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Musical Sound Processing Csetube

This document discusses musical sound processing techniques. It describes how musical sounds are recorded individually on a multi-track tape recorder and then manipulated and combined by a sound engineer. It outlines various time-domain operations like echo generation, reverberation, flanging, and chorus generation that are commonly used to process musical sounds. It also discusses frequency-domain equalization techniques used to modify frequencies and provide presence or boost/cut certain ranges.

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Sara Swathi
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© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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220 views2 pages

Musical Sound Processing Csetube

This document discusses musical sound processing techniques. It describes how musical sounds are recorded individually on a multi-track tape recorder and then manipulated and combined by a sound engineer. It outlines various time-domain operations like echo generation, reverberation, flanging, and chorus generation that are commonly used to process musical sounds. It also discusses frequency-domain equalization techniques used to modify frequencies and provide presence or boost/cut certain ranges.

Uploaded by

Sara Swathi
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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MUSICAL SOUND PROCESSING
INTRODUCTION
All musical programs are produced in basically two stages.
Sound from each individual instrument is recorded in an acoustically inert studio on a
single track of a multi track tape recorder.
The signals from each track are manipulated by the sound engineer to add special audio
effects and are combined in a mix-down system to finally generate the stereo recording on
a two-track tape recorder.

TIME-DOMAIN OPERATIONS

Commonly used time-domain operations. Carried on musical sound signals are echo
generation, reverberation, flanging, chorus generation, and phasing.

1) SINGLE ECHO FILTER

Echo are simply generated by delay units.
Because of the comb like shape of the magnitude response, such a filter is known as comb
filter
2) MULTIPLE ECHO FILTER

To generate a fixed number of multiple echoes spaced R sampling periods apart with
exponentially decaying amplitudes ,

3) REVERBERATION

The reverberation is composed of densely packed echoes.
The IIR comb filter by itself does not provide natural-sounding reverberation for two
reasons.
First , its magnitude response is not constant for all frequencies, resulting in a coloration
of many musical sound that are often unpleasant for listening.
The output of echo density given by number of echoes per second generated by a unit
impulse at the input is much lower than that observed in a real room thus causing a
fluttering of the composite sound.


http://www.csetube.in/
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4) FLANGING

There are a number of special sound effects that are often used in the mix-down
process.one such effect is called flanging.
It was created by feeding the same musical piece to tape recorders and then combining
their delayed outputs while varying the difference between their delay.
One way of varying t is to slow down one of the tape recorders by placing the operators
thumb on the flange of the feed reel, which led to the name flanging.

5)CHORUS GENERATOR

The chorus effect is achieved when several musicians are playing the same musical piece at
the same time but with small changes in the amplitude and small timing differences
between their sounds.The phasing effect is produced by processing the signal through a
narrowband notch filter with variable notch characteristics and adding a scaled portion of
the notch filter out put the original signal,

FREQUENCY-DOMAIN OPERATIONS

These effects are achieved by passing the original signals through an equalizer, the purpose
of equalizer is to provide presence by peaking the mid frequency components in the
range 1.5Hz to 3Hz and to modify the bass-treble relationships by providing boost or cut to
components outside this range.

1) HIGHER-ORDER EQUALIZERS

A graphic equalizer with tunable gain response can be built using a cascade of first-order
and second-order equalizers with external control of the maximum gain values of each
section in the cascade.

CONCLUSION

The audio effects are artificially generated using various signal processing circuits and
devices, and they are increasingly being performed using digital signal processing
techniques.


http://www.csetube.in/

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