Mts 3200
Mts 3200
Mts 3200
OPERATING MANUAL
MTS3200
TONE CONTROLS
MTS3212
FEATURES
CELESTION
SPEAKERS
Congratulations on your purchase of the MTS3200 all tube amplifier. Carvin has
been building tube guitar amplifiers since 1949. They have been used by top professionals like; Frank Zappa, Steve Vai, Craig Chaquico, Allan Holdsworth, Larry Carlton,
Chet Atkins and other great musicians. You will discover that these amplifiers represent a significant sound improvement over conventional tube amplifiers. Spend time
with your new MTS3200 head or your MTS3212 combo and get to know its many
sounds.
The T-Bridge passive BASS, MID and TREBLE tone controls offer a wide range of
tone settings. Take full advantage by setting them where they sound best. Your
sound may not be at center 5 on the dial. These controls will not affect or color your
sound when set at extreme settings, nor do they interact with each other. The greater
range of these controls comes from the high impedance 1 meg sealed pots (most
guitar amps use 250k pots). The frequency of the bass control is set at 80 Hz while
the mid control is set at 650 Hz. The treble control is set at a very high 11k Hz giving the MTS3200 its dynamic highs.
REVERB
The FS22 footswith for the long tailed REVERB system in the MTS3200 switches only
the reverb send leaving the tail of the reverb to decay naturally, the way its done in the
studio. A special pre filter eliminates the spring boing normally heard in other systems
giving it a lush sound. The all tube reverb system offers vibrant clarity with full depth
reminiscent of the sixties tube amps. Guitar Player magazine rated this system as one
of the best they have heard.
For your records, you may wish to record the following information.
Serial No._____________________ Invoice Date_______________
76-32000B 07/05
RMS Power:
Output Impedance:
Input Impedance:
Tone Controls:
Both Channels:
Speakers:
RMS Power:
Output Impedance:
Input Impedance:
Tone Controls:
Both Channels:
Ch 1 Sensitivity:
Ch 2 Sensitivity:
Channels:
Voiced Line Out:
Preamp Tubes:
Power Amp Tubes:
USA Model:
USA Fuse:
Export Model:
Export Fuse:
Cabinet Size:
Cabinet:
Net Weight:
Warranty:
Options:
50 or 100 watts
4, 8 & 16
100,000 ohms
BASS: 80Hz
MID: 600-700Hz
TREBLE: 11k Hz
1mV for clipping
16mV for full output
2switching
1.5 VAC @ 100 watts RMS
512AX7s (dual stage)
45881s (power pentode)
120VAC, 300VA
3A 250V slow blow, 5 x 20mm
230VAC, 300VA
1.5A 250V slow blow, 5 x 20mm
24.25W x 10.5H x 9.5D
7-ply poplar wood
35 lbs
One Year
CV3200 cover, FS22 footswitch
Ch 1 Sensitivity:
Ch 2 Sensitivity:
Channels:
Voiced Line Out:
Preamp Tubes:
Power Amp Tubes:
USA Model:
USA Fuse:
Export Model:
Export Fuse:
Cabinet Size:
Cabinet:
Net Weight:
Warranty:
Options:
of DRIVE or move the guitar to the side or away from the speaker(s).
If you are like most players, you probably want to plug in your new amp and get started playing it right away. You can read the rest of the manual later to learn the finer points
of operating your amp. In order to get started you will need your MTS3200 amp, a 120
or 230 AC grounded power outlet, your instrument and a standard guitar cord. With the
amp turned off, you may now plug it into the proper AC voltage.
Now turn all the volume and drive controls off and set tone controls at their mid center
position. If you have purchased the FS22 foot switch, plug it into the rear foot switch jack
for switching the channels and reverb. Note: The channel SELECT button must be in the
OUT position (CH 1) for the FS22 to function (a hum will be heard if its in the wrong position).
Now, turn the power switch and standby switch ON. Allow 60 seconds for the tubes to
warm up. Gradually raise the volume controls and re-adjust the tone controls and your
ready to go. The brass knobs can feel hot after the amp has been on awhile. This is normal because brass conducts heat while plastic does not. This will not cause a problem
for the controls. Please call if you feel your amp is malfunctioning. Occasionally tubes
are damaged in shipping.
FRONT PANEL
1. GUITAR INPUT
To start off with, set the BASS, MID & TREBLE controls at their center (5) position.
These controls are to be set according to the type of pickups used (dual or single coil).
Its normal to decrease the BASS at higher playing levels. Try the PRESENCE control also
when adjusting the treble.
7. LEAD PRESENCE
Channel 1 features its own LEAD PRESENCE control for added clarity. Its frequency
range is set at the mid range of the tonal spectrum. Careful adjustment with the TREBLE
control will make this feature very useful.
CLEAN CHANNEL 2
8. CLEAN CHANNEL INDICATOR
The red LED will illuminate when the CLEAN channel is selected.
9. CLEAN VOLUME
Channel switching from the Lead channel into Channel 2 gives you crisp, clean playing.
Thanks to special mud-cutting circuits that work between the frequencies of 500 and 700 Hz,
your guitar tones will be full and vibrant.
A standard 1/4 input jack feeds both channels through using the SELECT switch. Use
a professional quality guitar cord no longer than 25 feet. Typical cable capacitance should
be under 50pfthe longer the cord, the greater the capacitance (you can measure this
with a capacitance meter). A long cable with high capacitance will reduce the overall treble response from your pickups.
For added clarity, the CH 2 PRESENCE switch increases only the highest guitar harmonics
in the 8-10k Hz range which is ideal for acoustic guitars. A normal bright switch works only
in the 3k Hz range leaving your sound somewhat flat. Single or dual coil pickups will determine the need for this switch.
2. CHANNEL SELECT
Set the channel SELECT switch to the desired channel. The LEDs next to the volume
controls will let you see what channel is functioning. Use channel 2 for clean playing.
Use channel 1 for overdrive/sustain. For the FS22 foot switch to function, set the channel SELECT to the OUT channel 1 position.
LEAD CHANNEL 1
You can start at 5 on the dial for each of the tone controls. However, these settings do
not represent a normalize (flat) sound. You need to set them where they sound best!
Most musicians like to reduce the MIDS between 1 and 4 for deeper bass and crisper
highs. If your sound is too bright with single coil pickups, you may want to keep the
PRESENCE switch off.
MASTER SECTION
4. LEAD VOLUME
The volume of the lead channel is to be used as a master level control. For partial clean
output, set the VOLUME control to 10 and turn the DRIVE nearly offunder 1. By reducing the guitar volume, you can use this channel as an alternate clean channel.
5. LEAD DRIVE
For mild tube saturation, set the DRIVE control between 1 & 2. For some of the best
saturation, set the control between 4 & 6. For full blown overdrive, set the control
between 6 and 10 (your guitar volume should be turned all the way up). Because the
MTS3200 has been Hot Rodded with so much gain in the DRIVE control, you will have
an abundance of guitar feedback. However, if feedback is a problem, reduce the amount
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REAR PANEL
15. SPEAKER JACKS
Two 1/4 SPEAKER JACKS are featured to operate several speaker systems at the same
time. Calculate the total speaker impedance based on parallel wiring as both speaker
jacks are wired in parallel. Select the IMPEDANCE SWITCH for the correct impedance.
The detachable AC POWER CORD supplied is designed to operate with one type of voltage (the European 230V export model uses a CEE-7 plug cord set). Check the rear power
cord label for the proper voltage and fuse value. Make sure the cord is securely inserted
into the back of the unit. Plug the cord into a grounded 3 prong power source. No
attempt should ever be made to defeat or use the amp without the ground connected.
The FUSE (some models have circuit breakers) is located within the AC power cord
receptacle. To check or replace the fuse, remove the power cord, place a screwdriver
under the FUSE cap and pull the fuse holder out. The fuse type is a 250V Slow Blow
SB 5 x 20mm rated at 3A for 120V & 1.5A for 230V models. Do not use fast acting fuse,
only a SLOW BLOW (SB) type fuse will work.
HELP SECTION
a) FEEDBACK FROM THE LEAD CHANNEL
The MTS3200 will feedback when the LEAD volume, DRIVE, TREBLE and PRESENCE
are turned all the way up. Like other highly modified tube amps, this is normal. To help
reduce feedback and noise, keep the DRIVE control set around 5 to 7 on the dial. Some
of the best lead saturation will be at around 5not 10. Sometimes replacing V1
(12AX7A) can help reduce feedback.
Actually, the MTS3212 is a more versatile beast than I at first assumed, because, in the process of
turning the drive control all the way up, there are some excellent crunch tones along the way.
Maybe its the British Series (BR12) speakers, or the simple fact that the amp bristles with glowing tubes of loveliness, but these mid-driven sounds are of that responsive type that you just
cant beat. Its warm, of course, but vibrant enough to cut through, and the tones dynamic qualities would seem to offer musical assistance to all but the most colourless of blues players.
However, I would argue that its at high gains that this Carvin comes into its own. In this situation, its one of the most satisfying amps I have played in a long time. EVH was once quoted as
saying that you know when you have a good sound when the guitar seems to play itself, and if Sir
Edward of Van plugged into this combo, he would be more than happy with the brown-ness of the
tone.
High octane rock sounds? No problem. Is mid-scooped thrash of angst-core your bag? Just
step this way, Sir. The EQ is simple because it has no reason to be anything else, such is the
efficiency of both the amp section and speakers to kick out a tone full of ballsy clout and high
end shimmer. Putting it through a 2 x 12 extension cab merely enhances the tone further.
Just when you thought it was safe to think soits like a Peavey 5150 (yes, the overdrives really are that good), a flick to Clean 2 will see you reaching for a Strat and switching to position 4.
An amps clean sound is, if anything, a more subjective affair than its dirty compadre, but I would
say that the MTS3212 has the best clean sound Ive ever heard from a 100w combo. Others
might prefer a black-faced Fender Twin or even a Roland JC120, but the bass end available here
is nothing short of incredible. It has the potential to turn the sound of a single coil solid into
something akin to that of a monstrous f-hole jazz beast (should you so desire). Those in-betweeny Strat tones are well served, as is the neck position of a Gibson ES335, and the fact that the
combo can handle such diverse sounds with equal aplomb is a major feat.
Conclusion
Whatever styles of music you play, I have a feeling that you may well be blown away by this
Carvin. The price tag represents excellent value, and it could give other amplifiers costing twice
as much a serious run for their money.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
BLUENeutral
BROWNLive
U.K. MAIN PLUG WARNING: A molded main plug that has been cut off from the cord is
unsafe. NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAIN PLUG INTO A POWER SOCKET.
Jumper, 0.35, 0
Jumper, 0.50, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.50, 0
Jumper, 0.50, 0
Jumper, 0.50, 0
Jumper, 0.8, 0
Jumper, 0.35, 0
Jumper, 0.8, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.50, 0
Jumper, 0.8, 0
Jumper, 0.50, 0
Jumper, 0.35, 0
Jumper, 0.8, 0
Jumper, 0.35, 0
Jumper, 0.8, 0
Jumper, 0.50, 0
Jumper, 0.8, 0
Jumper, 0.50, 0
Jumper, 0.50, 0
Jumper, 0.8, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.35, 0
Jumper, 0.50, 0
Jumper, 0.35, 0
Jumper, 0.50, 0
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Mylar, 0.047F 400V, 10%
Capacitor, Poly, 0.001F 100V, 10%
Capacitor, Poly, 0.033F 100V, 10%
Capacitor, Ceramic, 120PF 500V, 10%
Capacitor, Poly, 0.01F 100V, 10%
Capacitor, Ceramic, 330PF 1000V, 10%
Capacitor, Ceramic, 560PF 500V, 10%
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Mylar, 0.047F 400V, 10%
Capacitor, Poly, 0.001F 100V, 10%
Capacitor, Ceramic, 560PF 500V, 10%
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Mylar, 0.0022F 400V, 5%
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Mylar, 0.01F 400V, 10%
Capacitor, Poly, 0.001F 100V, 10%
Capacitor, Poly, 0.022F 100V, 10%
Capacitor, Ceramic, 250PF 500V, 5%
Capacitor, Electrolytic, 1000F 25V, 20%
Capacitor, Poly, 0.0022F 100V, 10%
Capacitor, Poly, 0.0047F 100V, 10%
Capacitor, Poly, 0.022F 100V, 10%
Capacitor, Poly, 0.0047F 400V, 10%
Capacitor, Ceramic, 250PF 500V, 5%
Capacitor, Electrolytic, 1000F 25V, 20%
Capacitor, Poly, 0.0022F 100V, 10%
Capacitor, Electrolytic, 2200F 6.3V, 20%
Capacitor, Electrolytic, 2200F 6.3V, 20%
Capacitor, Ceramic, 82PF 500V, 5%
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Mylar, 0.047F 400V, 10%
Capacitor, Poly, 0.0022F 100V, 10%
Capacitor, Electrolytic, 10F 50V, 20%
Capacitor, Poly, 0.001F 400V, 10%
Carvin P/N
50-00035
51-00050
50-00035
50-00035
50-00035
51-00050
51-00050
51-00050
44-18000
50-00035
44-18000
50-00035
50-00035
50-00035
51-00050
44-18000
51-00050
50-00035
44-18000
50-00035
44-18000
51-00050
44-18000
51-00050
51-00050
44-18000
50-00035
50-00035
50-00035
50-00035
50-00035
50-00035
50-00035
51-00050
50-00035
51-00050
47-10051
41-47342
46-10212
46-33312
45-12152
46-10312
45-33113
45-56152
47-10051
41-47342
46-10212
45-56152
47-10051
46-22242
47-10051
41-10342
46-10212
46-22312
45-25152
47-10225
46-22212
46-47212
46-22312
41-47242
45-25152
47-10225
46-22212
47-22260
47-22260
45-82052
47-10051
41-47342
46-22212
47-10051
46-10242
C37
C38
C39
C40
C41
C42
C43
C44
C45
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C72
C73
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F1
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H3A
H3B
H5A
H5B
H7A
H7B
H8
J1
J2
J3
J4
J5
JMP1
L1
P1
P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P15
PL1
Q1
LIMITED WARRANTY
Your Carvin product is guaranteed against failure for ONE YEAR unless otherwise stated. Vacuum
tubes are guaranteed for 90 days. Carvin will service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping costs are the responsibility of the customer.
CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER THAN OUR OWN. A COPY OF THE
ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY. Carvin assumes no responsibility
for horn drivers or speakers damaged by this unit. This warranty does not cover, and no liability is
assumed, for damage due to: natural disasters, accidents, abuse, loss of parts, lack of reasonable
care, incorrect use, or failure to follow instructions. This warranty is in lieu of all other warranties,
expressed or implied. No representative or person is authorized to represent or assume for Carvin
any liability in connection with the sale or servicing of Carvin products. CARVIN SHALL NOT BE
LIABLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
When RETURNING merchandise to the factory, you may call for a return authorization number.
Describe in writing each problem. If your unit is out of warranty, you will be charged the current FLAT
RATE for parts and labor to bring your unit up to factory specifications.
HELP SECTION
1) AMP WILL NOT TURN ON
Check the power to the amp. Check for tripped circuit breakers, unplugged extension cords or
power-strip switches that may be turned off. Check the fuse. If a dark brownish color or no wire
can be seen within the glass tube, then replace. The amp may be perfectly fine but occasionally
a fuse may blow because of high AC voltage surges. After the fuse has been replaced with the
proper Slow Blow value and if the fuse fails again, the amp will require servicing.
2) NO OUTPUT with POWER LIGHT ON
Tubes damaged in shipping will be the primary reason for your amp to not function properly.
Please give us a call to help guide you through this simple repair.
3) KEEP YOUR AMP LOOKING NEW
Use a damp cloth to wipe the controls on the front & rear chassis panels. Wipe the black vinyl
covering with a damp cloth.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL! THIS UNIT CONRISK OF ELECTRIC SHOCK TAINS HIGH VOLTAGE INSIDE!
CAUTION
Q2
QC1
QC2
QC3
QC4
QC5
QC6
QC7
QC8
QC9
QC10
QC11
QC12
QC13
QC14
QC15
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QC26
QC27
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QC31
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QC33
QC34
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QC40
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QC50
QC51
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QC56
R1
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R27
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R32
60-78050
06-40045
06-40045
06-40045
06-40045
06-40050
06-40050
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06-40060
06-40060
06-40060
06-40060
06-40060
06-40060
06-40060
50-10055
50-15035
52-22055
50-15055
50-10055
50-15035
52-22055
50-22065
50-15035
52-22055
50-47045
50-15035
52-22055
50-15055
50-10055
50-22045
50-22045
50-33035
51-10055
50-18055
50-22045
50-05605
50-15025
50-47025
50-22035
50-10025
50-10025
50-05605
50-05605
50-00035
50-22065
R33
R34
R35
R36
R37
R38
R39
R40
R41
R42
R43
R44
R45
R46
R47
R48
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R91
R92
R93
S1
S2
S3
S6
S7
50-22025
53-47045
50-22065
50-22055
50-15035
52-22055
50-10055
50-10065
50-15035
50-10055
50-22045
50-22045
50-10055
50-56025
50-10055
50-10055
50-10055
50-22055
50-22055
50-22055
50-22045
50-10055
53-47035
53-22035
56-35010
50-05605
50-05605
50-05605
50-10055
50-47035
50-47035
56-35025
56-35025
50-47035
50-47035
56-35025
56-35025
50-10025
50-10025
50-10045
50-47055
50-22045
25-76286
25-62656
25-62657
25-32833
25-32833
25-31350
25-31353
21-06457
21-06457
15-10711
15-02116
23-91632
65-00127
23-91632
65-00127
23-91632
65-00127
23-91632
65-00127
23-91632
65-00127
23-26400
65-05881
23-26400
65-05881
23-26400
65-05881
23-26400
65-05881