Photo Stitching

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10/25/11

Image Stitching

Computational Photography
Derek Hoiem, University of Illinois
Photos by Russ Hewett

Last Class: Keypoint Matching


1. Find a set of
distinctive keypoints
A1

A2

2. Define a region
around each
keypoint

A3

fA

fB

d( f A, fB ) T

3. Extract and
normalize the
region content
4. Compute a local
descriptor from the
normalized region
5. Match local
descriptors

K. Grauman, B. Leibe

Last Class: Summary


Keypoint detection: repeatable
and distinctive
Corners, blobs
Harris, DoG

Descriptors: robust and selective


SIFT: spatial histograms of gradient
orientation

Today: Image Stitching


Combine two or more overlapping images to
make one larger image

Add example

Slide credit: Vaibhav Vaish

Problem basics
Do on board

Basic problem
x = K [R t] X
x = K [R t] X
t=t=0

.X
x

x'
f

f'

x=Hx where
H = K R R-1 K-1
Typically only R and f will change (4 parameters),
but, in general, H has 8 parameters

Views from rotating camera

Camera Center

Image Stitching Algorithm Overview


1. Detect keypoints
2. Match keypoints
3. Estimate homography with four matched
keypoints (using RANSAC)
4. Project onto a surface and blend

Image Stitching Algorithm Overview


1. Detect/extract keypoints (e.g., DoG/SIFT)
2. Match keypoints (most similar features,
compared to 2nd most similar)

Computing homography
Assume we have four matched points: How do
we compute homography H?
Direct Linear Transformation (DLT)

x' Hx

w' u'
x ' w' v'

w'

h1
H h4

h7

h2
h5
h8

h3
h6

h9

0
0 uu vu u
u v 1 0
h0
0

0
0 u v 1 uv vv v

h1
h
2
h3

h4
h h5

h6
h7

h8
h
9

Computing homography
Direct Linear Transform
0
0 u1u1 v1u1 u1
u1 v1 1 0
0
0
0 u1 v1 1 u1v1 v1v1 v1

h 0 Ah 0

0
0
0

1
u
v
v
v
v
n
n
n n
n n
n

Apply SVD: UDVT = A


h = Vsmallest (column of V corr. to smallest singular value)
h1
h1
h
h 2 H h4

h7

h9

h2
h5
h8

h3
h6

h9

Matlab
[U, S, V] = svd(A);
h = V(:, end);

Computing homography
Assume we have four matched points: How do
we compute homography H?
Normalized DLT
1. Normalize coordinates for each image
a) Translate for zero mean
b) Scale so that u and v are ~=1 on average

~
x Tx

~x Tx

This makes problem better behaved numerically (see


Hartley and Zisserman p. 107-108)

2. Compute H using DLT in normalized coordinates


1 ~
3. Unnormalize: H T HT
xi Hx i

Computing homography
Assume we have matched points with outliers:
How do we compute homography H?
Automatic Homography Estimation with RANSAC

RANSAC: RANdom SAmple Consensus


Scenario: Weve got way more matched points
than needed to fit the parameters, but were not
sure which are correct
RANSAC Algorithm

Repeat N times
1. Randomly select a sample
Select just enough points to recover the parameters
2. Fit the model with random sample

3. See how many other points agree


Best estimate is one with most agreement

can use agreeing points to refine estimate

Computing homography
Assume we have matched points with outliers: How do
we compute homography H?
Automatic Homography Estimation with RANSAC
1. Choose number of samples N
2. Choose 4 random potential matches
3. Compute H using normalized DLT
4. Project points from x to x for each potentially
matching pair: xi Hx i
5. Count points with projected distance < t

E.g., t = 3 pixels

6. Repeat steps 2-5 N times

Choose H with most inliers


HZ Tutorial 99

Automatic Image Stitching


1. Compute interest points on each image
2. Find candidate matches
3. Estimate homography H using matched points
and RANSAC with normalized DLT
4. Project each image onto the same surface and
blend

Choosing a Projection Surface


Many to choose: planar, cylindrical, spherical,
cubic, etc.

Planar Mapping

x
x

1) For red image: pixels are already on the planar surface


2) For green image: map to first image plane

Planar vs. Cylindrical Projection

Planar
Photos by Russ Hewett

Planar vs. Cylindrical Projection


Planar

Cylindrical Mapping
x

x
f

1) For red image: compute h, theta on cylindrical surface from (u, v)


2) For green image: map to first image plane, than map to cylindrical surface

Planar vs. Cylindrical Projection


Cylindrical

Planar vs. Cylindrical Projection


Cylindrical

Planar

Cylindrical

Simple gain adjustment

Automatically choosing images to stitch

Recognizing Panoramas

Some of following material from Brown and Lowe 2003 talk

Brown and Lowe 2003, 2007

Recognizing Panoramas
Input: N images
1. Extract SIFT points, descriptors from all
images
2. Find K-nearest neighbors for each point (K=4)
3. For each image
a) Select M candidate matching images by counting
matched keypoints (M=6)
b) Solve homography Hij for each matched image

Recognizing Panoramas
Input: N images
1. Extract SIFT points, descriptors from all
images
2. Find K-nearest neighbors for each point (K=4)
3. For each image
a) Select M candidate matching images by counting
matched keypoints (M=6)
b) Solve homography Hij for each matched image
c) Decide if match is valid (ni > 8 + 0.3 nf )
# inliers

# keypoints in
overlapping area

RANSAC for Homography

Initial Matched Points

RANSAC for Homography

Final Matched Points

Verification

RANSAC for Homography

Recognizing Panoramas (cont.)


(now we have matched pairs of images)
4. Find connected components

Finding the panoramas

Finding the panoramas

Finding the panoramas

Recognizing Panoramas (cont.)


(now we have matched pairs of images)
4. Find connected components
5. For each connected component
a) Perform bundle adjustment to solve for rotation
(1, 2, 3) and focal length f of all cameras
b) Project to a surface (plane, cylinder, or sphere)
c) Render with multiband blending

Bundle adjustment for stitching


Non-linear minimization of re-projection error

x Hx where H = K R R-1 K-1


N

Mi

error dist (x , x )
k

Solve non-linear least squares (LevenbergMarquardt algorithm)


See paper for details

Bundle Adjustment
New images initialized with rotation, focal
length of the best matching image

Bundle Adjustment
New images initialized with rotation, focal
length of the best matching image

Blending
Gain compensation: minimize intensity
difference of overlapping pixels
Blending
Pixels near center of image get more weight
Multiband blending to prevent blurring

Multi-band Blending (Laplacian Pyramid)


Burt & Adelson 1983
Blend frequency bands over range l

Multiband blending

Blending comparison (IJCV 2007)

Blending Comparison

Straightening
Rectify images so that up is vertical

Further reading
Harley and Zisserman: Multi-view Geometry book

DLT algorithm: HZ p. 91 (alg 4.2), p. 585


Normalization: HZ p. 107-109 (alg 4.2)
RANSAC: HZ Sec 4.7, p. 123, alg 4.6
Tutorial:
http://users.cecs.anu.edu.au/~hartley/Papers/CVPR99tutorial/tut_4up.pdf

Recognising Panoramas: Brown and Lowe, IJCV


2007 (also bundle adjustment)

Tips and Photos from Russ Hewett

Capturing Panoramic Images


Tripod vs Handheld
Help from modern cameras
Leveling tripod
Gigapan
Or wing it
Image Sequence
Requires a reasonable amount of overlap (at least 15-30%)
Enough to overcome lens distortion
Exposure
Consistent exposure between frames
Gives smooth transitions
Manual exposure
Makes consistent exposure of dynamic scenes easier
But scenes dont have constant intensity everywhere

Caution
Distortion in lens (Pin Cushion, Barrel, and Fisheye)
Polarizing filters
Sharpness in image edge / overlap region

Pikes Peak Highway, CO

Photo: Russell J. Hewett

Nikon D70s, Tokina 12-24mm @ 16mm, f/22, 1/40s

Pikes Peak Highway, CO

Photo: Russell J. Hewett

(See Photo On Web)

360 Degrees, Tripod Leveled

Photo: Russell J. Hewett

Nikon D70, Tokina 12-24mm @ 12mm, f/8, 1/125s

Howth, Ireland

Photo: Russell J. Hewett

(See Photo On Web)

Handheld Camera

Photo: Russell J. Hewett

Nikon D70s, Nikon 18-70mm @ 70mm, f/6.3, 1/200s

Handheld Camera

Photo: Russell J. Hewett

Les Diablerets, Switzerland

Photo: Russell J. Hewett

(See Photo On Web)

Macro

Photo: Russell J. Hewett & Bowen Lee

Nikon D70s, Tamron 90mm Micro @ 90mm, f/10, 15s

Side of Laptop

Photo: Russell J. Hewett & Bowen Lee

Considerations For Stitching


Variable intensity across the total scene
Variable intensity and contrast between frames
Lens distortion
Pin Cushion, Barrel, and Fisheye
Profile your lens at the chosen focal length (read from EXIF)
Or get a profile from LensFun

Dynamics/Motion in the scene


Causes ghosting
Once images are aligned, simply choose from one or the other
Misalignment
Also causes ghosting
Pick better control points
Visually pleasing result
Super wide panoramas are not always pleasant to look at
Crop to golden ratio, 10:3, or something else visually pleasing

Ghosting and Variable Intensity

Photo: Russell J. Hewett

Nikon D70s, Tokina 12-24mm @ 12mm, f/8, 1/400s

Photo: Russell J. Hewett

Ghosting From Motion

Photo: Bowen Lee

Nikon e4100 P&S

Motion Between Frames

Photo: Russell J. Hewett

Nikon D70, Nikon 70-210mm @ 135mm, f/11, 1/320s

Photo: Russell J. Hewett

Gibson City, IL

Photo: Russell J. Hewett

(See Photo On Web)

Mount Blanca, CO

Photo: Russell J. Hewett

Nikon D70s, Tokina 12-24mm @ 12mm, f/22, 1/50s

Mount Blanca, CO

Photo: Russell J. Hewett

(See Photo On Web)

Things to remember
Homography relates rotating cameras
Recover homography using RANSAC and
normalized DLT
Can choose surface of projection: cylinder,
plane, and sphere are most common
Lots of room for tweaking (blending,
straightening, etc.)

Next class
Using interest points to find objects in
datasets

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