The Seven Trumpets. by ?A.T.Jones?
The Seven Trumpets. by ?A.T.Jones?
The Seven Trumpets. by ?A.T.Jones?
INTRODUCTORY.
THE great leading features of Daniel’s visions were the four great governments
of antiquity, beginning with the Babylonian, and ending with the Roman, in its
papal form. Not so, however, with John; he lived when three of those govern-
ments had passed away, and the fourth and last was in being, and in the height
of its glory, as an universal monarchy. Under that government John was in ban-
ishment on the isle of Patmos, “for the word of God, and the testimony of Jesus
Christ.” Accordingly, instead of predicting the rise and triumph of either of those
four great governments, it was his part to give the prophetic history of the fall of
the last of the four, and give us the various means by which that great persecuting
system should come to ruin.
The first decisive step in the downfall of Rome, was the removal of the seat
of empire from the West to the East. This transfer of the capital from Rome to
Constanstinople was accomplished in A.D. 330. Until then, its unity had been
very faithfully preserved. After that, division and subdivision became the order
of the day, until the final ruin of the empire.
The sounding of the first four trumpets comes in as a compliment to the proph-
ecy of Dan. 2 and 7. It describes the fall of the Roman Empire, and the manner
of breaking it up into ten parts as represented by the ten toes of the image and the
ten horns of the beast.
We see in Num. 10:9, and Zeph. 1: 16, that the trumpet is a symbol of war.
Hence, we say in the words of another: “The trumpets denote great political
commotions to take place among the nations in this age.” The events, as set forth
in our subject, must belong to the Christian dispensation from authority of the
angel’s words: “Write the thing’s which thou hast seen, and the thing’s which are,
and the things which shall be hereafter.”
In A. D. 837, we find the Roman Empire divided into three parts by Constan-
tine the Great, and a part given to each of his three sons. It is on the ground of this
division that we understand, in Rev. 8, where it speaks of the “third part of men,”
it alludes to the part of the empire under the scourge. Constantius possessed
the East, and fixed his residence at Constantinople, the new metropolis of the
empire. Constantine the Second held Britain, Gaul, and Spain. Constans held Il-
lyrica, Africa, and Italy. (See “Sabine’s Eccl. Hist.,” p. 155.) Of this well-known
historical fact, Mr. Barnes, the commentator, in his notes on Rev. 12 ; 4, says:
“Twice, at least, before the Roman Empire became divided into the two parts,
the Eastern and the Western, there was a tripartite division of the empire. The
first occurred A. D. 311, when it was divided between Constantiue, Licinins, and
Maximin; the other, A.D. 337, on the death of Constantine, when it was divided
between his three sons, Constantine, Constans, and Constantius.”
According to chronology, we find the last of the three sons above noticed died
in A. D. 354, and in A. D. 356 the Huns, a tribe of barbarians, had increased to
such a power that the Roman armies dare not assail them. We find them on both
2 THE SEVEN TRUMPETS. THE SEVENTH ANGEL. 47
sides of the Ural chain of mountains, “inhabiting from the regions of perpetual ward of the righteous will be given when they inherit the New Earth, at the close
snow to the Caspian Sea, and ravaging at will Europe on the one side and Asia of the 1000 years; and that at that very time God will destroy by the second death
on the other.”—Sheppard’s Fall of Rome. all who have corrupted the earth. And why may not the sounding of the seventh
An idea of the territory which they occupied, may be had from the treaty which angel continue until the end of the 1000 years? and the third woe, cover all woe
was made between them and the Romans. The parties met on the banks of the till sin and sinners cease to be at the close of the seventh millennium?
Danube at a place called Margus. Said the king of the Huns to the Roman en-
voys: “Break off all connection with the Ultra—Danubian tribes. . . . . Increase
your tribute from 300 to 700 pounds of gold. Do this, or war.”—Sheppar’d’s
Fall of Rome.
The Roman embassadors accepted the terms. We have, then, one of the toes
of the metallic image, or one of the horns of the terrible beast, represented by
the Huns.
The Goths were a tribe who at this time occupied Central Europe, but in A.
D. 377, 378, divided themselves into two nationalities, and are known in history
as Ostrogoths, who occupied the East (Mysia), and the Visigoths, who occupied
the West (Pannonia). After their establishment as kingdoms, we may find them
assisting, but not subservient to the Roman power.
We now have the Roman Empire, Which had ruled over the most of the habit-
able part of the world from the days of Augustus Caesar, dismembered. Three
large parcels of its territory are occupied by barbarians, who neither pay tribute
nor yield allegiance to its authority.
We can readily see, then, that here are brought to view three of the toes of the
image, or three of the horns of the terrible beast.
As to the nature of these trumpets we differ from some expositors. They are,
in our opinion, essentially different from the seven seals. While the seals give an
inspired ecclesiastical history of the church, the trumpets are a symbolical proph-
ecy of the uprooting of certain civil powers, as connected with the church.
In giving an outline of this subject, I shall, for the most part, follow Keith, in
his “Signs of the Times,” on the first four trumpets. We should be glad to give his
remarks and historical quotations entire, would our limits, admit it.
The subject properly begins with the second verse of the eighth chapter; and
the first verse should have been annexed to the seventh chapter, it being the con-
clusion of the opening of the seals.
In verses 2-5 of chapter 8, we have the prefatory remarks, preparatory to the
sounding of the trumpets. Then follows the sounding of the first angel.