Land City Arch 2010
Land City Arch 2010
Land City Arch 2010
This introductory Master of Architecture M1 studio takes the subject of location as a significant aspect of
the process of architectural design. In the initial phase of the studio, we will look at recent discussions in
the field of urbanism and landscape, centering on the notion of creative cities or cities of knowledge and
culture – Montréal has been designated a design city by UNESCO. This could be taken to be analogous to
the process of defining a site and programme in a traditional architecture studio. Students will be able to
introduce their individual selections of site and programme into this context. A translation of Christian
Devillers' lecture entitled The Urban Project, is available as a key course reading. Students may choose to
direct a seminar about the influence of the reading on the thesis topic.
Cities, Towns and Neighborhoods Urban issues influence all aspects of contemporary art, including
the graphic novel. Cartoonists’ refined drawings not only depict contemporary cities, they have the
advantage of portraying the thoughts of characters as they experience daily urban life- even to the self-
reflexive invention of a comic strip out of a regular, repetitive urban walk. The Montréal-based publisher of
graphic novels, Drawn & Quarterly, has issued a remarkable series of cartoon publications that document
the architecture and urban form of traditional city centers and towns. Cartoonists such as Julie Doucet and
Michel Rabagliato catalog the streetscapes, stores and apartments of central Montréal as backgrounds to
their narratives. Unpretentious hybrid urban neighborhoods in Ontario were fondly documented in the
graphic novels of the cartoonist Seth, (the pen name of Gregory Gallant). Specific places in central Toronto
are recognizable, for example, in his curiously titled graphic novel, It’s a Good Life, If You Don’t Weaken. His
own home office is the subject of a comic strip, and he illustrated the regular walks that fuel his
imagination. Seth’s imagery of a town leads into the topic of the analysis of existing urban form – of a
neighbourhood, of a town – that captures the imagination, in a time when cities should be destined to
revert to liveable, walkable, sustainable places. The most efficient form of recyling, the reusing of existing
urban form, happens according to self-organizing principles in a manner described with economic detail in
Jane Jacobs’ texts such as The Death and Life of American Cities and The Nature of Economies. Ideally the
principles will be simple: for example, Jacobs favors the porous, small-sized block. In this vein, are there not
guidelines to workable cities embedded in city and town centres? How can designers use the existing,
continuously reused patterns blocks, sidewalks, streets, alleys and built form of traditional towns and city
neighborhoods as the dictionaries of urban form that provide methods for contemporary urban design?
One source is the urban form of what is known as the student ghetto, McGill Ghetto in Montréal or ‘Milton
Parc’ (as it is known in French). Others are drawn from main street architecture on small-scale urban retail
axes in Central Toronto, Bloor Street West and Queen Street West. Urbanist Kees Christiaanse claims
similarities between Toronto’s Queens Street West and Greenwich Village. These districts provide methods
for combining disparate building types, amalgamated in contemporary urban form that blends programs,
integrating dwelling, leisure, commerce, daily working and night life. In an exercise parallel to Seth’s
abstraction of the town of Guelph, depicting with humor the narrative of the graphic novel of Dominion
City, so in an abstracting process, the material components of a successful neighborhood depicted with
urban drawing, documentation and photography, contribute to the maintenance of existing and formulation
of new urban quarters. Analysis of a series of examples of unassuming, middle density, mixed use building
types and their urban contexts will set out some basic urban qualities, adding to the formulation of useful,
effective, applicable town design principles.
Potential Reactivations and Insertions Despite intense new construction in city centers in the
last few years, numerous urban vacant lots persist. The phenomenon of empty lots, blocks, and precincts
that remain unbuilt constitute a puzzle of contemporary urban development: why surface parking lots stay
that way, when the possibilities for building are obvious. Another mystery of urban inefficiency is the long-
term vacancy of scattered, intact but deteriorating existing buildings. Mapping of un-built, under-occupied
areas that could easily accommodate new construction or renovation pinpoints the potential for
intensification, prompting consideration of the range of heights that would be appropriate. The question of
how tall should a densely built fabric can sustain is one that deserves additional study. Some of the
nineteenth-century insertions reach twelve storeys without intruding on the character of the neighborhood.
Even the thirty-storey stepped tower ensemble of La Cité is reasonably well integrated. The most
successfully integrated towers are tall point towers with small building footprints such as La Colisée lining
Sherbrooke Street. Typically this kind of taller tower is located at the peripheries of the neighborhood.
Dwellings that are in the four to eight storey range have a major advantage if the residents are willing to
make regular use of the staircases. In considering the principle of urban substitution proposed by urbanist
Christian Devillers, that consists of judicious accumulating, replacing and adding to the urban block in a
regular manner, and considering the importance of maintaining the character of small lot divisions, and the
average height of surrounding building, a working hypothesis is that new construction of smaller scale, and
of less that ten-storey height might be preferable in an era of energy scarcity.
The objective of the studio is to produce several significant components contributing to the overall course of
thesis study, that is, for example, a draft document, abstract, outline, data bank of images, base drawings,
maps, etc., and a preliminary design of a built form that indicates the design approach and direction that
would be taken in the later development of the thesis. Student may use competitions due in mid-July as a
springboard for design development.
The studio will use online material posted on UW Ace site, such as articles and excerpts. An important
reference is an unpublished translation of an influential text by architect and urbanist, Christian Devillers:
The Urban Project, available from files. Additional bibliographic elements include the transcript of a lecture
by Kees Christiaanse, ‘Limited Access or the open city?’, a 2007 London School of Economics Lecture PDF,
Summer 2009 Competition sites are updated: see http://bustler.net or www.thearchitectureroom.com for
current competitions: examples include the 2009 ‘Urban SOS’ competition sponsored by EDAW;
previously, the Ecohouse Student Design Competition 2008: design an ecohouse (floor area 120 sq metres
approx) for up to six persons on chosen site. http://www.concretecentre.com/main.asp?page=1740
Nitori One-House Total Coordination Competition 2008http://www.nitori.co.jp/english/contest2008/
Central Glass Competition 2008 http://www.cgco.co.jp/english, due mid July
LEAP social housing competition Université de Montréal, http://www.leap.umontreal.ca/
Shinkenchiku Design Competition, http://www.japan-architect.co.jp/english/5info/index.html
General references
CCA http://www.cca.qc.ca/ McGill Architecture http://www.mcgill.ca/architecture/links/
Bibliography
Pierre Bourdieu, La Distinction: critique sociale du jugement Paris: Éditions de Minuit, 1979
Françoise Choay, ‘De la démolition’, in Les Métamorphoses parisiennes Paris: Mardega 1996
James Corner, 'Not Unlike Life Itself - Landscape Strategy Now', Harvard Design magazine no.21 Fall 2004 winter 2005,
http://www.gsd.harvard.edu/research/publications/hdm/current/index.html
Guy Debord, The Society of the Spectacle, Chapter 7 "The Organization of Territory, Guy-Ernest Debord at
http://library.nothingness.org/articles/SI/en/display/24
The complete text series at http://library.nothingness.org/articles/SI/all/index.php3
Christian Devillers, Le Projet Urbain, Paris: Pavillon de l’Arsenal 1994
Drawn and Quarterly, www..drawnandquarterly.com
Gustavo Giovannoni, L’urbanisme face aux villes anciennes Paris: Éditions du Seuil 1998
Jane Jacobs, The Death and Life of American Cities, New York: Random House 1961
The Nature of Economies, Toronto: Random House 2000 on self-organizing: p 177
Alberto Magnaghi, The Urban Village, a charter for democracy and local self-sustainable development, London: Zed Books 2005
Jean-Claude Marchand, Montréal in Evolution Kingston: McGill-Queen’s University Press, c1981
Seth [Gregory Gallant] It’s a Good Life, If You Don’t Weaken, Montréal: Drawn & Quarterly 2001
Graham Shane, ‘The Emergence of Landscape Urbanism, Reflections on Stalking Detroit’, Harvard Design Magazine no. 19, Fall
2003/Winter 2004
Transmaterial Research http://archinect.com/features/article.php?id=10348_0_23_0_M
Blaine Brownell's product of the week electronic journal developed at nbbj.www.transstudio.com
Edward Tufte http://www.edwardtufte.com/tufte/ books: Visual Display of Quantitative Information, Envisioning
Information, Visual Explanations etc.
Available is an excerpted, in progress translation of ‘How to write a Thesis’, Umberto Eco, Come si fa una
tesi di Laurea (excerpts) Milan: Tascabili Bompiani 1977.
Zaha Hadid Proposal for Szervita Square, Budapest. Orco Property Group
http://zahahadidblog.com/interviews/2007/06/04/interview-with-woody-yao
http://www.dezeen.com/2007/03/05/zaha-hadid-in-budapest/