Foreign

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The piece is for solo saxophone and utilizes various extended techniques including quarter tones, trills, and multiphonics. It also provides detailed performance instructions regarding dynamics, articulation, and experimentation with alternative fingerings.

The piece makes use of quarter tones, trills, and multiphonics. It instructs the performer to experiment with alternative fingerings if the suggested ones do not work.

The performance notes provide instructions regarding dynamics, articulation, the treatment of repeated sections, and suggestions regarding quarter tone and multiphonic fingerings. It also notes that fingerings may vary between instruments.

Foreign

solo saxophone

Barry Cockcroft

reedmusi c .com

Foreign
for solo saxophone

duration: 4 minutes

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ,
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dont steal music

Barry Cockcroft
1993

Foreign 1993 Reed Music Pty Ltd


RM001 ISMN M-720019-00-0
www.reedmusic.com All Rights Reserved

#
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Licensed to:
Sean Tanguay sptn734tj2@hotmail.com
32 Gifford Ave., Westfield, MA 01085, United States

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#w

n b b b n b b

# b n
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# b b n b b

l
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b
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,
,

Optional octave higher _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

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_________________________________________________________________

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Play 5 times

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Change dynamic on repeat

P f P

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RM001
www.reedmusic.com

Licensed to:
Sean Tanguay sptn734tj2@hotmail.com
32 Gifford Ave., Westfield, MA 01085, United States

Performance Notes
& #

Length of note to be determined by the performer

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
& Y

Quarter tone trill with suggested fingering and breath mark

&
C

&

Multiphonic with suggested fingering

Quarter tone higher

b #

Quarter tone lower

Three quarter tones higher

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Accelerando, gradually getting faster

Foreign should be played with extremes of dynamics. The


softs should be barely audible whilst the louds should be
as strong as possible. The repeated section should be as
fast as possible whilst paying close attention to the full
range of dynamics. Quarter tone and multiphonic fingers
vary for each saxohpone so if the suggested fingerings do
not work, experiment with alternatives.
Licensed to:
Sean Tanguay sptn734tj2@hotmail.com
32 Gifford Ave., Westfield, MA 01085, United States

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