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    Joe Pass - Jazz Lines DVD Esquemavideo

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    Skull Quartet
    This document discusses a DVD from jazz guitarist Joe Pass from 1991. In the DVD, Joe Pass demonstrates improvised lines over common jazz chord progressions and discusses aspects of improvisation. He touches on topics like simplifying one's thinking to build lines, repeating phrases at different octaves, identifying chord qualities like major 7th and dominant 7th chords, and altering tones within chords like the #11 and b5. The accompanying booklet contains sheet music for the improvised lines.

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    © All Rights Reserved
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    Joe Pass - Jazz Lines DVD Esquemavideo

    Uploaded by

    Skull Quartet
    778 views7 pages
    This document discusses a DVD from jazz guitarist Joe Pass from 1991. In the DVD, Joe Pass demonstrates improvised lines over common jazz chord progressions and discusses aspects of improvisation. He touches on topics like simplifying one's thinking to build lines, repeating phrases at different octaves, identifying chord qualities like major 7th and dominant 7th chords, and altering tones within chords like the #11 and b5. The accompanying booklet contains sheet music for the improvised lines.

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    Esquema del dvd de Joe Pass

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    This document discusses a DVD from jazz guitarist Joe Pass from 1991. In the DVD, Joe Pass demonstrates improvised lines over common jazz chord progressions and discusses aspects of improvisation. He touches on topics like simplifying one's thinking to build lines, repeating phrases at different octaves, identifying chord qualities like major 7th and dominant 7th chords, and altering tones within chords like the #11 and b5. The accompanying booklet contains sheet music for the improvised lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    778 views7 pages

    Joe Pass - Jazz Lines DVD Esquemavideo

    Uploaded by

    Skull Quartet
    This document discusses a DVD from jazz guitarist Joe Pass from 1991. In the DVD, Joe Pass demonstrates improvised lines over common jazz chord progressions and discusses aspects of improvisation. He touches on topics like simplifying one's thinking to build lines, repeating phrases at different octaves, identifying chord qualities like major 7th and dominant 7th chords, and altering tones within chords like the #11 and b5. The accompanying booklet contains sheet music for the improvised lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    WYNTON MARSALIS JAZZ IN MARCIAC

    Wim
    Dijkgraaf

    GREAT RHYTHM SIGHT READING APP

    Joe Pass Jazz Lines


    DVD (1991)

    Joe discusses the scales and arpeggios he uses when


    improvising. As notated in the accompanying booklet, Joe also
    demonstrates nonstop improvised lines for major 7th, minor
    7th, and static and altered dominant 7th chord types, plus
    theres a special section on turnarounds.

    Some remarkable things he says:


    3:30: how I look at chord changes: very basic which is
    major, minor and dominant 7th (including diminished and
    augmented)
    4:38: simplify your thinking so you can build lines that are
    easier to picture or hear with your ear
    12:00: in many instances, repeating a phrase an octave
    lower is done a lot because its an easy way to make the
    line longer
    13:00: nice example of a #11 line (Joe Pass calls it a pure
    11)
    14:00: the objective is to have a style of playing and an
    identity to your playing so that when someone hears it
    they know that its so and so playing
    14:50: if you cant repeat the line it means its not in your
    head, hands or heart (yet) so it doesnt make any musical
    sense
    15:42: when you have a I chord for a bar you can always
    use a V chord as a movement
    23:55: a lot of playing is dictated a lot by forms that you
    play from (and see)
    23:27: rather than have a lot of information that is
    theoretical (it works but you are always thinking about
    what you are playing) it might be a good idea to observe
    a little bit what you are doing with your ngers and look
    at it as if you are looking at a puzzle trying to gure out
    what it is you are looking at
    29:20: if I see a movement like ||: ii7 V :|| I completely
    disregard the ii7 chord. It doesnt enter my thinking
    34:05: the only things you can alter in a V7 chord are the
    b9 #9, b5 and #5
    And here is the booklet: Joe Pass Jazz Lines (4Mb .pdf le)

    Joe Pass (born Joseph Anthony Jacobi Passalaqua , January 13,


    1929 May 23, 1994) was an ItalianAmerican jazz guitarist of Sicilian descent. He is generally
    considered to be one of the greatest jazz guitarists of the 20th
    century. His extensive use of walking basslines,
    melodic counterpoint during improvisation, use of a chordmelody style of play and outstanding knowledge of chord
    inversions and progressions opened up new possibilities for
    jazz guitar and had a profound inuence on future guitarists.

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