from the
Ivy League in 1937. Most recently, Prince William was a member of the University of
St. Andrews water polo team and prior to that played at Eton. (Prince of Wales, 1)
Men’s water polo was revived on the West Coast in the late 1920’s and early 30’s as
newer Colleges and universities were the beneficiaries of more modern pools which
created the opportunity to play the sport using a more mobile swimming style.
– Fullerton established the first community college team in 1933.
U.S. Olympic Committee, www.usolypicteam.com
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History and Tradition
As part of its resurrection, the N.C.A.A. devised a “new” set of water polo rules which
were similar to basketball. These were played throughout the 1950’s and 1960’s and
required that field players be allowed a limited number of fouls (five) of any variety per
game. Once again, the Americans, during their college season, played different rules
than the rest of the world.
Fact: Seven California
The first N.C.A.A. Men’s Water Polo Championship was contested in 1969. Colleges have won all
Gradually, there were incremental changes until finally, in 1976, the colleges adopted 38 Men’s N.C.A.A.
the F.I.N.A. style of rules allowing unlimited “normal” fouls. There are currently fifty
Colleges and Universities in the U.S. which sponsor Men’s varsity intercollegiate water Championships –
polo. (N.C.A.A. website) no college from an-
other state has won
as of yet.
Women's Water Polo History
As in many sports, women’s water polo remained in relative obscurity through the
early 1900’s. Women’s intramural varieties of water polo were played in the early
1900’s (Cambridge website). One of the earliest recorded competitions took place in
1926, when the Amateur Athletic Union (A.A.U.) Nationals were won by the Los
Angeles Athletic Club. The National Championships were established on a permanent
basis between 1961-1962, largely due to the efforts of Rose Mary Dawson, coach of
the Ann Arbor Club in Michigan. (2004 Hall of Fame, 19)
Scott, Barbour, Allsport
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CHAPTER 1
History and Tradition
12
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History and Tradition
Tournament was contested in 2001. There are currently sixty one Colleges and
Universities in the U.S. which sponsor women’s water polo as a varsity intercollegiate
sport. (NCAA website)
Women’s Water Polo became an Olympic sport in 2000 at the Sydney Games. (Fig. 1-
6) The addition of the women’s competition to the Olympic Program was due in large
measure to daily protests that were staged by the Australian Women’s National Team
during the 1999 International Olympic Committee meeting in Melbourne. (Wigo,
“Speaking Out”, 7)
• Caps – Originally used cotton material without numerals, and two different colors
to distinguish teams. In the mid seventies, cotton with numerals and earguards for
13
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History and Tradition
protection were worn. Currently, nylon caps with numerals and earguards and mul-
tiple colors are used.
• Suits – changed from full length “costumes” to “trunks” (or briefs) for men in the
early 1930’s, thereby allowing less material for players to grab a hold of. Women’s
suits continue to evolve in efforts to overcome these restraining impediments due
to player-to-player contact. (Lambert and Gaughran, 14)
• Length of game – changed from four quarters of five minutes each to four quar-
ters of seven minutes each in 1976 Montreal Olympics to place more emphasis on
endurance. Currently the game length is four quarters of eight minutes each.
• Game format – Went from two halves to four quarters in the late 1950’s.
• Size of squad – changed from eleven players on a side to thirteen players on a side
in 1984 Los Angeles Olympics in order to allow for more substitution among play-
ers. The Women’s roster size has remained at eleven. (Athens, 1)
• Time outs – Were not allowed until 2000 Sydney Olympic Games, where two were
allowed for the regulation game and one during overtime.
• Pool dimensions – the 30m. by 20m. course with minimum depth of 7ft. and
numbers of players on a side (n=7) have remained constant for nearly a century.
The size of the goal has remained 3 feet by 10 feet perpetually, as well. In the
women’s game, the course is slightly shorter (25m.). The one exception was the
2004 Athens Olympic Games where the length was moved to 30m.
• Overtime play – First introduced in the 1988 Olympics in order to break ties as a
possible conclusion to matches in championship games. (The U.S. lost a chance
for a gold medal in the 1984 Los Angeles Olympic Games as a result of a tie with
Yugoslavia in the gold medal game. These were the last Games where a medal
could be decided after a tie on the basis of goal differential.)
• Referees – originally there was one referee utilized per match. In 1980, at the
Moscow Olympic Games, this was changed to include two referees in order to
detect and call more of the fouling that takes place. In 1997, the use of flags to
indicate possession was dropped in favor of hand directions and pointing.
One of the more memorable moments in Men’s Olympic history involved this exact
dilemma of having only one referee. During the 1956 Melbourne Olympic Games the
Hungarian team was playing a match with the Soviet Union when a Russian player,
Valentin Prokopov, opened up Ervin Zador’s eye with a punch in the fourth quar-
14
CHAPTER 1
History and Tradition
ter. (Fig. 1-7) The game had to be called off with the Hungarians winning, 4-0 and
much blood-letting. One referee wasn’t nearly enough to control the overly-physical
contact. Half of the Hungarian team defected after the game rather than return to
Soviet repression at home. Many of these players came to California and taught the
U.S. players new tactics, including the eggbeater kick. (wikidpolo, 4-5). The story of
the Hungarian water polo athletes and their defection from the awful brutality occur-
ring in Budapest has been captured in a recent 2006 documentary: “Freedom’s Fury,”
written, directed and filmed by Colin Keith Gray and Megan Raney Aarons. www.
freedomsfury.com
Fig. 1-8. The “modern” game – water polo at the 1996 Olympic Games in Atlanta
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History and Tradition
• Exclusions – with this variety of foul, a player is removed for a specified period of
Geopolitics & Water time. The amount of time has been reduced over the years from until a goal is
Polo continued: scored (prior to1964) to the present 20 seconds or until there is a change of posses-
After the European sion or goal scored. (Fig. 1-8)
Championships of 16
June, 2003 in which • No moving rule – prior to 1952, players were to remain stationary after the whistle
Serbia & Montenegro was blown. This was changed to allow more movement in the game in the 1956
defeated Croatia for Melbourne Olympics. (U.S.A. Water Polo, “Tribute to 1996…”,17-18)
the Championship, As one can see, the rules evolution has added swimming stamina and team play to the
riots broke out in Bel- already rugged nature of water polo. This has made the game dynamic, fast moving,
grade, Novi Sad, and and quick thereby increasing spectator interest.
Subotica, Serbia and
at the pool in Kranj, In Men’s Olympic competition, Hungary has been far and away the most domi-
Slovenia. Several per- nant country, winning eight gold medals in over 100 years of competition, with
sons were arrested. Great Britain a distant second with four – mostly early in the 20th century (see
Appendix#1). There are 75 participating countries in the World that participate
internationally in the sport of water polo. (FINA, 1)
In Women’s Olympic competition, the two gold medalists have been Australia (’00)
and Italy (’04) (see Appendix #2).
References:
Arts, Books and Sport. “That Sinking Feeling.” The Economist, 332.7876 (August
13, 1994): 49.
Athens 2004. “The Official Website of the Athens Olympic Games – XXVII
Olympiad.” Athens Olympic Committee. 8 August 2004. <www.Athens2004.com>
Juba, Kelvin. All About Water Polo. London: Pelham Books, 1972
Kozole, Lovorka and Stojkovic, Dragan. “Sports as War.” Transitions Online, (June
23, 2003):pN.PaG
16
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History and Tradition
Lambert, Arthur and Robert Gaughran. The Technique of v. North Hollywood, CA.:
Swimming World Publications, 1969.
Ludovise, Barbie. “In Demand, This Sport is Top.” Los Angeles Times, 16 January
1991, C1, C6
N.C.A.A. “Past Champions, Water Polo.” N.C.A.A. publications. May 2005. www.
ncaasports.com/waterpolo
People Magazine. “Prince William Wet & Wild.” People, 61.17 (May 3, 2004): 58-59.
United Parcel Service. “The Origins of Water Polo.” U.P.S. International Cup Game
Program July 1999:12.
U.S.A. Water Polo. “A Brief History of Water Polo.” Hall of Fame Program January
2004: 17-18.
U.S.A. Water Polo. “Tribute to 1996 United States Olympic Water Polo Team.” Los
Olivos, Ca. 1996
Smith, James R. The World Encyclopedia of Water Polo. Los Olivos, Ca.: Olive Press, 1989.
World Wide Aquatics. “About Water Polo.” World Wide Aquatics, 6 September 2000
www.worldwideaquatics.com
17
CHAPTER
2
Physiological, Psychological, and Medical
Aspects of Water Polo
Physiology
First, water polo combines the sport of swimming with ball handling. Swimming
itself utilizes 15.7-20.0 kilocalories per minute, more than any other form of physi-
cal activity (Wilmore and Costil, p.148). In addition, swimming has been found to
have a Metabolic Equivalent (MET) value of 20-30, roughly the same as running
(Wilmore & Costil, p.622).
Like swimming, water polo makes large demands on aerobic and anaerobic systems.
The variety of work involved in the game for field players can be broken down as
roughly 50-60% aerobic, 30-35% anaerobic, and 10-15% , immediate energy (ATP-
PC) system (Smith, p.331). The third component listed – immediate energy - is
largely the result of the physical contact involved in the game.
Water polo is very intermittent, with intense bursts of activity occurring and vary-
ing according to the players’ positions in the pool. It has been observed that elite
male water polo players have approximately 6-20% greater oxygen consumption than
competitive swimmers (Smith, p.328). Comparative studies have shown that VO2
max is higher for international level swimmers than water polo players or pentathletes
(Cazorla & Montpetit, p.253). (Vo2 is a measure of the bodies’ ability to use oxygen
in the production of energy that is aerobic energy, measured in Liters per minute)
18
CHAPTER 2
Physiological, Psychological, and Medical Aspects of Water Polo
Water polo players’ heart rates have been measured in excess of 150 beats per minute
for 91.8% of actual playing time (Smith, Pinnington, et. al., p.6). And, water polo
players blood lactate levels have been measured at a range of 6.72mmol/L for younger
female players (Nemet, et.al. p.360) to 7-9mmol/L. for older elite and female male
players (Rodriguez….Hollander). Lactate levels are a measure of energy output
during exercise and the typical resting, non-exercise rate is between 1 and 2 mmol/
L. Track competitors, by comparison, have blood lactate levels ranging between 8-
10mmol/L. during competition (Wilmore & Costill, p.199)
The usual distance swum by players during a water polo competition is between
1500-1800 meters (Smith, p.322, Hohmann & Frase, p.316). Considering the per-
centage of aerobic work being done during a water polo match, this system should
be addressed very similarly to swimmers’ training (4-6,000m./day). Both aerobic and
anaerobic systems must be built in the training of water polo players, because of the
total playing time a large percentage of the swimming was “steady state” and below
the aerobic threshold (Hohmann & Frase, 316).
Additional positive physical benefits of water polo are enlargement of the heart
muscle in order to pump more blood, and an increase in body mass as a result of the
physical struggle and contact made between players (Pavli, et. al).
Psychology
The major factor regarding the psychology of water polo has to do with the tactical
decision-making the players utilize while expending the bodily energy just mentioned.
When compared with expert volleyball and basketball players, water polo players were
found to be highest in decision-making (game situation), visual reaction time, and
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Physiological, Psychological, and Medical Aspects of Water Polo
spatial orientations – while basketball players were better on prediction and selective
attention and volleyball players were best on perceptual speed, focused attention, pre-
diction, and estimation of speed and direction of a moving object (Kiomourtzoglou,
et.al, 1998).
Similar to other sports, a psychological variable which has been proven beneficial for
water polo athletes is the development of a pre-performance routine. Marlow, et. al.
(1999) found significant increases in water polo penalty shot performances due to per-
sonalized pre-performance routines including concentration cues, relaxation, imagery,
and cue words.
Water polo requires thinking which is analytical and immediate. Players, because of
the lack of visual memory that is available through the media, are much the beneficia-
ries of actual experience in complex situations that accumulate over a number of years.
Biomechanics
As in all sports, strength training is of great value in enhancing successful water polo
performances. There are several muscle groups utilized in the basic actions of throw-
ing a ball as well as in swimming head up and eggbeatering.
The optimal succession of levers (joints) for the overarm baseball throw used in water
polo is:
20
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Physiological, Psychological, and Medical Aspects of Water Polo
www.waterpoloplanet.com
Joan Gould,
Fig. 2-2.
Matt Brown Photography, mattbrownphoto.com
Fig. 2-3.
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Physiological, Psychological, and Medical Aspects of Water Polo
Fig. 2-5.
Matt Brown, mattbrownphoto.com
Fig. 2-6.
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Physiological, Psychological, and Medical Aspects of Water Polo
NCAA Sports
Fig. 2-7.
Fig. 2-8.
The biomechanics and kinematics of successful and non-injurious arm movement in the
throwing motion have been studied and analyzed with the following recommendations:
(Davis & Blanksby, Elliot & Armour, Falcone, Feltner and Nelson, Whiting, et.al.)
• Regarding the angle bend at the elbow, during the throwing motion the initial
starting point after a circular path backward should be between 89-155º, with the
optimal between 90-120º.
• The angle for the elbow at the release point is between 148º and 158º.
• At the conclusion of the throw, the release point for the wrist is between 148º and 180º.
23
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Physiological, Psychological, and Medical Aspects of Water Polo
• The internal rotation and horizontal adduction of the shoulder, as part of the suc-
cession of levers, contribute significantly to ball speed at release.
As itemized above, the sequence of levers facilitates the transfer of torque from the
large muscle groups to the small distal muscle groups thereby increasing the force. At
the end of the chain, “The movement of the wrist joint should be coordinated with
elbow extension if maximum ball velocity is to be achieved.”(Elliott & Armour, p.113)
Coordination between one leg and another in the eggbeater kick is an important
base for the pass and shot in water polo. Correct technique with this kick will help
provide adequate support to be able to pass and shoot. This optimal sequence is as
follows (one leg):
Succession of Levers for One Leg in the Eggbeater Kick:
(see chapter 9 “Goalkeeper” also)
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The timing of the two-leg cycle is such that at full knee extension and plantarflexion
for the first leg, the second leg is at maximal knee flexion and ankle dorsiflexion, and
vice-versa. (Sanders, p.282). (Fig. 2-11)
Major muscle groups used in the eggbeater kick are shown below:
Underwater photos of leg muscles utilized in eggbeater
www.coachesinfo.com
Fig. 2-9.
www.coachesinfo.com
Fig. 2-10.
Fig. 2-11.
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Nutrition
As with most sports, hydration is of utmost importance. “Fluid balance during exer-
cise is critical for optimal cardiovascular and thermoregulatory function.” (Wilmore
& Costil, p.178) Fluid loss is not as pronounced in aquatics athletes as in runners.
Most fluid loss for aquatics athletes comes through conduction and convection, there-
fore there is not the evaporation that takes place on land. For land sport athletes,
80% of heat loss comes through evaporation (Wilmore & Costil, p.311).
The average long distance runner loses .96 to 1.27 L/hour of fluids. (Juhn, MS &
Henehan, p.393) Male basketball players lose 7.97-10.79L/hour of fluids. (Cox,
et.al., p.190) In contrast, the average fluid loss for water polo players has been report-
ed as .51 L/hour.
Aquatics athletes, in general, need .5L/hour in order to be well hydrated during com-
petition. A loss of more than 5% of his or her total body weight will likely result in
performance decrements for water polo athletes.
In order to enable efficient muscular contraction, three basic minerals are necessary
as part of fluid and/or solid intake: calcium, potassium, and sodium. Calcium can be
found in large percentages dairy products and vegetables; potassium is found in fruits,
vegetables, and milk products; and sodium can be attained through moderate addi-
tion of salt to the diet. (Houtkooper, pp.39-40)
The most essential nutrient necessary for replacement during rigorous exercise is gly-
cogen. Because of the demands on the anaerobic system and the glycolic anaerobic
system, and for muscular efficiency, it has been suggested that water polo athletes
need 6 grams of carbohydrate 8 times a day (Farajian, et. al, p.570). Muscle glycogen
resynthesis is most rapid when individuals are fed at least 50grams of glucose every
two hours after exercise (Wilmore & Costil, p.178)
Injuries
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combined with head up swimming, reduces the amount of body roll the athlete can
use during his (her) strokes and therefore more forced ab- and adduction movements
of the shoulder region.
In addition, the water polo athlete must throw from many different body positions
without a firm base upon which to balance – i.e. there is no fixed point around
which to rotate. Good mechanics are essential in order to avoid injury. In the
shoulder joint, abduction and external rotation, combined with maximum forward
flexion of the glenohumeral joint places a large amount of force on the rotator cuff
area. (Colville & Markman, p.307, Chalmers & Morrison, p.761)
Shoulder pain in water polo can most often be attributed to the following:
• A strength imbalance between the internal rotators and adductors of the shoulder
in contrast to the external rotators of the deltoid and rotator cuff muscles.
• Biomechanics that place undue stress on the shoulder as part of the succession of
levers (i.e. <90º or >120º at the elbow joint)
• Inadequate warm-up of musculature and tendons prior to the high degree of accel-
eration and kinetic energy applied to the body during shooting.
Even good throwers are susceptible to injury due to the transfer of torque through the
succession of levers.
The elbow area is another common injurious site for water polo players. Pain is cor-
related with the overhead throwing motion, during which stress can occur in the ulna
collateral ligament complex (Colville & Markman, p.309). Once again, the lever
angle at the elbow joint, if >150º, is a contributor to increased amounts of stress on
the ligaments and tendons in this region. Goalies in particular can experience hyper-
extension injuries at the elbow joint, largely the result of improper absorption of con-
tact with the ball.
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In the hand and wrist region, commonly encountered injuries include lacerations,
dislocations and fractures of the bones and joints (Richardson, p.370). There is a lot
of hand contact with the ball and with other players, and the strength and flexibility
of these muscles and tendons is important in order to be prepared for this contact.
(Colville & Markman, p. 310) Goalkeepers in particular are susceptible to trauma in
this ulna collateral ligament region – particularly when coming in contact with the
post of the goal.
The eggbeater kick contributes to possible lower body injury – specifically at the knee
and hip joints. The pattern of the legs in eggbeater with abduction and internal rotation
at both of these joints places stress on the medial collateral ligament and can become
inflamed (Brooks, p.318). Due to the turning and twisting motions of the torso, the
spine and extremities have been identified as common regions for injury (Chalmers &
Morrison, p.761). Again, strengthening and flexibility exercises for both of these regions
is beneficial as prevention.
Finally, most water polo players rarely take precautions for the mouth area. Studies
have shown that a mouthguard would be advisable prevention for contact to this
region. (Brooks, 316).
Gender Differences
The rapid advance and proliferation of girls and women’s water polo has stimulated
research regarding female development in the sport. Recent research has pointed
towards the following comparisons between genders:
• There is no significant difference in the beginning and duration of the menstrual
cycle between female water polo and non-water polo players. (Sambanis, et.al.,
p.401)
• Women have lower sweat rates than men for the same heat stress – with no effect
on women’s ability to tolerate heat (Wilmore & Costil, p.597)
• Female water polo players have more shoulder injuries, generally, than males.
(Sallis, et. al., p.421), (Brooks, p. 318)
• Gender differences for the elbow and wrist angles have been observed during the
overarm throw, with women having less range of motion for the wrist (Elliott
& Armour, p.110). It has been speculated that this disadvantage was due to the
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smaller hand to ball size ratio. And, it has been found that the angle at the elbow
joint is a critical variable for females, with the necessity of approaching 100º so
that there is less strain placed on the shoulder rotator muscles.
References:
Andreoli, A, Monteleone, M, Van Loan, M, Promenzio, Jl, Trantinu, U., De Lorenzo,
A. “Effects of different sports on bone density and muscle mass in highly trained ath-
letes.” Medicine & Science in Sports & Exercise 33.4 (April 2001): 507-11.
Bielen, Robert. “Common Overuse Problems,” Water Polo Scoreboard 5.6 (1990):
15-16.
Clarys, J.P, Cabri, J. Teirlinck, P. “An Electromyographic and Impact Force Study of
the Overhand Water Polo Throw.” In Malaren, D. et.al., eds. Swimming Science VI:
Biomechanics and Medicine in Swimming. London: E & FN Sport, 1992, 111-16.
29
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Physiological, Psychological, and Medical Aspects of Water Polo
Cox, G.R., Broad, E., Riley, M., and Burke, L. “Body Mass Changes and Voluntary
Fluid Intakes of Elite Level Water Polo Players and Swimmers.” Journal of Science
and Medicine in Sport 5. 3 (Sept. 2002): 183-93.
Davis, T., Blanksby, B.A. “A Cinematographic Analysis of the Overhand Water Polo
Throw.” Journal of Sports Medicine 1977, 17, 5-16.
Elliott, Bruce and Julie Armour. “The Penalty Throw in Water Polo: A
Cinematographic Analysis.” Journal of Sports Sciences 6 (January 1988): 103-14.
Falcone, Kelly. “Three-Dimensional Biomechanical Analysis of the Water Polo
Penalty Shot in Female Athletes.” Master’s Thesis, San Diego State University (Fall
2005).
Farajian, P., et.al. “Dietary Intake and Nutritional Practices of Elite Greek Aquatic
Athletes,” International Journal of Sport Nutrition & Exercise Metabolism 14. 5
(October 2004): 574-85.
Juhn, Mark, Henehan, M. “Body Mass Loss and Fluid Consumption in Aquatic
Sport: A study of Elite Water Polo Players During Competition.” Australian & New
Zealand Journal of Medicine 30.3 (June 2000): 393-4.
30
CHAPTER 2
Physiological, Psychological, and Medical Aspects of Water Polo
Ludovise, Barbie. “In Demand, This Sport is Top.” Los Angeles Times, 16 January
1991, C1, C6.
Marlow, Caroline, et.al. “The Use of a Single Case Design to Investigate the Effect of
a Pre-performance Routine on the Water Polo Penalty Shot.” Journal of Science and
Medicine in Sport 1.3 (1998): 143-155.
Nemet, Dan, et.al. “Effect of Water Polo Practice on Cytokines, Growth Mediators,
and Leukocytes in Girls,” Medicine and Science in Sports and Exercise. 35.2
(February 2003): 356-63.
Newland, Edward. “Conditioning” in Hale, Ralph, ed. The Complete Book of Water
Polo. New York: Simon & Schuster, 1986.
Pinnington, Hugh, Dawson, Brian & Blanksby, Brian. “Training for Water Polo,”
Department of Human Movement and Recreation Studies, University of Western
Australia, 1987.
Sallis, R., et.al. “Comparing Sports Injuries in Men and Women.” International
Journal of Sports Medicine 22 (2001): 420-423.
Sambanis, et.al. “A Study of the Effects on the Ovarian Cycle of Athletic Training in
Different Sports.” Journal of Sports Medicine and Physical Fitness. 43.3 (September
2003): 398-403.
31
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Physiological, Psychological, and Medical Aspects of Water Polo
Snyder, Peter. “Strength Training for Polo, Diving and Synchro.” Swimming
Technique (August 1980): 31-32.
Wilmore, Jack and David Costil. Physiology of Sport and Exercise. Champaign (IL):
Human Kinetics, 3rd edition, 2004.
32
CHAPTER
3
Basic Swimming Skills as Applied to
Water Polo
Water polo can provide great physical and psychological cross-training benefits for
swimmers and other athletes. A typical season lasts a little over three months, during
which many mental and physical growth patterns can occur.
Pediatricians have found that overtraining and specialization on one activity or sport
can have negative consequences for youth sports participants (American Academy of
Pediatrics, p.156). The specific areas of concern are: physical – musculoskeletal injury
and growth impairment, physiological – improper nutritional intake, and psychologi-
cal – personality developments which may adversely affect the longevity of involve-
ment in sports.
The team aspect of water polo also adds a facet that is not found in individual sports.
One can have a great individual performance while at the same time his(her) team is
not having success. Individual sacrifice for team success is an attribute that water polo
shares with many other team sports.
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CHAPTER 3
Basic Swimming Skills as Applied to Water Polo
The adjustments that must be made from swimming technique to water polo
technique for each of the competitive strokes are as follows:
Front Crawl
Used as the mainstay for speed, strength, and lateral movements. Endurance, quick-
ness, forward sprint, turning, and stop/start/transfer to eggbeater all part of this stroke
and its variations. (Fig. 3-1, 3-2)
Technique points:
• Head up high so that eyes, ears, and neck are above the water surface.
• Entry point for hands outside the shoulders so as to increase stroke rate and add
buoyancy and velocity to the body position and arm turnover.
• Elbows riding high, above the forearm and shoulder to assist in protecting the ball.
• Arm turnover rapid and choppy to enhance acceleration and allow for hands out of
water to receive pass.
Joan Gould, www.waterpoloplanet.com
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www.newzealandwaterpolo.com
Fig. 3-4.
• Flutter kick – short and explosive to add buoyancy to body position and inhibit defenders.
Back Crawl
Used to get the best look at the field and to make direct eye and/or verbal contact with
another field player or the goalie. (Fig. 3-3, 3-4, 3-5)
Technique points:
• Head up so that eyes, ears, and neck are above the water surface.
• Body position “sitting down” so that head and upper torso out of water.
• Entry point for hands outside the shoulders so as to increase stroke rate and add
buoyancy and velocity to the body position and arm turnover. Straight arm entry
just as in swimming technique.
• Short, choppy and rapid strokes so as not to lose speed advantage in relation to
other players.
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Basic Swimming Skills as Applied to Water Polo
• Leg kick either cross frog and/or flutter depending on rate of speed desired and
body height in relation to the water – the more body elevation desired, the more
frog kick needed.
www.newzealandwaterpolo.com
Fig. 3-5. Head up back crawl (dark cap)
Breaststroke
Used to slowly advance, rest, as part of preparatory body position for front crawl
sprint, and transition to eggbeater kick used for all passing, shooting, offensive and
defensive moves. (Fig. 3-6, 3-7)
Technique points:
• Head up so that eyes, ears, and neck are above the water surface.
• Shortened circle pulls so as to allow for immediate transition to other strokes.
• Preparation of body position – prone to the water - for quick starts.
• Short, circular and backward thrusts of frog kick to keep body level on water surface.
• Preface to the eggbeater kick; most especially valuable and mandatory for goalies as
their lower body support to block the ball.
Joan Gould, www.waterpoloplanet.com
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Basic Swimming Skills as Applied to Water Polo
Side Stroke
Used primarily for change of direction; water polo requires 45º, 90º and 180º pivots
and turns by the body; the trunk rotation to the side and use of the scissors kick helps
drive these moves. (Fig. 3-8)
Techniques points:
• Layout position includes extending upper arm to catch as much water as possible
- especially useful for the sprint at the start of the period.
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Basic Swimming Skills as Applied to Water Polo
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Basic Swimming Skills as Applied to Water Polo
www.athens2004.com
Fig. 3-10. Dribbling, defender guarding closely (dark caps)
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Basic Swimming Skills as Applied to Water Polo
LATimes.com
Fig. 3-11.
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CHAPTER 3
Basic Swimming Skills as Applied to Water Polo
Lateral lunges eggbeater with arms Anaerobic Lateral mobility for effective-
extended- intermittent combined ness in offensive and defensive
with head up crawl movements, transition from
horizontal to vertical leg
strength.
Leap frog over partner – eggbeater Anaerobic Leg strength, vertical power,
kick physical contact, fun
Submersing of partner - hands on Anaerobic, Anaerobic Leg strength, vertical power,
shoulders from behind: straight Glycolic physical contact, fun.
arm, bent arm, complete sink for
decreasing amounts of time
** Many varieties for this drill – hands in water, out of water, on head, extended, carrying resistance,
weight belts, etc.
References:
Anderson, Steven J., M.D., et. al. “Intensive Training and Sports Specialization in
Young Athletes.” Pediatrics 106 (July 2000): 154-158.
Lambert, Arthur and Robert Gaughran. The Technique of Water Polo. North Holly-
wood, CA.: Swimming World Publications, 1969.
Los Angeles Times. “Athens 2004: Water Polo Technique.” July 15, 2004, C4.
Stockdale, John C. Water Polo Canada Coaching Certification Program Level 1 – Ba-
sic Coach. Ottawa, Can.: Coaching Association of Canada, 1977.
41
CHAPTER
4
Individual Offensive Ball Handling Skills
As in any sport, in order to develop the motor pathways necessary for coordinated
motions players should start with basic water polo skills and move to more complex
physical tasks. This chapter will follow a progression which will evolve from simple
to complex. Photos will be used for each skill in order to provide the reader with a
visual example of each of the skills.
Dribbling – Head Up
This skill is utilized to advance the ball from the defensive to the offensive end of the
pool. (Fig. 4-1, 4-2)
Technique points:
• Head held high to see over the ball.
• Arms wide entry to avoid contact with the ball during stroking.
• Rapid turnover to stabilize the ball position in front of the head.
• Elevated hip and body position to ward off defenders.
• Strong flutter kick to gain speed while dribbling.
* NOTE – head down dribble an option for additional speed. Matt Brown, mattbrownphoto.com
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CHAPTER 4
Individual Offensive Ball Handling Skills
www.sportsworld.photoreflect.com
Fig. 4-2. Dribbling: high elbows, head high, viewing the field
The player will need to execute this skill both as part of his(her) swimming/dribbling
motion and as a “stand alone” motion. A clean pick up of the ball is the foundation
of any sort of pass or shot, and therefore needs lots of practice. (On top pick up Fig.
4-6, 4-7, 4-8)
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CHAPTER 4
Individual Offensive Ball Handling Skills
Mike Sandford
Fig. 4-4. Stationary underwater pick up, unguarded
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Individual Offensive Ball Handling Skills
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CHAPTER 4
Individual Offensive Ball Handling Skills
www.newzealandwaterpolo.com
Fig. 4-9. Preparation for underwater pick-up while dribbling (note: high elbows)
46
CHAPTER 4
Individual Offensive Ball Handling Skills
Technique points:
• Fingers and thumb spread apart so as to distribute the mass of the ball.
• Elbow above hand on top pick-up OR hand above elbow underneath pick-up for
maximum leverage.
• Pick-up arm slightly bent at elbow for additional ball control and quicker vertical
or horizontal movement if needed.
• Under water pick-up emphasized initially so as to avoid “ball under water” techni-
cal foul and the defense or goalie knowing when the pick-up is made.
• If pick-up is part of the dribble, opposite arm must continue its swimming motion
so as to provide potential base to elevate the body and not tip off the goalie or a
defender as to when the pick-up will be made. (Fig. 4-9, 4-10, 4-11)
Note: Four skills at one time - dribbling, picking up ball, eggbeatering and looking
towards direction or target of pass or shot.
The motion for passing in water polo and the sequence involved were described in
detail in chapter two as part of the biomechanics of throwing. This segment on pass-
ing emphasizes checks in the motion.
Technique points:
• The ball should start well above the head and extended back as far behind the head
as is possible. (Fig. 4-12, 4-13)
• The elbow should lead the throwing motion. (Fig. 4-14)
• The ball should finish its exit point from the middle and index fingers of the
throwing hand, thumb pointing down, like throwing a football.
• There should be backspin on the ball as part of the snapping motion of the wrist
(pronation) on the follow-through, like a shot in basketball. (Fig. 4-15, 4-16)
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CHAPTER 4
Individual Offensive Ball Handling Skills
Fig. 4-13. High ball position, pass or shot, wrist laid back (hyperextended)
Joan Gould, www.waterpoloplanet.com
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CHAPTER 4
Individual Offensive Ball Handling Skills
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CHAPTER 4
Individual Offensive Ball Handling Skills
The upcoming drills are suitable for most levels of play. They emphasize accuracy,
good form, and bodily movements leading up to a successful pass.
Technique points:
• Eye-to-eye contact between passer and receiver paramount.
• Communication between passer and receiver essential.
• Continual movement of the ball and player motion imperative to keep the defense
off-guard.
• Dry pass reception – fingers spread, decelerate the ball into the passing motion.
(Fig. 4-22)
• Body position for passing and reception – hips behind, strong eggbeater, soft hands
– always ready to shoot the ball off from the pass (immediately upon reception).
• Distinction between wet area pass and dry in-the-hand pass essential; knowledge of what
an assist pass is and where it must be thrown. Wet area passes usually made to receivers
that are closely guarded or not ready to shoot; dry passes to a potential shooter.
(Fig. 4-23)
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CHAPTER 4
Individual Offensive Ball Handling Skills
Passing Drills
Fig. 4-23. Suggested stationary and mobile passing drills – objectives: looking
for ball always, passing with pressure, accurate wet (area) passes.
52
References:
Cutino, Peter J. and Bledsoe, Dennis. Polo: The Manual for Coach and Player. Los
Angeles: Swimming World, 1976.
Cutino, Peter J. Sr. and Cutino, Peter J. Jr. 101 Offensive Drills. Monterey: Coaches
Choice, 2002.
Lambert, Arthur and Robert Gaughran. The Technique of Water Polo. North
Hollywood, CA.: Swimming World Publications, 1969.
Newland, Edward H. “Fundamental Skills and Concepts for Defense and Offense,”
Southern California All Sports Clinic, May 1990.
Gallov, Rezso and Somlai, Ivan. Coaching Water Polo. Ottawa: Canadian Water Polo
Association, 1977.
53
CHAPTER
5
Individual Offensive Skills – Team Offense
The mesh between six offensive players and their efforts to score requires teamwork
and practice on basic patterns. This coordination and the end product – a high per-
centage shot – is the focus of this chapter.
Where to Shoot, Targets On the Goal (see goalie Fig. 5-1 below)
Shooting, though an individual skill, is included as part of team offense because the
shot is often set up by a good pass as a result of good teamwork
Technique points:
• Players should focus on a spot to shoot at that is open and strive for accuracy first, speed
second. (Fig. 5-2)
Fig. 5-1.
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CHAPTER 5
Individual Offensive Skills – Team Offense
• In general, low shots should be taken when closer to the goal (<5m.); any shots
that are “skipped” on the water with backspin should have the ball bounce start
< 1m. from the cage.
• High shots should be taken from a further distance (>6m.). (Fig. 5-3)
• Over the head shots should be mid-range or closer (<5m.).
• Under the arm shots should be closer to the goal (<4m.).
• Lob shots should be taken from the corner angles and not within the confines of
the goal posts to allow more space to shoot towards.
• Cross-cage shots should be taken from the angled (i.e. outside the posts) positions
– the goalie will likely cover the near side.
There are endless possibilities for these practice situations - all should try to simulate
a portion of the game.
Technique points:
• Passing (assist) accuracy and velocity are essential – must know where and how the
shooter wants the ball on an assist.
• Players should be equally adept receiving and shooting an assist from their strong
side as well as their cross-face (draw) side. (see Fig 5-4)
• Firm and dry assist passes should be made on a line so as to optimize beating the
goalie and avoid interception.
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CHAPTER 5
Individual Offensive Skills – Team Offense
Mike Sandford
Fig. 5-4. Cross-face reception for Shot or Assist (dark cap, below), with defenders.
Note: fingers spread apart, ready to absorb, decelerate and draw the ball back
• Shooters should try to take shot directly after receiving the passed ball so as to beat
the goalie. A pass always travels faster than the goalie crossing the cage.
• Players should get in the habit of continuing the drill rather than admiring their
shots; watching shots not a good routine to get into.
• Player movements and passes should simulate game situations as much as is possible.
• Drills should include defensive players on occasion to simulate game-like patterns.
• All pass placements previous to the assist important – assist maker should not have
difficulty getting to the ball.
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Individual Offensive Skills – Team Offense
VARIATIONS:
– Drill can be done with wet pass to wing and dry pass to shooter or wet pass to wing and wet
pass to shooter.
– Drill can start with player “A” going to opposite (right-hander’s) wing to start the sequence.
– Drill can add a second wing – forming a TRIANGLE – with two dry passes before assist and shot.
– Drill can add a flat/wing (2-1) pick on the right-hander’s wing with a 2m. player making the
assist after a wet entry pass.
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Individual Offensive Skills – Team Offense
• Pass reception prior to shooting essential – “don’t shoot before you catch it” – as
clean and fluid as is possible while decelerating the ball; pass should continue
momentum to be part of shooting motion; “soft” hands; flexible arms and shoul-
ders. Like a football player – “don’t run before you catch the ball.”
• Players should learn and practice at least ONE wet, drive-in shot (push, pop, back-
hand) with defenders so that they develop confidence and can score this in a game.
(Fig. 5-8, 5-9)
• Faking is a necessary part of shooting; Players should be able to rapidly move the
ball through half of their shooting motion and draw the ball back behind their
heads – this must be a realistic motion resulting in an equal movement by the goalie.
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Individual Offensive Skills – Team Offense
The two meter player, much like a center in basketball, is a specialist who is usually
expected to be able to shoot, pass, and absorb fouls from this closest position to the
opponents cage.
Fig. 5-11. Creating a two-meter entry pass area (dark cap = offense)
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Individual Offensive Skills – Team Offense
• Will likely take more physical contact than any other player on offense and there-
fore need more body strength leg strength, and poise. (Fig. 5-13, 5-14, 5-15)
• Should have different types of shots to use as (s)he is in an optimal area to score. There
will be a few possible decisions – thus the 2m.player must think. (Fig. 5-16, 5-17)
Basic shots include sweep, backhand, and layout motions. (Fig. 5-18)
• Should be able to pass effectively to his(her) teammates in the perimeter positions
or to another set (2m.) player; and be able to use either hand.
• Should be able to turn with the ball to either side and face the goal – this requires
strength and aggressiveness. (Fig. 5-19, 5-20)
Joan Gould, www.waterpoloplanet.com
Fig. 5-13. Absorbing the foul upon entry pass, preparing to shoot or pass
(dark cap = offense)
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Individual Offensive Skills – Team Offense
Newzealandwaterpolo.com
Fig. 5-14. Absorbing the foul, entry pass to two-meters, stepping to ball (dark cap)
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Individual Offensive Skills – Team Offense
At the conclusion of the fast break, a team’s effort at utilizing the 20-24 seconds of
possession time is much dependent on their ability to position, drive and pass the ball
for an ejection or high percentage shot. Upcoming are various formations to attempt
a successful half court offense.
Note: The above formation is a “basic” three-three balance of the offensive players,
also known as an “umbrella.” There are many variations to this; but, these are the
numbers that will be used here. (Fig. 5-21)
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Individual Offensive Skills – Team Offense
Technique points:
Half court offenses need to keep spread so that one defender cannot guard two offen-
sive players. The offense also needs to adjust to the type of defense being confronted
– pressing, sloughing, etc. Constant player and ball movement is essential, as is:
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Individual Offensive Skills – Team Offense
Upon the wet pass from player#1 to player #6, player #3 drives head-up towards #6; if (s)he
doesn’t receive a pass from #6, (s)he goes immediately out towards player#5, then player #5 rotates
towards #4, and player #4 rotates to fill the hole created by player #3’s drive….and..so..on. (note:
players #1 and #2 do “V-outs” @ the same time.) The same driving pattern can be done towards the
#1 side when player#5 makes entry pass. NOTE: never drive into the 2m. entry passing lane.
Upon the wet pass from player #1 to player #6, player #4 drives head-up towards #6; if (s)he
doesn’t receive a pass from #6, (s)he goes immediately out towards player#5, then player #5
rotates towards #4 to fill the hole created by player #4’s drive….and..so..on. (note: players #2
and #3 do “V-outs” @ the same time.) The same driving pattern can be done towards the #1 side
when player#5 makes entry pass.
NOTE: never drive into the 2m. entry passing lane.
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2-1 pick
To create an open player off from a driving pick, player #2 drives towards the goal when the wet
entry pass is made to player #6, and, in sequence, player #1 swims across his(her) hips to create
confusion for the defense and a likely open passing lane to either player #1 or #2. This combina-
tion can be done in the same fashion with players #4 and #5 – especially if there is a left handed
player(s) on that side. These picks can also be done between “2” &“3”; and “3” & “4.” The
remaining players not involved in the pick do “v-out” movements to be available for perimeter or
2m. passes.
2-3 pick
To create an open player off from a driving pick, player #2 drives towards the 2m player when
the wet entry pass is made to player #6, and, in sequence, player #3 swims across his(her) hips
to create confusion for the defense and a likely open passing lane to either player #2 or #3. This
combination can be done in the same fashion with players #3 and #4 – especially if there is a
left handed player(s). The remaining players not involved in the pick do “v-out” movements to be
available for perimeter or 2m. passes.
66
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Individual Offensive Skills – Team Offense
References:
Barnett, Bill. “Basic Water Polo Concepts: Offense.” Irvine, Ca: National Swimming &
Water Polo Clinic, (1994): 15-20.
Op. cit. United States Water Polo: Level Two Manual. Colorado Springs: USA Water
Polo, 1996: 20-44.
Cutino, Peter J. and Bledsoe, Dennis. Polo: The Manual for Coach and Player. Los
Angeles: Swimming World, 1976.
Cutino, Peter J. Sr. and Cutino, Peter J. Jr. 101 Water Polo Offensive Drills. Monterey,
Ca: Coaches Choice, 2002.
Hale, Ralph M.D. ed. The Complete Book of Water Polo. New York: Simon & Schus-
ter, 1986.
Gaughran, Robert and Arthur F. Lambert. The Technique of Water Polo. Los Angeles,
Swimming World, 1969.
Heidmous, Jeff. “Perimeter Shooting.” Long Beach, Ca: N.C.A.A. YES Water Polo
Clinic, 1991.
Hinman, Scott. “Front Court Offense.” Walnut, Ca: FCCAT Water Polo Camp, 2005.
Newland, Edward H. “Fundamental Skills and Concepts for Defense and Offense.”
Irvine, Ca: National Swimming & Water Polo Clinic, (May 1990): 1-3.
Nitzkowski, Monte. United States Tactical Water Polo. Pittsburgh, Pa: Sports Syndicate, 1994.
Reed, Edward. “Shooting.” Longe Beach, Ca.: N.C.A.A. YES Water Polo Clinic, 1991.
Schroeder, Terry. “Being Successful at 2 Meter Offense.” Irvine, Ca: National Swim-
ming & Water Polo Clinic (May 1999): 73-76.
Shooting, examples -
http://www.youtube.com/watch?v=4rShVOJ27YQ&feature=related
67
CHAPTER
6
Individual Defensive Skills – Team Defense
To quote five-time Olympic water polo coach Monte Nitzkowski: “It is my opin-
ion that most games are won because of great individual and team defensive skills.
Even if the offense is having an ‘off day,’ the defense can carry a team to victory.”
(Nitzkowski, p.29) Seven-time N.C.A.A. Water Polo Championship coach Pete
Cutino states: “We feel that the most important phase of water polo is defense.”
(Cutino, p.44)
This chapter will look at individual and team skills that contribute to good defensive
play. Each player should master these skills so as not to be the “Achilles heel” of their
team. Players must remember that good defense only occurs when teammates and
goalies play together and help each other out when someone is out of position, mis-
matched, or beaten.
Every player should understand the value of defense and take pride in his(her) ability
to contribute to a solid team effort, even though there are few statistics that will give
notoriety to his(her) performances. Water polo players don’t need to be blessed with
tremendous skills to be able to play defense, just good anticipation, hustle and desire.
There are at least two distinct varieties of defense - pressure and/or dropping. This
segment will cover the pressing style defense.
68
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Individual Defensive Skills – Team Defense
• Safest defensive position is usually between the player someone is guarding and
the cage.
• Should know at least three of the following situations all of the time on defense
a) where the ball is, b) where the player(s) is(are) that they are guarding, c) where
the cage, other defenders and goalie are, and d) the possession clock time.
• Should try to, whenever possible, stay between the ball and the person they are
guarding – i.e. ball-side defense. This will prevent the offensive player from easily
receiving the ball. (Fig. 6-3, 6-4)
• Should always try to swim for position; i.e., to an area before the offensive player
rather than grab, hold, pull back, etc. the offensive player to obtain an advanta-
geous spot. (anticipate)
Fig. 6-1. Hands up body position when defending one-on-one (dark cap = defense)
www.waterpoloplanet.com
Joan Gould,
Fig. 6-2. Hands up defense, pressing the player with the ball (dark cap = defense)
69
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Individual Defensive Skills – Team Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 6-3. Hips up and towards the cage, watching the ball (dark cap = defense)
www.waterpoloplanet.com
Joan Gould,
Fig. 6-4. Front position guarding 2m., hips up & towards the ball,
closely guarding offense (white cap = defense)
All defensive (X) players in graphic on next page are playing “ball side”….i.e. they
are playing between the offensive player with the ball (#5) and the offensive players
#1,2,3,4,6 that they are guarding. This effectively denies a pass anywhere else in the
pool except the unguarded goalie at the other end. (Fig. 6-5)
Players must constantly look back and forth between the ball and the player they are
guarding (“head on a swivel”). On defense, one cannot assume that the ball nor the
player being guarded will remain stationary for very long. (Fig. 6-7, 6-8)
The player below (white cap#7) is showing body position for guarding a perimeter
player and denying her the ball. (Fig. 6-6)
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Individual Defensive Skills – Team Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 6-6. Hips up and towards the cage – perimeter guarding (white cap #7)
www.waterpoloplanet.com
Joan Gould,
Fig. 6-7. Defending the passing lane, i.e. between the ball and the
offensive player (defense = white cap)
71
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Individual Defensive Skills – Team Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 6-8. Guarding driver on the perimeter, hips up and towards
the cage, watching ball (white cap= defense)
Fig. 6-9. Matching Hands – defender’s (white cap) left, passer’s right
72
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Individual Defensive Skills – Team Defense
matbrownphoto.com
Matt Brown,
Fig. 6-10. Extending arm to the ball to hinder passer (dark cap)
This “match up” is usually pre-assigned before the scrimmage or competition begins.
Players usually have a designated role as a two-meter offense or defense player, though
all players should learn how to defend the two meter position.
Technique points:
• Don’t concede a beneficial position for the offense (strike zone). Try to force
him(her) as far away and off-center as is possible. Eggbeater strength is essential
guarding this position.
• Try to stay ball side for as long as there is adequate pressure on the ball as it
advances down the pool.
• Keep distance from the offensive player. If you are too close with any portion of
your body, this is a form of leverage (s)he will use to position (him)herself. Most
especially, HIPS must be UP while guarding this player so as not to be “turned.”
(Fig. 6-11)
• This is a thankless task; you must be willing to put up with physical contact and
continue to strive to avoid a disadvantageous position – i.e. behind the 2m.offense.
• Minimize the shots your goalie must cover; for most offensive 2m.players, this
means giving the backhand shot side – i.e. playing on the power side shoulder. (left
shoulder for right-handed 2m. players, right shoulder for left-handers)
• When an entry pass is made, make an equal effort to reach the ball as does the
offensive player; try to stay to the side of the offensive player – i.e. NOT over the
top of (him)her. (Fig. 6-12, 6-13)
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Individual Defensive Skills – Team Defense
• When making contact with the 2m.offense, try to check (him)her in the low torso
so as to keep the player off-balance and move (him)her to a less advantageous scor-
ing position.
• Referees calls must be adjusted to; each referee typically has slightly different inter-
pretations of what an ejection foul will be. Listen for the whistle as you foul the
2m. player; back off and reposition ball-side once you hear the whistle.
www.waterpoloplanet.com
Joan Gould,
Fig. 6-11. Hands up 2m. defense (white cap)
www.waterpoloplanet.com
Joan Gould,
Fig. 6-12. Moving to the side position, two-meter guard (white cap)
www.waterpoloplanet.com
Joan Gould,
74
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Individual Defensive Skills – Team Defense
Dropping/zone: norm. This next section will cover aspects of the dropping defense, where
defenders are responsible for areas of the pool in addition or instead of pressuring the offense.
This “match up” is usually pre-assigned before the scrimmage or competition begins. Players
usually have a designated role as a two-meter offense or defense player, though all players
should learn how to defend the two meter position.
Technique points- Field players should:
• Extend one arm straight up over head and walk (eggbeater) towards the shooter
– narrowing his(her) angle on the cage, do not waive arm. (Fig. 6-14)
• Listen to goalie commands – whether to press the offensive player or not.
• Funnel all shots to the middle of the cage so the goalie has fewer square feet to cover.
(Fig. 6-15, 6-16)
www.waterpoloplanet.com
Joan Gould,
75
CHAPTER 6
Individual Defensive Skills – Team Defense
Kittredge, www.tudorgraphics.com
Fig. 6-16. White cap #3 matching arms with player @ 3 spot – point position
• When shot taken, try to absorb with middle of forearm, not hand or fingers
(tipping).
• Try to rotate over the hip in order to increase range when moving body towards
the shooter.
This “match up” is usually pre-assigned before the scrimmage or competition begins. Players
usually have a designated role as a two-meter offense or defense player, though all players
should learn how to defend the two meter position.
Technique points:
• Perimeter defensive players should look back to the 2meter match-up and see if the
guard needs help.
• A “crash” is made by the defensive player swimming toward the entry pass as it is being
made to two meters; a “slough” can occur anywhere in the pool before the pass or shot.
“Shooting”, Chapter 12. The Complete Book
From: Heaston, Steve and Figueroa, Gary.
of Water Polo.
Fig. 6-17.
76
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Individual Defensive Skills – Team Defense
• The angled portions of the pool are typically the best areas to crash and slough from
because these shots typically do not have as high percentage of scoring. (Fig. 6-17)
• Perimeter players should swim head-up freestyle with quick choppy strokes when crash-
ing to get to the two meter entry pass before the 2m.offensive player; if no whistle is
heard designating a foul, the crasher should swim through the ball and dribble it to a
safe area (on the outside). (Fig. 6-18)
www.waterpoloplanet.com
Joan Gould,
Fig. 6-18. Crashing to the two meter area to prevent a shot (white caps #8 and #12)
The objectives of sloughing, dropping, and crashing from the perimeter are to: encourage a poor
angle shot (see previous page), prevent a shot from 2m., and force the offense to make drives
and accurate passes to be able to beat the goalie with a shot. There are many variations of this
defense. The 4-5 drop/crash, shown above, takes place between the defenders of the 4 and 5
spots. When “5” has the ball the “4” defender drops and when “4” (or 1, 2, or 3) has the ball
the “5” defender drops. It is a “teeter-totter” between the two defenders. A defender crashes
when the ball is passed to 2m. This is most effective when there are right-handed players at “4”
and “5”. Notice that the other defenders #1, 2 are in the passing lanes to prevent cross-passes!
The #3 defender is playing in the “gap” as well – another form of partial zone defense.
77
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Individual Defensive Skills – Team Defense
Mike Sandford
Fig. 6-20. 5 drop defense, dark caps = defenders
• There are many combinations and variations of the partial zone dropping/sloughing/
crashing type of defense. All involve the defenders covering more than one offensive
player and an area of the set offense. The goalie must be prepared for outside shots
when this defense is utilized. Above is an example of one variety of this defense. (Fig.
6-19, 6-20)
Technique points: Water polo is a team game therefore no player should assume that (s)he
only has the responsibility (unless so designated) to guard one player the whole time. The
best defenses always have all seven players looking to help each other. Examples of individu-
als include:
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CHAPTER 6
Individual Defensive Skills – Team Defense
Fig. 6-21.
www.waterpoloplanet.com
Joan Gould,
Fig. 6-22. White caps = offense, dark = defense: dark cap
# 8 looking to “stair step” on white cap #5
Note: possible “switch” needed in the sequence above between defensive players #6 & #8 to
avoid the offensive pick.
www.waterpoloplanet.com
Joan Gould,
Fig. 6-23. Double-team or stair-stepping the dark cap offensive player #10
79
CHAPTER 6
Individual Defensive Skills – Team Defense
www.newzealandwaterpolo.com
Fig. 6-25. Foul and drop – white cap #12 making perimeter foul so that
dark cap #13 cannot shoot the ball.
www.waterpoloplanet.com
Joan Gould,
• Gapping – occurs anywhere in the set defense when a defender moves to an area between
two offensive players and attempts to cover both by moving between them quickly. In
the diagram below, the defenders of #2 and #3 have “gapped” between the 2, 3, and 4
players, thereby allowing the #4 guard to double-team another player, if necessary. (Fig.
6-27, 6-28; note: defender should have hips on surface towards cage)
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CHAPTER 6
Individual Defensive Skills – Team Defense
Fig. 6-27.
Mike Sandford
• Fronting - Defender stays in the passing lane between the player with the ball and
the 2m. player (or any other potential receiver) to deny this player the ball. This can
be done front-to-front, hips up; or, back-to-front so as to look for the ball, as in photos
below. (Fig. 6-29, 6-30)
www.waterpoloplanet.com
Joan Gould
81
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Individual Defensive Skills – Team Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 6-30. Back-to-front, dark cap #9 defense looking to ball
and fronting versus white cap #8
www.waterpoloplanet.com
Joan Gould,
• Extra-stroke - An effort by the defender to swim to a spot and beat the dribbler or driver
so as to avoid a disadvantageous position and possible ejection foul. (Fig. 6-31)
• Baiting: encouraging an interceptable pass. Defender places (his)her body in a position in
or near a passing lane which disguises and allows the possibility of a steal.
• Foul-to-steal: pressing very tightly on the ball and trying to strip the offense of the ball.
Typically done when a team is behind in a game and trying to get a quick score.
• Jamming & Stunting: moving back and forth between the ball and other open offensive
players to try to slow the ball down and allow a teammate(s) to catch up. In the diagram
82
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Individual Defensive Skills – Team Defense
below, defensive player “b” jams and stunts between offensive players #3 and #4 to try to
slow down the ball and allow defensive player “c” to catch up. (Fig. 6-32)
• Spinning - defender turns his(her) body so as not to be held by offensive player.
Important move for the defender to avoid an ejection foul or a 2m.shot. This move is
particularly important for women players, as there is more swim suit material for the
offense to make contact with. (Fig. 6-33)
Fig. 6-32.
www.waterpoloplanet.com
Joan Gould,
Fig. 6-33. Defensive player dark cap #4 twists (spins) to get free from grasp of
offensive player white cap #4
83
CHAPTER 6
Individual Defensive Skills – Team Defense
References:
Barnett, Bill. “Defense,” in Hale, Ralph M.D. ed. The Complete Book of Water Polo.
New York: Simon & Schuster, 1986.
_________. United States Water Polo Level Two Coaching Manual. Colorado
Springs, Co: US Water Polo, 1996.
Comer, Lynn, “Defense: Team and Individual” Mission, Kansas: NCAA, NCAA Yes
Clinic, 1988.
Corso, Richard, “Attacking with Multiple Defenses,” unpublished paper, USA Water
Polo, 1990.
Cutino, Peter J. and Bledsoe, Dennis. Polo: The Manual for Coach and Player. Los
Angeles: Swimming World, 1976.
Gaughran, Robert and Arthur F. Lambert. The Technique of Water Polo. Los Angeles,
Swimming World, 1969.
Loughran, John. “Team Defense,” Long Beach, Ca: NCAA Yes Clinic, 1993.
Nitzkowski, Monte, “Defending the two meter offensive specialist,” Water Polo Score-
board, 6.1 (Jannuary/February 1991): 23
Schofield, Mike, “Individual and Team Defense,” Long Beach, Ca.: NCAA Yes Clinic,
1991.
Tanner, John, “Front Court Defense,” Long Beach, Ca.: NCAA Yes Clinic, 1992.
84
CHAPTER
7
Basic Water Polo Rules
As covered in Chapter 1, the history of water polo is replete with rules changes and
differences in rules from one continent to the next. In the United States, there was a
long period where the Americans didn’t play by the European and F.I.N.A. rules at all
(circa. 1890-1910), then only during the summer Club season (circa 1950-1975) and
now, the two sets – N.C.A.A. and F.I.N.A. are very similar.*
Field of 1 Play
Water polo is played in a pool with a course that is either 30m. X 20m.for men or 25m.
X 20m. for women. The minimum depth of the pool should be 6.5 ft. (Fig. 7-1)
Fig. 7-1.
85
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Basic Water Polo Rules
* Note: see end of chapter for current differences between N.C.A.A. and F.I.N.A. rules.
Classification of Fouls
There can be unlimited fouls of a certain variety in water polo. Most of the fouls
committed are termed “ordinary.” The penalty for this type of foul is a “free throw”
given to the player who was fouled; or, if committed by the offense, given to the clos-
est player on the opposing team.
• Placing the ball under water. (see sequence below): when a defender presses down on
the offensive player’s hand and (s)he is in contact with the ball. If the offensive player is
without contact, it is allowable to take the ball under water. (Fig. 7-2, 7-3, 7-4)
Fig. 7-2.
www.waterpoloplanet.com
Joan Gould,
Fig. 7-3. Ball under example part 1 – white cap defender reaching
over offensive player (#2) with her hand on top of the ball
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CHAPTER 7
Basic Water Polo Rules
www.waterpoloplanet.com
Joan Gould,
Fig. 7-4. Ball under part two- total submergence of yellow sphere
• Making contact with a player who is not in control of the ball. (Fig. 7-5)
• Going inside the opponents’ two-meter area on offense without the ball going first.
• A player’s cap coming off – not called until capless player’s team on offense; stoppage of play.
• Using the bottom of the pool to assist in an offensive or defensive motion – goalie excepted.
• Using two hands to handle the ball – goalie excepted.
• Using a clenched fist while making contact with the ball – goalie excepted.
• Failure to take the free throw within a reasonable period of time.
• Leaving early for the start of the period.
• To assist a player at the start of the period or any other time of the game.
• Using more than 35 seconds of offense. (30 seconds in F.I.N.A. rules)
• Pushing off from an opponent. By using the hands or feet, a player may not use another
as an object to gain separation and advantage by pushing or kicking. (Fig. 7-6)
NCAA rule book
Fig. 7-6.
87
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Basic Water Polo Rules
Ejection (exclusion) fouls: punished by removal from the field of play for a period
of twenty seconds. Limited to three per player per game. Examples of this type of
foul include:
Fig. 7-8.
NCAA rule book
Fig. 7-9.
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Basic Water Polo Rules
www.waterpoloplanet.com
Joan Gould,
Fig. 7-10. Holding exclusion foul – dark cap#6 has his left hand
under water & his right on top of offensive player
www.waterpoloplanet.com
Joan Gould,
Fig. 7-11. Sinking exclusion foul – white cap defender sinking the
dark-capped offensive player on the entry pass.
Joan Gould,
Fig. 7-12. Pulling back exclusion foul – white cap defender #10
is pulling back the submerged offensive player from reaching the ball
Penalty Fouls: Examples of this category of foul, punished by a free shot on goal at 5
meter mark.
• For a goalkeeper or other defending player to pull down or otherwise displace the goal.
• For a defending player intentionally to play or attempt to play the ball or block a shot
with two hands.
• For a defending player intentionally to block or attempt to block a pass with two hands.
• For a defending player to play the ball with a clenched fist.
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Basic Water Polo Rules
• For a goalkeeper or other defending player to take the ball under the water when
tackled. .
“It is important to note that while the fouls described above, and other fouls such as
holding, pulling back, impeding, etc., would normally be punished by a free throw
(and exclusion if appropriate), they become penalty fouls if committed within the
5 meter area by a defending player if a probable goal would otherwise have been
scored.” (www.fina.org) (Fig. 7-13)
www.waterpoloplanet.com
Joan Gould,
Fig. 7-13. Penalty foul: dark-capped player pulling back
white-capped dribbler as she shoots(inside 5m. area)
Game Exclusion Fouls: Punished by removal from the game and perhaps penalty
throw. (Fig. 7-14)
NCAA rule book
Fig. 7-14.
NCAA rule book
Fig. 7-15.
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Basic Water Polo Rules
Referee Signals
The officials refereeing the game will use their arms, hands, and fingers to indicate who is in
possession of the ball, who is ejected, when a goal is scored, etc. (Fig. 7-15)
True or False:
1. Re-entry areas are always located at the team bench area, which is usually at the corners
of the field of play opposite the official’s table.
2. When a person is called for an exclusion foul, (s)he can re-enter the field of play without
going to the penalty box.
3. If a team on offense does not come out of its huddle without undue delay after a time-
out expires, the referee shall award the ball to the opposing team.
4. The ball may be played by either player involved in a neutral throw before it hits the
water.
5. A referee may issue a red card to a player in the water if (s)he refuses to leave the field of
play after he has been whistled for either a misconduct or disrespect foul.
6. A goalie can touch the ball on the opposition’s side of half.
7. It is considered a goal (i.e. 1 point) if 50% of the ball goes inside the plane of the goal.
8. A goalie can shoot and score a goal at the opposition’s net.
9. A referee will point in the direction of the team that is on offense after (s)he makes a call.
10. A ball lands partially onto a sideline and rolls back into the field of play. This ball was
never out of bounds.
1. T 2. F 3. T 4. T 5. T 6. F 7. F 8. T 9. T 10. T
91
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Basic Water Polo Rules
Game management for water polo includes responsibilities which rely on rudimen-
tary understanding of the aforementioned rules. Dr. Barbara Kalbus, past President
of United States Water Polo and an expert in competition management, has written a
very definitive version of these responsibilities as applied to the workings of the tim-
ers, scorer, and exclusion secretaries. See the website: www.sopacwp.com (“online host
form” – “desk manual”) for a complete description of these responsibilities.
References:
Burke, Andy “The Rules,” in Hale, Ralph W. ed. The Complete Book of Water Polo.
New York, N.Y.: Simon & Schuster, 1986, pp.28-34.
Burgess, Randall, “Water Polo Lesson Plans for Middle School & High School Boys
and Girls,” Monterey, California CAHPERD Conference (March 17-20, 2005):13-19.
Gaughran, Robert and Lambert, Arthur F. The Technique of Water Polo. North
Hollywood, CA.: Swimming World Publications, 1969.
Smith, James R. The World Encyclopedia of Water Polo. Los Olivos, CA: Olive Press,
1989.
92
Water Polo Rules, 05 December, 2005
< http://www.nfhs.com/>
93
CHAPTER
8
Six on Five Offense, Five on Six Defense
As is highlighted in the rules from the previous chapter, there are varieties of penal-
ties which result in an excluded player typically from the defensive team. That player
must go over to the corner of the pool, near the sideline behind his(her) own cage for a
period of time.
It is during this “exclusion” time that both the offense and the defense work to execute
tactics for scoring or preventing a goal. As Nitzkowski says: “A productive Six-on-Five
Offense has never been more important to the successful team than it is today.” (p 281)
Depending on the level of play, there can be upwards of 15-20 total exclusions per
game. All other things considered even, a teams’ ability to score during this opportu-
nity or prevent the other team from scoring will likely decide the outcome of the match.
Numerically, the best opportunity for a team to score is right after the exclusion foul is
called. This fast outlet pass and perhaps 2nd pass for an assist is called a “quick.” (Fig. 8-1)
It is thus very important that both the offensive and defensive teams hear the referee’s
whistle and identify where the excluded player is in the pool. In addition, rather than
mechanically swimming to spots, the offense should make release moves, “v-outs”, to
try for this quick if there aren’t many defenders around the goal.
Fig. 8-1. The “quick” right back to beat the 5 on 6 zone – at the very instant of the
ejection whistles, the 2m. offense dry passes out to #2 and right back for the shot.
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Six on Five Offense, Five on Six Defense
Teams typically attack the six on five by having one of two configurations: the “4-2”
or the “3-3”. These formations combine different movements to achieve the highest
percentage shot possible. There is much teamwork involved with the execution of the
six on five offense, and players should be familiar with each other and how and where
their teammates want their passes.
This arrangement has four offensive players at or near the 2 meter mark and two play-
ers at or near the five meter mark (Fig. 8-2)
Technique points – Offensive players need to put the ball up above the head and move
quickly to spots while at the same time looking to shoot and keeping the goalie on
alert. The most fundamental principle of extra-player offense is to move the goalie
and the defense out of the position through quick, accurate, dry passes and realistic
fakes. The adage: “one fake and a pass” holds true when trying to move the goalie and
field players out of position for a quick cross or post pass. Other strategies include
multiple fakes, player rotations, and inward/outward shifts before passing the assist.
95
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Six on Five Offense, Five on Six Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 8-3. Six-to-three prep and pass – in the sequence below,
white cap #10 is playing on the “3” post. She extends her arm &
“steps out” to receive the assist from the “6” spot (not seen).
“Step out prep”, six-to-three pass, White cap #10
www.waterpoloplanet.com
Joan Gould,
Fig. 8-5.
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Six on Five Offense, Five on Six Defense
b) Six-to-two “lob” or direct line pass: similarly, the #6 player makes set-up
passes with player #4 and/or #1 before making a pass to the open player @
post #2. In the photo below, white cap #8 has successfully drawn the dark
cap defenders to his side to be able to pass a lob to the #2 post (or to #1
spot) for a shot. (Fig. 8-6)
www.waterpoloplanet.com
Joan Gould,
Fig. 8-6. Six to two “lob” pass
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Six on Five Offense, Five on Six Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 8-8. #3 Post rising high to take backhand shot after pass from #4 spot
• Shots from #1 and #6: Teams usually put their best shooters at these two positions
so that the defense must “honor” them and the offense gains a high percentage shot.
Whenever possible, it is beneficial for the #1 or #6 player to: receive a cross pass before
shooting; move towards the cage to improve the shooting angle; and/or fake the goalie to
have him(her) commit. (Fig. 8-9, 8-10, 8-11)
• It is also important for these 1 & 6 players to be able to shoot to the opposite side
of the goal (cross cage) as the goalie typically dives to the near side on a cross pass.
www.waterpoloplanet.com
Joan Gould,
Fig. 8-9. Shot from the #6 position, left-hander (dark #7) with
good angle, few field player arms
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Six on Five Offense, Five on Six Defense
www.waterpoloplanet.com
Joan Gould,
Fig. 8-10. Shot from one position (#4 dark cap), beating
goalie & defender (#4 white), likely off from cross pass
www.waterpoloplanet.com
Joan Gould,
Fig. 8-11. Shot from #1 position (dark cap), beating the goalie off cross pass
Notice the goalies position above – he had been on the opposite side of the cage and
therefore had difficulty moving across to the near side to block the shot.
This approach involves spreading the defenders so as to maximize the opportunity for
a high percentage outside shot (4-6m. away). There are three offensive players on the
2m.line and three in the 5-7m.area, with the three outside offensive players attempt-
ing to exploit their 3 on 2 advantage. (Fig. 8-12)
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Fig. 8-12. 3-3 Six on Five Offense position names and numbers
Technique points:
• Much like a point guard in basketball, the #5 player penetrates, “walking” with the ball
above his(her) head towards the cage @ an angle and tries to get one of the outside
defenders to commit. When this defender does commit, #5 “dishes” off to either #4 or
#6 teammate, depending on who committed, for the shot. (Fig. 8-12)
• If neither of the top defenders commits as the #5 player approaches the 4m. line, this
point player takes the shot.
• This configuration is more effective with left-handed players at the #6 and #3 spots, so
that they can quickly catch and shoot the ball.
• The three-three generally takes less familiarity and time to implement because the ball is
usually handled by only 2-3 offensive players and the passes are relatively basic.
When a player receives an ejection foul (s)he must exit to the designated corner
behind the goal line. The other five field players must prepare to “kill the penalty.”
Technique points – at its heart, the five player defense is a zone. In figure 8-13, one
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can see all five dark cap players compacted into a space that effectively only allows
“outside” shots. The defensive players must quickly get to their zone positions imme-
diately upon hearing the multiple whistles indicating a exclusion AND cover the
center ("back line") to prevent the “quick.”
• In addition, players “a” and “c” have responsibilities to go back to the 2 and 3 post posi-
tions, respectively and cut off passes to these players. These players need to decide, in
concert with their goalie, whether to put the outside arm up or match arms. (Fig. 8-15)
• It is important that when the field defender blocks the ball, (s)he does so with a slight
motion, not waiving at the ball. The ball should be knocked down, not tipped. The
goaltender will have much more chance on this than with a deflection.
Fig. 8-14. 3-2 Five on Six Defense position names and letters
Fig. 8-15. Responsibilities for “d” and “e” defenders front view –
“funneling the ball”
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Fig. 8-16. Back line defender “c” (white cap) covering near post of the goal
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Fig. 8-17. Back line “c” defender (dark cap) cutting off near side of cage
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Fig. 8-19. Player “a” defender (white cap) matching arms
with right-hander (dark cap#6) @ 1 position
This player is a mirror of the goalie; (s)he is responsible for passes to both of the posts, shots
from both the 4 and 5 “top” offensive positions, and the diagonal passes from 4 to 3 and 5
to 2. (Fig. 8-20, 8-21)
• The player assuming this position should have good lateral mobility, preferably long
arms, and work in concert with the goalie so as not to screen him(her).
• As with all defenders, being able to block and not deflect the ball is of the utmost impor-
tance, by using the forearm as much as is possible and not waving the arm.
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Fig. 8-20. Center back “b” defender with arm up closing off
cross-cage shot and pass to 3 post
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Fig. 8-21. Center back “b” defender (dark cap) putting arm up
to block cross-cage shot from offensive player on top (likely 4 spot)
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Fig. 8-22. Top defender “d” (White cap #3) putting arm up and
attempting to block near side of cage
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• Defenders (especially “a”, “b”, & “c”) must “seal off”, i.e. prevent all rebounds from
goalie blocks so that the offensive team does not have a second chance (garbage).
• Hands must be up continuously so that players cannot shoot immediately after a pass is
made.
• Players should be “on their hips” to cover maximum amount of distance in the zone in
the shortest amount of time.
• When the excluded player returns, the other five should rotate towards the nearest
player (a=2,b=3,c=6,d=4,e=5 OR c=3, b=2, a=1, d=4, e=5 depending on the entry area);
players must be careful not to fully leave their zone until the re-entering player gets to
his(her) player, and resume full strength (six on six) defense.
• There are variations to the 3-2 zone, and most of these involve splitting and gapping the
4,5, and 6 players, especially if they are all right-handed.
• There are variations which require the defense to be aggressive and foul the perimeter
players (1,4,5 and/or 6) in order to stop good shooters.
• The five-on-six is a good time for the “d” and “e” players to “bait” passes – particularly
the 6 to 5, 1 to 4, 5 to 1 and 4 to 6 passes. Defenders can do this baiting by sliding
their legs into the passing lane and then popping up to intercept immediately after the
pass is made.
References:
Barnett, Bill, Ch’s. 8,9.United States Water Polo Coaching Manual – Level Two.
Colorado Springs, Co: U.S. Water Polo, 1996.
F.I.N.A. Chapter 10, “Fundamentals of Extra Man.” Water Polo Manual. Australia:
Institute of Sport, 1991.
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Lindgren, Kenneth, Ch. 10“Man up, Man Down” in Hale, Ralph M.D. ed. The
Complete Book of Water Polo. New York: Simon & Schuster, 1986.
Nitzkowski, Monte. Ch. 9, United States Tactical Water Polo. Pittsburgh, Pa: Sports
Syndicate, 1994.
Oeding, Chris. “Extra Man – Defense,” Irvine, Ca National Swimming /Water Polo
Coaches Clinic,: (May,1999): 134-135.
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9
The Goalie – “le gardien de but”
History
From the very beginning, goal keepers were special. They had to be big, strong and fear-
less. They needed to be able to hold their breath underwater for long periods. But, they
did not need to be a great swimmer. For the majority of the game, goalies could hang on
the wall and watch their teammates slug it out with the opponents. On the rare occa-
sions the ball came near, they had the pleasure of trying to drown the ball carrier.
In the early 1880’s the Scots put up rugby goal posts about 10 feet wide at the end of
the pool to minimize the scoring area. With this innovation came a rule that permit-
ted the goalkeeper to defend the goal from the pool deck. Goalies prevented goals
simply by jumping on the victims. They would wait for the opponent to arrive with
the ball and then jump onto the players head when they got in scoring range. Appar-
ently, after a few broken necks the rules brought goalies back into the water again.
By the late 1880’s, the Scottish rules modified to reflect soccer. In fact, for a brief
period of time, the game was actually called “water soccer.” Under the new, more
civilized rules, goals were scored by throwing the ball into a 3’ X 10’ netted cage.
Although field players could only use one hand, goalies retained the special privilege of
using both hands. This particular rule has remained essentially the same for the past
100 years, but the speed of the game has changed dramatically.
The goalie position as we know it today has remained basically the same for over 50
years. The first major breakthrough for the goalkeeper was the innovation of the egg-
beater kick by the Hungarians in the 1940’s. This kick allowed water polo players to
maintain a stable, head above water, body position. Still, the goalkeeper was passive,
remaining locked in front of the goal.
Today, many goalies play as the seventh field player darting out from the goal to steal
or breakup a cross pass before the shot can even be taken.
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Additionally, in changing the rule that kept goalies from passing the ball past half-
court, modern goalies now make 20 meter passes to get the fast break or counterattack
started.
Unlike the other six players, the goalie position still does have its own set of rules, such as:
• Privilege to use two hands on the ball within the 5 meter area.
• Privilege to use a clenched fist to block the ball.
• Privilege to stand, walk, and jump from the bottom of the pool within the 5 meter area.
In the current game, the goalie must be a versatile seventh player. The three keys to
success in the cage are: 1) great fundamentals, 2) positioning and 3) knowing the ca-
pabilities of the shooter and your opponents. Once the equation between goalie and
shooter is equal, blocking is a chess game, psychological warfare of who can outsmart
whom. This is one enjoyable aspect of water polo: matching wits with the opponents
every time the ball comes down the pool towards the goal you’re defending.
By virtue of his(her) vantage point at either end of the pool, (s)he has a total view of
the playing field. For this reason, (s)he must continually communicate to his(her)
teammates information about what is going on in the game. (S)he is the voice of the
team, primarily for the defense, but also (s)he can relay critical information to the
offense (e.g. time on the shot clock). (S)he must have the ability to make quick deci-
sions, speak up and feel comfortable guiding the field players with concise, timely and
relevant information.
The most essential yet elusive quality requires the courage to WANT to be hit by the
ball. When starting out, this is the toughest fear to conquer. We are all born with the
human survival instinct. It is natural to want to dodge large projectiles hurled at your
body. Seasoned goalies will admit that the survival instinct was probably one of their
toughest hurdles to overcome, at least it was for me. One day it finally dawned on me
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that being hit by the ball, including the face, rarely hurt for more than a couple of sec-
onds. In addition, I was always happy to be hit by the ball because that meant that I
blocked it. Of course, there are the rare and embarrassing occasions when you are hit
by the ball and it still goes in the goal. Shake it off and look forward to the next shot.
I don’t have any specific tricks or drills that can help you through this transition other
than to say that all goalies go through it. The quicker a goalie can forget about being
hit, the quicker (s)he move on to more serious training and playing.
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After a save or a steal the goalie must quickly survey his(her) team as they counter-at-
tack down the pool, evaluate the predicament then make a pin-point pass to the cor-
rect player. Failing to identify the right “outlet” player can cost your team a fast-break
goal. Goalies should be able to make passes up to 25 meters down the pool with the
ball landing in an area no larger than 1 square meter.
(S)he is the last line of defense and the last hope. The position lends itself to being
placed in a pressure cooker. A positive attitude is infectious. If you stay positive your
teammates will believe in you and will share in your outlook. You probably have
heard that some people look at a glass half-empty while others look at a glass half-full.
Goalies must never see a half-empty glass.
There is no place for getting “down in the dumps” during a game. When the “chips
are down” it is imperative that you maintain your composure. In the goal, like being
on a stage, there is no place to hide. If a moment arrives when the pressure becomes
too much, don’t let your teammates and especially your opponent know that you are
temporarily scared or worried.
When you have a goal scored against you always make a mental note to yourself
detailing the specific circumstances that resulted in the goal and most importantly
maintain your composure. If the goal was scored because of an outstanding play then
you can tip your hat to your opponent.
If you missed a shot that you should have blocked search your thoughts for a reason
why you may have missed the ball. If no clear reason is readily apparent then chalk
it up as a bad play on your part. We have all missed shots in games that we were able
to block with our eyes closed in during practice. During a quarter break or after the
game, ask yourself, your teammates and coach what could have done if anything, to
prevent the same goal from happening again.
The goalie position differs greatly from the field positions in water polo. In order to
reach your potential as goalie you must understand every aspect of the game in order
to play in synchronization with the field players. A defense (goalie & field play-
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ers) will consistently play at a high level when they understand the fundamentals of
individual and team defense, execute the team’s defensive strategy together, know the
strengths and weaknesses of their teammates and keep open lines of communication
during the game. When a goalie and his defense are “in synch” the opposing team will
look as if they are playing with lethargy and without a clear offensive strategy.
Being a student of the game is easy: therefore make it a part of your training regimen.
You can never learn enough about water polo. Study your opponents by watching
their games, listen to your coach(s), break out the water polo video collection and
study your written as well as mental notes. By becoming a student of the game you
will develop more common sense and analytical skills which will give you the ability to
figure out the best percentages for defensive alignments, shooting angles, etc.
Experience is an entity that cannot be trained and is the lifeblood that makes a good
goalie great. It helps a goalie to better anticipate the shot, make the outlet pass to
the right player, lead the team through communication and leadership, and stay cool
under pressure. The bottom line is that experienced goalies make less mistakes, hence
they give up less goals.
If you were to ask a group of coaches what is their top consideration when selection a
goalie to play in a big game, my guess is that you would see that experience would top
the list. This is why you find most starting goalies in the international arena above the
age of 30. Even though the younger second and third string goalies may display more
physical talent, my hunch is that the coaches keep the younger goalies on the bench
giving them the experience of watching the older veteran play.
Physical Makeup
The goalie should have good mobility & quickness. Leg strength and overall flex-
ibility are necessary attributes that allow a goalie to cover the inside dimensions of the
cage. Ideally, you want a player who is proficient in the egg-beater kick.
• Flexibility helps a goalie to stretch for a ball while the body is contorted having just
moved from one portion of the cage to another. This may be the difference between a
deflection and a goal. Goalies must be able to move sideways, forwards, backwards, and
straight up. Goalies must work on this flexibility and range of motion through
daily stretching.
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• Reaction speed is a prerequisite for goalies. Much like a sprinter in swimming, you must
have a quick first movement to get to the ball before it goes past you. Reflexes must be
sharpened through practice.
The goalie should be able to swim. For short distances, goalies need swimming speed
to be able to out-swim field players and make steals. Don’t assume that because you
are a goalie, you will not have to swim. Try to learn how to swim the front crawl as
well as you can, because it will become one of your best threats to steal the ball. I
swam competitively as a youth through my Junior year in high school and was one of
the faster players (50 yards) on the Olympic team.
The goalie must be physically fit. Strength will increase stamina, speed and longev-
ity. The goalies desired body type should be lean so as to enhance flexibility and range
of motion. You don’t have to be tall. I have seen shorter goalies who play excellent
water polo.
It is important to remember that a goalie is only as good as the defense in front of him
or her. Great defensive performances will make a weaker goalie look strong while poor
defensive performances will make a superior goalie appear weak. If you have had the
opportunity to watch a game from directly behind the goal, then you have seen the
individual skills of the goalie and the coordination of the defense. Although a goalies
individual performance can be evaluated in a vacuum, it is more appropriate to view
the goalies performance as it related to the team defense.
A great performance by a team makes the goalie look strong while a weak team per-
formance makes the goalie appear weak. If you have watched a game from directly
behind the goal, you have seen the critical importance of the team concept in overall
coordination of the defense. A goalie can only be a strong as the team defense in from
of him/her. Although, individual performance does play an important role, the team
concept will add greatly to a goalies performance. Most of the time goalies receive the
compliments for a good performance, when in fact the entire team should have also
received the same praise.
By virtue of the number of different jobs a goalie must do, many of the famous names
in the sport of water polo have this to say about goalies:
“(He/She) Changes the outcome of a game single-handedly.”(Steve Heaston, 1988
Olympic Coach, 1993 Coaches Clinic)
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“Is the most important player on the team.” (Pete Cutino, National Coach , 1976)
“Can help field players take more liberties defensively.”(Art Lambert, Olympic Coach,
1972)
“Starts the offensive charge. (Monte Nitzkowski, Olympic Coach, 1989)
“Strong goalkeepers win games.”(Robert Horn, former U.C.L.A. coach,1988 Y.E.S.
clinic)
Goalie Fundamentals
Eggbeater kick (see chapter 2 & 3 also)
The eggbeater kick is most critical. Many manuals have been written on the fun-
damentals of the eggbeater kick so we will not attempt to explain in detail how it is
done. As seen by the diagrams, the breaststroke kick is alternated so that each leg oper-
ates independently and continuously. While one leg is recovering the other is flexing,
and so on. The kick is done with the body in a vertical, or sitting position. (Fig. 9-3)
My philosophy is that you can never spend enough time training with the eggbeater. If
your knees or hips begin to hurt, STOP immediately and let your body rest. It is tell-
ing you that there is a problem. If you don’t have any pain, just soreness, then spend
more time working on your leg strength and quickness.
As a lead up, I have found that beginning goalies should learn eggbeater while holding
a kick board. This frees the hands and allows you to fully concentrate on the legs. In
the beginning of each season, I would take a kick board, hold it in the water as if it
were a plow and eggbeater laps. My coach in Italy made me do this in the beginning
of the season for the first week before we started with strenuous eggbeater and I never
had a problem with extreme soreness and injury as I had in the previous years. The
rule of thumb is to work your way up to extreme training.
In addition to the eggbeater, goalies should be proficient and practice at the flutter
kick. This crawl kick will be useful for the short sprints necessary and for general flex-
ibility of the legs.
Sculling is another technique that can help your eggbeater. You should be able to
move your hands back and forth lightly on the surface of the water to assist in propel-
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ling you across the width of the cage. I practiced sculling while in the sitting posi-
tion. My coaches called this the “Chair Drill”. Sculling helps with lateral movement
and gives the goalie a good feel for the water.
There is a definite difference between the resting eggbeater kick and the alert, ready
position. Goalies must begin to rise higher in the water in order to prepare for a shot
and see all that transpires in the field or water in front. (S)he needs to have a mini-
mum height of the chest above the surface of the water for this alert position. The hip
position should be slightly behind the torso, that is, not vertical. (Fig. 9-4, 9-5, 9-6)
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Joan Gould,
In conjunction with this body position, the goalie must also be concerned with the
next fundamental – hand positions.
Hand positions.
The hands are an important stabilizing and mobility force through the sculling mo-
tion. But: A goalie’s hands should NEVER be too far below the surface of the water
when a shooter has the ball.
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Another way to interpret the amount of hand motion a goalie should use is given by
three-time-Hungarian Olympian Andre Molnar: “I use my hands when the ball is
being passed from one player to another. When a player has the ball and is ready to
shoot I ease up on the arms and hands; the legs take over.” (Fig. 9-7)
The ready position listed above will change according to the closeness of the ball to
the cage. As a general guideline, I have found that your hands should be in front of
your body, elbows bent comfortably and the following distances kept in mind. When
the ball is:
• Outside of 6 meters the hands are just below the surface of the water.
• Between 4-6 meters the hands should be ON the surface of the water and not below it.
• Closer than 4 meters the hands need to be all the way out of the water.
Positioning
• Angles: This term applies to the goalies reference point in relation to his (her) body, the
cage, and the shooter. (Fig. 9-8)
Fig. 9-8. The Most Advantageous Angle - as shooter gets closer to the cage
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• Movements and shot anticipation: When the ball is released, the goalie must move his
head towards the ball, as his (her) body will follow. (Fig. 9-9)
• The near side of the cage – i.e. the side closest to the ball – is the most important area of
the cage for the goalie to cover. (Fig. 9-10)
Fig. 9-10. Ready position ball close to cage, cutting off near side of cage
• Gain complete control of the ball while at the same time listening to the bench for infor-
mation that a free player may be open. Relying on the coach and bench can be danger-
ous so at the same time you should work with your teammates to know where and
when to deliver the ball and know tendencies of their counterattack.
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The question of how or whether to use one or two hands when moving to the ball is
dependent on how fast the shot is approaching and where it is directed. If possible,
use two hands to block the ball when there is:
• A softer shot close to the body.
• A longer, weaker shot to the outer portions of the cage.
In these instances, the palms should be facing each other to form a ladle-shape, fingers
together, thumbs close together. The wrists need to be firm so that the ball doesn’t
“squirt” through the hands. (Fig. 9-12 to 9-17)
NOTE: In all other instances, one hand or any portion of the body should be used
to reach and block the ball. (Fig. 9-11) One-hand lunges from the goalie can reach
farther and faster than two-hand lunges.
Fig. 9-11. Controlling the ball in front of the cage – notice hand position
Joan Gould, www.waterpoloplanet.com
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www.usawaterpolo.com
Fig. 9-13.
Fig. 9-14. Two hands to control the ball in front of the cage, goalie’s left & right
Joan Gould, www.waterpoloplanet.com
Fig. 9-15.
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www.usawaterpolo.com
Fig. 9-16. Maximum two-hand control of low shot
• Hold the ball high so you players will know that you have the ball while at the same
time looking down the pool for possible passing opportunities. Always look down the
deep right side of the pool first, the center of the pool second, the deep left side third,
short right fourth and short left last. This order ensures that the ball will get the correct
player fastest. You don’t want to throw the ball to the short left when you may have a
player open deep right. This order will become second nature. Visualize yourself look-
ing down the pool to these locations and making perfect passes to each one.
• If you have time, swim the ball out to the 3 or 4 meter line and then hold the ball
high looking for an open player. This will make the pass shorter and more accurate.
Be sure to keep your head up high because you may have to make an immediate
“quick strike” throw.
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Five Meters
Psychologically, this shot should be looked at as a very positive chance for the goalie.
In all instances the field player is EXPECTED to make the shot therefore, a block
is an embarrassment to the shooter and his/her team. Chris Dorst (1980 & 1984
Olympian) was the master at penalty shot blocking. I believe that during his tenure
at Stanford, he held an unbelievable 30% penalty throw blocking percentage. His
strategy was to verbally and physically interrupt the field players concentration from
the moment the penalty was called by the referee until the moment of the shot.
More than 3/4 of all penalty shots go to the low corners. Therefore, you will want to
try to cover as much of the surface of the water as possible after the whistle.
Once you have determined the area of the goal that you want to defend then timing is
the next factor to consider. You can improve your chances by exaggerating the layout
position with arms extended out wide, sculling, and anticipating the referee’s whistle.
This anticipation of the whistle is similar to what the sprinter does at the start of the
period. It involves slight movements towards the penalty throw shooter. The worst
that can happen, short of being removed, is for the referee to assess you a major foul -
one of three possible during the game. Be aware, that some shooters will take a longer
windup than others before finally releasing the ball. Look at where the players arm
position is and how they are holding the ball. This will give you some indication as to
how quickly the ball will be released.
It is of equal importance to have scouted the penalty shooters from the opposing team.
Few players will deviate from their favorite corner each penalty shot. Before the game
begins, you should know which style of blocking you will use and the timing required
for each player. Most good shooters have different targets, but the same release point,
so you can work to time the block.
Try to get the shooters thinking about their shot because thinking makes them anx-
ious, which is a basic cause of most “bad” shots.
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The 5-meter throw is a way for you to shine and, perhaps more importantly, give your
team a lift by preventing what is expected to be a sure goal, while at the same time
deflating the other team. Practice your routine daily.
Lobs
Anticipating when this variety of shot will be taken is the first key to blocking the
lob shot. The lob shot itself moves at a much slower rate of speed and therefore gives
you more time to get to it than the power shot. The field player who is a good lob
shooter will often observe one or both of the following two faulty features in a goalie
before attempting a lob:
• You are off-balance because you have reacted to the shooter’s fakes.
The technique for blocking the lob shot is different than all other shots because the
goalie is moving back into the goal to intersect the arc of the lob. This movement is
the opposite of the power shot where the goalie moves forward to “cut off the angle.”
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When the lob shot leaves the shooter’s hand, you must pivot your torso to point one
shoulder at the ball and the other toward the extreme opposite post of the cage. Your
eyes need to always be on the ball as you turn 1/4 to move towards a spot 1-1/2meter
away and close to the opposite post. Then, you can either scull rapidly or take a quick
stroke or two toward that spot. You should try to make these movements directly
across the goal mouth. Above all else, WAIT FOR THE BALL TO COME TO YOU!
After reaching this spot and while the ball is in flight, you must extend the arm and
fingers that are closest to the ball straight up. For example, if the lob comes from your
right, you should extend your right arm up; if the lob comes from the left, you should
extend your left arm up. The opposite (non-extended) arm should continue to skull to
provide you continued body support. (Fig. 9-19, 9-20)
If at all possible, the lob is one shot that you should try to, in the following order:
• Catch the ball and gain control of it.
• Tip it out to a place in the water away from any immediate field players. This is a
shot that, if rebounded, is an easy “garbage” rebound for a player to put in the goal.
• Tip the ball out of bounds (over the cross-bar) if there are opposing players who are in
near pursuit of the ball.
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www.tudorgraphics.com
Chris Kittredge,
Fig. 9-20. Lob block on shot from 1/2 side of the pool –
notice right hand used to block(catch) ball
Final Thoughts
LESSON #1: Always expect the unexpected.
LESSON #2: Do not alter your playing style because of an embarrassing incident.
Every game, regardless of your experience level, will always provide a lesson learned. It
is your responsibility to find the lesson and learn from it (them). The second that you
think that you know it all is the instant you will cease to improve as a player.
The goalie has much to learn and develop. Some improvements will come naturally
while some will take time to develop with the assistance of coaching and practice. A
goalie doesn’t have to be tops in all areas. It is important that the individual selected
develop his (her) own style suited to his(her) strengths. Regardless of one’s skill level
when they start, their strengths will get stronger and their weaknesses will diminish.
Keep in mind also that although a goal scored on you may be embarrassing, if you
try to learn from every goal and every game, you will develop into a better goalie over
time.
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CHAPTER 9
The Goalie – “le gardien de but”
References:
Almquist, David, “Drills for the Goalkeeper,” U.S.A. National Team, 1988.
Barr, David & Andrew Gordon. Water Polo. East Yorkshire, England: E.P. Publishing,
Ltd., 1980.
Cutino, Peter J. and Dennis Bledsoe. Polo: The Complete Manual for Player and
Coach. Los Angeles, Ca.: Swimming World Publications, 1976.
Gallov, Rezso and Ivan Somlai. Coaching Water Polo. Ottawa, Canada: The Cana-
dian Water Polo Association, Inc., 1977.
Hale, Ralph (ed.). The Complete Book of Water Polo. New York: Simon & Schuster,
Inc., 1986.
Hart, David. Level II Coaching. Ottawa, Canada: Canadian Water Polo Association,
Inc., 1978.
Horn, Robert, “The Goalkeeper,” Los Angeles, Ca. National Swimming/Water Polo
Coaches Clinic. (May, 1988).
Lambert, Arthur F. and Robert Gaughran. The Technique of Water Polo. North Hol-
lywood, Ca.: Swimming World Publications, 1969.
Nitzkowski, Monte. United States Tactical Water Polo. Pittsburgh, Pa.: Sports Support
Syndicate, Inc., 1994.
Wiltens, James S. Individual Tactics in Water Polo. New York, New York: A.S. Barnes
and Company, 1978.
125
CHAPTER
10
Fast Break or Counterattack Offense
and Defense
Offense Transition
The ability to transition from defense to offense often provides a team with good to
excellent scoring opportunities. There are at least five opportunities for this offensive
advantage situation to happen:
The fast break should be a natural reaction for a team on every transition listed above.
The opposition is most vulnerable when a shot is taken because the shooter and
his(her) teammates might be watching to see whether a goal has been scored or not.
This chapter will look at the transition from defense to offense and tactical ways to
maximize these scoring opportunities.
Players on the weak side (#1, 2 spots) should “cheat” up towards the other end of the
pool with their hips up, ready to sprint to offense and find swimming lanes for ap-
proximately 12-20 meters of fast, head up swimming. (Fig. 10-1)
In order to receive the first(outlet) pass as part of the fast break, the players going to
offense should make a release move to help with the ball advancement. The pass is usu-
ally made by the goalie.
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Fast Break or Counterattack Offense and Defense
Fig. 10-1.
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-2. Short release – White team on offense - notice possession clock, 90º move
to the “outside”, eye contact between the goalie and the receiver on right side
In order to get free from a defender and create an open area for the goalie or passer to
throw an area or wet pass, the offensive player must make a movement towards the
outside (the edge of the course) of the pool or back towards the goalie or passer. Most
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Fast Break or Counterattack Offense and Defense
releases are done to the goalies right because most players are right handed and can
receive an assist pass easier if it comes from their right side. And, it is essential to keep
the ball away from the middle of the pool! (Fig. 10-2)
There are at least three different possible movements to free a releaser on counterat-
tack: (the choice depends on how much defensive pressure there is and how quickly
the ball needs to be advanced – least pressure (fastest) = banana; most pressure (slow-
est) = hook.) The goalie or field players pass must be accurate so the players don’t
have to deviate from their paths. Much like a football pass, this release pass should
be a wet pass made to where the receiver will be, not where they are. There are some
occasions when this could be a dry pass to the releaser.
The potential receivers of the release pass should ALWAYS know where the ball is and even
take a stroke or two on his (her) back to get eye contact with the passer. (Fig. 10-3 to 10-5)
Fig. 10-3.
Fig. 10-4.
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Fast Break or Counterattack Offense and Defense
Fig. 10-5.
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-6. Dark hat release to the right side of the pool – deep wing,
“square out”, goalie area pass in the air
Finally, it is important that during the fast break the ball moves ahead of the rest of the
offensive field players so that easier assist passes can be made to the players sprinting
down pool who are free. This placement can be termed the “deep wing”.(Fig. 10-6)
For each of the fast break opportunities, there are different variations on attacking the
opposition and goalie:
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Fast Break or Counterattack Offense and Defense
• Try to get the goalie to jump and get off center with a good pick up and fake of the ball.
• Know how much time there is before a defender is near.
• Good technique dribbling and ball pick up are essential. The shooter should keep his or
hers dribble rate for as long as possible – not slowing down to let defenders catch up and
tip off the goalie for the shot attempt. A fluid motion is beneficial.
• Find where the biggest hole is and shoot there without hesitation.
• If the goalie is covering the strong side of the cage, shoot across to the opposite side.
• If the goalie doesn’t come up, a high shot is a good percentage location; if the goalie does
come up, a low shot is good percentage location. (Fig. 10-7 to 10-9)
Fig. 10-7. White 11 out in front, pick up ball on the post www.tudorgraphics.com
Chris Kittredge,
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-8. Blue 3 in front, looking behind for defenders, picking up ball, near side post
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Fast Break or Counterattack Offense and Defense
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-9. Blue 3 picks up ball high over head, shoots cross-cage
(notice low near side option)
Fig. 10-10. 2 on 1, Red team bracketing the cage, setting the goalie to the near side
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Fast Break or Counterattack Offense and Defense
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-11. 2 on 1, White team ball pick up, setting goalie to near side
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-12. 2 on 1, White team faking goalie, ready to pass or shoot
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Fast Break or Counterattack Offense and Defense
Fig. 10-13.
Fig. 10-14.
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Fast Break or Counterattack Offense and Defense
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-15. Releasing for the ball with 4 on 3 advantage for the red team
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-16. Offense (red team) spreading the defenders and moving towards the cage
• In the second portion of the 4 on 3 sequence above, the red player on the left wing
has the ball and penetrates towards the cage. Her teammates spread the field away
from the ball so that they can stay open and available to help the dribbler if she is
attacked. (Fig. 10-16)
• In the last portion of the 4 on 3 sequence (Fig. 10-17), the red dribbler is committed to
by the nearest white defender and by the goalie. At this point, the red dribbler passes
the ball to her teammate on the far post who then quickly shoots, beating the goalie.
(Notice that the furthest red player from the ball has moved to the right in order to
allow for the open passing lane and assist.)
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Fast Break or Counterattack Offense and Defense
www.tudorgraphics.com
Chris Kittredge,
Fig. 10-17. Cross Pass from the Red team left wing to the far post beating the Goalie
Fig. 10-18.
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Fast Break or Counterattack Offense and Defense
Counterattack Defense
• Keep a balanced offensive formation – spread, not too many players (< 3) committed
inside the 2-4m. line when attacking. This allows more players to contribute sooner to
the defensive end.
• Do not watch shots or turnovers. Overcome the habit of spectating to see if the shot goes
in or the ball changes hands. In both of these instances, the offensive players should be
rotating back to defense.
• Seal off the paths of the offensive players towards the other end of the pool. In the figure
above, all six of the offensive players are moving into the paths of the defenders in order
to alter their paths towards the offensive end of the pool. (Fig. 10-19)
• HELP to the center of the pool (also called “jamming center”), preferably doing back-
stroke so as to be able to see the offensive players that may be open. The shortest dis-
tance between two points is a straight line; therefore, the middle is the quickest spot to
go to in order to cover a free offensive player.
• FOUL and DROP – if there is a free player advancing without the ball, the defender on
the ball should foul him(her) in order to pick up the free offensive player. This foul dis-
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Fast Break or Counterattack Offense and Defense
allows the dribbler the opportunity to shoot if inside 5 meters. (Fig. 6-25, 6-26)
• “Stunt” the dribbler – if there is not time to foul the dribbler as in letter E above, the
defender should take a couple of quick strokes out to the ball and then rapidly come
back to the center so as to slow him(her) down. (Fig. 6-32)
• Go back on the CHERRY PICKER – the goalie should call this out. It is better to play
five on five rather than leave one player open for an uncontested shot.
• Field players guard the player the goalie designates…..(s)he is the last line of defense.
References:
Barnett, Bill . Level Three Coaching Manual. Colorado Springs, Colorado: U.S. Water
Polo, 1998, pp.2-11, 62-3.
Gaughran, Robert and Arthur F. Lambert. The Technique of Water Polo. Los Angeles,
Swimming World, 1969.
Hart, David. Level II Coaching Manual. Ottawa, Ontario: Canadian Water Polo As-
sociation, Inc., 1978.
Horn, Robert, “U.C.L.A. Counterattack,” Irvine, Ca: National Swimming & Water
Polo Clinic, May 1990.
Nitzkowski, Monte. United States Tactical Water Polo. Pittsburg, Pa: Sports Syndicate,
1994, chapter 5.
137
Appendix 1
Modern Olympic Games Water Polo
Medal Winners, Men’s Competition,
1900-2008
Great Britain:
4 gold
138
Appendix 2
Modern Olympic Games Water Polo
Medal Winners, Women’s Competition,
2000-2008
Netherlands:
Australia:
1 gold
1 gold, 1 bronze
Greece: Russia:
1 silver 1 bronze
Italy: U.S.A.:
1 gold 2 silver, 1 bronze
139
Appendix 3
Stretching
Stretching of musculature and joints is beneficial for optimal range of motion and
performance, as well as prevention of injury. It is recommended that the core body
temperature be elevated prior to performing these exercises, preferably by light condi-
tioning for a period of minutes.
References:
Fosdick, Dennis. FINA Water Polo Manual. Lousanne, Sw: FINA,1990.
Stockdale, John C. Water Polo Canada Coaching Certification Program Level 1 – Ba-
sic Coach. Ottawa, Can.: Coaching Association of Canada, 1977.
140
APPENDIX 3
141
APPENDIX 3
142
APPENDIX 3
143
APPENDIX 3
144
Appendix 4
Specific Strength Training
In order to prevent injury, rehabilitate and strengthen musculature for the passing and
shooting motions, certain prescribed movements, resistance exercises, and stretching
should be done before and during the season. A general bodily warm-up would be
beneficial prior to doing these exercises and stretches, so as to elevate core temperature
and enhance muscle performance.
The major focus of these movements is to strengthen and elongate musculature that
is not used to the extent that it should in relation to other more prominent muscle
groups; therefore, creating a disparity between stronger and weaker muscle groups.
Reference:
Jobe, Frank, et.al. Shoulder and Arm Exercises for Baseball Players. Inglewood, CA:
Centinela Hospital, 1982.
145
APPENDIX 4
146
APPENDIX 4
147
APPENDIX 4
148