Digital Art Magazine

D igitAl ARt
FEBruarY 2013
cREAtion
whats inside:
2013
Digital art
summit
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D IGITAL ART C R E ATI O N
F EB R UA R Y 2 013
the publishers corner

Hello awesome artists!
One of the coolest things I get to do as a publisher
is to meet other artists. It always amazes me
how much talent is out there silently creating
incredible pieces of art. I am a life-long learner
as are most creative people I have met. We tend
to push boundaries, challenge processes and to
be bored with the status quo. The pursuit of high
quality education specific to digital art creation
leads down many venues. I was always looking
for a way to tap into a variety of top artists in
our field but it became increasingly expensive to travel to conferences
and workshops. Average expenses for a conference or a workshop always
was about 2,500 dollars and took a week to ten days out of the studio. I
was generally limited to two a year by time or monetary resources. A
big challenge for me is always choosing which conference to go to and
which conferences will I have to skip? Choosing between WPPI, PPA, State
conferences, Photocon, IDMAA, NOTACON, ADAAF..the list goes on ad
infinitum. The choices are wide and varied but still rather pricey. Choosing
between a large conference with a huge list of opportunities or a smaller
more intimate workshop where I can dive deeper into a specific topic is also
a big challenge.
At Digital Art Creation magazine we like the idea of being able to study
with a variety of artists for short intense periods of time. The 2013 Digital
Art Summit gives us that opportunity. We have a really great line up of top
artists that you can study, all from your own home. You can even watch all
of them for less than two nights hotel at a regular conference. An even
bigger bonus in my opinion is that you dont have to worry about taking
all of the notes yourself. Each of these webinars is recorded and stored
in the cloud so you can access them when you are ready to tackle the
specific technique you were looking at. You can watch the webinars at your
convenience at a later date even if you cant make the original date of the
recording.
So I hope you enjoy this issue of Digital Art Creation. This is a special issue
that is designed to get your creative thought process flowing. In the pages
following you will see work from the amazing group of artist that will be
presenting during this years Digital Art Summit. We have included the
schedule of each artist in the table of contents; a description of each
webinar and samples of their work is also included on each artists profile.
All of the webinars will be at 8 PM Central and as mentioned they will all be
recorded, the recordings are included with your tickets. Tickets are on sale
now. Enjoy!
Live happily, Love greatly and Laugh often.
Tim
This magazine link is free to distribute. You may

however not edit any part of this PDF, copy the
content, or split the pages. This PDF must remain
whole at all times, the content of which belongs
to Digital Art Creation. All art and trademarks
contained herein are the property of
their respective owners..
PS-The book I published last month From Pictures to Paintings will be FREE
for a 24 hour time frame either Presidents Day or in the next few days after
that. Please keep a look out for an email titled Sweetheart of a Deal. In
that email I will let you know when the book is free. You also can look at the
Amazon page to see if it is free.
F EB R UA R Y 2 013
In This Issue
2013 Digital Art Summit
Webinars at 8pm Central unless otherwise noted.

Tues., Feb. 26
Fri., Mar 1
5
Thom RousePage 10
Marco BucciPage 14
Heather MichellePage 17
Barney DaveyPage 21
KathyAnnePage 49
Lois StanfieldPage 24
Michael CampbellPage 29
Mary MortensonPage 33
Michael CampbellPage 29
Paul TomasonPage 37
Patrick Smith, One SoftPage 42
Marilyn SholinPage 45
Cecil Williams Free WebinarPage 53
Darrell Chitty Page
Thurs., Mar 7
Sat., Mar 2, 12:30 CST
Tue., Mar 5

Tues., Mar 19
Fri., Mar 15
Mon., Mar 18
Tues., Mar 19
Thurs., Mar 21
Mon., Mar 25
Tues., Mar 26
Thurs., Mar 14
Thurs., Mar 7
S EPT EM B ER 2 012
Darrell Chitty
A national magazine once
described Darrell as The
New Old Master. That
description seems to fit him
well. He is a 21st century
artist who takes advantage
of the latest technology
available, combines his
skills and understanding
with an abiding
appreciation and in-depth
knowledge of art history
and the age-old techniques
of the Old Masters to create
and is now developing
veritable masterpieces.
a mentoring program for
The consummate
aspiring artist wishing to
professional with 33 years
learn his painting style and
experience, twice named
marketing concept. His art
Louisiana portrait artist
can be found in the homes
of the year, holds both
and businesses of admirers
a MBA and a Masters of
and patrons around the
Photography degree. This
world.
college professor has twice
Once in a blue moon you
been recognized as the
meet a person that has the
outstanding teacher of
passion, talent and drive to
the year. Darrell conducts
create outstanding artistic
seminars, workshops
impressions of the world

around them. Darrell is that
person. His understanding
of all of the elements of
color and design give
him the ability to create
beautiful masterpieces on
a consistent basis. Scott
Dupras, master artist and
photographer.
darrellchitty@yahoo.com
318-550-5635
www.darrellchitty.com
See Darrells Webinar
info at http://www.
digital-art-summit.com/
membership/2013-artists/
F EB R UA R Y 2 013
webinar: Be quiet and listen to your image!
Every image is different and should be portrayed

in its own unique way. We will examine several
images and observe what each was saying to
me before being painted. We will select one
image and go through the creative process to
completion.
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Thom Rouse
Thom Rouse began his
career as a portrait and
wedding photographer in
1994. Based near Chicago,
he now divides his time
between commercial, fine
art and commissioned fine
art images with his clients
as the central subject of
his pieces. His conceptual
fine art images utilize
real world photographs
blended and manipulated
to create an alternative to
real world perception. Thom
as an artists tool, visual
also lectures and teaches
literacy and lighting and
workshops on topics
posing for figure studies.
ranging from Photoshop
Thom holds the PPA

Master of Photography
degree, the Award of
Excellence, the Masterof
Electronic Imaging degree,
Photographic Craftsman
degree and is a Fellow in
theAmerican Society of
Photographers. He has 49
PPA loan Collection images
and has won the ASP Gold
Medallion twice. Thoms
work has been exhibited
throughout the United
States as well as Canada,
China, Japan, Korea, and
Europe.
www.thomrouse.com
thom@thomrouse.com
815 761 1358
See Thoms webinar
information at: http://www.
F EB R UA R Y 2 013
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webinar: After the Camera - Before the

Print - Photoshop as a Creative Medium
For many of us Photoshop has become more than a post-production tool to repair
and enhance our photographs. For some of us Photoshop has become an all-new
visual medium unto itself a blank canvas from which we create an all-digital artifact.
As Photoshop artists, we draw not only on the traditions of photography, but from
the traditions of painting, drawing, graphic design and sculpture. This program will
consider some of the issues (both
technical and mental) that we
confront as we evolve from being
photographers to becoming digital
artists.
During this webinar Thom will
present a live demonstration of
Photoshop techniques used in the
creation of his fine art images.
To paraphrase Ansel Adams.
Photographic images are our
instruments - Photoshop is the
performance
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Marco Bucci
webinar: Discovering Light and Colour

This webinar demonstration and
lecture is for painters who wish
to create compelling, beautiful
digital paintings, either from photo
reference, from life, or completely
out of their imagination. I will be
discussing and applying the basic
painting fundamentals that I teach
in my classes, such as drawing,
value, composition, and color. You
will learn how to approach a digital
painting, and gain valuable insights
on painting convincing light and
form.
See Marcos webinar information
at: http://www.digital-art-summit.
com/membership/2013-artists/
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Heather Michelle
M. Artist, Corel Painter Master, Corel Training Partner 2013, Platinum Artist of the Year
webinar: Returning to the Easel

Introduction to Golden
Gels and Acrylics for Inkjet
Embellishment
90-120 minutes
Have you ever wanted to
start using wet media, or
real paints to your digitally
painted canvases but was
overwhelmed by all of the
options available? Heather
will simplify the organic
process and show you
exactly what you need to
use for every sheen, and
any style of image, even if
theyre un-painted! Youll
also learn what to avoid,
and pitfalls that can quickly
turn your work of art into a
versus Zinc Tips in fixing,
cloudy mess. Join Heather
spraying, and protecting
The Painter during this
your inkjet print before
extended webinar and
applying embellishment.
watch how she breaks
Her personal tool box
down color mixing, the
from palette knives to
difference between the
brushes to palettes The
various Golden acrylic
wide array of options
types, and most importantly
in Goldens line of gels,
which gels to add to your
and acrylics and how to
repertoire. This webinar will
customize your workflow
include pre-recorded video
demos, slide presentation,
How to create a style with
and a live Q&A. Please note
water based acrylics and
this will not be a live video
gels reminiscent of oil
feed demonstration.
paints with layering and
sheen control
Heather will cover:
Understanding pigment
makeup and its
relationship to dry color
shift Learn how to mix
with whites - Titanium
Dry time and work

arounds
How to determine what
brushes to use in specific
areas
F EB R UA R Y 2 013
Important facts that

could help you avoid
clouding or ruining your
canvas
BIO
Corel Training Partner,
Corel Painter Master and
PPA Master Artist Heather
Michelle Chinn is no
stranger to the world of all
things painting whether
it be traditional media
or digital execution. A
full time painter with
HeatherThePainter.com
Heather balances life
between the easel and
the computer painting for
clients all over the world,
and traveling across the
country teaching Corel
Painter. On sunny days
17
youll find Heather, and

Jack (her beloved painting
dog featured in the Painting
Animals DVD Set), at the
easel working on handpainted acrylic canvases
or recording videos for her
tutorial line. Her work has
been featured in Ballistic
Publishings Painter book,
numerous Loan and
Showcase Collections,
Corels advertising, and
most recently, the art book,
Painter Showcase.
You can see more of her
organic work through the
latest Heather Michelle
Collection exclusively at
JonathanPenney.com or
www.HeatherThePainter.
com.
See Heathers webinar
Fellow Corel Painter Master Heather is wonderful artist and teacher. Ive had the
pleasure of seeing Heather painting and teaching. I can attest from first hand
experience to her great combination of both artistic and technical skills, plus energy
and enthusiasm, all of which makes her a great speaker and teacher. Heather is
passionate about art and people. She explores painting in the traditional as well
as digital world. She communicates clearly and is patient and encouraging of her
students. She knows Painter very deeply and is always open to learning and growing qualities that enhance what she has to offer as a teacher.
I highly recommend Heather as a speaker as well as a Painter instructor.
~ Jeremy Sutton
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Barney Davey
Succeeding in 2013 Digital Art Print Market

What Is Holding Your Art
Career Back?
If that question resonates
with you, dont feel alone. It
is quite common for artists
to find themselves with
scattered marketing plans
that keep their careers
untracked.
Just as with your art,
only you can make your
success. When you learn to
focus on what is valuable,
then organize and execute
around your priorities, you
create success. You may be
trying to do too much, or
you just as likely are doing
too little, or at least too little and career goals.
of the most crucial items on Learn which marketing
your marketing agenda.
tools are best for your
career.
Simplify and Succeed
Take this workshop to learn
practical techniques to
help you:
Determine your marketing
Discover how focusing on

fewer events with greater
intensity gets the best
results.
Local Grassroots
Marketing
There are opportunities
everywhere. Much of it is
all around you. If you are
not producing results from
your warm market, which
is people you know and
people they know, then
you are missing the easiest
sales.
you can use to start

growing your local market.
Do you know how many
pieces you will make in
your career? How many
collectors do you need
to be as successful as
you want to be? You will
learn how to breakdown
what you need to do into
incremental, achievable
steps to get a grip on
marketing your career. You
build a collector base one
at a time, just like a brick
wall. By steadily working at
your career construction
project, you will form a rock
solid foundation that will
propel your career for years
to come.
I am eager to give you

useful tools and techniques
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Combine the Best Marketing Tools to

Create Powerful Impactful Results
There are so many ways to promote art, it
can be paralyzing to try and sort out what
will work best for you. I will help you make
the right choices about which tools to use
to run your career. No one can do it all.
As you begin to synchronize your chosen
tools on tightly focused goals, you will
create a synergistic effect that generates
the greatest possible results for your efforts.
There are ways to plot, plan and execute
to make this happen. Im eager to share
them with you.
Bio
Barney Davey has devoted his expertise
to advising visual artists on marketing
and advertising since 1988. He spent two
decades with Decor magazine where he
was able to work closely with globally top
selling self-representing artists and art

print publishers. He used that time and
opportunity to observe and understand
their best marketing practices.
In 2005, he published the first edition of
How to Profit from the Art Print Market. It
has remained a bestseller on the Amazon.
com Business of Art and Prints lists since
then. In 2011, he published the second
edition. It continues to rank on lists in both
paperback and Kindle formats.
Davey also is the author of two e-books.
They are How to Price Digital Fine Art Prints,
and The Zen of Selling Art. His newest book,
Art Marketing: How to Get Your Work Seen
and Sold will be available in late March
2013. It can be pre-ordered at a discount
now.
Davey began publishing his Art Print Issues
blog in 2005. During that time, he has
posted 500+ art business and marketing
articles, many with a focus on the evolving
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art print market. He is also the co-producer and

presenter of a monthly art marketing podcast
along with Jason Horejs, owner of Scottsdalebased, Xanadu Gallery. He also frequently
conducts workshops and webinars on art
marketing and the art print market.
Contact information:
Barney Davey
Email: barney@barneydavey.com
Blog:
www.artprintissues.com
Two-for-one art print marketing and how to price

prints books offer: www.barneydavey.com/
bonus
The Zen of Selling Art e-book: http://x.co/
sellart
Art Marketing How to Get Your Work Seen
and Sold pre-pub discount page: www.
barneydavey.com/art-marketing-book
See Barneys webinar information at:
http://www.digital-art-summit.com/
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LOIS STANFIELD
Lois Stanfield grew up
loving animals. If childhood
holds the blueprint for ones
destiny in life, then it was
obvious what she would
grow up to be. At the young
age of 4 while growing up
in Bellerose, NY, she was
already drawing pictures
of horses and dogs on
whatever media she could
findpaper, sea shells or
whateverand selling them
to a kindly neighbor woman
down the street for a nickel
or a glass of milk with a
cookie or two.
After two years of college
in New York with a major in
Biology, thinking she wanted

to be a veterinarian, Lois
quit school and headed
for Los Angeles, California.
She met her first husband,
a gifted photographer,
while working at Art Center
College of Design and
began taking evening
courses in photography.
Together with her husband,
Lois moved to San
Francisco and went back
to school at San Francisco
State University, studying
Creative Writing, Music,
college with classes in
Art and Photography. She
typography and graphic
supplemented her studies
design.
at a local community
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available for commissioned portraits of

horses and pets, and also works for her
fellow photographers who may not have
the time or inclination to paint but wish to
offer them to their clients.
She is a Certified Professional
Photographer and has won numerous
awards for her work. Most recently:
2012 Canon Par Excellence Award, Master
Artist division
2012 PPA Gold Artist of the Year Award
In addition, Lois has been published
in Chronicle of the Horse, Dressage
Today, California Riding, and Dog World
magazines, as well as photography and
art showcase books such as the recently
published, beautiful coffee table book,
Painter Showcase.
She settled into the profession of graphic

design, and started her own business
designing and producing books for
numerous publishers. Her favorite part of
this career was creating photographic art
and design for book covers. As a hobby
on the side, she photographed horses and
landscapes.
Eventually Loiss love of photography,
digital art and animals evolved into a
full-time career that overshadowed her
graphic design business, and she shifted
into her dream career as an Equine and
Pet Photographer/Artist. Always looking for
artistic ways to work with her photographs,
Photoshop became her best friend . . .
until she discovered Corel Painter in 2004.
This was the artistic tool she had been
searching for, and shes never looked
back.
Lois currently lives in Minnesota and is
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Contact info:
Lois Stanfield Equine and Pet
Portraiture
PO Box 432, Chanhassen MN
55317
loisstanfield@comcast.net
http://www.loisstanfield.com
See Loiss webinar
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webinar: PAINTING HORSES AND PETS

Although the focus of
this webinar will be on
painting horses and pets,
the methods are universal
and can also be used
for people portraits and
landscape paintings.
the different methods of

painting in Corel Painter,
experimenting, and
developing your own style!
We will go over choices to
be made such as:
Clone vs Quick Clone vs

Lois does extensive
simple blending, and the
preparation of an image
advantages of each.
before painting in Corel
Which types of brushes
Painter. We will spend
to use for different parts
time on how to choose a
of the painting such as
winning image from your
short-haired dogs vs
collection of photographs,
long-haired dogs, satiny
how to work with or change
coats on horses, and
the background to frame
scenic backgrounds vs
the image in the best
studio backgrounds.
possible way, and then
going over her unique
Which media (acrylic vs
methods for preparing
oils, etc) to use.
an image to paint using
Photoshop and Topaz filters. What size brushes to use
for different elements
Once the image is ready to
of the painting and
paint, we will work in Corel
how it affects the look,
Painter and talk about all
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perspective and depth of

field.
How and why to adjust
the opacity, resaturation
and bleed features of
your brushes and what
effects they will have on
your strokes and desired
effects.
The difference between
using blending brushes
and cloner brushes,
adding color with
brushes, and when to
use each for your desired
effect.
Saving and labeling your
files.
Finally we will do at least
one sample painting to
demonstrate how you
can take an ordinary
photograph and transform
it into a work of art using
27
a very simple, easy-to-learn method,

step by step from preparation through
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painting, and then add finishing touches

in Photoshop.
28
Michael Campbell
WEBINAR: USING PHOTOSHOP AND PAINTER TO

CREATE WALL ART FOR PORTRAIT CLIENTS
A lady commissioned me
to create a mixed media
painting of her daughter
riding her horse. It was
to be a surprise wedding
present for the daughter.
She asked if I could make
it look as if it was in an
English Country Scene,
like those depicted by the
painter John Constable. In
addition she did not want
the daughter to know I
had photographed her or
anything about it until she
received it on the wedding
day...
This webinar shows how
I achieved this and the
steps in the process. The
photograph at the show

park, the photograph or the
fence the foreground grass
and the repainting of John
Constables most famous
painting the Hay Wain
painted in 1821 at Flatford
Mill on the river Stour in
Suffolk.
The webinar will also show
the steps including Adobe
Photoshop and Corel
painter. Steps include;
the extraction, creating
the background and
assembling the elements
and finally making the
painting.
Michael Campbell is a
self-taught artist raised in
London with post graduate

scientific training who now
specializes in creating
mixed media art pieces for
his clients in San Diego.
He began his career in
photography as a research
scientist at the Kodak
Ltd Research Laboratory
in London in 1962 . He
became a lecturer for
Kodak and for 5 years
taught photographic
technology to students
from all over the world. He
moved to Salisbury in 1972
and became a professor in
photography. He started a
part time portrait business
and his first client was ExPrime Minister Sir Anthony
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professor at California State University

for four years and then worked in
Arizona for the famed Gittings Portrait
studio. In in 1988 he gave a lecture to
400 photographers at the Western State
Convention and Ernest Brooks saw his
work and invited him to put up a one man
show at the Brooks Institute. Ernest brooks
insisted Campbell enter in the PP of A print
competition and his two entries scored
98 and 97 and took first and second
place out of 8000 entries, and his images
were on the covers of the Professional
Photographer magazine along with an
article on lighting for creative portraiture.
In 1990 Fuji paid him $1500 to give a 45
minute talk in Los Angeles as well as flying
him several times to Europe to teach
workshops.
Eden. He worked with a neighbor of his Sir

Cecil Beaton who has been descried as
one of the most significant photographers
of the 20th century.
He printed hundreds of Beatons negatives
of Audrey Hepburn wearing the clothes he
designed for My Fair Lady as well as the
famous portraits of Greta Garbo .
In 1979 Campbell went to the US to write
a series of articles for the British Journal
of Photograph. He spent two weeks in
Santa Fe meeting with Paul Caponigro,
Elliot Porter, Laura Gilpin and other great
photographers.then travelled to the West
Coast and spent four days staying in the
home of Ansel Adams in Carmel.
In 1980 Campbell was the studio
manager for Phillip Charis in Pasadena
where the sales were well over two
million dollars. Campbell then moved to
San Diego where he bought a portrait
photography franchise. He taught as a
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Campbell bought Photoshop and Painter

at Macworld expo in 1991 and he has
been working in digital photography since
the early nineties. Campbell lives in San
Diego where as a single parent he raised
his son Alex (20) who is now studying to
become a cardiac surgeon. Michael was
a track coach at the local high school for
four years but had started coaching Alex
in the high jump in 6th grade and a year
ago on leaving Scripps High School and
winning the California State Games for
the third time, Alex got a track scholarship
30
to UCI and was also

offered a scholarship
by a dozen other
universities including
Yale. Michael was the
high jump record holder
for Great Britain back in
the nineteen sixties and
seventies and traveling
around Europe to
compete for his country
in international athletics
he had opportunities
to visit the great art
museums of many
countries.
mcampbell137@gmail.
com
858-761-4939
See Michaels webinar

information at:
http://www.digitalart-summit.com/
membership/2013artists/
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Mary Mortensen,
PPA Certified, M. Photog.,Cr.,API,F-WPPA PPA Affiliate Judge, 2009 Wisconsin

Photographer & Electronic Imager of the Year
Education
Master of Science Degree - Business
Management
Bachelor of Arts Degree - Communications
and Management (with emphasis on
Marketing and Sales)
Licensed in Makeup Artistry specializing in
photography
Professional Affiliations
Professional Photographers of America
American Society of Photographers
Wisconsin Professional Photographers, Past
President 2005-6
South Central Professional Photographers
Association
Past President - Southeastern Wisconsin
Professional
Photographers Association
Past President Women for MACC, Inc.
Background and Experience
Law firm of Mulcahy & Wherry, S.C.,
employed as a paralegal specializing in
incorporations, real estate and probate for
five years.
Miller Brewing Company, employed as
Corporate Employee Programs Manager,
responsible for company-wide employee
communications programs for ten years.
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Occupational & Family

Health, Inc., a division of
DePaul Hospital, employed
as Vice President;
successfully brought an
existing division of the
company from a $30,000
per month loss to breakeven status within a twoyear period; successfully
Allen in 1988 in Waukesha

County, a western suburb of
Milwaukee, WI. During the
first three years the studio
tripled business as a result
of client referrals and an
emphasis on marketing
programs. The studio has
established itself as one of
the largest in the Greater
Milwaukee-Waukesha area
and is well known for its
unique style of photography
and personal approach to
business. In addition to its
portrait division, the studio
also houses a full digital lab
and school photography
division. Besides the
owners, the studio currently
employees five full-time and
seasonal part-time staff
members
negotiated, implemented
startup, staffing, marketing
and sales programs for a
joint venture major health/
wellness center located in
downtown Milwaukee, WI.
Mortensen Portrait Design,
LLC, opened with husband
Awards and Recognition

Mary specializes in the
photography of children
and babies. For over
a decade Mary has
partnered with the Midwest
Athletes Against Childhood
Cancer (MACC Fund)
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and the Women for MACC

in their fight against
childhood cancer. Through
photographic programs
developed by the studio,
the Mortensens have raised
over $100,000 for childhood
cancer research. Mary
received the prestigious PPA
AN-NE award for charitable
marketing in 1999. She
has been featured on NBC
Channel 4 in the Greater
Milwaukee Area for her
work with children. She was
been featured in Wisconsin
Women Magazine, M
Magazine and Alverno
Magazine.
Mary has been recognized
locally and nationally for
her work. She was the first
in Wisconsin history to
receive the most awards
given at one convention.
She is the 2009 Wisconsin
Photographer of the Year,
2009 Electronic Imager
of the Year, winner of the
Canon Par Excellence
Award, 2009 Best of Show,
34
2009 Clean Sweep, 2009

Top Ten Imagers, two Fuji
Masterpiece Awards,
two Court of Honors and
the American Society of
Photographers Regional
Medallion Award. She
has received local and
state Court of Honor and
Traveling Loan Awards, Best
of Show and Sweepstakes
Awards from Burrell/Supra
Color Lab and her work has
appeared in the PPA Loan
and Showcase Books, the
Professional Photographers
of America Magazines and
in the ASP Elite Collection.
Mary was the recipient of
the PPA National Award in
2011.
Mary has worked with
mothers interested in
entering children for
pageants and modeling.

Her photography has
helped clients win awards,
including a 6-month old
who won Most Photogenic
in a national beauty
contest. She has also
worked with upscale beauty
salons in the MilwaukeeWaukesha area that
compete in hair color and
makeover national contests
sponsored by international
hair suppliers. Her clients
have received three first
place awards and her
photos have appeared
in international hair
magazines.
a PPA Affiliate Judge.

Marys style is simple but
artistic. Her knowledge of
portrait artists and work
with art galleries has set
the tone for the studios
emphasis on producing fine
art and selling wall decor
and gallery framing.
Contact Information
Studio Address:
Mortensen Portrait Design
180 Kossow Road
Waukesha, WI 53186
(262) 754-8889
Fax: (262) 754-8879
E-Mail: mary@
mortensenphoto.com
www.mortensenphoto.com
Mary is currently a
member of PPAs Approved
See Marys information
Photographic Instructors,
at: http://www.digitalACI Lab Speakers Team Fuji
art-summit.com/
Talent Speakers Team and is
F EB R UA R Y 2 013
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webinar: An Artistic Adventure

How to Grow Even Further As an Artist
Join me on an artistic adventure that will
focus on being creative, not so technical,
with your photographic work. We will
transform one of my favorite photos into
a remarkable art piece. I will share how I
play and experiment by creating projects
with my camera, the computer using
photoshop and painter techniques, and
art supplies. My goal is to open your eyes
to see the world in interesting and fresh
new ways; how to see the extraordinary
in the everyday; discover the emotion of
color; and most important, finding the
picture within the picture all to create
a fine art piece for yourself and to sell to
your clients!
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Paul Tumason
Paul owns and operates
Paul Tumason Portraits
which he opened in
San Jose in 1972. At the
start, he did a variety of
photographic assignments
including weddings,
but since 1980, he has
concentratedon classical
studio portraiture.
He graduated from San
Jose State University with

a B.S. degree in Industrial
Technology in 1965,
Paul also served in the
U.S. Navy Reserve for 12
years. He also worked as
a professional musician
during and after college,
playing ragtime banjo.
Paul and his wife Kathy live
in the Santa Cruz Coastal
Mountains, south of San
Jose and they have 5 grown
(out of college) children.
He has occasionally taught
classical studio portraiture
to photographers at
schools for professional
photographers.
Artists Statement
My portraits are known
for what they say about
the subjects and their
relationships, not merely a
record of what they look
like. Hopefully the viewer
can relate to the story
behind the faces. I paint in
the digital world, using my
photographic studies of the
subjects and their things
as references, outputting
the images onto canvas,
and finally enhancing the
work with an assortment of
media.
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Webinar: Directing an observers eye using

Photoshop and Corel Painter
Thoughts on the differences between
a photographic portrait and apainted
portrait.
Emphasis on what I keep sharp
This webinar will be a demonstration of
how I get from my raw image to something
that looks like a fine art portrait painting
and what Im thinking about while
painting.
My process is fairly simple. Starting with
a meaningful, effective, photographic
portrait which almost always is fixed up
in Photoshop, opening in Corel Painter as
a clone source, applying a colored gesso
ground, a muck-up (thanks Jeremy) like
blocking in, refining the image, defining
outlines, bringing back some of the
original photograph, more outlines, more
refining the image, all the while changing
F EB R UA R Y 2 013
38
paper, brush sizes, saving

iterations,
Im continually learning by
way of all the pitfalls and
frustrations in the process.
and the results?? Who is
to judge, make yourself
happy and have fun!!!
See Pauls webinar
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One soft - patrick smith

Perfect B&W
The easiest way to develop stunning black and white images
effects or customize your
own unique look using
powerful, darkroominspired controls that
replicate time-honored
processing techniques.
Enhance tone and
contrast by boosting
shadow and highlight
details or bring back
a touch of selective
color. Control the exact
appearance of your
image using a set of
The pinnacle for many
essential adjustment
photographers is the
brushes and achieve
perfectly mastered black
precise edge detected
and white print. With
masking with the all-new
Perfect B&W, you can easily
Perfect Brush. With Perfect
develop your own stunning
B&W, youll infuse the
black and white images. Its
artistry of black and white
powerful and intuitive tools
photography and create
give you both instant results
your own masterpiece.
and complete creative
control. Use Perfect B&W to Perfect B&W is available in
add dramatic and elegant two editions. The Premium
Edition can be used as a
looks to your photos
standalone application,
and create the many
or as a plug-in to Adobe
moods black and white
Lightroom, Photoshop,
photography can evoke
Photoshop Elements, or
resulting in beautiful and
Apple Aperture. Perfect
provocative imagery.
B&W is also available as
Whether you are a hobbyist
a Standard Edition, which
photographer or a working
only works as a standalone
professional, you can
application.
achieve classic black &
white looks instantly with a
library of expertly crafted
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Perfect Portrait 2
The fastest and easiest way
to create stunning portraits
Focus on the art of portrait
creation because the
most time consuming
retouching tasks have now
been automated. With
Perfect Portrait 2, you can
improve skin texture and
color, remove blemishes,
and enhance eye, lips
and teeth. Youll find that
its never been so easy to
create stunning portraits
your family and clients will
love.
Perfect Portrait 2 is available

in two editions. The Premium
42

Portrait 2 is also available
as a Standard Edition,
which only works as a
standalone application.
Perfect Effects 4
Create Images with Impact
Get an easy, fast and
powerful way to create
images with impact with
Perfect Effects 4. Choose
from a robust library of

photographic effects to add
professional looks to your
photos instantly, including
the popular HDR and retro
looks. You can also recreate
the look of film and
darkroom techniques, add
glows, vignettes, borders,
and correct common
photography problems. With
the ability to stack, combine
and blend effects, and
paint in effects to specific
areas, your creative options
are endless.
Perfect Effects 4 is available
in two editions. The Premium

Effects 4 is also available as
a Standard Edition, which
only works as a standalone
application.
Perfect Mask 4
Replacing backgrounds
has never been easier
Create high quality masks
quickly and easily with new
automated functionality
and powerful tools in
Perfect Mask 5.2, the next
generation of Mask Pro.
Automatic Background
Removal, Drop and Refine
Perfect Mask 5.2 is

available in two editions.
The Premium Edition can
be used as a standalone
application, or as a plugin to Adobe Lightroom,
Photoshop, Photoshop
Elements, or Apple Aperture.
Perfect Mask 5.2 is also
available as a Standard
Edition, which only works as
a standalone application.
Perfect Resize 7.5
Everything you need to
prepare your images for
print
Perfect Resize 7.5, formerly

Genuine Fractals, increases
image size faster than ever
before and without the
loss of sharpness or detail
that you might normally
expect. The same patented,
fractal-based interpolation
algorithms that were in
Genuine Fractals are at the
heart of Perfect Resize 7.5
with several improvements.
Faster processing speeds,
new presets that optimize
clarity and detail of
different image types, builtin output presets, and the
redesigned user interface
add to the power of
Perfect Resize 7.5. Now, its
Brushes, and clean-up tools even better for preparing
all types of images for
make selecting subjects
and isolating backgrounds printincluding photos
taken with DSLR cameras
for removal extraordinarily
accurate. Youll be amazed and snapshots taken with
at how well Perfect Mask 5.2 mobile devices.
works even when masking
Perfect Resize 7.5 can now
tough subjects like hair
be used as a standalone
and glass on complex
application, or directly
backgrounds.
with Adobe Lightroom,
F EB R UA R Y 2 013
43
Want
Want to shoot a f/1.2 or
even f/2.8 to get that
soft, creamy background
but dont have the lens?
Get the same effect with
FocalPoint 2, where you can
simulate the look of those
lenses after you take the
shot.
Photoshop, Photoshop
Elements, or Apple
Aperture. Perfect Resize
7.5 is also available as a
Standard Edition. See how
it compares to determine
which is right for you.
Focal Point 2
Put the Focus Where You
It has never been easier

or faster to focus your
viewers eye and minimize
distractions.
See the One Soft webinar
Create realistic selective

focus and depth-of-field
effects you would think
could only be done in
camera with FocalPoint 2.
Choose from a selection
of lens presets to produce
a specific bokeh or adjust
controls to adjust the
amount and kind of blur
you want. You can even
paint in sharpness or blur
exactly where you want.
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Marilyn Sholin
After 25 years as a
professional portrait
photographer with a
successful 2600 sq foot
studio in the competitive
Miami, Florida market,
Marilyn added to her
portrait career and directed
her creative juices toward
fine art digital painting
and then took it further by
painting on the canvas
creating mixed media. Her
original and spontaneous
art immediately became
a hit with collectors and
commissioned pieces of art.
Her portrait clients enjoy
having original paintings of
their families.
Utilizing the combination
of Adobe Photoshop CS6
and Corel Painter 12 lets
Marilyn create beyond her
imagination remarkable
pieces of art and portraits.
Marilyns art has been
published, and articles
about her work have been
featured in magazines,
books, posters, greeting
cards, and gift items. Her

fine art prints are exhibited
in private and corporate
collections throughout the
United States and Europe.
She has been exhibited in
airports, galleries and other
juried shows.
Marilyn conducts location
workshops, and speaks to
photography organizations
and PPA
schools
throughout
the
continental
United States,
Canada and
Europe. She
was chosen
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to train the Department of

Defense graphic artists. Her
articles and images have
been featured in Imagine
publications, Shutterbug,
Rangefinder, and a variety
of other international
magazines. She is a
featured contributor to the
Pixiq.com website.
She has authored books
on the art of portrait
photography and digital
painting with various
publishers.
Always on the cutting edge
of technology Marilyn is an
avid iPhone and iPad user
and is always searching
45
out and sharing new

approaches to use this
technology to enhance
imagination.
Marilyn maintains an
active speaking schedule,
addressing professional
photography organizations,
universities, seminars, and
teaching workshops. She
continues to push the limits
of portrait photography to
new heights.
In 2007 Marilyn moved to
the beautiful mountains of
Asheville, NC and continues
to create portraits and
paintings for her clients and
for her line of fine art.
She encourages everyone
to always Be Fearless
Degrees and Recognition:
Corel Painter Master
PPA M.Photog.Cr.
PPA Certified Professional

Photographer (CPP)
Florida Degree of
Photographic Excellence
FSWPP
(Fellow of Society
of Wedding and
Portrait Photographers
International)
LINKS and Social Media:
FACEBOOK: Marilyn Sholin
and Marilyn Sholin Art
TWITTER: MSholin and
DigitalPaint
WEBSITES:
www.marilynsholin.com/
blog
http://www.pixiq.com/
contributors/marilynsholin
Products Available at Digital
Paint Shop
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webinar: BASICS OF COREL PAINTER 12 & MORE

There are many new users to Painter12
and also many who want to learn Painter
and get started in it. Seeing how a Corel
Painter Master uses Painter in real time is a
short cut to learning the software. Whether
you paint people, landscapes or just want
to delve a little deeper into the fun side
of Painter, this webinar will give you the
step by step instruction you need to set
up preferences and a workspace that
will keep things simple and keep things
organized.
What You Will Learn:
Painter 12 Desktop tour and setting up
Preferences and loading EXTRAS if they
have not yet been loaded
A tour of the brushes and how to load
third party brushes, organize brushes
and tweak and save brushes
How to Create Your Own Brush Category

and Share Them
How to use Clone Painting and Quick
Clone Painting and the new Cloner
Panel
Workflow I use to keep things organized
Auto Painting Basics and Tricks
Where many goodies hide inside Painter
12
60 to 90 Minute Live Webinar
While this is aimed at Beginners and
Intermediate users the lessons always
contain surprises when they are LIVE and
the muse takes control of my laptop and
my mind wanders into uncharted waters.
Even if you think you KNOW Painter 12 you
will find tips and tricks here and learn how
Marilyn uses it in real time.
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See Marilyns webinar information at:

http://www.digital-art-summit.com/
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KATHYANNE WHITE
The fiber work of artist
Kathyanne White, has been
exhibited in solo and group
exhibitions in museums and
galleries throughout the
United States and abroad.
Her work is in the collection
of the Museum of Arts
and Design, the American
Folk Art Museum and the
Archives of American Art of
the Smithsonian Institution.
She is the recipient of
a 2009 Artists Project
Grant from the Arizona
Commission on the Arts.
After being chosen for an
Artist Residency in Yosemite

National Park, White won
the First Place Award in the
Yosemite Museum Gallery
Show, Yosemite Renaissance
XXII. Several years in
Yosemite Renaissance XXVI
she again was chosen for
an award.
Kathyanne has been
featured in a variety of arts
publications including Fiber
Arts, Surface, American
Style, Folk Art Magazine,
The Metropolitan Spirit,
Log Home Design Ideas,
Quilting Arts and New
Zealand Quilter. In 2001 she

was named a trendsetter
in Art Business News, as an
emerging artist. Fiber Arts
Design Book #7 includes
Whites work and her
work appears in several
catalogues including,
Six Continents of Quilts:
The Museum of Arts &
Design Collection, 2003
Masterpieces: Spirit and
Strength, and Tied Together:
Textile Art in the 21st
Century.
Whites workshops focus
on innovative strategies for
expanding the digital print
to uncommon surfaces.
At venues such as the
Surface Design Association
Conference, Off the Grid
2009, Handweavers Guild
of America, Convergence
2010 and Hudson River
Valley Artists Workshops,
Artfest and others: she
inspires students to create
quality digital prints on
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49
alternative surfaces for

their artwork. Through the
KathyAnne Art website,
White creates workshops
and tutorials, so others are
able to learn and expand
their techniques through
the expanded digital print
process.
www.
digitalalternativesurfaces.
com www.kathyanneart.
com
kathyanneart@me.com
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webinar: Digital Printing Alternative

Surfaces: Fabric
This workshop is designed to be your
complete guide to digital printing on fabric.
We will look at silk, cotton, canvas and
lutradur. During the course of this workshop
you will be introduced to many ideas for you
to continue your exploration of the alternative
digital printing process with fabric once the
workshop is over.
Learn how easy it is to print these wonderful
alternative surfaces. In just 90 minutes you will
be up and running with digitally printing on
fabrics. We will discuss what you need to get
started and then delve into the entire process
starting with precoating surfaces all the way
through the print process using Photoshop
CS6.
Kathyanne White
kathyanneart@me.com
www.kathyanneart.com
www.digitalalternativesurfaces.com
See Kathy Annes webinar information
at: http://www.digital-art-summit.
com/membership/2013-artists/
Join me for this informative, innovative and

fun workshop.
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cecil williams
WEBINAR REVIEW of book: painter showcase

paint program, Painter. It
is just over two decades
since the pressure-sensitive
Wacom tablet, complete
with a light-weight, batteryFROM FOREWORD IN
free wireless stylus, and
PAINTER SHOWCASE, by
in combination with an
Jeremy Sutton: This fabulous
array of powerful painting
showcase of art and artists
programs that took
comes at a historic juncture
advantage of the pressurein the development of
sensitivity, transformed
digital painting. With Painter
the world of the artist and
we have tools that could
opened up a whole new
once only have been
vista of creative possibilities.
dreamt of! It is twenty years
Two decades on and digital
since the birth of the premet with skepticism by the
paint, which was initially
eminent natural media
public at large and the
fine art world of collectors,
galleries and museums
alike, is now an accepted
part of the spectrum of
fine art media. Earlier this
year I walked around David
Hockney s Bigger Picture
exhibition, entering one
hall after another of large
digital prints made from
his iPad sketches, in one
of the most respected
and traditional fine art
institutions in London: the
Royal Academy. Digital has
arrived. This showcase is a
testament to the powerful,
evocative and beautiful
imagery that one tool,
Painter, can be used for
in the hands of a diverse
range of artists from all
over the world. Over the
twenty years I have been
using Painter I ve seen
Cover by Heather Michelle
Cecil Williams is a unique
creative. In this webinar find
out about his inspirational
book, Painter Showcase.
F EB R UA R Y 2 013
53
it evolve and transform,

like a painting itself. That
excitement, passion
and enthusiasm that I
remember so well from
the co-creators of Painter,
Mark Zimmer and the late
Tom Hedges, later joined
by John Derry, at Fractal
Design, is still present in
the new generation of
developers and designers
on the Painter team at
Corel. Painter was never just
another program, another
piece of software. It was
always about the artists

and their art. It was the
genius of Mark, Tom and
John that they decided
to provide the artist with
access within Painter to the
developer tools that control
the brush behaviors. They
were not just providing a
digital painting studio, but
a tool-making workshop
behind the studio where an
artist could customize and
hone their tools to suit their
own expressive and creative
vision, as well as experiment
Painting by Tim ONeill

with new looks that they

had never even imagined
possible. That is part of the
beauty of Painter: with the
multiple brush technologies
and possibilities built
up over twenty years of
maturity, there is always
something to surprise and
delight! The art showcased
in the following pages
demonstrates the joy and
passion the contributors to
this book feel for Painter, as
well as their mastery of this
powerful tool. Youll notice
that there is no Painter look.
Painter empowers every
artist to express themselves
uniquely. No two artists use
Painter exactly the same.
As legendary computer
pioneer Doug Englebart
expressed the idea of
networks (i.e. computers)
augmenting human
intelligence, one can think
of Painter as augmenting
human creativity. It provides
us with an unparalleled
ease, efficiency and
richness of visual
expression. Congratulations
to Cecil for doing such a
fabulous job producing
this book! As with all his
book projects, Cecil does
everything first class, with
style and quality. Thank you,
Cecil, for bringing together
this magnificent, inspiring
and educational collection
of Painter art. Enjoy the
book! Cheers, Jeremy
Sutton Corel Master Painter
--Foreword Inside Book
Painting on next page by Michael Campbell

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54
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55
About the Author

Cecil Williams is author/
artist/photographer/
publisher of 4 photo
documentaries. Before
the release of Painter
Showcase, Williams
published, Messages
From Home, featuring the
Batik art of Leo Twiggs; a
book that received;The
Next Generation Indie
Book Awards Finalist. On
the eve of the birth of
Painter Showcase over 20
years ago, Cecil Williams
purchased one of the first
editions from Mark Zimmer
in Boston at the MacWorld
Expo. Although Williams was
an experienced artist using

natural media, he was
curious about the emerging
digital possibilities he
could create with his
computer and software
introductions from Fractal
Design. When he noticed
a void in art books with
large size images featuring
the work of Corel painter
artists, Williams contacted
the Painter community and
within two years created
PAINTER SHOWCASE.
Check out these reviews
that were copied from the
Amazon website.
By Pretty_in_Pink
If you are a artist and need
F EB R UA R Y 2 013
inspirational and fresh

ideas, this is the book to
get.
It is one of its kind and
looks great on my living
room coffee table.
The colors and quality is
amazing!!
5.0 out of 5 stars Painter
Showcase - Inspirational
and Amazing!!! January 9,
2013
By Dira
The works in this book are
an amazing collection of
art/photography! I am
inspired more with each
turn of the page. Cecil
and Heather have done
a truly amazing job in
56
putting this together and

elevating digital art to the
place where it can and
should be appreciated for
the quality that it is and for
the amount of work that
goes into this form of art.
The tools may be different
than traditional media, but
the creative expression in
digital art is clearly every bit
a work of art as traditional
media - only without the
mess! This book will amaze
and inspire you! 5.0 out of 5
stars Painter Showcase the
New Pictorialist Movement
January 9, 2013
By Cruachan
This gorgeous 11x11 inch
hard cover 328 full color
page book is a collectors
coffee table book. It shows
for the first time in a single
publication the range
of creative possibilities
brought to photographers
and visual artists by the
tools of digital technology
fully blossom in the digital

age. It has meant of course
that they have had to
learn the new tecnology
of the digital camera, the
computer and the software,
but as will be readily
appreciated when you
open this book, they have
The ideas and aspirations
taken to it like ducks to
of artists have not changed, water. These are not casual
but their new tools have
weekend snapshooters with
opened the door to
iphones and point and
a seemingly limitless
shoot cameras, these are
possibility for self expression dedicated professionals
and creative endeavor.
who love their craft and are
Many of the artists in this
excited by the new horizons
book have already spent
that have opened up in
a lifetime honing and
the past few years. Luckily
fine tuning their skills with
hardware and software
lighting, composition,
and printing technology
processing and printing
has appeared at the same
and all the rigorous
time just when it was most
requirements for producing needed and although they
fine photography using
are constantly being refined
film. These skills can now
and undated, the methods
F EB R UA R Y 2 013
for producing fine archival

images on canvas, paper,
or even media such as
metal sheets are now firmly
established.
The majority of people
who buy cheap (or even
expensive) digital cameras
are often content to leave
all the decisions to the
camera and simply record
the realities of their lives.
This is certainly a valuable
ability for society and its
members to document
itself and define its modern
culture. The internet is
awash with images of
everything under the sun,
and sometimes, though
less often, under the
moon. The artists in this
book are not content to
simply point the camera
snd record mecanically
57
what lies before the lens.

They wish their images to
have a lasting value to a
wider audience than to the
immediate friend or relative
of the creator of the image.
They are also on a journey
of self-discovery and selfexpression that has been
the motivating force of all
great artists throughout
history.
in 1894 Robert Demarchy
the founder of the PhotoClub de Paris started a
group of photographers
who broke away from the
established photographic
institutions such as the
Royal Photographic Sociey
which they said had a
technical and scientific
approach with too many
rules and regulations
dictating the way a
photograph should be
made. This group, along
with The Brotherhood of the
Linked Ring in London and
the Photo Secessionists in
the US, set out to bring a
more Pictorial approach
to the Art of Photography.
a movement they called
Pictorialism.
One of this groups leaders
Robert Demarchy wrote
A work of art must be a
transcription, not a copy
of nature ... there is not a
particle of art in the most
beautiful scene of nature.
The art is mans alone, it is
subjective not objective.
Some of the images in
the book closely resemble
paintings made in
the great tradition of
the oil and watercolor
media, in which the
texture of the brush
strokes themselves
adds to the beauty
and uniqueness
of the image and
serves to transform
the mechanical and
plastic look of a
straight photograph
into something that
almost lives and
breathes. Two cameras
can take produce
identical images
but no two artists
in this book given
the same identical
any student of Art and
photographs to start with
Photography and anyone
would produce identical
who loves beautifully
finished results. The stamp
crafted books filled with
of their individuality as an
inspiring images. This is not
artist would be clearly and
a technical how to book
indelibly impressed into the
but as Ansel Adams said..
final image.
I much prefer inspiration to
The artists in this book
information !
are carrying on this
We will chat with Cecila
tradition Pictorialism, they
about the making of this
are creating works of art
book. How did it come
based on images captured
about, what was the reason
with a camera, but that
he chose to attack such a
photographic reference is
large undertaking? Find out
only the beginning not the
with this exclusive interview.
end of the process, they
http://cwilliams.photobiz.
then take that image to a
much more expressive level com/store/?page/4392/
than can be achieved by a load/product_
straight recording of reality detail/item/46899/
painter-showcase
however beautiful the
original scene or subject.
See Cecils webinar
They are proving reality is
limited but Imagination
has no bounds. I would
recommend this book to
F EB R UA R Y 2 013
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F EB R UA R Y 2 013
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D igitAl ARt

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the publishers corner

This magazine link is free to distribute. You may

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Sat., Mar 2, 12:30 CST

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impressions of the world

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webinar: Be quiet and listen to your image!

Every image is different and should be portrayed

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Thom holds the PPA

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webinar: After the Camera - Before the

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D IGITAL ART C R E ATI O N

webinar: Discovering Light and Colour

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webinar: Returning to the Easel

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Dry time and work

Important facts that

youll find Heather, and

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Succeeding in 2013 Digital Art Print Market

Discover how focusing on

you can use to start

I am eager to give you

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Combine the Best Marketing Tools to

selling self-representing artists and art

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art print market. He is also the co-producer and

Two-for-one art print marketing and how to price

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D IGITAL ART C R E ATI O N

Biology, thinking she wanted

available for commissioned portraits of

She settled into the profession of graphic

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webinar: PAINTING HORSES AND PETS

the different methods of

Clone vs Quick Clone vs

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perspective and depth of

a very simple, easy-to-learn method,

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painting, and then add finishing touches

WEBINAR: USING PHOTOSHOP AND PAINTER TO