Scribd
Upload
252 views2 pages

Now Is The Month 3 Part

SAB a cappella 1 SOPRANO (CANTUS) is the month of Spring clad all in then why sit we may - ing, When glad - ness, Doth mus -. Ing, Youth's mer - ry lads are laugh at win - ter's sweet de - light re - TENOR I (QUINTUS).

Uploaded by

Totallyopen
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
252 views2 pages

Now Is The Month 3 Part

SAB a cappella 1 SOPRANO (CANTUS) is the month of Spring clad all in then why sit we may - ing, When glad - ness, Doth mus -. Ing, Youth's mer - ry lads are laugh at win - ter's sweet de - light re - TENOR I (QUINTUS).

Uploaded by

Totallyopen
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 2

Now is the Month of Maying

SAB a cappella
1

SOPRANO (CANTUS)

& &

# C # C

1. Now 2. The 3. Fie

.. .. ..

is the month of Spring clad all in then why sit we

May - ing, When glad - ness, Doth mus - ing, Youth's

mer - ry lads are laugh at win - ter's sweet de - light re -

. . .

Thomas Morley (1558-1602)

j # j J

ALTO (ALTUS)

TENOR I (QUINTUS)

?# C &
1 1

1. Now 2. The 3. Fie

is the month of Spring clad all in then why sit we

May - ing, When glad - ness, Doth mus - ing, Youth's

mer - ry lads are laugh at win - ter's sweet de - light re -

1. Now 2. The 3. Fie

is the month of Spring clad all in then why sit we

May - ing, When glad - ness, Doth mus - ing, Youth's

mer - ry lads are laugh at win - ter's sweet de - light re -

?# C # &
5

.. ..
la la

.. .

j # J

&

play - ing. sad - ness. Fa la fus - ing?

j J j j n . J J
la


la la

la la

la, Fa la

J J

1.

la la la la

la.

?#
5

play - ing. sad - ness. Fa la fus - ing?

j
la la la

la, Fa la la, Fa la

j j j j .

1. Now 2. The 3. Fie

..
2.

la.

. J J J
la la la

la la la la

la.

1. Now 2. The 3. Fie

..
la.

1. Each 2. And 3. Say

# & ?#
5

play - ing. sad - ness. Fa la fus - ing?

la la

la la

la,

Fa la

la la.

1. Now 2. The 3. Fie

..
la.

1. Each 2. And 3. Say

1. Each 2. And 3. Say

. .

1.

1. J

..
2.

..

2.

&

11

# . .

# j

lass, sound, speak,

# . & . n ? # .. &
11 11

with his bon - ny to the Bag - pipes dain - ty Nymphs and

n n n n

up - on the green - y the Nymphs tread out their shall we play bar - ley

grass. ground. break?

J J
Fa la

with his bon to the Bag dain - ty Nymphs

ny pipes and

lass, sound, speak,

up - on the green - y the Nymphs tread out their shall we play bar - ley

grass. ground. break?

j j n J J
Fa la la

la

? # ..

# . . n

with his bon - ny to the Bag - pipes dain - ty Nymphs and

lass, sound, speak,

up - on the green - y the Nymphs tread out their shall we play bar - ley

grass. ground. Fa la la break?

& &

15

# #


la la

la,

fa la la la la la la

j j j j j J

.
la,

fa la

J
la

1.

la

la.

la

la,

fa la

j j j j
la,

la la la,

fa la

j j
la

1. Each 2. And 3. Say

.. .. ..

2.

U w
la.

la

? # .
la,
15

J
fa la la

J J
fa la la

la


la, fa

la

J
la
1.

la.

1. Each 2. And 3. Say

U w
la.

U w

la

la.

& ? # . J
15

1. Each 2. And 3. Say

la.
2. .. U w U 2. .. w

. 1. J

SOURCE: First Booke of Balletts to Five Voices (1595, rev. 1600) Edited for 2012 GCMEA All-County Junior Chorus

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy