This document provides a summary of the film "Orgasmic Birth" directed by Debra Pascali-Bonaro. The film alternates between nine birth stories filmed in a serene environment and commentary from midwives and physicians. It counters sensationalized depictions of birth and shares positive birth stories. The film shows women laboring in supportive surroundings, freely expressing themselves. Their labors are aided by partners and midwives as they welcome their babies. The film aims to expand awareness of birth as a profoundly sensual experience by capturing real labors and births. It suggests current high cesarean rates in the US may be harming more than helping and advocates for a more natural approach to childbirth.
This document provides a summary of the film "Orgasmic Birth" directed by Debra Pascali-Bonaro. The film alternates between nine birth stories filmed in a serene environment and commentary from midwives and physicians. It counters sensationalized depictions of birth and shares positive birth stories. The film shows women laboring in supportive surroundings, freely expressing themselves. Their labors are aided by partners and midwives as they welcome their babies. The film aims to expand awareness of birth as a profoundly sensual experience by capturing real labors and births. It suggests current high cesarean rates in the US may be harming more than helping and advocates for a more natural approach to childbirth.
This document provides a summary of the film "Orgasmic Birth" directed by Debra Pascali-Bonaro. The film alternates between nine birth stories filmed in a serene environment and commentary from midwives and physicians. It counters sensationalized depictions of birth and shares positive birth stories. The film shows women laboring in supportive surroundings, freely expressing themselves. Their labors are aided by partners and midwives as they welcome their babies. The film aims to expand awareness of birth as a profoundly sensual experience by capturing real labors and births. It suggests current high cesarean rates in the US may be harming more than helping and advocates for a more natural approach to childbirth.
This document provides a summary of the film "Orgasmic Birth" directed by Debra Pascali-Bonaro. The film alternates between nine birth stories filmed in a serene environment and commentary from midwives and physicians. It counters sensationalized depictions of birth and shares positive birth stories. The film shows women laboring in supportive surroundings, freely expressing themselves. Their labors are aided by partners and midwives as they welcome their babies. The film aims to expand awareness of birth as a profoundly sensual experience by capturing real labors and births. It suggests current high cesarean rates in the US may be harming more than helping and advocates for a more natural approach to childbirth.
Directed by Debra Pascali-Bonaro Seedsman Group, Inc., Westlake Village, California, USA www.orgasmicbirth.com 85 min, DVD, $35 Orgasmic Birth, visual storytelling at its best, is Debra Pascali-Bonaros response to the crisis in birth today, with its increasing obstetric medicalization of labor and escalating cesarean section rates. It alternates nine birth stories with commentary by midwives, physicians, and educators. Participating mothers offered the lmmakers unusual access to their lives, believing strongly in the value of their personal experiences. Filmed in muted, golden tones in serene, darkened rooms, the movie counters the medias hysterical depictions of birth and the negative birth stories all too commonly heard these days. Orgasmic Birth shows women laboring and giving birth in warm, supportive surroundings (save for one poignant counter-example). Engaged in the hard work and great joy of labor, they are free to express themselves through movements most harmonious to them. We hear the musical sounds coming from deep within them, or high and keening, which reveal a repertoire of birth songs familiar to midwives and home birth mothers. Each woman is held, soothed, and comforted, encouraged by partners and midwives as she welcomes and endures the intensity of contractions and enables the opening of body and mind to let the baby emerge into its rst birth day. It is a miracle, each time. The lms title is meant to be provocative. In the United Statesa country obsessed with sex and concur- rently puritanical about sexual mattersthe very word orgasmic commands attention. By naming labor and birth differently from the usual terminology and extending the denition of sexuality to include womens birthing powers, Pascali-Bonaro expands awareness of what is possible and guides viewers into a compelling, persuasive realm where they might not have expected to go. They see that birth can be a profoundly sensual, sexual, and spiritual experience; that oxytocin is most likely to ow and increase when women agree to feel their laborsa process that benets mother and baby in so many ways before and after birth. Most of these women labor in an intimate environment conducive to letting go and surrendering, enabling them to transcend pain (or not to feel their contractions as pain) and, for some, to experience real sexual pleasure. Birth is not romanticized; the viewer labors along with each woman. Im scared. . .somethings going to break, says one. Later, she reminisces, I thought it would go on forever. . . . Nobody tells you that if you stand up you can have the baby in ve minutes! You have to trust that people will accept you when you totally let go. Im so proud of myself. I have fears too, says another. Will I have the strength? Others express con- dence: Just picture this brave little soul. If hes ready, Im ready. In Birth by the Numbers, an invaluable DVD extra interview, Eugene Declercq guides viewers through sobering statistics. He compares the U.S. neona- tal, perinatal, and maternity mortality rates with those of other industrialized countries. Asking whether cesarean operations, invaluable in countries with inadequate med- ical care and in instances of crises, have reached a point in this country where they hurt rather than help when performed as often as they are, he suggests that changes in practice have led to the current persistent increase. (I can only wish he could have been as specic about the agents and nature of these changes as he was about the numbers he quoted.) Finally, acknowledging the birth reform movement that exists already, he lists the many ways in which citizens can join and become active in advocating for a more natural, safer way of giving birth. Jutta Mason, a Canadian activist, wrote that Womens culture, when it disentangles itself from the medi- cal monoculture, is so rich, so full of variation and interesting detail. . .women (give) birth in ways totally unknown within hospitals (1). She adds that when med- icalization becomes dominant, these fascinating birth stories virtually go underground. Orgasmic Birth does not hesitate or equivocate in bringing these vital sto- ries into the light, literally. Robbie Davis-Floyd, one of the lms commentators, points out that we need to tell and hear themalthough often it is not considered all right or polite to do so: Might not women who have had planned or unplanned medical interventions feel inade- quate, consider themselves to have failed? Yet clearly the purpose of this lm is not to judge, but to ensure that the knowledge of womens powers and wisdom remains as alive and viable as possible. It succeeds admirably and should be an essential part of 266 BIRTH 36:3 September 2009 education for all those involved in caring for childbear- ing women. And why not show it (along with many of the new childbirth lms coming out these days) to young women and men in the context of sexuality and life skills courses, as well as in the area of reproductive rights, to give them a way of approaching childbirth as an empowering event of life? Perhaps it will help build a constituency of mothers and practitioners large enough to tip the scales and create a re-visioning and re-structuring of maternity care. Jane Pincus P.O. Box 72 Roxbury, Vermont 05669, USA Co-founder, co-author, and co-editor of Our Bodies, Ourselves References 1. Mason J. The meaning of birth stories. Birth Gazette 1991; 6(3):1419.
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