MU

787.1

BACH

WORKS, ARR

SCORE

PART

DYNIX#

155886

3 3333 V77997298
The New York Public Libnuy The Branch Libranes

Music Collecnon

THE NEW YORK PUBLIC LIBKMiy for the PERfORMLVG ARTS

^^S

MY

4I-co,nCcnrerP,aza,NeyoH..K^,0023

Please check to make ture that this set of parts is complete before borrowing. Borrowers will be held responsible for ' missln missing parts.

Ctn (little ClossiM

for Vtelin an^ ^iano

Arranged by Constance Seely- Brown

CARL FISCHER.

\>;i4

MUS

Joh'5eh^ach
Cen tittlt Cla35ic5
fir

Violin uHth

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(Dmc^)
(Gmo|or)

iGijuetta (Cmo^or) ftCUenuet (Gm^or) 9. Gavotte (Gniinor)

ICtCnenuet (Gminori

5.5arakan(la(Cmigor)

A/so published for viola solo and piano (04797)

UBW YORK PUBLIC LIBRARY FOB THE

40 LINCOLN CENTEB

PERFORMTMfl ARTS

PLiif

KEWYORK.NY

10023

CARL FISCHER
029
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Street,

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York,

NY 10012

ISBN 0-8258-2751-5

1.

Marche
(D major)

JOH. SEB. BACH

Arranged by Constance Seel t/- Brown

Tempo
Lll
Violin

de

Marche
puco

(J = 84;

Piano
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giocoso

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19817-28

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2.

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(G minor)

JOH. SEB.

BACH

Arm lifted
Moderato
( - 96)

by Constance Sccly- Brown

Violin

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LEMY FOR THE PERFORMINQ ARTS

3.

Musette
(D major)
JOH. SEB. BACH Arranged by Constance Seely-Brown

Allegretto

(J =76)

W. B

Violin

Piano

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19817-28

4.

Menuet
(G major)

JOH..SEB.

BACH

Moderate UH
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V

(J

=96)

Artanged

b^f

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New York

19817-28

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5.

Sarabanda
(C

major)
JOH. SEB.

BACH

Tempo
n

di

Sarabanda

Arranged by Constance Seely-Brown

(J.r,)

Violin Pdulce

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19817-28

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MSW YOEK PUBLIC LIBRASY FOR THE PERFORMIIIO 40 UNCOLN CENTER PLAZA
llEWYOa.BY 10023
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10

6.

Sarabanda
(C major)

Tempo
Violin

di

Sarabanda

(=1:58)

JOH. SEB. BACH Arranged by Constance Heeli/ - Brown

p*

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theme

19817-28

Copyright MCyTFllbw Carl Fischer, h'evi York International OopjTight secured

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1?

7.

Gigueiia
iC major)

Allegro
L.H

i7fi)

Jon. SEB.

BACH
ISeelt/
-

Arranged hy Constance

Brown

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^
7

Sarnhanda Variations

Copyright

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Cart Figchr,ye\P York

19S17-2S

International Copyri^hfiecured
Copyright ftrnewrd

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14

8.

Menuet
(G major)
JOH. SEB.

BACH

Moderate
L H

(J =96)

Arranged by Constance Sctly- Brown

Violin

Piano

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15

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16

9.

Gavotte
(G minor)

JOH. SEB.

BACH
-Brown

Arranged by Constance Seely

Tempo
Violin

de Gavotte (J:

f53)

Piano

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18

10.

Menuet
(G minor*

JOH. SEB. BACH Arranged by Constance Seely -Brown.

Muderato(J
L.H.n
Violin

=e6)

Piano

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^m
Carl Fischer, Neto York

nr
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Copyright

MCMXVIIhy

International Copyright secured

19 Trio

is:

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19817.28

EW TOM

LB^T FOR TOE PERFOKMmG ARTS ^.^JC 40 LINCOLN CENTER PLAZA wswyoas,wY looas

Selected Music for Violin from the

Carl Fischer Music Library

ACCOLAY.JB.
Concflo

KAYSER, HE.
1 1n

SETIZF
Student'* Co>Krto*

Na

A Mbrar

(Pedman)

..-

15'8

ElMiwntary and Progreaalv* Studiaa, Op. 20 (Prelnvnary Eiefoses to Kreutzer's Etudes)

BACH,

J S.
1

Bookl
In In In

....

U15
L117
L118

Concrto No

A Minor lSpnng)

(SpieiingI

UOO
LB03
L787
1-788

Book

_. L118
....
....

Coocrto No. 2 Concerto No. 3

E Ua|o (Spienng) Minor lof 2 Violins and Piano

Bookl
Complete

No 1 \ D. Op 7 (First to Seventh Poatton) No 2 in G, Op 13 (First Positron) No 3 in GMmor. Op 12 (first to Fifth Positron) [Hetoon) No 4 m 0. Op.l5 (Third Positron) (Smger) No 5 m D, Op 22 (Fust Posrtwn)
SEVCIK.O. Exerd***

L590
L591

L59B L590
L594

6 Sonata* tor Violin Solo [Auei]

KREUTTER.R.

BEETHOVEN. L van Concwio in D Major, Op. 61 |Auer| SonaU in F Major 'Spnng'). Op. 24 (Auef6an7j Sonata In A Major, Op 47 (Kreutzer Sonata) |Auef-Gan2|
(

L793
L833

42 StudieilSingerj Concerto No. 13

1-120

for the

Change

ol Position

and Preparatory Scale

'.140

L699

Studiee.OpS
School of Technic. Pan IExeroses n
Part IIExerases Pari

Concerto No. 19

In

D Minor

jAuerj

1856

UO*
MAZAS.
J.
F.

Op me

First Position

L282

BERIOT, Ch. da Concerto No.

Fifteen
7,

Duo* Abecedalres Op.

85, 2 Violins

Concarto No. 9

Op 76 in A Minor. Op

LB2

Book

- L153

r the Second 10 Seventh Positron IIExeroses lor the Changed Positions

L283
L284

04 [Saengec)

LB3
IB*

Book 2

- 1-154
L155
L100
LIOI

School of Bowing. Op. 2 Bookl

Book
n

L291

Sc*n da

Ballat (Fanlasia),

Op.lOOlCentanoj

Books
75 Melodloua and Progresalve Studies, Op. 36 [Saenger] Book l-Speaal Sludies

L29B

BRAHMS, J.
Hungarian Dancea. Volume [Joachim Saenger) Sonata No. 1 in G Major, Op 78 [Flesch-Schnabel]
I

U90
1J09
1-790

Preparatory Trill Studiet lor Developing die Touch and Strength of the Finger*. Op. 7
Part

Boc* IIBnllianl Studies Twelve Little DueU, Book 2

2
Violins

IExerases i
in

the Firsl Postron

L637

Part IIExeroses

the Second, Third,

|Auef-Gan2l Sonata No. 2

L643

In

Sonata No. 3

In

A Major. Op D Minor. Op G

100 |Aue(-Gan2l 108 [Auer-Ganzl

L791

Fourth, FilW

ana

Sixlh Positions
In

L63B

L792

Piano Accompaniment

L643A

Preparatory Shjdiea
[Saengerj

Double Stopping. Op. 9

1-750

MENDELSSOHN, F
BRUCH.
M.
1

Concerto
1n In

In

Concerto No.

Minor.

Op 26

(Auer)

L873 L853

E Minor, Op. 64 [Auerj

L794
L321

SINGER,

E.

[Dessauer-^ioachiml

Concerto No. 2

D Minor, Op 44

Daily Shidie* for Developing Ftexiblllty

& Independence In
L349

(Auefj

MENDELSSOHN, L
BYTOVETSKI, P.L
Double Stopping

Rngertng
In

n.
Op. 50

Studenfe Concerto
'-"'87

Major, Op. 213 [Saengerj

L660

srrr, H.

MOZART W.A.
CASORTI.A.
Technic o( the Bow,

100 ShitSei.
in

Op

32 [Saengerj
LIIO

Concerto No. 2
L3*5

D Major

[Auerj

L865 LB62 L872

LB64

Concerto No.

3 In
in

G A

Concerto No. 4

Major, K.216 [Auer-Slrasser] D Major K 218 [Auer-Slrasser)

Major, K.219 [Auef-Slrasserj

CONUS.J.
Concerto
In

E Minor

..._

L899

Concerto No. 5
NARDINI. P Concerto

In

Book 120 Studies in the First Position Book 1120 Sludies in the Second. Third, Fourth and Fifth Posibons Book 1120 Studies lor Change ol Positions Scale Shidle* (Appendix lo Schraiecks Scales)
Students Concertino No. 2
In In

L111

L112

L346
LB33
Lfi6

AMlnor Op 108

CORELU
La Folia |Auef-Oavidl

^^

In

E Minor [Hauser]

1-598

Student 8 Concertino No. 3

Technical Studies for Violin

D Minor
92,

Op

Book

DANC1>,C.
SAiraVarte*

PAGANINI, N Concerto No.

1-125
1-126-

(Exeroses
1

in

the Fits! Position)

1500

in

Major, IWilhelmJl
11

L605
[Miltelil

Senesl-Op 89
Senesli-Op. 118
School
cfl

Molo Perpetuo, Op

(Perpetual Motion)

L88

TARTINI.G.
Art of Bowing,

The

(L'artdel'afchel)

pavid-Wmn]

L
LB48

Velocity.

Op 74

(50 Daily Exercises) (Saengerj

L129 ^^88

PLEYEL,
Six

L,

Sli Petits

Duo*
lex
t

(Sonatinas),

Op

B for lor 2 Violins and Piano L147

12 Eaay Fantaaiaa on Celebrated Melodiea,

|Saenge<l Three Uttle

Op 86
L121

Duoa

or 2 Violins

L156
L157

TCHAIKOVSKY, PI. Concerto In D Major, Op, 35

VIEUXTEMPS,
H.
4.

[Auer]

Six Pellla

Duoe

for

One or Two Violin*, Op. 48

Symphonlea, Op

109, 2 Violins

and Piano

Concerto No.

Op

31 (WiliekTlj)

.L3B7

DONTJ
Etudeaand Caprloe8,Op 35 24 Preparatory Eierclaaa to Kreutzer^ and Rode's Studies
1-306

RIEDING.O.
Concertino
in

D Major, Op

5 [Saengerj

L908

VIOm.J.B
Concerto No. 22 In A Minor IMusin) Concerto No. 23 in A Major [David-AnOrosio!
1575

L276

RODE,
L582

P.

L406

FIORiaO,

F.

36CapriceorEtude8lSingerl

24 Caprices In Form of Etude* [Singerj Concerto No 7 In A Minor, Op 9 (DavidAmbrosio)

1583
L3a2

VITAU, TA. Ciaccona

In

Minor

[Chartier, Auer,

Davidl

L861

FRANCK.C
Sonata
In

SAINT-SAENS,

C.
In

A Major |Lehmann]

L766

Concerto No. 3

B Minor, Op 61 (Sdiradied*)
Caprtccioao,

L372
L64

WESSELY, H
Comprehensive Scale Manual
_
1-907

Introduction and

Rondo

Op 28 (Saengerj

GUkZUNOVA. Concerto. Op

82 (Auerj

LBfiO

SARASATE, P de
Fantasia de Concerto on Motif* front Carmen, Op. 25

W1ENIAWSKI,H,
L1066

Concerto No 2

In

D Minor, Op 22

LOT
LB06 L30e

GOLDMARK.C. Concerto. Op 28
HANDEL, G.F.
6 Sonataa

LB69

SCHRADIECK,

H.

SchenoTarantelle Opl6 [Spieringj Souvenir de Moscow, Op 6

L641

Scale Studie* [Saenger] School of Violin- Technic

WOHLFAHRT.F
L177
Eaaieat Beginning ElemenlaiY H*thod.Op,38 60 Ehidea, Op 45 [Sharp] Book
I

jAuerFriedberg)

I.B46

Book IE;<ercises
Dexterity
in

L1061

lor

Promoting

HOFWANN.R.
Rrat Shidiea, The, Op. 25, Book
1

DiNerenl Positions
in

(The Beginner)

L200

Book IIExercises

Double Slops

L178

L'Z
L12:

Book

II

HRIMALr.J
Scale Studies

SCHUBERT
L114

F.

3 Sonatina*,

Op

137

1-420

40 Elementary Eierciasa, Op 54 |Sin-Shafp| SO Eaay and Melodic Shjdtos, Op. 74 [Shan>|

L^
1-14;

Book iFifsl PosiDon

Book ll-TNrd

Position

L14:

Books For Young Players

reat

THE FAMOUS DETECTIVE

Easy Duets for 2 Violins
position
in

TWENTY-FOUR DUETS
first

the

for 2

Young Violinists Ramin Entezami

Fanciful titles

Ramin Entezami
These easy duets
arranged
in

and

clever, attractive

music give these

in

the

first

position have

been

the order

of their difficulty (fingering

etc.).

sophisticated pieces great appeal for young violinists who are ready for slightly more
challenging literature.

patterns, rhythmic

development,

They give

beginning players an opportunity to practice

recently acquired
skills

05296(ISBN 0-8258-1066-3)

with

fellow students, at

the

same

level.

05295 (ISBN 0-8258-1065-5)

A quality music product from

o
Q.

CARL FISCHER
029 S9.95USA
65 Bleecker
Street.

New

YorK.

NY 10012

httpJ/www.carllischer.com

'98A08"0275r

^^

MUS

Introduction

The purpose

of these arrangements

is

to arouse in the

young

vio-

pupil a desire to study Bach. The technical difficulties of Bach's"Sonatas for Violin Solo" and "Sonatas for Violin and Piano" are so great that it
lin

requires years of practice before a pupil can play them even acceptably. Piano pupils have the "Inventions" and the "Anna Magdalena Buch", so that

they come to the study of Bach's preludes and fugues with a knowledge of his individual treatment of accepted forms.
I

have arranged four Menuets, one March, two Sarabandas, one Mu-

sette,

one Gavotte, and one Giguetta from the "Anna Magdalena Buch", so that an intelligent and musical violin pupil may begin to enjoy Bach after but one year's instruction.

As

in all the

great masters' works, the the-

simple and direct, and it is this classic simplicity which gives the musical pupil an appreciation for melody and phrase without
matic material
is

which Beethoven and Brahms (Bach's logical successors) remain sealed volumes forever.

The "Anna Magdalena Buch" is a

wife,
it

collection of short pieces for the

Clavier, autographic exercises in themes given by

Bach

to his

second

Anna Magdalena. She possessed a well-trained soprano voice and

was Bach's greatest joy to further her musical education by giving her themes and melodies to harmonize and develop. (See "Biography of J.S.Bach
by Albert Schweitzer, Breitkopf

&

Haertel, 1915.

P. 98.)

Constance Seely-Browtf

MEW YORK PUBLIC

UBR.^JY FOR THE PEPJORMBTC AST3

40 LINCOLN CENTER ?L.KZk net; YORK, NY 10023

1.

Marche
(D major)

Violin
Abbreviations
W.
T.
B.

M.
N.
5

Bow L.H. Lower Half At the Tip U.H. Upper Half H Down Bow At the Middle V At the Nut Up Bow Bow to be lifted from string, ulso tts guide fur phrasing
\\Tiole

JOH. SEB.
(J

BACH

Arranged by Constance Seely -Brown

=84)

Tempo
Z.//V,

de Marche poco

hy,\v
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19817-28

MCMXVnhy Cart Piaeher, Xew YorJt International Copyright secured Copyright Kmne^ed

2.

Menuet
(G minoi)

Violin
JOH. SBB. BACH Arranged by Constance Seely- Brown

Moderato

(J = 86)

n r
I

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3.

Musette
(D major)

Violin

JOH. SEB.

BACH

Allegretto
W. B.
:=

(J = 76)

Arranged by Constdnce Seely-Browii

W. B.
N.

T.

^ \

simile

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uJrr^^-^J^^-^
M.

^
Sa
z.//

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inf

m
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n
r r r r p r

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i * $

^
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ttr

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4

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^
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19817-2S

4.

Menuet
(G major)

Violin

Moderate
U.H.

^
'J

JOH. SEB.

BACH

=96)

Arranged by Constance Seely -Brown

fe

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WB.
L.H.

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5 ^

^
^m
"-{ i
Copyright Renewed

i
r\

^a

-fi*-i

Poco

n't.

19817-28

by Carl Fixcher, New York Copyright International Copyright secured

MCMXVU

5.

Sarabanda
(C major)

Violin
JOH. SEB.

BACH

Arranged by Constance Seely-Brown

Tempo
=8=

di

Sarabanda
zc

fJ:68)

i
Pdolce
,0

n P'

K^

WT

zz:

1; -I-"

p
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4

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1^

^^ ^^^
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?=

p r

(-

T'-^^

zc

^
Copyright

-'

jCE

MCMXrUiy

Carl rUcktr, Jfw York

19817-28

International Copyright eoured Copyright Reneved

6.

Sarabanda
(C major)

Violin
JOH. SEB.BACH
Ifempo di Sarabanda
(J
=

58)

Arranged by Constance Seely -Brown

V/

!^ i
=:

P'

IS"

P %
n
-

^
^/
-o-

^ ?^
cresc.

2x:

i
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3a:

poco

toco

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rj*

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V
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t
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-poco
a
a variation of the preceeding
one,
Copyright ftofvcd

V
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poco
Bach having written no
less

This "Sarabanda" ia
theme

than sixteen variations on the same

i9817-28

Copyright MCWCVll by Carl FiscTxer.New York International Copyright secured

S&V yOM PUmC UBRARY FOR THE PERTORMINO ARTS

40

UNCOLN CENTER PLATA NEW YORK, NY 10023

8
7.

Giguetta
(C major)

Violin
JOH. SEB.
Allegro (J^z
L .H
176)

BACH
-

Arranged

by Constance Seely

Brown

^ i !^

n __

ww^^
(0)

i
(0)

7nf

'

J ^

rrr'i;ij
(0)

<

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(0)

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XI

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(0)

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l

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mf'^mS.
(0)

i
^^ f

:*

^
I

N^
WJ

X
)

This'"Gieuetla" isthe concluding

number of

the afore mentioned

Sarabanda Variations

Copyright

19817-88

Carl Fischr,Nexn York Internutional Copyright secured Copyright Reneved

MCMXrUby

8.

Menuet
(G major)

Violin

JOH. SEB.

BACH
4
4

Arranged by Constance Seely-Brown

Moderate
L.H.

(J =

96)

*W

0.

m^
f

j*

rr

*:

-(-

^
i
n

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(0)

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L.H.
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1
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rJ^^
djt/

MCMXVII

Carl Fischer,

New

Yor

19Sir-28

International Copyright secured

Copyrig/i'

Renewed

ym^m-'M

10023

10

9. Gavotte
IG minor)

Violin
JOH. 8EB.

BACH
4 4

Tempo

de

Gavotte

(J

68)

Arranged by Constance See ly -Broken

te
P'

nL.H,

j> dolce

w
1
1

t:ri^J r'rrrtgir
0,

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0,
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rr

J-

JM

-r

Copyright

MCMXFa by

19817-88

International

Carl FUehsr, Ne%eYork Copyright secured

Copyright Henesed

11

10.

Menuet
(G minor)

Violi

m
Moderate
(J ^ 96)

JOH. SEB.

BACH

Arranged by Cunstance Seely-Brown

^
t=^
///

i9-=-

p
r p

i>

iS^
i

^^
?
Fine
I

Trio

*^

^
^-^

Pdulce

P
2 "^
'

^
z^"'f

[Xl/i
O
.

ULD
4
#-"'

*
P

^
? 2/"
Copyright

_ n

^
4

^P
lS^

(0)

^^^^^ ^r Lur
^
I'

^
ULU

iJ ^
'tr

li

n
H

*
C
19S17-28

II

ULCJ
Menuet da capo
al

Fine

MCMXVDby Carl Fischer, New York International Copyright secured

Copynghi Renewed

Violin Literature
from the Great
IVitz

Violinists

Knisler: "The Fritz Krcislcr Collection" for

\ iolin

&

J'iuno
edition

Fritz Kreisler: "Eight Original Pieces .Arrangements" for \ iolin <S Piano

and

An

()iit.-^taiidiiig

marvelous edition of

of original compositions,
transcriptions

and

simplified pieces from the pen of Kreisler.

cadenzas for violin and

piano. includes twenty-two Kreisler favorites compiled by Eric

Contents include "Toy

'

The

collection

Soldiers .Marcli,

"Hondino On A 'Iheme" by Beethoven plus six

other easy pieces for
violin
(Cat.

Wen

with a

foreword by Yehudi

and piano.

Menuhin.
(Cat.

No. F35()2)

No. ATF115)

Ju.seha Heifetz: "NewFavorite Encore Folio"

Fritz Kreisler: "Favorite

for N'iolin
fifteen

& Piano

Violin

Encore Folio" for & Piano

Tliis fine collection of

collection of eleven

compositions was selected and edited by Heifetz and presented in

outstanding engravings

compositions for violin and piano selected and

edited by Kreisler. Includes "Tambourin,"
'

and

printing. Compositions include "Rigaudon," "Zapateado," "Guitarre" in

addition to pieces by Schubert, Mendelssohn, Mozart,

Brahms and Schumann among

(Cat.

others.

"Serenade du Tsigone and pieces by Brahms, Bach, Bizet and Mendelssohn (Cat. No. 01290)

among

others.

No. 02137)

BRAHM/

Joseph Joachim: Brahms

lluni'urian Dances," \o\.
\ iolin
I

C
HANDa

for

& Piuno

Original transcriptions by Joseph Joachim of these great pieces.

Ihe collection includes the first five Hungarian Dances.

(Cat.

No.

I.H'JO)

Leopold Auer: Handel "Six Sonatas" for N iolin & Piano

Handel's Six Sonatas in
keys of A,
.iiul

l>copold Auer: Bach "Six Sonatas" for

tin-

Unaccompanied
Ihe
iireat

\i)lin

Gm,
l)V

F,

D,

A and E
I

Bach master-

were edited

Leopold ;\uer
in a

|>ul)lislii-(i

meticu-

pieces experdy edited by ollf .1(1 Au er

mac

lous edition for vioUn

and

tion of
(Cat.

fortv-eight pages.

piano.
(Cat. No. L846)

No. L788)