Mahler Piano Quartet

GustavMahler
PianoQuartetinAminor(fortrio)
Fullscore,Parts
Aminor
ArrangementbyMichelleDiehl
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Editorial Remarks from

the Sikorski Edition of 1973
Mahler's extraordinary ever-increasing popularity in the present
day has led to his long neglected and lesser known works being
introduced and accepted into the musical consciousness. This
applies as much to the enigmatic Seventh Symphony (1904/1905)
as to his earliest known work to date Das klagende Lied
(1878/1881). This latter work in particular (taking into account
Mahler's later elimination of the Waldmarchen) has proved
extremely valuable in providing insight into the roots and
development of Mahler's highly individual mature style. In the
light of this, it is especially interesting to make the acquaintance
of the Piano Quartet presented here - a work, written my Mahler
as a student in Vienna, and published for the first time in
1973, nearly a hundred years after its conception.
It's not generally known, that, apart from at least four "youth"
symphonies, Mahler composed a series of chamber works.
This dates from the period between 1875 (the year Mahler
entered the Conservatory at the age of fifteen) and approximately 1883. Many of these scores, however, he later
destroyed; other sections are reckoned today to be missing.
As regards the origin and dating of the Piano Quartet, we must,
for the time being, content ourselves with the indication on
the title page; '1876'. Unfortunately, the information to be
gleaned from the literature on Mahler available is so sparse
and contradictory as to give us no definite indication.
It would seem at least that the quartet can not have any
connection with the one performend on the 12th September,
1876 in Jilahva (Iglau) with Mahler himself at the keyboard
(because the programme there shows an instrumental setting
of piano, two violins and viola). Nor do either of the prizewinning quintet movements of 1876 and 1878 at the Vienna
Conservatory come into consideration.
It is far more probable that the quartet was mentioned by
Mahler in a conversation with Natalie Bauer-Lechner about his
"youth" compositions, and which she reports in her Erinnerungen an Gustav Mahler (Memories of Gustav Mahler): "The
best of them all was a piano quartet composed at the end
of the four years spent at the Conservatory, and which
excited a good deal of enthusiasm. Graedener kept it with him
for months and it pleased him so, that he had it performend at
Billroth's. In the end I sent the quartet to Moscow for a
competition and it got lost."
To give a precise dating on the strength of this information

seems to me to be practially impossible. Mahler is known to
have attended the Vienna Conservatory for only three years from the autumn of 1876 until the summer of 1878. This
conversation, which took place in June, 1893 (seventeen years
after the assumed date of composition of the quartet) seems to
refer almost undoubtedly to this quartet, but unfortunately
sheds no further light on the exact date of composition.
The title page of the manuscript, on which this edition is
based, bears the following: Clavierquartett - 1.ten Satz Gustav Mahler - 1876 (the second and fourth lines of possible
differing handwriting). Also on this page, is the stamp of the
Bruckner-publisher Theodor Rattig who, however, never published the work. The title on the outer cover, bears, in Alma
Mahler's handwriting, the simple inscription fruhe Compositionen
(early compositions).
Compared with other manuscripts dating from this period,
the autograph is relatively carefully written. The extremely rare
indication as to phrasing and articulation, and the almost
non-existence of dynamic markings, lead one to believe that
the manuscript in question was one in Mahler's personal use.
The study aids, letters C to N (A and B were accordingly added)
would imply preparation for rehearsals.
Mahler's piano quartet has many highly interesting characteristics that elevate it above the level of mere historical factual
information and transform it into a facinating document. The
melancholy sinking a-minor close negates any conventional
exterior one might expect to find in a sixteen year old. It might
be said that this key (always an important one for Mahler, also
used in one of the "youth" symphonies) signified for him the
unconscious anticipation of things to come. Especially moving
is the subdued intermezzo before the reprise, and also the unusual
and eruptive violin cadenza just before the Coda.
The thematic ideas already have a personal profile - form and
treatment show clearly the influence on the young Mahler of
Brahms, Schumann and Schubert.
It is to be hoped that this early composition of Gustav Mahler,
important as it is in gaining an understanding of his musical
development, will have a wide and smpathetic reception.
~ Peter Ruzicka
Piano Quartet
Full Score
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Gustav Mahler
Arr. Michelle Diehl
Arranged for Piano, Flute and Violin
2008 Michelle Diehl
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175
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Gustav Mahler
Arr. Michelle Diehl
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3
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# #
#
f
D
&
&
# n

#
#

#

#
?

.
93
Pno.
# #
b
b
b

3
3
3
3
3
3
3
3
3 j
3 j
3
j

#

.
b
w.
w
&

90
Pno.
w.
87
Pno.
b
& b b b b b
b
3
84
Pno.
21
Piano Quartet
22
b
&
95
Pno.
.
.
# b
# n
b
#

# #
3
# b
# b
3
E
b

?

& # b b #
# b
3
3
~~~
#
#
Pno.
# b
# b

b
b #

b #
.
~~~
& # #
# #

?
3
3
n
J
# ...
.
& # #
& # # # # # #
? #
#
n
n.
.
# #
#. #
#.
j ?

n
J
n
n.
.
.
.
#
#.
#.
3

3
# # # # n
# #
3

# & # #
#
# ..
..
3
#
3
#
# n
# #
? &
#
3
.
.
107
Pno.
b ##
3
3
104
Pno.
b
b
101
Pno.
&
3
3
97
b #
b

3
j 3
? #

#
3
Piano Quartet
3
#
#
# #
.
# #
#.
# # ..
# # # n ..
#
.
.
#
#
3
&

?
b b
b
#
n
b
b
# #
#. #
#.
b
b
n #

b #

#
n
&
b
# #
#
#
# #
#
n #
# #
# #
b
b
.
.
.
.
.
.
.
.

b b

.
.
.
.
.
.
.
.
.
.
23
# b

3

&
# b
?

.
.
.
.
.
.
120
Pno.
117
Pno.
& # #
114
Pno.
#
.
.
3
112
Pno.
& # # # # n # ....
# #
110
Pno.
# #
.
.
.
.
Piano Quartet
24
& # b n
#
b
?

.
.
.
.
123
Pno.
126
Pno.
Pno.
Pno.
Pno.
b
#
.
.
.
.
&
b

#
b
? #
.
.
b # b
#b
.
.
.
.
b

128
b
b b

&

b b
b
b
b

?
.
.
.
.
.
.
b b
b b
130
b
b
b
& b
b
b
?
b
b
b
b
b
b
b

132
.. . b

.. rit.. b
..
..
..
.
.. .. b .
& ...
.
.
. ..
..
[dim.]

rit.

.
.
.
.
w
.
.
.
.
.
.
.
.
.
.
w
.
.
b
#
.
.
.
.
137
Pno.
?
142
&
Pno.
Pno.
..
w
w
.. J
b
J
b.
3
&
b w
Piano Quartet
&
b b.
b w
b
J
3
b
3
?
& # b # # #
#
b
146
b #
?
#
n
& b # #
3
3
3
3
w
w
w
w
? w w

?
154
&
Pno.
b
J
b.

# # b

w
?w

w

w
.
L'istesso Tempo
3
b
b
^
bw
C &

149
Pno.
25
. j w
. w
Piano Quartet
26
# #
&
#

3
w 3
?
w
.
w

.
160
Pno.
&
3
3
3
3
3
3
3
3
3
3
3
3
#w
w
#
#
.
#w
? .
w
w
w
.
.
165
Pno.
Pno.
Pno.
#
#
# #
# #
# #

#
#
#
#

# #
# # #
&
177
# # #
&
175
Pno.
# # #
&
#

#
3
3
3
3
f
#
# #w
? #w
#w
c # #
#w

#
#w
171
# #
#
#
Piano Quartet
& #
# #
179
Pno.
& # # n n #
? w
w
181
Pno.
&
&
187
Pno.
Pno.
&
b #
190
184
Pno.
# #

# # ##
#
#
#
27
3
3
#
3
#
#
b
# n
b
g b
? #
gg
gg
.

w
w
#
# n
ggg
gg
# n
Piano Quartet
28
# n # n
b
194
& #
Pno.
b # n
#
b
# b # n # n # n

.
b
.
.

&

J
J
J
198
Pno.
202
&
Pno.
j #
Pno.
& #

#

#
w
# # w
#
3
# #
#

3
w
#.
# .
j j
& # #
j
#

3
3
3

? www

#w
209
Pno.
# # #
# ww
.
3
# 3 #
#

# #

3
3
3
3

#
#

3
j
#
3
#
b
3
3
b
b

3
b 3
205
Piano Quartet
Pno.
& #
?w
w
U
&
?U #
225
&
?
w
w
w
w
~~~
#

U
w
ww
w
w
..
.
ri
#
# ww
w
w
#
#
? www

?
.

.
229
Pno.
221
Pno.
215
Pno.
&
#
212
Pno.
29
(Orgelpunkt)
w
w
- te - - nu - - to
&
&
..
.
w
w

Piano Quartet
Flute
&C
Fl.
^
& .
24
Fl.
&
&w
33
Fl.
Fl.
C
54
Fl.
&
61
Fl.
&
b.
..
Mit Leidenschaft
^ .
Entschlossen q
w
w
.
b.
^
.
F

.
& . J
68
Fl.
^ .
b #
b # n
b b
c
&
#
48
.

&
J
41
Fl.
^
.
15
Fl.
Nicht zu schnell h
Gustav Mahler
Arr. Michelle Diehl

b w

#.
~~~
#

. J
2008 Michelle Diehl

w
# #
#
.. . J
f
. J
Piano Quartet
75
Fl.
&
83
Fl.
Fl.
Fl.
&
b
.
95
b # ~~~
&
&
& .
b
. J

b w
89
102
Fl.
#.
b # ~~~
#
# . J
.
3

#
b #
~~~

. b J
b b b
accel.
31
#
3
# # n
.
.
#
3
107
Fl.
&
# .
J
.
& # #.
112
Fl.
117
Fl.
&
122
Fl.
&
&
127
Fl.
.
.
#.
# # # n 3
#
.
.
.
#.
.
.
. b . . # n
#.
.
b
#.
.
.
.
#.
.
.
.
b. b
b.
32
132
Fl.
&
Piano Quartet
b w
.
b . b J
&
141
Fl.

b
&
Fl.
164
Fl.
& .
#
#
&
179
Fl.
&
186
Fl.
&
# #
& # n
206
Fl.
#
# #
& #.
b
b
b
b. J
#w
. b J
# #
#
# # .
c

f
K

#. J

# #
b b
&
199
Fl.
b
# #
193
Fl.
172
Fl.
L'istesso Tempo
150
rit.
# # # # # # # w
#
L
w
F
#
# b.

#w
Piano Quartet
# #
.
&
213
Fl.
228
Fl.
N q .

&
221
Fl.
&

# w
33

# .
# #
ri - - te - - nu - - to

# w
Piano Quartet
Violin
&C
Vln.
^
& .
& .
31
Vln.
&
&
39
Vln.
^
.
A
..
^ ^ # ~~~~~
w
# bw
Entschlossen q
b
w
Mit Leidenschaft
22
Vln.
14
Vln.
Nicht zu schnell h
# n # n
# n # n
# n
#
& #
#
b
b
J
&
&
58
Vln.
65
Vln.
&
w
#
..
.
f
52
Vln.
J .
46
Vln.
. w
J
# w
c #
Gustav Mahler
Arr. Michelle Diehl
2008 Michelle Diehl
~~~
#
. J
bw
. J
Piano Quartet
72
Vln.
. J
&
Vln.
Vln.

# w
&

#

#
b
#
b
b #
93
b # ~~~
&
&
b # ~~~
. 3
J j
&
3
#.
accel.
b # ~~~
b
. J

# #
b w
87
100
Vln.
b b b

# bw
80
Vln.

# w
35
#
.
# J
# #
3
.
# # n
&
# .
105
Vln.
#.
3
# #
.
#
# # n # #
&
.
113
Vln.
&
& b.
118
Vln.
#.
#.
#.
& . # . n b
123
Vln.
#.
#.
109
Vln.
#
#. J
# # #
.
.
. . #
b. .
. b .
. .
b
. .
b
. .
.b
b.
b. .
#.
#.
Piano Quartet
36
b
b
b. b .
.
.
.
.
b
&
128
Vln.
134
Vln.
& .
144
Vln.
& b . b J
159
Vln.
&
#
&
168
Vln.
175
Vln.
&
# # #
f
182
Vln.
&
j
b
# # # w
# # #
# # # w

# # w
#w
Vln.

# #
c #
# #
# #
w

# n # n
# n # n
# n
#
#
& #
b b
200
J
&
194
Vln.
bw
L'istesso Tempo

# # w
ww
# # #
ww
bw

&
188
Vln.
rit.
J .
# #
Piano Quartet
#
#
#
&
Vln.

# .
&
212
Vln.
218
Vln.
&
221
Vln.
Vln.
U
.
U
# # #
#.
206
# ~~~
w
w
rubato u. leidenschaftlich
#ungemein
3
n # n
#
# # # n n # # n n #
#
w
#

& # n # #
p #
~

ri
227 w
# w

#
&
3
# #

# #
- - te - - nu - - to
37

Mahler Piano Quartet

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Editorial Remarks from

To give a precise dating on the strength of this information

Arranged for Piano, Flute and Violin

Arranged for Piano, Flute and Violin

Arranged for Piano, Flute and Violin

Arranged for Piano, Flute and Violin

2008 Michelle Diehl

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