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    June Dances: For Flute, Oboe, Clarinet, and Piano

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    Jesús Alejandro Marcial Hernández
    June Dances is a trio of baroque dances which recall scenes and emotions in New York. The final movement uses themes by Bartok and Mahler as major material. Performers should endeavor to play the set with as little pause between movements as possible.

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    June Dances: For Flute, Oboe, Clarinet, and Piano

    Uploaded by

    Jesús Alejandro Marcial Hernández
    97 views32 pages
    June Dances is a trio of baroque dances which recall scenes and emotions in New York. The final movement uses themes by Bartok and Mahler as major material. Performers should endeavor to play the set with as little pause between movements as possible.

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    June_Dances__Salamon__Sean_M._.pdf

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    June Dances is a trio of baroque dances which recall scenes and emotions in New York. The final movement uses themes by Bartok and Mahler as major material. Performers should endeavor to play the set with as little pause between movements as possible.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    97 views32 pages

    June Dances: For Flute, Oboe, Clarinet, and Piano

    Uploaded by

    Jesús Alejandro Marcial Hernández
    June Dances is a trio of baroque dances which recall scenes and emotions in New York. The final movement uses themes by Bartok and Mahler as major material. Performers should endeavor to play the set with as little pause between movements as possible.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 32

    for flute, oboe, clarinet, and piano

    Score in C
    August 2011

    SEAN MICHAEL SALAMON

    June Dances

    SEAN MICHAEL SALAMON


    June Dances

    for flute, oboe, clarinet, and piano


    No. 1: The Village (Forlane)
    No. 2: Larry Kramers Play (Sarabande)
    No. 3: The Joy (Tambourin)
    FROM THE COMPOSER
    June Dances is a trio of baroque dances which recall scenes and emotions I witnessed and felt
    in New York City during Gay Pride Month of 2011. The final movement uses themes by Bartk and
    Mahler as major material.
    The opening dance depicts a stroll down Christopher Street on a summers evening, and we
    experience the sights, smells, and sounds: the chattering of cheerful people, a whiff of curry, and the
    sight of shops benign and not-so-benign. Before long, we wander into Christopher Park to sit down
    and enjoy lheure bleue.
    The sarabande is a meditation on The Normal Heart, a play by Larry Kramer which chronicles
    the outbreak of AIDS in the United States, and which played in New York in June.
    The final dance illustrates the anticipation right before the Gay Pride March, and then, the
    unbridled joy as Governor Cuomo walks down the street, flanked by Council Speaker Quinn and
    Mayor Bloomberg. Thousands of joyous men and women clamber over police barriers to catch a
    glimpse of their hero, Andrew Cuomo, marching down Fifth Avenue. On this day, we are all New
    Yorkers.
    Performers should endeavor to play the set with as little pause between movements as
    possible. At the end of the forlane, the piano should ring until the entrance of the clarinet at m. 1 of
    the sarabande.
    Sean Michael Salamon

    June Dances was premiered on November 12, 2011 by Sarah Steranka, flute; Andrew Dotterer, oboe; Katie Russell,
    clarinet; and Stephen Murphy, piano. It has since been performed in Singapore and Thailand by the Sawasdee Woodwind
    Quintet, and in Essex and Sussex, England by the Bryony Ensemble.
    2014 Sean Michael Salamon. If you plan to perform this work, contact the composer at sean.michael.salamon@gmail.com.

    Sean Michael Salamon's music has been performed by numerous ensembles throughout the
    United States as well as in Canada, Spain, Chile, England, Scotland, Iceland, Germany,
    Romania, Lithuania, Thailand, Singapore, Malaysia, and Taiwan. He is the founder of
    early/new music vocal ensemble Ping (pingvoices.com), the music director for the CMU
    Originals (cmuoriginals.org), and the baritone choral scholar at Trinity Cathedral in downtown
    Pittsburgh. He studies music composition with Reza Vali at Carnegie Mellon University, having
    previously studied composition with Nancy Galbraith, and conducting with Robert Page.
    Browse his scores online at IMSLP and listen on Soundcloud.

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